II

A glance rapidly thrown over the past life of this household will

strengthen the ideas which ought to have been suggested by the friendly

altercation of the two personages in this scene. While picturing the

manners and customs of retail shopkeepers, this sketch will also show by

what singular chances Cesar Birotteau became deputy-mayor and perfumer,

retired officer of the National Guard, and chevalier of the Legion of

honor. In bringing to light the depths of his character and the causes

of his rise, we shall show that fortuitous commercial events which

strong brains dominate, may become irreparable catastrophes for weak

ones. Events are never absolute; their results depend on individuals.

Misfortune is a stepping-stone for genius, the baptismal font of

Christians, a treasure for the skilful man, an abyss for the feeble.

A vine-dresser in the neighborhood of Chinon, named Jean Birotteau,

married the waiting-maid of a lady whose vines he tilled. He had three

sons; his wife died in giving birth to the last, and the poor man

did not long survive her. The mistress had been fond of the maid, and

brought up with her own sons the eldest child, Francois, and placed him

in a seminary. Ordained priest, Francois Birotteau hid himself during

the Revolution, and led the wandering life of priests not sworn by the

Republic, hunted like wild beasts and guillotined at the first chance.

At the time when this history begins he was vicar of the cathedral of

Tours, and had only once left that city to visit his brother Cesar.

The bustle of Paris so bewildered the good priest that he was afraid to

leave his room. He called the cabriolets “half-coaches,” and wondered at

all he saw. After a week’s stay he went back to Tours resolving never to

revisit the capital.

The second son of the vine-dresser, Jean Birotteau, was drafted into

the militia, and won the rank of captain early in the wars of the

Revolution. At the battle of Trebia, Macdonald called for volunteers to

carry a battery. Captain Jean Birotteau advanced with his company, and

was killed. The destiny of the Birotteaus demanded, no doubt, that

they should be oppressed by men, or by circumstances, wheresoever they

planted themselves.

The last child is the hero of this story. When Cesar at fourteen years

of age could read, write, and cipher, he left his native place and came

to Paris on foot to seek his fortune, with one louis in his pocket. The

recommendation of an apothecary at Tours got him a place as shop-boy

with Monsieur and Madame Ragon, perfumers. Cesar owned at this period a

pair of hob-nailed shoes, a pair of breeches, blue stockings, a flowered

waistcoat, a peasant’s jacket, three coarse shirts of good linen, and

his travelling cudgel. If his hair was cut like that of a choir-boy, he

at least had the sturdy loins of a Tourangian; if he yielded sometimes

to the native idleness of his birthplace, it was counterbalanced by his

desire to make his fortune; if he lacked cleverness and education,

he possessed an instinctive rectitude and delicate feelings, which he

inherited from his mother,--a being who had, in Tourangian phrase, a

“heart of gold.” Cesar received from the Ragons his food, six francs a

month as wages, and a pallet to sleep upon in the garret near the cook.

The clerks who taught him to pack the goods, to do the errands, and

sweep up the shop and the pavement, made fun of him as they did so,

according to the manners and customs of shop-keeping, in which chaff is

a principal element of instruction. Monsieur and Madame Ragon spoke to

him like a dog. No one paid attention to his weariness, though many a

night his feet, blistered by the pavements of Paris, and his bruised

shoulders, made him suffer horribly. This harsh application of the maxim

“each for himself,”--the gospel of large cities,--made Cesar think the

life of Paris very hard. At night he cried as he thought of Touraine,

where the peasant works at his ease, where the mason lays a stone

between breakfast and dinner, and idleness is wisely mingled with labor;

but he always fell asleep without having time to think of running away,

for he had his errands to do in the morning, and obeyed his duty with

the instinct of a watch-dog. If occasionally he complained, the head

clerk would smile with a jovial air, and say,--

“Ah, my boy! all is not rose at ‘The Queen of Roses.’ Larks don’t fall

down roasted; you must run after them and catch them, and then you must

find some way to cook them.”

