CHAPTER VI

THE HIGHLAND LINE

From Perth to Inverness runs the Highland Railway, that pierces through

the heart of the Grampians. Giving off a branch to Loch Tay and coach

routes to other choice nooks of the noblest northern county, this line

mounts among the wilds of Atholl, and near its highest level brings us

into Inverness-shire; then it descends to the old Badenoch Forest, down

the upper course of the Spey, past Kingussie to Aviemore, where its main

track turns over the Findhorn, and by Culloden to the capital of the

Highlands. There is not a finer railway ride in the kingdom, as the

tourist knows well enough from his programmes, so the Highland line

needs no advertisement here.

But there is an older use of this name, for the irregular line along

which the Highlands fall in a broken wave upon the richer country, a

zone pointed out by Scott and other writers as the most charming part of

Scotland. The austere spirit of mountain solitudes is not so easily

caught as the varied charms of a debateable land, where “the rivers find

their way out of the mountainous region by the wildest leaps, and

through the most romantic passes,” and Nature’s rugged features straggle

down among good roads and inns, the practical and the picturesque

throwing each other into alternate relief. This is the special

loveliness of southern and eastern Perthshire, across which the

Grampians make an oblique border, once too often marked with fire and

sword, while its straths and lake basins repeat in miniature the same

mingling of Highland and Lowland scenery, and of homes thus contrasted

by “Ian Maclaren”:--

“The lowland farm stands amid its neighbours along the highway,

with square fields, trim fences, slated houses, cultivated after

the most scientific method, and to the last inch, a very type of a

shrewd, thrifty, utilitarian people. The Highland farm is

half-a-dozen patches of as many shapes scattered along the

hillside, wherever there are fewest stones and deepest soil and no

bog, and those the crofter tills as best he can--sometimes getting

a harvest, and sometimes seeing the first snow cover his oats in

the sheaf, sometimes building a rude dyke to keep off the big,

brown, hairy cattle that come down to have a taste of the sweet

green corn, but often finding it best to let his barefooted

children be a fence by day, and at certain seasons to sit up all

night himself to guard his scanty harvest from the forays of the

red deer. Somewhere among the patches he builds his low-roofed

house, and thatches it over with straw, on which by and by, grass

with heather and wild flowers begins to grow, till it is not easy

to tell his home from the hill. His farm is but a group of tiny

islands amid a sea of heather that is ever threatening to overwhelm

them with purple spray. Anyone can understand that this man will be

unpractical, dreamy, enthusiastic, the child of the past, the hero

of hopeless causes, the seer of visions.”

We have already crossed the Highland line to the Trossachs. Now, in a

few hours’ walk by less famous scenes, let me lead the reader right up

into the Highlands

[Illustration: THE GRAMPIANS FROM BOAT OF GARTEN, INVERNESS-SHIRE]

from the North Inch of Perth. Our way shall be the green banks of the

Almond, with only now and then a turning aside on the roads which are

seldom the most pleasing features of a Scottish countryside. The name,

properly _Almaine_, as Wordsworth has it, seems of the same origin as

the Irish Bog of Allen, _Moine Almhaine_ in Celtic. There is more than

one Almond in Scotland, which has countless streams of which this is a

type, a true Highland water, now gathering into creamy pools, now

rushing over pebbly shallows, here pent in a leafy glen, there rippling

by open fields and works of man, everywhere wilful, cheerful, and eager.

At the Almond mouth, over which it straggles thinly in summer to join

the swirls of the Tay, is believed to have stood the Roman station that

may or may not have been the original Perth. The tributary’s right bank

is edged by a wide sward, up which anglers and other idlers can stroll

freely for miles, unless barred by the red flag of a rifle range that

has sent not a few marksmen to Wimbledon and Bisley. On this side stands

a fragment of Huntingtower, a castle of the Gowries, widely known by the

song founded on an obscure ballad, with the same motive as the English

“Nut-brown Maid,” in which a high-born lover--supposed to have been a

Duke of Atholl--puts his sweetheart to the test by pretending to take

leave, to be poor, to be already married; then, when nothing can shake

her fidelity, rewards her with full avowal--

Blair in Atholl’s mine, Jeanie!

Little Dunkeld is mine, lassie!

St. Johnston’s bower and Huntingtower--

And a’ that’s mine is thine, lassie!

Here the idle stream is harnessed to service in bleachworks, whose white

ware spread on green slopes makes a feature of the scenery about Perth.

