CHAPTER XII

"_Mais dis donc, Asticot_," said Blanquette holding a half egg-shell in

each hand while the yolk and white fell into the bowl, "who was the lady

that came last night and wanted to see the Master?"

"You had better ask him," said I.

"I have done so, but he will not tell me."

"What did he say?"

"He told me to ask the serpent. I don't know what he meant," said

Blanquette.

I explained the allusion to the curiosity of Eve.

"But," objected the literal Blanquette, "there is no serpent in the Rue

des Saladiers--unless it is you."

"You have beaten those eggs enough," I remarked.

"You can teach me many things, but how to make omelettes--ah no!"

"All right," said I, "when your inordinate curiosity has spoiled the

thing, don't blame me."

"She is very pretty," said Blanquette.

"Pretty? She is entirely adorable."

Blanquette sighed. "She must have a great many lovers."

"Blanquette!" cried I scandalised, "she is married."

"Naturally. If she weren't she could not have lovers. I wish I were only

half as beautiful."

The lump of butter cast into the frying-pan sizzled, and Blanquette

sighed again. I must explain that I had come, as I often did, to share

Paragot's midday meal, but as he was still abed, Blanquette had enticed

me into her tiny kitchen. The omelette being for my sole consumption I

may be pardoned for my interest in its concoction.

"So that you could be married and have lovers?" I asked in a superior

way.

"Too many lovers make life unhappy," she replied sagely. "If I were

pretty I should only want one--one to love me for myself."

"And for what are you loved now?"

"For my omelettes," she said with a deft turn of the frying-pan.

"Blanquette," said I, "_je t'adore_."

She laughed with an "_es-tu bête!_" and ministered to my wants as I sat

down to my meal at a corner of the kitchen table. She loved this. Great

as was her pride in the speckless and orderly salon, she never felt at

her ease there. In the kitchen she was herself, at home, and could do

the honours as hostess.

"Do you think the beautiful lady is in love with the Master?"

"You have been reading the _feuilletons_ of the _Petit Journal_ and your

head is full of sentimental nonsense," I cried.

"It is not nonsense for a woman to love the Master."

"Oho!" I exclaimed teasingly, "perhaps you are in love with him too."

She turned her back on me and began to clean a spotless casserole.

"_Mange ton omelette_," she said.

My meal over, I went to Paragot's room. I found him in bed, not as usual

pipe in mouth and a tattered volume in his hand, but lying on his back,

his arms crossed beneath his head, staring into the white curtains of

which Blanquette was so proud.

"My son," said he, after he had enquired after my welfare and my lunch

and advised me as to cooling medicaments wherewith to mitigate a certain

pimplous condition of cheek, "My son, I want you to make me a promise.

Swear that if a hitch occurs in your scheme of the cosmos, you will not

break up your furniture with a crusader's mace. Such a proceeding has

infinite consequences of effraction. It disrupts your existence and ends

with the irreparable smash of your porcelain pipe." Whereupon he asked

me for a cigarette and began to smoke reflectively.

"One ought to order one's scheme so that no hitch can occur," said I.

"As far as I can gather from the theologians that is beyond the power

even of the Almighty," said Paragot.

Blanquette appeared with the morning absinthe.

"The hitch, my son, in my case was beyond mortal control," he said

looking up at the bed-curtains. "You may think that I caused it in the

first place. You heard me last night accused of cruelty. You, discreet

little image that you are, know more about things than I thought. And

yet you must wonder, now that you are nearly a man, what can be, what

can have been between this disreputable hairy scallywag who is eating

the bread of idleness and," with a sip of his absinthe, "drinking the

waters of destruction, and that fair creature of dainty life. Don't

judge anyone, my little Asticot '_Hi sumus, qui omnibus veris falsa

quædam esse dicamus, tanta similitudine, ut in iis nulla insit certe

judicandi et assentiendi nota._' That is Cicero, an author to whom I

regret I have not been able to introduce you, and it means that the

false is so mingled with the true and looks so like it, that there is no

sure mark whereby we may distinguish one from the other. It is a damned

fool of a world."

In this chastened mood I left him.

I learned later in the day that the appearance of the Comtesse in the

Café Delphine and the exodus of Paragot had caused no small sensation.

Cazalet had peeped through the glass door.

"_Cré nom de nom_, she is driving him off in her own carriage!"