The cook, a big creature from Picardy, took the best bits for herself,

and only spoke to Cesar when she wanted to complain of Monsieur and

Madame Ragon, who left her nothing to steal. Towards the end of the

first month this girl, who was forced to keep house of a Sunday, opened

a conversation with Cesar. Ursula with the grease washed off seemed

charming to the poor shop-boy, who, unless hindered by chance, was

likely to strike on the first rock that lay hidden in his way. Like all

unprotected boys, he loved the first woman who threw him a kind look.

The cook took Cesar under her protection; and thence followed certain

secret relations, which the clerks laughed at pitilessly. Two years

later, the cook happily abandoned Cesar for a young recruit belonging to

her native place who was then hiding in Paris,--a lad twenty years old,

owning a few acres of land, who let Ursula marry him.

During those two years the cook had fed her little Cesar well, and had

explained to him certain mysteries of Parisian life, which she made him

look at from the bottom; and she impressed upon him, out of jealousy, a

profound horror of evil places, whose dangers seemed not unknown to

her. In 1792 the feet of the deserted Cesar were well-toughened to the

pavements, his shoulders to the bales, and his mind to what he called

the “humbugs” of Paris. So when Ursula abandoned him he was speedily

consoled, for she had realized none of his instinctive ideas in relation

to sentiment. Licentious and surly, wheedling and pilfering, selfish

and a tippler, she clashed with the simple nature of Birotteau without

offering him any compensating perspective. Sometimes the poor lad felt

with pain that he was bound by ties that are strong enough to hold

ingenuous hearts to a creature with whom he could not sympathize. By the

time that he became master of his own heart he had reached his growth,

and was sixteen years old. His mind, developed by Ursula and by the

banter of the clerks, made him study commerce with an eye in which

intelligence was veiled beneath simplicity: he observed the customers;

asked in leisure moments for explanations about the merchandise, whose

divers sorts and proper places he retained in his head. The day came

when he knew all the articles, and their prices and marks, better than

any new-comer; and from that time Monsieur and Madame Ragon made a

practice of employing him in the business.

When the terrible levy of the year II. made a clean sweep in the shop of

citizen Ragon, Cesar Birotteau, promoted to be second clerk, profited

by the occasion to obtain a salary of fifty francs a month, and took

his seat at the dinner-table of the Ragons with ineffable delight. The

second clerk of “The Queen of Roses,” possessing already six hundred

francs, now had a chamber where he could put away, in long-coveted

articles of furniture, the clothing he had little by little got

together. Dressed like other young men of an epoch when fashion required

the assumption of boorish manners, the gentle and modest peasant had

an air and manner which rendered him at least their equal; and he thus

passed the barriers which in other times ordinary life would have placed

between himself and the bourgeoisie. Towards the end of this year his

integrity won him a place in the counting-room. The dignified citoyenne

Ragon herself looked after his linen, and the two shopkeepers became

familiar with him.

In Vendemiaire, 1794, Cesar, who possessed a hundred louis d’or, changed

them for six thousand francs in assignats, with which he bought into the

Funds at thirty, paying for the investment on the very day before the

paper began its course of depreciation at the Bourse, and locking up

his securities with unspeakable satisfaction. From that day forward he

watched the movement of stocks and public affairs with secret anxieties

of his own, which made him quiver at each rumor of the reverses or

successes that marked this period of our history. Monsieur Ragon,

formerly perfumer to her majesty Queen Marie-Antoinette, confided to

Cesar Birotteau, during this critical period, his attachment to the

fallen tyrants. This disclosure was one of the cardinal events in

Cesar’s life. The nightly conversations when the shop was closed, the

street quiet, the accounts regulated, made a fanatic of the Tourangian,

who in becoming a royalist obeyed an inborn instinct. The recital of the

virtuous deeds of Louis XVI., the anecdotes with which husband and wife

exalted the memory of the queen, fired the imagination of the young man.