Above the villages of Almondbank and Pitcairn Green, the stream, like

Simon Glover’s apprentice, throws off its industrial disguise to put on

a Highland garb of rocks and dells and bosky braes. A beautiful spot is

the Glen of Lynedoch, famed by a touching tradition which the graves of

Bessie Bell and Mary Gray attest as no mere legend. These “bonny

lasses,” as their song styles them, were bosom friends who beside the

Almond built themselves a bower as refuge from the Great Plague, raging

in Perth as in London. According to the story, they were visited by a

lover who brought them food, and with it the fatal infection. Prosaic

critics point out that such bowers were used as isolation huts for

suspected cases. At all events, the girls died in their hermitage, and

were brought to be buried at Methven Church, but the Methven folk stoned

back the bearers of contagion from the ford; then in death, as in life,

the bodies found a home by the Almond. Their fate was so well though

vaguely remembered, that both Burns and Scott came to make inquiries

about the grave, which had already been enclosed by the owner of the

property, and is now marked by a railing, beneath a clump of yews, and

by the inscription “They lived--they loved--they died.”

A more modern romance haunts this glen. Here stands in ruin the deserted

mansion of a laird driven by grief into renown. This was Thomas Graham,

who in the latter part of the eighteenth century devoted himself to such

“improvements” as were then the fashion with

[Illustration: KILLIN, PERTHSHIRE]

cultured landowners, and planted exotic growths now running wild among

the native greenery. The death of his beautiful wife, painted by

Gainsborough, struck him so deeply to heart, that, when over forty years

of age, he went to the wars, and rose to be the Lord Lynedoch who won

the battle of Barossa. He had two other Peninsular veterans as

neighbours, all three of them eyewitnesses of Sir John Moore’s burial at

dead of night, Sir George Murray, Wellington’s Quartermaster-General,

and Sir David Baird, of whom it is told that, when his mother heard how

he was among Hyder Ali’s prisoners, chained two and two, her first

remark was, “Lord pity the chiel that’s chained to oor Davie!” On either

side are scenes of battles long ago: to the south, Methven, a disaster

for Bruce, and its neighbour Ruthven, a victory for Montrose; to the

north, Luncarty, where the founder of the Hay family is said to have

turned the tide of battle against the Danes, by rushing in with his

plough coulter like a legendary Nicol Jarvie.

Glenalmond, little sought as it is by strangers, is better known to many

of Mudie’s subscribers than they may be aware, being clearly the chief

scene of “Ian Maclaren’s” popular tales, in which, while dwelling so

much on the character of the inhabitants, the author seems strangely

reticent as to natural charms, well hinted at indeed in the title

_Bonnie Brier Bush_. Drumtochty--the real name of a farm--is Logie

Almond with its Heriotsfield village; Kildrummie is Methven; and

Muirton, of course, is Perth. Some of his personages, also, appear taken

from real prototypes, touched up into very much of fancy pictures, if

neighbours are to be believed.

A little higher comes Trinity College, Glenalmond, founded as a buttress

to the Scottish Episcopal Church, on the model of English public

schools. Its first head was Dr. Charles Wordsworth, nephew of the poet,

formerly second master at Winchester, and once tutor to Mr. Gladstone,

with whom his conscientious disagreement in politics barred the

ecclesiastical promotion which he deserved as well as his brother,

Christopher of Lincoln. He never rose farther than the elective

bishopric of the diocese which it pleases Scottish Episcopalians to

style that “of St. Andrews, Dunkeld, and Dunblane”; and of late years

their prelates have taken to sign themselves by such territorial

designations, assumed by men whose legal status in the country is that

of dissenting ministers. When Dr. Wordsworth became bishop, the whole

income of himself and his score of clergy was some £2000 a year; but he

had a private endowment in “Wordsworth’s Greek Grammar,” which enabled

him without shame to give out from the pulpit, as I have heard, “It is

my dooty to announce to you that a collection will be made in this

chapel, next Sunday, for the purpose of increasing the income of the

Bishop of the diocese.” He was a learned and amiable man, but without

much knowledge of human nature, as shown by his earnest effort to preach

an Eirenicon between his exotic prelacy and Scotch Presbyterianism. In

his memoirs he states that his Glenalmond pupils were the most Christian

and gentlemanly boys he ever knew, on which let me comment that I have

reason for calling some of them arrant poachers, whom the discipline of

early days did not restrain from going fishing in the “wee short hours

ayont the twal’.” He cherishes the recollection that he

[Illustration: A MOOR NEAR KILLIN, PERTHSHIRE]

had to expel only three of them, and that these were all “schismatics.”

I take him to have been deficient in sense of humour, to judge by the

gusto with which he read aloud his great-uncle’s most droning effusions.