He returned to the table and drank a glass of anisette to steady his

nerves. Who was the lady? Evidently Paragot was leading a double life.

Madame Boin nodded her head mysteriously as though possessed of secrets

she would not divulge. They spent the evening in profitless conjecture.

The fact remained that Paragot, the hairy disreputable scallywag, had

relations with a high born and beautiful woman. It was stupefying.

_C'était abracadabrant!_ That was the final word. When the Quartier

Latin calls a thing _abracadabrant_ there is no more to be said.

The Café Delphine was far from being the school of discretion and good

manners that Paragot frequented in his youth, but such was his personal

influence that when he reappeared in his usual place no one dared allude

to the disconcerting incident. Paragot had recovered from the chastened

mood and was gay, Rabelaisian, and with great gestures talked of all

subjects under heaven. One of the International Exhibitions was in

prospect and many architects' offices were busy with projects for the

new buildings. A discussion on these having arisen--two of our company

were architectural students--Paragot declared that the Exhibition would

be incomplete without a Palais de Dipsomanie. Indeed it should be the

central feature.

"_Tiens!_" he cried, "I have an inspiration! Some one give me a soft

black pencil. Hercule, clear the table."

He caught the napkin from beneath Hercule's arm and as soon as the

glasses were removed, he dried the marble top, and holding the pencil

draughtsman's fashion, a couple of inches from the point, began to draw

with feverish haste. His long fingers worked magically. We bent over

him, holding our breath, as gradually emerged the most marvellous,

weird, riotous dream of drunken architecture the world could ever

behold. There were columns admirably indicated, upside down. The domes

looked like tops of half inflated balloons. Enormous buttresses

supporting nothing leaned incapable against the building. Bottles and

wine cups formed part of the mad construction. Satyrs' heads leered

instead of windows. The whole palace looked reeling drunk. It was a

tremendous feat of imagination and skill. The hour that he spent in

elaborating it passed like five minutes. When he had finished he threw

down his pencil.

"_Voilà!_"

Then he called for his drink and emptied the glass at a gulp. We all

clamoured our admiration.

"But Paragot," cried one of the architectural students in considerable

excitement, "you are a trained architect, and a great architect! It is

the work of a genius. Garnier himself could not have done it."

Paragot whipped up the napkin from the seat and, before we could

protest, rubbed the drawing into a black smudge.

"I am a poet, painter, architect, musician and philosopher, _mon petit_

Bibi," said he, "and my name is Berzélius Nibbidard Paragot."

It was growing late and we all rose in a body--except Paragot, who made

a point of remaining after everyone had gone. He caught me by the

sleeve.

"Stay a bit to-night, my little Asticot," said he.

Usually he would not allow me to remain late at the Café. It was bad for

my health; and indeed I was not supposed to waste my time thus more than

two evenings a week. Paragot did not include my seeing him make a Helot

of himself as part of my education. This was the theory at the back of

his mind. In practice it had occurred at intervals since the days (or

nights) of the Lotus Club.

Paragot ordered another drink. It was astonishing, said he, how

provocative of thirst was any diversion from the ordinary course of

life.

"If the pig of the Café Cordier had been human," he remarked, "he would

have sat down and consumed intoxicating liquors instead of throwing

himself under the wheels of an omnibus. My son," he said with solemn

eyes, "reverence that pig. It is few of us who have his courage and

single-heartedness."

He went on talking for some time in a semi-coherent strain, clouding

over with dim allusions the vital idea which, I verily believe, had I

been a kind woman of the world instead of a raw youth of nineteen, he

would have crystallised with flaming speech. I could only listen to him

dumbly, vaguely divinatory through my love for him and I suppose through

a certain temperamental sensitiveness, but alas! uncomprehending by

reason of my inexperience in the deeps of life.

Presently he announced that he was ready to start. He walked somewhat

unsteadily to the door, his hand on my shoulder.

"My little son Asticot," said he on the threshold, "I am so far on my

road to immortality that I ought to have vine-leaves in my hair; instead

of which I have wormwood in my heart. Will you kindly take me to the

Pont Neuf."

"But dear Master," said I, "what on earth are you going to do there?"

"I have something important to say to Henri Quatre."

"You can say it better," I urged, "in the Rue des Saladiers."

"To the Pont Neuf," said he brusquely, pushing me away.

I had to humour him. We started up the Boulevard Saint-Michel. It was

drizzling with rain.

"Master, we had better go home."

