CHAPTER VI

THE IRREPROACHABLE BUTLER

"Are you waiting for some one, sir?"

That question, for all its veneer of respectfulness, was only too

patently a message of dismissal. And I resented it, not only because

it was an impertinence, but more because it had driven out of my drowsy

brain a very beautiful picture of Mary Lockwood as she stooped over an

old Italian table-cover embroidered with gold galloon.

"Are you waiting for some one?" repeated that newly arrived all-night

waiter, in no way impressed by my silence.

"I am," I announced as I inspected him with open disapproval. I was

dreamily wondering why, in the name of common sense, waiters always

dressed in such ridiculous and undecorative neckties.

This particular waiter, however, continued to regard me out of a fishy

and cynical eye. Then he looked at the clock. Then he looked at my

empty wine-cooler, plainly an advertisement of suspended circulation in

the only fluid that seemed vital to him.

"Was it a lady?" he had the effrontery to inquire.

I could see his eyes roam about the all but empty room. It was the

low-ebb hour when a trolley car is an event along the empty street, the

hour when chairs are piled on cafe tables, the white corpuscles of the

milk wagons begin to move through the city's sleepy arteries, and those

steel nerves known as telegraph wires keep languidly awake with the

sugary thrills of their night letters.

"Yes, it was a lady," I answered. That wall-eyed intruder knew nothing

of the heavenly supper I had stumbled on in that wicked French

restaurant, or of the fine and firm _Clos Vougeot_ that had been

unearthed from its shabby cellar, or of my own peace of mind as I sat

there studying the empty metal cooler and pondering how the mean and

scabby wastes of Champagne could mother an ichor so rich with singing

etherealities.

"Er--just what might she look like, sir?" my tormentor next asked of

me, blinking about in a loose and largely condoning matter-of-factness

as though in placid search of some plumed and impatient demirep

awaiting her chance to cross the bar of acquaintanceship on the

careless high tide of inebriacy.

"She moves very, very quietly, and has a star in her hair," I replied

to that fish-eyed waiter. "Her breath is soft and dewy, and her brow

is hooded. And in her hands she carries a spray of poppies."

The waiter looked down at me with that impersonal mild pity with which

it is man's wont to view the harmlessly insane.

"Surely," I said with a smothered yawn, "surely you have met her?

Surely you have been conscious of those soft and shadowy eyes gazing

into yours as you melted into her arms?"

"Quite so, sir," uneasily admitted my wall-eyed friend. Then I began

to realize that he was waking me up. I grew fearful lest his

devastating invasion should frighten away the timorous spirit I had

been wooing as assiduously as an angler seeking his first trout. For

one long hour, with a full body and an empty head, I had sat there

stalking sleep as artfully and as arduously as huntsman ever stalked a

deer. And I knew that if I moved from that spot the chase would be

over, for that night at least.

"But the odd thing about her," I languidly explained, "is that she

evades only those who seek her. She is coy. She denies herself to

those who most passionately demand her. Yet something tells me that

she is hovering near me at this moment, that she is about to bend over

me with those ineffable eyes if only I await the golden moment. And

so, my dear sir, if you will take this as a slight reward for your

trouble, and cover that exceedingly soiled-looking divan in that

exceedingly disreputable-looking alcove with a clean tablecloth, and

then draw that curtain which is apparently designed to convert it into

a _chambre particuliere_, you will be giving me a chance to consort

with an angel of graciousness more lovely than any meretricious head

that ever soiled its faded plush. And if I am left uninterrupted until

you go off in the morning, your reward will then be doubled."

His puzzled face showed, as he peered down at the bill in his hand,

that if this indeed were madness, there was a not repugnant sort of

method in it.

So he set about in a half dazed fashion draping that none too clean

divan with a table-cloth, making it, in fact, look uncomfortably like a

bier. Then he carried my hat and gloves and overcoat to a chair at the

foot of the divan. Then he took me by the arm, firmly and solicitously.

His face, as I made my way without one stagger or reel into that shabby

little quietude screened off from the rest of the world, was a study in

astonishment. It was plain that I puzzled him. He even indulged in a

second wondering glance back at the divan as he drew the portieres.

Then, if I mistake not, he uttered the one explanatory and

self-sufficient word--"Needle-pumper."

I heard him tiptoe in, a few minutes later, and decently cover my legs

with the overcoat from the chair. I did not speak, for bending over me

was a rarer and sweeter Presence, and I wanted no sound or movement to

frighten her away. Just when her hand touched mine I can not tell.

But I fell off into a deep and natural sleep and dreamed I was being

carried through Sicilian orange groves by a wall-eyed waiter with wings

like a butterfly.

