C.

[Footnote 1: The other]

[Footnotes 2 (several): that]

[Footnote 3: Of London in 1666.]

* * * * *

No. 73. Thursday, May 24, 1711. Addison.

'... O Dea certé!'

Virg.

It is very strange to consider, that a Creature like Man, who is

sensible of so many Weaknesses and Imperfections, should be actuated by

a Love of Fame: That Vice and Ignorance, Imperfection and Misery should

contend for Praise, and endeavour as much as possible to make themselves

Objects of Admiration.

But notwithstanding Man's Essential Perfection is but very little, his

Comparative Perfection may be very considerable. If he looks upon

himself in an abstracted Light, he has not much to boast of; but if he

considers himself with regard to it in others, he may find Occasion of

glorying, if not in his own Virtues at least in the Absence of another's

Imperfections. This gives a different Turn to the Reflections of the

Wise Man and the Fool. The first endeavours to shine in himself, and the

last to outshine others. The first is humbled by the Sense of his own

Infirmities, the last is lifted up by the Discovery of those which he

observes in other men. The Wise Man considers what he wants, and the

Fool what he abounds in. The Wise Man is happy when he gains his own

Approbation, and the Fool when he Recommends himself to the Applause of

those about him.

But however unreasonable and absurd this Passion for Admiration may

appear in such a Creature as Man, it is not wholly to be discouraged;

since it often produces very good Effects, not only as it restrains him

from doing any thing [which [1]] is mean and contemptible, but as it

pushes him to Actions [which [1]] are great and glorious. The Principle

may be defective or faulty, but the Consequences it produces are so

good, that, for the Benefit of Mankind, it ought not to be extinguished.

It is observed by Cicero,[2]--that men of the greatest and the most

shining Parts are the most actuated by Ambition; and if we look into the

two Sexes, I believe we shall find this Principle of Action stronger in

Women than in Men.

The Passion for Praise, which is so very vehement in the Fair Sex,

produces excellent Effects in Women of Sense, who desire to be admired

for that only which deserves Admiration:

And I think we may observe, without a Compliment to them, that many of

them do not only live in a more uniform Course of Virtue, but with an

infinitely greater Regard to their Honour, than what we find in the

Generality of our own Sex. How many Instances have we of Chastity,

Fidelity, Devotion? How many Ladies distinguish themselves by the

Education of their Children, Care of their Families, and Love of their

Husbands, which are the great Qualities and Atchievements of Womankind:

As the making of War, the carrying on of Traffic, the Administration of

Justice, are those by which Men grow famous, and get themselves a Name.

But as this Passion for Admiration, when it works according to Reason,

improves the beautiful Part of our Species in every thing that is

Laudable; so nothing is more Destructive to them when it is governed by

Vanity and Folly. What I have therefore here to say, only regards the

vain Part of the Sex, whom for certain Reasons, which the Reader will

hereafter see at large, I shall distinguish by the Name of _Idols_. An

_Idol_ is wholly taken up in the Adorning of her Person. You see in

every Posture of her Body, Air of her Face, and Motion of her Head, that

it is her Business and Employment to gain Adorers. For this Reason your

_Idols_ appear in all publick Places and Assemblies, in order to seduce

Men to their Worship. The Play-house is very frequently filled with

_Idols_; several of them are carried in Procession every Evening about

the Ring, and several of them set up their Worship even in Churches.

They are to be accosted in the Language proper to the Deity. Life and

Death are in their Power: Joys of Heaven and Pains of Hell are at their

Disposal: Paradise is in their Arms, and Eternity in every Moment that

you are present with them. Raptures, Transports, and Ecstacies are the

Rewards which they confer: Sighs and Tears, Prayers and broken Hearts,

are the Offerings which are paid to them. Their Smiles make Men happy;

their Frowns drive them to Despair. I shall only add under this Head,

that _Ovid's_ Book of the Art of Love is a kind of Heathen Ritual, which

contains all the forms of Worship which are made use of to an _Idol_.

It would be as difficult a Task to reckon up these different kinds of

_Idols_, as _Milton's_ was [3] to number those that were known in

_Canaan_, and the Lands adjoining. Most of them are worshipped, like

_Moloch_, in _Fire and Flames_. Some of them, like _Baal_, love to see

their Votaries cut and slashed, and shedding their Blood for them. Some

of them, like the _Idol_ in the _Apocrypha_, must have Treats and

Collations prepared for them every Night. It has indeed been known, that

some of them have been used by their incensed Worshippers like the

_Chinese Idols_, who are Whipped and Scourged when they refuse to comply

with the Prayers that are offered to them.

I must here observe, that those Idolaters who devote themselves to the

_Idols_ I am here speaking of, differ very much from all other kinds of

Idolaters. For as others fall out because they Worship different

_Idols_, these Idolaters quarrel because they Worship the same.

The Intention therefore of the _Idol_ is quite contrary to the wishes of

the Idolater; as the one desires to confine the Idol to himself, the

whole Business and Ambition of the other is to multiply Adorers. This

Humour of an _Idol_ is prettily described in a Tale of _Chaucer_; He

represents one of them sitting at a Table with three of her Votaries

about her, who are all of them courting her Favour, and paying their

Adorations: She smiled upon one, drank to another, and trod upon the

other's Foot which was under the Table. Now which of these three, says

the old Bard, do you think was the Favourite? In troth, says he, not one

of all the three. [4]

The Behaviour of this old _Idol_ in _Chaucer_, puts me in mind of the

Beautiful _Clarinda_, one of the greatest _Idols_ among the Moderns. She

is Worshipped once a Week by Candle-light, in the midst of a large

Congregation generally called an Assembly. Some of the gayest Youths in

the Nation endeavour to plant themselves in her Eye, whilst she sits in

form with multitudes of Tapers burning about her. To encourage the Zeal

of her Idolaters, she bestows a Mark of her Favour upon every one of

them, before they go out of her Presence. She asks a Question of one,

tells a Story to another, glances an Ogle upon a third, takes a Pinch of

Snuff from the fourth, lets her Fan drop by accident to give the fifth

an Occasion of taking it up. In short, every one goes away satisfied

with his Success, and encouraged to renew his Devotions on the same

Canonical Hour that Day Sevennight.

An _Idol_ may be Undeified by many accidental Causes. Marriage in

particular is a kind of Counter-_Apotheosis_, or a Deification inverted.

When a Man becomes familiar with his Goddess, she quickly sinks into a

Woman.

Old Age is likewise a great Decayer of your _Idol_: The Truth of it is,

there is not a more unhappy Being than a Superannuated _Idol_,

especially when she has contracted such Airs and Behaviour as are only

Graceful when her Worshippers are about her.

Considering therefore that in these and many other Cases the _Woman_

generally outlives the _Idol_, I must return to the Moral of this Paper,

and desire my fair Readers to give a proper Direction to their Passion

for being admired; In order to which, they must endeavour to make

themselves the Objects of a reasonable and lasting Admiration. This is

not to be hoped for from Beauty, or Dress, or Fashion, but from those

inward Ornaments which are not to be defaced by Time or Sickness, and

which appear most amiable to those who are most acquainted with them.

The Spectator, Volume 1 Eighteenth-Century Periodical Essays · 第 190 / 351 题