He would probably not have relished a story a friend of mine used to

tell of North-Western Canada. Those wilds, in early days, were the

charge of an Archbishop, who, visiting an unsophisticated part of his

diocese, put up with a Scotch Presbyterian farmer as owner of the best

house in the settlement. This hospitably entertained prelate, remarking

how a newly born baby made part of the family, delicately inquired as to

whether it had been yet baptized, and hinted that the parents might like

to take advantage of such an occasion. But the good man seemed not duly

pleased by the honour thus proffered. “I’ll just step ben, and see what

the mistress thinks,” he said awkwardly; then presently returning:

“We’re both much obliged to ye, sir--we take it kindly; we know ye mean

well; but if ye’ll no mind, the mistress would rather wait till a

regular meenister comes round.”

The attempt to root a Winchester on the Highland border did not for a

time find much deepness of earth, but the school has since flourished

under other masters. Its lordly building had the fate of being set on

fire by an unworthy pupil, son of an ex-Minister, whose connections

could not save him from being brought to justice. A more tragic scandal,

now a generation old, was when the owner of the neighbouring mansion,

the second legal dignitary of Scotland, having been convicted of

parliamentary bribery on the previous step of his career, both cut his

throat and threw himself into the Almond. This points the moral of an

abuse that has flourished more rankly in Scotland than in England,

whereby legal posts go as spoils of party victory, though indeed a

better era seems inaugurated by a Conservative Government which recently

honoured itself by giving the highest judicial office to a political

opponent as the most worthy. But we should not get far, if we are to

stop for all the stories of fire and blood that haunt the Highland line.

Glenalmond now leads us fairly into the Highlands, and by the river we

hold up through the Sma’ Glen, or as Wordsworth calls it, the Narrow

Glen, whose lion is the legendary grave of Ossian, man or myth, that had

a more congenial birthplace in the “tremendous wilds” of Glencoe

declared by Dickens “fearful in their grandeur and amazing solitude.”

In this still place, where murmurs on

But one meek streamlet, only one,

He sang of battles, and the breath

Of stormy war, and violent death;

And should, methinks, when all was past,

Have rightfully been laid at last

Where rocks were rudely heaped, and rent

As by a spirit turbulent;

Where sights were rough and sounds were wild,

And every thing unreconciled,

In some complaining, dim retreat

For fear and melancholy meet;

But this is calm; there cannot be

A more entire tranquillity.

Our half-day’s walk may be prolonged to a whole one by path up the

Almond and across to Loch Tay; but if one seek pleasant quarters not so

far off, at Newton

[Illustration: IN GLENFINLAS, PERTHSHIRE]

Bridge he may turn south by Foulford and Monzie to Crieff. This cheerful

little border town ranks as favourite _sommerfrische_ of Scots folk,

apart from those places that are more sought by tourists. Well situated,

looking south from the lowest slope of the hills, almost in the centre

of the country, it is unusually dry as well as airy and genial, not pent

in like Callander, nor too bracing for cold-blooded folk like Braemar.

So Crieff has now two railways and everything handsome about it. Its

spacious market-place proclaims it an old borough, with tolbooth, cross,

and iron “jougs” for the terror of offenders; and here once the “kind

gallows of Crieff” gave Lowlanders’ answer to that high-flown boast--

Aye, by my soul, while on yon plain

The Saxon rears one shock of grain;

While of ten thousand herds there strays,

But one along yon river’s maze,

The Gael, of plain and river heir,

Shall with strong hand redeem his share!

Why the _kind_ gallows? not even Scott can say, but he suggests the idea

of this seeming a kindred or natural doom to the Highlanders, who, it is

said, used to doff their bonnets on passing a shrine fatal to so many of

their blood. The gallows have now been well replaced by an endowed

public school on the Scottish pattern; and perhaps the most important

institution of modern Crieff is the Hydropathic, which, under the

shelter of the Knock Woods, gathers Saxon and Celt together in sober

amity. There are other such hostelries about the Highland line; but that

of Crieff, one of the earliest, is still one of the most popular.