Then the scene changed, as scenes have the habit of doing in dreams. I

seemed to be the center of a sub-cellar conference of highwaymen,

presided over by Latreille himself. Then the voices shifted and

changed, receded and advanced. I seemed to be threading that

buffer-state which lies between the two kingdoms of Sleep and

Wakefulness, the buffer-state that has no clear-cut outlines and twists

like a weevil between ever-shifting boundaries.

"Where's Sir 'Enery," said a voice from a mountain-top. Then an

answering murmur of voices buzzed about me like bees, only an

intelligible word or two seeming to reinforce the fabric of my

imaginings as iron rods reinforce concrete-walls. And I continued to

lie there in that pleasant borderland torpor, which is neither

wakefulness nor slumber. I seemed to doze on, in no ponderable way

disturbed by the broken hum of talk that flickered and wavered through

my brain.

"Then why can't Sir Henry work on the Belmont job?" one of the voices

was asking.

"I told you before, Sir Henry's tied up," another voice answered.

"What doing?" asked the first voice.

"He's fixing his plant for the Van Tuyl coup," was the answer.

"What Van Tuyl?"

"Up in Seventy-third Street. He's got 'em hog tied."

"And what's more," broke in a third voice, "he won't touch a soup case

since he got that safe-wedge in the wrist. It kind o' broke his nerve

for the nitro work."

"Aw, you couldn't break that guy's nerve!"

"Well, he knows he's marked, anyway."

Then came a lull, followed by the scratch of a match and the mumbling

of voices again.

"How'd he get through the ropes up there?" inquired one of these voices.

"Same old way. Butlering. Turk McMeekin doped him up a half-dozen

London recommends. That got him started out in Morristown, with the

Whippeny Club. Then he did the Herresford job. But he's got a peach

with this Van Tuyl gang. They let him lock up every night--silver and

all--and carry the keys to bed with him!"

"It's up to Sir 'Enery to make 'em dream he's the real thing," murmured

another of the voices.

"Sure!" answered still another voice that seemed a great distance away.

Then the mumble became a murmur and the murmur a drone. And the drone

became a sighing of birch tops, and I was stalking Big-Horn across

mountain peaks of _cafe parfait_, where a pompous English butler served

_peches Melba_ on the edge of every second precipice.

When I woke up it was broad daylight, and my wall-eyed waiter was there

waiting for his second bill. And I remembered that I ought to phone

Benson so he could have the coffee ready by the time I walked home

through the mellow November air.

It was two hours later that the first memory of those murmuring

midnight voices came back to me. The words I had overheard seemed to

have been buried in my mind like seeds in the ground. Then here and

there a green shoot of suspicion emerged. The more I thought it over,

the more disturbed I became. Yet I warned myself that I could be sure

of nothing. The one tangibility was the repeated word, "Van Tuyl."

And there at least was something on which I could focus my attention.

I went to the telephone and called up Beatrice Van Tuyl. Years before

we had played water polo and catboated on the Sound together. I

realized, as I heard that young matron's cheery voice over the

telephone wire, that I would have to pick my steps with care.

"I say, Beatrice, are you possibly in need of a butler?" I began as

offhandedly as I was able.

"Out of a place, Witter dear?" was the chuckling inquiry that came to

me.

"No, I'm not, but I know of a good man," was my mendacious reply. "And

I rather thought--"

"My dear Witter," said the voice over the wire, "we've a _jewel_ of a

man up here. He's English, you know. And I'm beginning to suspect

he's been with royalty. Jim's always wanted to stick pins in his legs

to see if he really isn't petrified."

"What's his name?"

"Just what it ought to be---the most appropriate name of Wilkins."

"How long have you had him?"

"Oh, weeks and weeks!" Only a New York householder could understand

the tone of triumph in that retort.

"And you're sure of him in every way?"

"Of course we're sure of him. He's been a Gibraltar of dependability."

"Where did you get him from?"

"From Morristown. He was at the Whippeny Club out there before he came

to us."

"The Whippeny Club!" I cried, for the name struck like a bullet on the

metal of memory.

"Don't you think," the voice over the wire was saying, "that you'd

better come up for dinner to-night and inspect the paragon at close

range? And you might talk to us a little, between whiles."

"I'd love to," was my very prompt reply.

"Then do," said Beatrice Van Tuyl. "A little after seven."

And a little after seven I duly rang the Van Tuyls' door-bell and was

duly admitted to that orderly and well-appointed Seventy-third Street

house, so like a thousand other orderly and well-appointed New York

houses hidden behind their unchanging masks of brown and gray.

Yet I could not help feeling the vulnerability of that apparently

well-guarded home. For all its walls of stone and brick, for all the

steel grills that covered its windows and the heavy scroll work that

protected its glass door, it remained a place munificently ripe for

plunder. Its solidity, I felt, was only a mockery. It made me think

of a fortress that had been secretly mined. Its occupants seemed

basking in a false security. The very instruments which went to insure

that security were actually a menace. The very machinery of service

which made possible its cloistral tranquillity held the factor for its

disruption.