The horrible fate of those two crowned heads, decapitated a few steps

from the shop-door, roused his feeling heart and made him hate a system

of government which was capable of shedding blood without repugnance.

His commercial interests showed him the death of trade in the Maximum,

and in political convulsions, which are always destructive of business.

Moreover, like a true perfumer, he hated the revolution which made a

Titus of every man and abolished powder. The tranquillity resulting

from absolutism could alone, he thought, give life to money, and he grew

bigoted on behalf of royalty. When Monsieur Ragon saw that Cesar was

well-disposed on this point, he made him head-clerk and initiated him

into the secrets of “The Queen of Roses,” several of whose customers

were the most active and devoted emissaries of the Bourbons, and where

the correspondence between Paris and the West secretly went on. Carried

away by the fervor of youth, electrified by his intercourse with the

Georges, the Billardiere, Montauran, Bauvan, Longuy, Manda, Bernier, du

Guenic, and the Fontaines, Cesar flung himself into the conspiracy by

which the royalists and the terrorists combined on the 13th Vendemiaire

against the expiring Convention.

On that day Cesar had the honor of fighting against Napoleon on the

steps of Saint-Roch, and was wounded at the beginning of the affair.

Every one knows the result of that attempt. If the aide-de-camp of

Barras then issued from his obscurity, the obscurity of Birotteau saved

the clerk’s life. A few friends carried the belligerent perfumer to

“The Queen of Roses,” where he remained hidden in the garret, nursed by

Madame Ragon, and happily forgotten. Cesar Birotteau never had but that

one spurt of martial courage. During the month his convalescence lasted,

he made solid reflections on the absurdity of an alliance between

politics and perfumery. Although he remained royalist, he resolved to

be, purely and simply, a royalist perfumer, and never more to compromise

himself, body and soul, for his country.

On the 18th Brumaire, Monsieur and Madame Ragon, despairing of the royal

cause, determined to give up perfumery, and live like honest bourgeois

without meddling in politics. To recover the value of their business, it

was necessary to find a man who had more integrity than ambition,

more plain good sense than ability. Ragon proposed the affair to his

head-clerk. Birotteau, now master at twenty years of age of a thousand

francs a year from the public Funds, hesitated. His ambition was to

live near Chinon as soon as he could get together an income of fifteen

hundred francs, or whenever the First Consul should have consolidated

the public debt by consolidating himself in the Tuileries. Why should he

risk his honest and simple independence in commercial uncertainties? he

asked himself. He had never expected to win so large a fortune, and he

owed it to happy chances which only come in early youth; he intended

to marry in Touraine some woman rich enough to enable him to buy and

cultivate Les Tresorieres, a little property which, from the dawn of his

reason, he had coveted, which he dreamed of augmenting, where he could

make a thousand crowns a year, and where he would lead a life of happy

obscurity. He was about to refuse the offer, when love suddenly changed

all his resolutions by increasing tenfold the measure of his ambition.

After Ursula’s desertion, Cesar had remained virtuous, as much through

fear of the dangers of Paris as from application to his work. When

the passions are without food they change their wants; marriage then

becomes, to persons of the middle class, a fixed idea, for it is their

only way of winning and appropriating a woman. Cesar Birotteau had

reached that point. Everything at “The Queen of Roses” now rested on

the head-clerk; he had not a moment to give to pleasure. In such a life

wants become imperious, and a chance meeting with a beautiful young

woman, of whom a libertine clerk would scarcely have dreamed, produced

on Cesar an overpowering effect. On a fine June day, crossing by the

Pont-Marie to the Ile Saint-Louis, he saw a young girl standing at the

door of a shop at the angle of the Quai d’Anjou. Constance Pillerault

was the forewoman of a linen-draper’s establishment called Le Petit

Matelot,--the first of those shops which have since been established in

Paris with more or less of painted signs, floating banners, show-cases

filled with swinging shawls, cravats arranged like houses of cards, and

a thousand other commercial seductions, such as fixed prices, fillets

of suspended objects, placards, illusions and optical effects carried

to such a degree of perfection that a shop-front has now become a

commercial poem. The low price of all the articles called “Novelties”