“Hydropathics” in Scotland--nobody thinks of calling them

Establishments--do not much depend on hydropathy, which, in summer at

least, falls to the background of their sociable life. They are more

concerned with the administration of water internally. Where whisky is

devoutly worshipped, there arises a strong nonconformist party leagued

against the devil’s sacrament, hence the vogue of these big temperance

hotels, in which unhappy moral weaklings will be sometimes kept by their

families, while others, conscious of feeble will, are glad to be out of

the way of temptation. In the holiday season, the better class of

townsfolk much affect the wholesome amusements of such _pensions_, most

of them palatial and some expensive. And if strong drink be necessary

for human happiness, it is whispered how that can be enjoyed, _sub

rosa_, even within the walls of a hydropathic, with all the added zest

of a “fearful joy.” As the rigour of Maine laws does not always hinder

an American hotel guest from “seeing the striped pig” or “giving ten

cents to the baby,” so here there has been observed such a demand for

“shaving water” at various hours of the day, that one conscientious

manager made a practice of putting a piece of soap into each jug so

required. Several hydropathics, indeed, have so far relaxed their

original rules as to connive at the appearance of bottles upon the

well-spread table. Certain large ones tend to become too gay and

worldly, patronised by young swells from Glasgow and Dundee, who take

every opportunity of putting on company manners and evening dress. But

those haunts of ephemeral gaiety find their business slack off with the

holiday season; and their prosperity

[Illustration: LOOKING UP GLEN LOCHAY NEAR KILLIN, PERTHSHIRE]

has not always answered to that of others which stick to quiet ways and

moderate charges.

The Crieff Hydropathic has all along taken a stand among the latter

class, has even had a name for special austerity, due perhaps to the

fact that it is frequented by Presbyterian ministers, as one at

Harrogate is by Roman Catholic priests. But the Scottish clergy, however

formidable in the pulpit, are by no means reluctant to unbend out of it,

within the limits of becoming mirth, as we should know from Dean Ramsay;

and I don’t think I ever made one of such a jovial and friendly

congregation as was gathered in this house in the days when not only

strong drink but cards and dancing were under an interdict. One scandal

shocked the proprieties of the place. The doctor, its guiding genius and

strict censor, had gone to be married. The cat being thus engaged, the

mice took advantage of the occasion. Returning unexpectedly from his

honeymoon, our moral and medical director found the kids of his

abandoned flock capering in the drawing-room. I shall never forget the

face with which he stood at the doorway like the statue in Don Juan,

then turned away speechless from sorrow or from anger. His helpless

indignation reminded me of a carter, noted for bad language, on whom

certain graceless loons are said to have played a trick by stealthily

letting down the tilt of his cart as it tugged up a load of sand; then

they took a short cut to the hill top and disposed themselves for

listening to his remarks at a safe distance; but all he could gasp out

on discovering his loss, was, “Rin awa’ hame, laddies: I’m no equal to

the occasion!” Perhaps that new character as a bridegroom softened the

doctor’s severe rule. It is said that even Crieff has to some extent

conformed to the world, yet I doubt if its frequenters have a happier

time of it than in those Saturnian days.

One meets queer characters at such a place, “gorgons and _hydros_ and

chimæras dire,” as a humorist of the neighbourhood used to call them. A

few real invalids and some imaginary ones crop up among the crowd of

ruddy and buxom pleasure-seekers. There was one gentleman, I remember,

who gorged himself at every meal and spent most of the day in snoring

about the public rooms; but at idle intervals buttonholed all and sundry

to expatiate on his woeful lot of having lost both sleep and appetite. A

rarer hydropathic case, and a purple patch on the general tone of honest

_bourgeoisie_, was a still young ne’er-do-weel bearing more than one of

Scotland’s honoured names, who had been in, and out of, two crack

regiments, had run through two fortunes, so he boasted, and looked on

himself as heir to two or three more. Crippled by a drunken fall, his

friends kept him practically imprisoned in this uncongenial retreat. His

sole luxury was a daily carriage airing; and he liked to drive round the

grounds of a certain castle near Crieff, within which the owner, his

uncle, would not let him set foot. It was painful to hear him talk of

what he would do when he came in for the property. He died before the

uncle and the other kinsfolk from whom he had hoped to inherit, a victim

of that plague through which this country has hardly a house where there

is not one dead, soul or body.

One of the great attractions of Crieff is its being

[Illustration: BENEATH THE SLOPES OF BEN LEDI, NEAR CALLANDER,

PERTHSHIRE]