He did not reply, but strode on. I have a catlike dislike of rain. I

bear it philosophically, but that is all. To carry on a conversation

during a persistent downpour is beyond my powers. I might as well try to

sing under water. Paragot, who ordinarily was indifferent to the

seasons' difference, and would discourse gaily in a deluge, walked on in

silence. We went along amid the umbrella-covered crowd, past the

steaming terraces of cafés, whose lights set the kiosques in a steady

glare and sent shafts of yellow from the tops of stationary cabs, and

caught the wet passing traffic in livid flashes, and illuminated faces

to an unreal significance; down the gloom-enveloped, silent quais

frowned upon by the dim and monstrous masses of architecture, guarding

the Seine like phantasmagorical bastions, none visible in outline, but

only felt looming in the rain-filled night, until we reached the statue

of Paragot's tutelary King. And the rain fell miserably.

We were wet through. I put my hand on his dripping sleeve.

"Master, let me see you home."

He shook me off roughly.

"You can go."

"But dear Master," I implored. He put both hands behind his head and

threw out his arms in a great gesture.

"Boy! Can't you see," cried he, "that I am in agony of soul?"

I bent my head and went away. God knows what he said to Henri Quatre. I

suppose each of us has a pet Gethsemane of his own.

* * * * *

One night, a few weeks later, Blanquette appeared in my little student's

attic. Fired by the example of some of my comrades at Janot's who showed

glistening five-franc pieces as the rewards of industry, I was working

up a drawing which I fondly hoped I could sell to a comic paper. Youth

is the period of insensate ambitions.

I put down my charcoal as Blanquette entered, bare-headed--wise girl,

she scorned hats and bonnets--and as neatly dressed as her figure daily

growing dumpier would allow. She was laughing.

"Guess what your concierge said."

"That it was improper for you to come to see me at this hour of the

night."

"Improper? Bah!" cried Blanquette, for whom such conventions existed

not. "But she told me that it was _un joli petit amant_ that I had

upstairs. What an idea!" She laughed again.

"You find that funny?" I asked, my dignity somewhat ruffled. "I suppose

I am as pretty a little lover as anyone else."

"But you and me, Asticot, it is so droll."

"If you put it that way," I admitted, "it is. But the concierge doesn't

think it possible that you are not my _maîtresse_. Why otherwise should

you be running in and out of my room, as if it belonged to you?"

"You will be bringing a _maîtresse_ of your own here soon, and then you

won't want Blanquette any longer."

I dismissed the idea as one too remote for contemplation. At the same

time I reflected that I kissed a pretty model at Janot's when we met

alone on the stairs. I wondered whether the diabolical perspicacity of

women had seen traces of the kiss on my lips.

"I disturb you?" she asked drawing up my other wooden chair to the deal

table and sitting down.

"Why, no. I can work while you talk."

She put her elbow on a couple of pickled gherkins that remained casually

on the table after a perambulatory meal.

"Oh, how dirty men are! You are worse than the Master. Oh la! la! and he

puts his boots and his dirty plates together on his bed! It is time that

you did have a _maîtresse_ to keep the place in order."

"I believe you really do want to come here in that capacity," I said

laughingly.

She flushed at the jest and drew herself up. "You have no right to say

that, Asticot. I would sooner be the Master's servant than the mistress

or even the wife of any man living. He is everything to me, my little

Asticot, everything, do you hear? although he loves me just as he loves

you and Narcisse. _Il ne faut pas te moquer de moi._ You must not laugh

at me. It hurts me."

It was only then, for the first time, that I realised in Blanquette a

grown woman. Hitherto I had regarded her merely as a female waif picked

up like the dog and myself under Paragot's vagabond arm and attached to

him by ties of gratitude. Now, lo and behold! she was a woman talking of

deep things with a treacherous throb in her voice.

I reached across the table and took one of her coarse hands.

"_Mais tu l'aimes donc, ma pauvre Blanquette!_" I exclaimed in sympathy

and consternation.

She looked down and nodded. I did not know what to say. A tear fell on

my hand. I knew still less. Then crying out she was very unhappy, she

began to sob.

"He does not want me--even to pass the time. It has never entered his

head. I am too ugly. I do not demand that he should love me. It would be

asking for the moon."

"But he does love you, like a father," I said, in vain consolation. "I

love him like a son and you should love him like a daughter."