As I surrendered my hat and coat and ascended to that second floor

where I had known so many sedately happy hours, I for once found myself

disquieted by its flower-laden atmosphere. I began to be oppressed by

a new and disturbing sense of responsibility. It would be no light

matter, I began to see, to explode a bomb of dissension in that

principality of almost arrogant aloofness. It would be no joke to

confound that smoothly flowing routine with which urban wealth so

jealously surrounds itself.

I suddenly remembered there was nothing in which I could be positive,

nothing on which I could with certainty rely. And my inward disquiet

was increased, if anything, by the calm and blithely contented glance

Beatrice Van Tuyl leveled at me.

"And what's all this mystery about our man Wilkins?" she asked me, with

the immediacy of her sex.

"Won't you let me answer that question a little later in the evening?"

"But, my dear Witter, that's hardly fair!" she protested, as she held a

lighted match for her husband's cigarette. "Do you know, I actually

believe you've spotted some one you want to supplant Wilkins with."

"Please--"

"Or did he spill soup on you some time when we didn't see it?"

"I imagine he's spilt a bit of soup in his day," I answered,

remembering what I had overheard as to the safe wedge. And as I spoke

I realized that my one hope lay in the possibility of getting a glimpse

of the mark which that wedge had left--if, indeed, my whole sand-chain

of coincidences did not split back into the inconsequentialities of

dreamland.

"You can't shake my faith in Wilkins," said the blue-eyed woman in the

blue silk dinner gown, as she leaned back in a protecting-armed and

softly padded library-chair which suddenly became symbolic of her whole

guarded and upholstered life. "Jim, tell Witter what a jewel Wilkins

really is."

Jim, whose thought was heavy ordnance beside his wife's flying column

of humor, turned the matter solemnly over in his mind.

"He's a remarkably good man," admitted the stolid and levitical Jim,

"remarkably good."

"And you've seen him yourself, time and time again," concurred his wife.

"But I've never been particularly interested in servants, you know,"

was my self-defensive retort.

"Then why, in the face of the Immortal Ironies, are you putting my

butler under the microscope?" was the return shot that came from the

flying column. The acidulated sweetness of that attack even nettled me

into a right-about-face.

"Look here," I suddenly demanded, "have either of you missed anything

valuable about here lately?"

The two gazed at each other for a moment in perplexed wonder.

"Of course not," retorted the woman in the dinner gown. "Not a thing!"

"And you know you have everything intact, all your jewelry, your plate,

your pocketbooks, the trinkets a sneakthief might call it worth while

to round up?"

"Of course we have. And I can't even resent your bracketing my

pocketbook in with the trinkets."

"But are you certain of this? Could you verify it at a moment's

notice?"

"My dear Witter, we wouldn't need to. I mean we're doing it every day

of our lives. It's instinctive; it's as much a habit as keeping moths

out of the closets and cobwebs out of the corners."

"What's making you ask all this?" demanded the heavy artillery.

"Yes, what's suddenly making you into a Holmes's watchman?" echoed the

flying brigade.

Still again I saw that it was going to be no easy thing to intimate to

persons you cared for the possibility of their sleeping on a volcano.

Such an intimation has both its dangers and its responsibilities. My

earlier sense of delight in a knowledge unparticipated in by others was

gradually merging into a consciousness of a disagreeable task that

would prove unsavory in both its features and its _finale_.

"I'm asking all this," I replied, "because I have good reason to

believe this paragon you call Wilkins is not only a criminal, but has

come into this house for criminal purposes."

"For what criminal purposes?"

"For the sake of robbing it."

Beatrice Van Tuyl looked at me with her wide-open azure eyes. Then she

suddenly bubbled over with golden and liquid-noted laughter. "Oh,

Witter, you're lovely!"

"What proof have you got of that?" demanded Jim.

"Of my loveliness?" I inquired, for Jim Van Tuyl's solidity was as

provocative as that of the smithy anvil which the idler can not pass

without at least a hammer-tap or two. Yet it was this same solidity, I

knew, that made him the safest of financiers and the shrewdest of

investors.

"No," he retorted, "proofs of the fact that Wilkins is here for other

than honest purposes."

"I've no proof," I had to confess.

"Then what evidence have you?"

"I've not even any evidence as yet. But I'm not stirring up this sort

of thing without good reason."

"Let's hope not!" retorted Jim.

"My dear Witter, you're actually getting fussy in your old age," said

the laughing woman. It was only the solemnity of her husband's face

that seemed to sober her. "Can't you see it's absurd? We're all here,

safe and sound, and we haven't been robbed."