environed by noble and famous mansions, some of their parks thrown

liberally open to visitors. Close at hand on the Lowland side is

Drummond Castle with its grand woods and gardens, seat of the old family

of Perth, that has had strange vicissitudes: its representative now

unites several titles in that of the Lincolnshire Earl of Ancaster,

while the direct line of the Perth Earls was ruined by its Jacobite

loyalty. On the hills behind are the grounds of Ochtertyre, which

inspired Burns’s muse; and the often-visited Falls of Turret are, among

several cascades, within a short walk. Behind the Knock lie Ferntower,

once home of Sir David Baird, and Monzie Castle, which strangers must

remember to pronounce with its z silent. Southrons will have some

difficulty also in getting their tongues round the name of Cultoquhey,

famed by the Laird of Cultoquhey’s prayer: “From the greed of the

Campbells, from the pride of the Grahams, from the ire of the Drummonds,

and the wind of the Murrays, Good Lord deliver us!” This laird’s name

was Maxtone, which hints at his having emigrated from the Borders among

such uncongenial neighbours; but in the whirligig of time his descendant

has taken on “the pride of the Grahams,” being now Maxtone-Graham, with

Murrays and Drummonds still around him. The old laird’s familiarity with

the Litany may be explained by the fact of Muthill, a village near at

hand, having kept for itself an Episcopal chapel through all

adversities, as well as a parish church with rare relics of Catholic

antiquity. The church and castle of Innerpeffray are other points of

interest in a neighbourhood whose old families seem to have held their

own against English and American invasion; but the Grahams themselves,

Highland clan as they pass for and duly equipped with a tartan, seem to

have come from the south, where Scott puts Roland Græme’s kin in the

Border “Debateable Land.”

Of all the lairdly homes about Crieff, the best known in the world

should be Gask, through the several authors whom the Oliphant family has

produced. One daughter of this house was Lady Nairne, christened

Carolina after the unfortunate prince for whom it had suffered poverty

and exile. There was a Charles also, and George III. is said to have

been tickled to hear how, every day after dinner, the old laird would

turn to his son with “_Charles_, the king’s health!” More than any other

writer, by her Jacobite ballads and her _remaniements_ of popular songs,

“the White Rose of Gask” has inspired a tender sentiment of the lost

cause to thrill so many hearts and piano strings, long after Scottish

royalists had transferred their worship to such clay idols as George IV.

In my youth, indeed, there were still Perthshire men who spoke more or

less heartily of the Hanoverian “usurpers.” I myself was brought up in a

touch of the same sentiment, though that my father’s Jacobitism went not

very deep appeared from the gusto with which he used to tell the tale of

his translating to a lady the inscription on the monument at St. Peter’s

dedicated by King George to the “last of the Stuarts,” whereupon a

Yankee standing by put in the remark, “I guess George was right smart to

say it was the _last_ of them!” Lady Nairne’s hereditary feeling for the

Stuarts might not perhaps have endured the test of experience; she was a

devout Protestant, and in her old age showed sympathy with the Free

Church movement, which is the antipodes of Jacobitism. So modest was

she,

[Illustration: A WILD SPOT, KILLIN, PERTHSHIRE]

that for the greater part of her life, her neighbours, and her own

husband, were not aware of her hand in the songs which had crept into

wide popularity. It was taken for granted that Burns must be the author

of her noblest strain, the “Land o’ the Leal,” better known than

understood, as we remember from Mr. Gladstone’s blunder in confusing

heaven and Scotland. “The Laird o’ Cockpen,” “Caller Herrin’,” “Will ye

no come back again?” are other favourites among her songs, grave and

gay; but her most recurrent theme was that glorified memory that, like

Queen Mary’s, can wing a sentiment to pierce the joints of Scotland’s

logical armour,--

Charlie is my darling,

The young Chevalier!

Most charming are the walks by the Highland streams that at Crieff fall

into the Earn; and tempting the longer excursions on which brakes carry

off sociable parties from the Hydropathic. The railway takes us on up

Strathearn to Comrie, a still more beautiful resort lying on a rich

plain between the wooded heights of Glen Lednock and “lone Glenartney’s

hazel shade,” by which one might tramp across to Callander, from the

basin of the Tay into that of the Forth. A prosaic critic observes that

there is no hazel shade in this glen; but the poet always declined to

“swear to the truth of a song.” There is no spot in Scotland that so

well unites lush Lowland charms with rugged features as Comrie; and it

prides itself on being the only spot in Britain troubled by earthquakes,

several slight shocks sometimes being felt in a year, which may bring a

stone wall tumbling down, while scaring wild fowl, making the trout

leap in the burns, fluttering the poultry yard and rattling the plates

in the goodwife’s kitchen.

A few miles higher up, the Earn debouches from its Loch at St. Fillans,

near which “the stag at eve had drunk his fill” before being roused by

Fitz-James’s hounds. I once made his day’s course mainly on foot, but by

a more arduous line over the top of Ben Voirlich, and moreover without

any breakfast till I came upon a shepherd’s shanty in the afternoon;

then instead of being welcomed at eve by any Lady of the Lake, I found

every bed full at the Trossachs Hotel, as may often be the lot of weary

wight in this much-toured district. Loch Earn, hitherto a quiet

backwater in the stream of travel, has lately been thrown open by a

railway, at its head bringing one to the Oban line from Callander, whose

lights are now the fiery cross that “glance like lightning up

Strath-Ire.”