She did not even condescend to notice this counsel of perfection. She

was too ugly. She was built like a hayrick. The Master had never cast

his eyes on her, as doubtless he would have done, being a man, had she

any of the qualities of allurement. She suffered, poor Blanquette, from

the _spretæ injuria formæ_ with reason even more solid than the forsaken

Dido. She was humble, she sobbed; she did not demand a bit of love

bigger than that--and she clicked her finger nail. With that she would

be proud and happy.

"If the master were as gay as he used to be, I should not mind," she

said, lifting a grotesquely stained face. "But when he goes drinking,

drinking so as to drown his love for another woman, _c'est plus fort que

moi_. It is more than I can bear."

"Which other woman?"

"You know very well. That beautiful lady. She has come more than once to

fetch him away. She is a wicked woman, for she does not love him; she

even detests him; one can see that. I should like to kill her," cried

Blanquette.

The idea of anyone wanting to kill Joanna was so novel that I stared at

her speechless. It took some time for my wits to accommodate themselves

to the point of view.

"If I were a man I would not drink myself to death for the sake of a

woman who treated me so," she remarked, recovering her composure.

"Is it as bad as that?" I asked.

She shrugged her shoulders. Men must drink. It is their nature. But

there should be limits. One ought to be reasonable, even a man. Did I

not think so? In her matter of fact way she gave me details of Paragot's

habits. The one morning absinthe had grown to two or three. There was

brandy too in his bedroom.

"And it eats such a deal of money, my little Asticot," she remarked.

After which, to relieve her feelings, she washed up my dirty plates, and

discoursed on the economics of catering.

I walked with her through the two or three streets that separated me

from the Rue des Saladiers, and went upstairs with her to see whether

Paragot had returned. It was past midnight. There was no Paragot. I went

to the Café Delphine profoundly depressed by Blanquette's story. Here

was Blanquette eating her heart out for Paragot, who was killing his

soul for Joanna, who was miserably unhappy on account of her husband,

who was suffering some penalty for his scaly-headed vulturedom. It was a

kind of House-that-Jack-built tale of misery, of which I seemed to be

the foundation.

Save for Paragot the café was empty. He was asleep in his usual corner,

breathing stertorously, his head against the wall. Madame Boin on her

throne was busy over accounts. Hercule dozed at a table by the door, his

napkin in the crook of his arm. He nodded towards Paragot as I entered

and made a helpless gesture. I looked at the huddled figure against the

wall and wondered how the deuce I was to take him home. I had no money

to pay for a cab. I tried in vain to rouse him.

"Monsieur had better let him stay here," said Hercule. "It won't be the

first time." My heart grew even heavier than it was before. No wonder

poor Blanquette was dismayed.

"He will catch his death of cold when the morning comes," said I, for

the night was fresh and three years of warm lying had softened the

Paragot of vagrant days.

"One must die sooner or later," moralised Hercule inhumanly.

I shook my master again. He grunted. I shook him more violently. To my

relief he opened his eyes, smiled at me and waved a limp salutation.

"The Palace of Dipsomania," he murmured.

"No, Master," said I. "This is the Café Delphine and you live in the Rue

des Saladiers."

"It is a nuisance to live anywhere. I was born to be a bird--to roost

on trees." I had considerable difficulty in disentangling the words from

his thick speech. He shut his eyes--then opened them again.

"How does a drunken owl stay on his twig?"

As I felt no interest in the domestic habits of dissolute owls, I set

about getting him home. I took his green hat from the peg and put it on

his head, and with Hercule's help drew away the table and set him on his

feet.

"A man like that! It goes to my heart," said Madame Boin in a low voice.

I felt unreasonably angry that any one, save myself or perhaps

Blanquette, should pity my beloved master. I did not answer, whereby I

am afraid I was rude to the good Madame Boin. Paragot lurched forward

and would have fallen had not Hercule caught and steadied him.

"Broken ankle," explained Paragot.

"You must try to walk, Master," I urged anxiously. How was I going to

get him to the Rue des Saladiers? His arm round my neck weighed cruelly

on my frail body.

"Put best foot forward," he murmured making a step and pausing. "That is

very easy; but the devil of it is when time comes for worst foot."

"Try it, for goodness sake," said I.

He tried it with a silly laugh. Then the swing door of the café opened

and Joanna with her sweet frightened face appeared on the threshold.

The Belovéd Vagabond · 第 12 / 17 章