which were to be found at the Petit-Matelot gave the shop an unheard

of vogue, and that in a part of Paris which was the least favorable to

fashion and commerce. The young forewoman was at this time cited for her

beauty, as was the case in later days with the beautiful lemonade-girl

of the cafe of the Milles Colonnnes, and several other poor creatures

who flattened more noses, young and old, against the window-panes of

milliners, confectioners, and linen-drapers, than there are stones in

the streets of Paris.

The head-clerk of “The Queen of Roses,” living between Saint-Roch

and the Rue de la Sourdiere, knew nothing of the existence of the

Petit-Matelot; for the smaller trades of Paris are more or less

strangers to each other. Cesar was so vigorously smitten by the beauty

of Constance that he rushed furiously into the shop to buy six linen

shirts, disputing the price a long time, and requiring volumes of linen

to be unfolded and shown to him, precisely like an Englishwoman in the

humor for “shopping.” The young person deigned to take notice of Cesar,

perceiving, by certain symptoms known to women, that he came more for

the seller than the goods. He dictated his name and address to the young

lady, who grew very indifferent to the admiration of her customer once

the purchase was made. The poor clerk had had little to do to win the

good graces of Ursula; in such matters he was as silly as a sheep, and

love now made him sillier. He dared not utter a word, and was moreover

too dazzled to observe the indifference which succeeded the smiles of

the siren shopwoman.

For eight succeeding days Cesar mounted guard every evening before the

Petit-Matelot, watching for a look as a dog waits for a bone at

the kitchen door, indifferent to the derision of the clerks and the

shop-girls, humbly stepping aside for the buyers and passers-by, and

absorbed in the little revolving world of the shop. Some days later he

again entered the paradise of his angel, less to purchase handkerchiefs

than to communicate to her a luminous idea.

“If you should have need of perfumery, Mademoiselle, I could furnish you

in the same manner,” he said as he paid for the handkerchiefs.

Constance Pillerault was daily receiving brilliant proposals, in which

there was no question of marriage; and though her heart was as pure

as her forehead was white, it was only after six months of marches

and counter-marches, in the course of which Cesar revealed his

inextinguishable love, that she condescended to receive his attentions,

and even then without committing herself to an answer,--a prudence

suggested by the number of her swains, wholesale wine-merchants, rich

proprietors of cafes, and others who made soft eyes at her. The lover

was backed up in his suit by the guardian of Constance, Monsieur

Claude-Joseph Pillerault, at that time an ironmonger on the Quai de la

Ferraille, whom the young man had finally discovered by devoting himself

to the subterraneous spying which distinguishes a genuine love.

The rapidity of this narrative compels us to pass over in silence the

joys of Parisian love tasted with innocence, the prodigalities peculiar

to clerkdom, such as melons in their earliest prime, choice dinners

at Venua’s followed by the theatre, Sunday jaunts to the country in

hackney-coaches. Without being handsome, there was nothing in Cesar’s

person which made it difficult to love him. The life of Paris and

his sojourn in a dark shop had dulled the brightness of his peasant

complexion. His abundant black hair, his solid neck and shoulders

like those of a Norman horse, his sturdy limbs, his honest and

straightforward manner, all contributed to predispose others in his

favor. The uncle Pillerault, whose duty it was to watch over the

happiness of his brother’s daughter, made inquiries which resulted in

his sanctioning the wishes of the young Tourangian. In the year 1800,

and in the pretty month of May, Mademoiselle Pillerault consented to

marry Cesar Birotteau, who fainted with joy at the moment when, under a

linden at Sceaux, Constance-Barbe-Josephine Pillerault accepted him as

her husband.