In the other direction, a road from Crieff goes by the Sma’ Glen to

Dunkeld, the gate of the mountains for the Highland Railway. This

resort, as tourists know, is a kind of Perthshire Buda-Pesth, the old

town of Dunkeld being on the left bank of the Tay, while the station is

at Birnam on the other side. Village seems a fitter title for Dunkeld

than town, yet it might claim to be a city in right of its Cathedral,

whose choir is still the parish church. This is an ancient sanctuary to

which in part was transplanted the influence of ruined Iona. Gavin

Douglas, the translator of Virgil, was bishop here, but came to die of

the plague in London. With Dunkeld also is connected the memory of Neil

Gow, first of three generations of fiddlers who for Scotland’s artless

tunes did what Burns, Lady Nairne, and other writers did for its

songs.

[Illustration: THE FALLS OF TUMMEL, PERTHSHIRE]

The Cathedral, as well as the Falls of Braan, the Rumbling Bridge and

other lions are in the grounds of the Duke of Atholl, _the_ Duke of this

part of the world. The Duke of fifty years ago was a “character” who

might be styled the last of the great Highland chiefs. This generation

may have forgotten the sensation caused by his trying to shut the way

through Glen Tilt, and his personal encounter with two Cambridge

undergraduates, who got the best of the scrimmage. Among Leech’s most

effective sketches in _Punch_ were that “Ducal Dog in the Manger” and

the cartoon in which His Grace appeared playing the part of Roderick Dhu

to the young Sassenachs. It was said that the Duke took his revenge on

the artist by inviting him to shoot, the highest honour that can be

hoped for in that part of the world; and in the end the pass was opened

by a chieftain “so late dishonoured and defied.”

Since his day the champion obstructionist of this district was the

veteran Sir Robert Menzies, who lately died much respected in the

Rannoch country, in spite of an extraordinary itch for litigation, with

his own family as well as with strangers. His most famous “ganging law

plea” perhaps was with a railway company that, by the hands of

half-a-dozen porters, had dragged the chieftain out of a carriage in

which his ticket did not entitle him to ride. The fate of a reverend

English tourist who landed from Loch Rannoch on his grounds was told

with a shudder; and I must be thankful for my own escape when caught in

the act of more than barefaced trespass in bounds where stranger was not

always “a holy name.” With a friend of mine, in our hot youth, I had

gone in to swim, when on the lake bank we heard a stern voice and

looked back to see Sir Robert’s tartans waving over our clothes. Thus

“at advantage ta’en,”

I dare not say that now _our_ blood

Kept on its wont and tempered flood

But the “dangerous chief,” seeing nothing in our Arcadian innocence to

chafe his mood or cloud his brow, turned off with a courteous

salutation--“Doubt not aught from mine array!”--and the sun’s next

glance shone “on bracken green and cold grey stone.”

Across the Tay from Dunkeld, in the old duke’s time, reigned an

eccentric laird, to whose taste for building are due the baronial Birnam

Hotel and other costly structures in the neighbourhood. Mrs. Oliphant

hangs the scenes of a novel about his own empty and unfinished mansion;

and the chief building among the woods of Murthly is now an Asylum. As

for Birnam Wood, that has long marched off the face of the earth, to

bear out the truth of Shakespeare’s legend; but one or two ancient trees

are pointed out as stragglers. Birnam was a favourite haunt of Millais,

a keen sportsman as well as lover of the scenery which forms oases in

the later stage of his art, when he seemed too much concerned to boil

that large pot in Palace Gate.

From Dunkeld it is easy to reach the heart of the Highlands. A dozen

miles of the high road takes us up to hill-girdled Pitlochrie, and

through that pass where Dundee was shot, as pious souls whispered, with

a silver bullet, while his claymores sheared down the Lowland soldiers,

whose prudent leader, himself from the farthest north, gained in defeat

the lesson to invent a more adaptable

[Illustration: DUNKELD AND BIRNAM FROM CRAIGIEBARNS, PERTHSHIRE]

bayonet. So terrifying seemed long this Pass of Killiecrankie that a

body of Hessian soldiers, brought over in the ’45, are said to have

flatly refused to march through it. But as usual, the victorious onrush

at Killiecrankie did not carry the tartans far. They were checked at

Dunkeld, dourly defended against them by troops of sternest temper, that

Cameronian regiment raised among the most stubborn Whigs, who here had

their baptism of fire and their chance of wreaking vengeance for bitter

memories of Claverhouse. Their colonel, Cleland, fell in this fight with

the barelegged foes he had satirised in verse bristling with scornful

hatred of the “Highland host” brought down as a scourge for the

west-country Covenanters. “They need not strip them when they whip

them!” the Presbyterian poet exclaims like any ribald Cockney, and goes

on to hint how the upper garments of such gallows-birds would not be

worth the hangman’s fees. So little love was lost between kindly Scots

of those days, on opposite sides of the Highland line!