“My little girl,” said Monsieur Pillerault, “you have won a good

husband. He has a warm heart and honorable feelings; he is true as gold,

and as good as an infant Jesus,--in fact, a king of men.”

Constance frankly abdicated the more brilliant destiny to which, like

all shop-girls, she may at times have aspired. She wished to be an

honest woman, a good mother of a family, and looked at life according to

the religious programme of the middle classes. Such a career suited her

own ideas far better than the dangerous vanities which seduce so many

youthful Parisian imaginations. Constance, with her narrow intelligence,

was a type of the petty bourgeoisie whose labors are not performed

without grumbling; who begin by refusing what they desire, and end

by getting angry when taken at their word; whose restless activity is

carried into the kitchen and into the counting-room, into the gravest

matters of business, and into the invisible darns of the household

linen; who love while scolding, who conceive no ideas but the simplest

(the small change of the mind); who argue about everything, fear

everything, calculate everything, and fret perpetually over the future.

Her cold but ingenuous beauty, her touching expression, her freshness

and purity, prevented Birotteau from thinking of her defects, which

moreover were more than compensated by a delicate sense of honor natural

to women, by an excessive love of order, by a fanaticism for work, and

by her genius as a saleswoman. Constance was eighteen years old, and

possessed eleven thousand francs of her own. Cesar, inspired by his love

with an excessive ambition, bought the business of “The Queen of Roses”

and removed it to a handsome building near the Place Vendome. At the

early age of twenty-one, married to a woman he adored, the proprietor of

an establishment for which he had paid three quarters of the price down,

he had the right to view, and did view, the future in glowing colors;

all the more when he measured the path which led from his original point

of departure. Roguin, notary of Ragon, who had drawn up the marriage

contract, gave the new perfumer some sound advice, and prevented him

from paying the whole purchase money down with the fortune of his wife.

“Keep the means of undertaking some good enterprise, my lad,” he had

said to him.

Birotteau looked up to the notary with admiration, fell into the habit

of consulting him, and made him his friend. Like Ragon and Pillerault,

he had so much faith in the profession that he gave himself up to Roguin

without allowing himself a suspicion. Thanks to this advice, Cesar,

supplied with the eleven thousand francs of his wife for his start in

business, would have scorned to exchange his possessions for those of

the First Consul, brilliant as the prospects of Napoleon might seem. At

first the Birotteaus kept only a cook, and lived in the _entresol_ above

the shop,--a sort of den tolerably well decorated by an upholsterer,

where the bride and bridegroom began a honeymoon that was never to end.

Madame Cesar appeared to advantage behind the counter. Her celebrated

beauty had an enormous influence upon the sales, and the beautiful

Madame Birotteau became a topic among the fashionable young men of

the Empire. If Cesar was sometimes accused of royalism, the world did

justice to his honesty; if a few neighboring shopkeepers envied his

happiness, every one at least thought him worthy of it. The bullet which

struck him on the steps of Saint-Roch gave him the reputation of

being mixed up with political secrets, and also of being a courageous

man,--though he had no military courage in his heart, and not the

smallest political idea in his brain. Upon these grounds the worthy

people of the arrondissement made him captain of the National Guard; but

he was cashiered by Napoleon, who, according to Birotteau, owed him a

grudge for their encounter on the 13th Vendemiaire. Cesar thus obtained

at a cheap rate a varnish of persecution, which made him interesting in

the eyes of the opposition, and gave him a certain importance.

* * * * *

Such was the history of this household, lastingly happy through its

feeling, and agitated only by commercial anxieties.