Cleland is buried in Dunkeld Cathedral, where Sir John Steell’s modern

monument to officers of the 42nd reminds us how this Perthshire regiment

was first embodied in the Dunkeld district about half a century after

the Revolution, having its origin as the Black Watch, so called from

their dark tartans as distinguished from the _sidier roy_, red soldier.

They were originally raised to keep the peace on the Highland line, much

as Parfidio Diaz has in our day put down the brigands of Mexico by

enlisting the survivors as Rural Guards; but it would be too much to say

that such a loyal and brave corps was made out of the leavings of that

kind gallows of Crieff. Some of the private soldiers held themselves so

proudly, that when a party was brought to show their exercise before

George II. and the king ordered them to be tipped with a guinea apiece,

each man, it is told, re-bestowed this donation upon the palace porter.

Their tartan is a neutral one, forming the groundwork of several others,

for time was when no Macpherson would don the hated trappings of the

MacTavish. War Office arrangements have played havoc with this sentiment

by sometimes redistributing the territorial corps in red-tape bundles;

some years ago a Ross-shire militia battalion tacked on to the Cameron

Highlanders--not to be confused with the west-country Cameronian

regiment--was said not to have a single Cameron in the ranks, a change

from days when Sandy MacDonalds or John Campbells had to be numbered in

the kindred ranks like a long line of kings. The good discipline as well

as the prowess of Highland soldiers was remarkable in early days, men of

the same name and birthplace keeping up each other’s _esprit de corps_,

and no praise or punishment being more effectual than the thought of

what might be posted as to a man’s conduct on the door of his parish

church.

The raising of Highland regiments, indeed, was sometimes carried on

after the methods of the press-gang, or by landlords putting pressure on

tenants who might be fathers of stout sons. There is a story of

half-a-dozen brawny Celts tied neck and heels in a cart as recruits for

the Laird of Macnab’s “Volunteers”; and clansmen have been hunted down

in the mountains when they refused to follow the modern fiery cross.

There

[Illustration: A WOODED GORGE, KILLIN, PERTHSHIRE]

would be many a tragic tale of desertion like that of the “Highland

Widow,” especially when English martinets added pipe-clay to Highland

accoutrements. But active lads were seldom backward to follow chief or

laird leading them to war; then

Bring a Scotsman frae his hill,

Clap in his cheek a Highland gill,

Say, “Such is royal George’s will,

And there’s the foe!”

He has nae thought but how to kill

Twa at a blow.

As in the instance of the Cameronians, all Scottish regiments do not

wear the kilt; and of those who do, but few men are to this manner born

in our generation. Alphonse Daudet puts his little hero “Jack” into a

kilt under the title of _costume anglaise_, which is no more absurd than

the way in which English writers speak of this as the “Scottish dress.”

There are even Highland Celts whose ancestors never wore it; and in its

palmy days the kilt was the “servile dress” of clansmen, whose chiefs as

a rule went in trews. Now it is affected rather by the upper class; and

the soldiers who swagger so jauntily in tartans are more like to have

grown up in corduroy breeks. But for this fact, I should have laid down,

as warning to strangers, that the “garb of Old Gaul” cannot be donned to

advantage without youthful familiarity. The wearing of such a costume,

indeed, needs some practice. A Highland battalion of trews stationed at

Southsea became adopted into a kilted regiment some twenty years ago,

when a corporal and file of men were detached from the latter as

instructors for the neophytes how to carry their new honours

unblushingly, so as forthwith to be christened the “South Sea Islanders”

by an _h_-less populace. The London Scottish Volunteers should wear the

kilt by right of having Highland blood or Highland property; and it is

enviously whispered that their qualification in most cases may be the

possession of a tartan paper-knife.