During the first year Cesar instructed his wife about the sales of

their merchandise and the details of perfumery,--a business which she

understood admirably. She really seemed to have been created and sent

into the world to fit on the gloves of customers. At the close of that

year the assets staggered our ambitious perfumer; all costs calculated,

he would be able in less than twenty years to make a modest capital of

one hundred thousand francs, which was the sum at which he estimated

their happiness. He then resolved to reach fortune more rapidly, and

determined to manufacture articles as well as retail them. Contrary to

the advice of his wife, he hired some sheds, with the ground about

them, in the Faubourg du Temple, and painted upon them in big letters,

“Manufactory of Cesar Birotteau.” He enticed a skilful workman from

Grasse, with whom he began, on equal shares, the manufacture of soaps,

essences, and eau-de-cologne. His connection with this man lasted only

six months, and ended by losses which fell upon him alone. Without

allowing himself to be discouraged, Birotteau determined to get better

results at any price, solely to avoid being scolded by his wife,--to

whom he acknowledged later that in those depressing days his head had

boiled like a saucepan, and that several times, if it had not been for

his religious sentiments, he should have flung himself into the Seine.

Harassed by some unprofitable enterprise, he was lounging one day along

the boulevard on his way to dinner,--for the Parisian lounger is as

often a man filled with despair as an idler,--when among a parcel of

books for six sous a-piece, laid out in a hamper on the pavement, his

eyes lighted on the following title, yellow with dust: “Abdeker, or the

Art of Preserving Beauty.” He picked up the so-called Arab book, a sort

of romance written by a physician of the preceding century, and happened

on a page which related to perfumes. Leaning against a tree on the

boulevard to turn over the leaves at his ease, he read a note by the

author which explained the nature of the skin and the cuticle, and

showed that a certain soap, or a certain paste, often produced effects

quite contrary to those expected of them, if the soap and the paste

toned up a skin which needed relaxing, or relaxed a skin which

required tones. Birotteau bought the book, in which he saw his fortune.

Nevertheless, having little confidence in his own lights, he consulted a

celebrated chemist, Vauquelin, from whom he naively inquired how to mix

a two-sided cosmetic which should produce effects appropriate to the

diversified nature of the human epidermis. Truly scientific men--men who

are really great in the sense that they never attain in their lifetime

the renown which their immense and unrecognized labors deserve--are

nearly always kind, and willing to serve the poor in spirit. Vauquelin

accordingly patronized the perfumer, and allowed him to call himself

the inventor of a paste to whiten the hands, the composition of which

he dictated to him. Birotteau named this cosmetic the “Double Paste

of Sultans.” To complete the work, he applied the same recipe to

the manufacture of a lotion for the complexion, which he called the

“Carminative Balm.” He imitated in his own line the system of the

Petit-Matelot, and was the first perfumer to display that redundancy

of placards, advertisements, and other methods of publication which are

called, perhaps unjustly, charlatanism.

The Paste of Sultans and the Carminative Balm were ushered into the

world of fashion and commerce by colored placards, at the head of which

were these words, “Approved by the Institute.” This formula, used for

the first time, had a magical effect. Not only all France, but the

continent flaunted with the posters, yellow, red, and blue, of the

monarch of the “The Queen of Roses,” who kept in stock, supplied, and

manufactured, at moderate prices, all that belonged to his trade. At

a period when nothing was talked of but the East, to name any sort of

cosmetic the “Paste of Sultans” thus divining the magic force of such

words in a land where every man hoped to be a sultan as much as every

woman longed to be a sultana, was an inspiration which could only have

come to a common man or a man of genius. The public always judges by

results. Birotteau passed for a superior man, commercially speaking; all

the more because he compiled a prospectus whose ridiculous phraseology

was an element of success. In France they only made fun of things which

occupy the public mind, and the public does not occupy itself with

things that do not succeed. Though Birotteau perpetrated this folly in

good faith and not as a trick, the world gave him credit for knowing how

to play the fool for a purpose. We have found, not without difficulty,

a copy of this prospectus at the establishment of Popinot and Co.,

druggists, Rue des Lombards. This curious document belongs to the class

which, in a higher sphere, historians call _pieces justificatives_. We

give it here:

Rise and Fall of Cesar Birotteau · 第 6 / 27 题