It is, of course, the prowess of our Highland regiments that has made

their dress as dear in Scotland as once over half of it this was hated

and despised. The tartans are dyed by the blood of a hundred

battlefields, as by memories of green braes and purple moors. Crude and

_criant_ may be some of their colourings, but not more so than is the

tricolour or the Union Jack. Even if the kilt in its present form were

more or less a modern invention, it is at least older than the Stars and

Stripes, and we know what passionate loyalty that gaudy pattern can call

forth. The other day, I forgathered with a Lowland Seaforth Highlander,

fresh from South Africa, to whom I communicated a report that the War

Office thought of putting him into trousers. “They daren’t!” he cried,

his eye ablaze with all the fire of Killiecrankie, where his progenitor

might have chosen for the nonce to be equipped in the lightest running

costume.

Strange how the Celtic leaven rises in the stodgy composition of British

nature! What is this infectious quality it has? We are Saxons in

business, and well for us it is so; but in hours of ease and sentiment

we hark back to the race older on our mother earth. English settlers in

Ireland notoriously become _Hibernis Hiberniores ipsis_. English workmen

in Welsh quarries, it is said,

[Illustration: LOOKING UP THE PASS OF KILLIECRANKIE, PERTHSHIRE]

learn to speak Welsh rather than their comrades English. In the long run

the stolid Teuton grows to be proud of his lighter strain. I who write

can trace my descent with unusual clearness back to a Norman adventurer

whose progeny appears to have settled for a time in the Breadalbane

Highlands, but long ago came down to opener straths--

The mountain sheep were sweeter,

But the valley sheep were fatter.

The alliances of my kin were for generations with the English-speaking

Lowlands, where their neighbours had cause to look on the wild

Highlandmen as an American backwoodsman looked on Mohawk or Shawnee

warrior. My forebears “had no use for” kilts, if some perhaps for dirks

and claymores. I know of only one recent strain of Highland blood, and

that at second hand through England, to make me a Celtic quadroon, so to

speak. Yet there is many a Scot, with no more claim to Highland lineage

than mine, who cannot see the tartan even in a Princes Street

shop-window, or hear the pibroch wailing over forgotten graves of his

father’s foes, without a certain stir of spirit which a biological

philosopher might explain as waves of molecular disturbance propagated

through the nerve centres by vague emotional combinations organised in

the earlier experiences of the race. Boswell confessed to the same

weakness, and what had he to do with the Highlands?

Where were we before launching forth into such a chequered digression on

the “lad wi’ the philabeg”? In the Atholl country, by Loch “Tummel and

banks of the Garry.” Above the Pass of Killiecrankie, the pedestrian

who does not shun a thirty-miles walk to Braemar may turn off through

Glen Tilt, with its gloomy gorges and snowy falls. But the coach-road to

the Cairngorm Highlands goes from Dunkeld to Blairgowrie, then northward

by the Spittal of Glenshee, the highest highway in Britain, at one point

over 2000 feet, whose “Spittal” was a Hospital or Hospice that made a

Highland St. Bernard’s. I once sought to hire a horse at an inn on this

road, but the landlord explained how it had gone off with “a man called

Morell Mackenzie, who seemed in an awfu’ hurry.” That locally unknown

celebrity was in haste to an illustrious patient on Deeside, an errand

that would breed much bad blood in another country.

The first stage of the journey is lowland rather than highland, its

chief feature being a chain of small lochs, stocked with perch, on one

of which stands Cluny Castle, cradle of the “Admirable Crichton.”

Blairgowrie, with Rattray for its tiny Westminster, rivals Crieff as the

second town in Perthshire, but is not so much a place of resort, laying

itself out rather as an understudy of Dundee by its flax-spinning mills

on the Ericht; and it seems a miniature of that longest and busiest of

towns, the German Elberfeld strung out along the Wupper valley. Wildly

romantic still is the walk up the Ericht, whose shaded pools and rapids,

above the town, come down through a grand gorge overlooked by Craighall,

one of several candidates for the honour of having sat to Scott as

“Tullyveolan.” From this gap in the Highland line a short branch puts us

on the main line of the Caledonian Railway, which competes with the

North British as route to Aberdeen.

[Illustration: KILLIN, HEAD OF LOCH TAY, PERTHSHIRE]

Other Caledonian branches lead off to charming glens on the old Highland

line, now facing east towards the lowlands of Forfar and Kincardine. But

of Alyth, Edzell, Lochee, one need only say that they lie among sweet

and noble scenes as well worth visiting as others better known to

tourist fame, and that even prosaic Kirriemuir, Mr. Barrie’s “Thrums,”

is a base for long moorland tramps into Deeside, over a part of the

Highlands as yet innocent of railways.

Bonnie Scotland Painted by Sutton Palmer; Described by A.R. Hope Moncrieff · 第 6 / 12 章