"But what I want to know," went on the heavier artillery, "is what your

reasons are. It seems only right we should inquire what you've got in

the shape of evidence."

"What I have wouldn't be admitted as evidence," I confessed.

He threw down his cigarette. It meant as much as throwing up his hands.

"Then what do you expect us to do?"

"I don't expect you to do anything. All I ask is that you let me try

to justify this course I've taken, that the three of us dine quietly

together. And unless I'm greatly mistaken, before that dinner is over

I think I can show you that this man--"

I saw Beatrice Van Tuyl suddenly lift a forefinger to her lip. The

motion for silence brought me up short. A moment later I heard the

snap of a light-switch in the hallway outside and then the click of

jade curtain-rings on their pole. Into the doorway stepped a figure in

black, a calm and slow-moving and altogether self-assured figure.

"Dinner is served," intoned this sober personage, with a curate-like

solemnity all his own.

I had no wish to gape at the man, but that first glimpse of mine was a

sharp one, for I knew that it was Wilkins himself that I was

confronting. As I beheld him there in all the glory of his magisterial

assurance I felt an involuntary and ridiculous sinking in the

diaphragm. I asked myself in the name of all the Lares and Penates of

Manhattan, why I had suddenly gone off on a wild-goose chase to bag an

inoffensive butler about whom I had had a midnight nightmare?

Then I looked at the man more closely. He wore the conventional dress

livery of twilled worsted, with an extremely high-winged collar and an

extremely small lawn tie. He seemed a remarkably solid figure of a

man, and his height was not insignificant. Any impression of

fragility, of sedentary bloodlessness, which might have been given out

by his quite pallid face, was sharply contradicted by the muscular

heaviness of his limbs. His hair, a Kyrle-Bellewish gray over the

temples, was cut short. The well-powdered and close-shaven face was

bluish white along the jowls, like a priest's. The poise of the

figure, whether natural or simulated, was one marked for servitude.

Yet I had to admit to myself, as we filed out and down to the

dining-room, that the man was not without his pretended sense of

dignity. He seemed neither arrogant nor obsequious. He hovered midway

between the Scylla of hauteur and the Charybdis of considerate

patience. About the immobile and mask-like face hung that veil of

impersonality which marked him as a butler--as a butler to the

finger-tips. When not actually in movement he was as aloofly detached

as a totem-pole. He stood as unobtrusive as a newel-post, as impassive

as some shielding piece of furniture, beside which youth might whisper

its weightiest secret or conspiracy weave its darkest web.

I had to confess, as I watched his deft movements about that

china-strewn oblong of damask which seemed his fit and rightful domain,

that he was in no way wanting in the part--the only thing that puzzled

me was the futility of that part. There was authority, too, in his

merest finger-movement and eye-shift, as from time to time he signaled

to the footman who helped him in his duties. There was grave

solicitude on his face as he awaited the minutest semaphoric nod of the

woman in the blue silk dinner gown. And this was the man, with his

stolid air of exactitude, with his quick-handed movements and his alert

and yet unparticipating eyes, whom I had come into that quiet household

to proclaim a thief!

I watched his hands every course as I sat there talking against

time--and Heaven knows what I talked of! But about those hands there

was nothing to discover. In the first thing of importance I had met

with disappointment. For the cuffs that projected from the edges of

the livery sleeves covered each large-boned wrist. In the actual

deportment of the man there was nothing on which to base a decent

suspicion. And in the meanwhile the dinner progressed, as all such

dinners do, smoothly and quietly, and, to outward appearances,

harmoniously and happily.

But as it progressed I grew more and more perplexed. There was another

nauseating moment or two when the thought flashed over me that the

whole thing was indeed a mistake, that what I had seemed to hear in my

restless moments of the night before was only a dream projected into a

period of wakefulness. Equipped with nothing more than an echo from

this dream, I had started off on this mad chase, to run down a man who

had proved and was proving himself the acme of decorous respectability.

But if this thought was a sickening one, it was also a sickly one.

Like all sickly things, too, it tended to die young. It went down

before the crowding actualities of other circumstances which I could

not overlook. Coincidence, repeated often enough, became more than

fortuity. The thing was more than a nightmare. I had heard what I had

heard. There was still some method by which I could verify or

contradict my suspicion. My problem was to find a plan. And the

gravity of my dilemma, I suppose, was in some way reflected in my face.

"Well, what are you going to do about it?" asked Van Tuyl, with his

heavy matter-of-factness, at a moment when the room happened to be

empty.

"Don't you see it's a mistake?" added his wife, with a self-assuring

glance about the rose-shaded table and then a wider glance about the

room itself.

"Wait," I suddenly said. "What were his references?"

"He gave us a splendid one from the Whippeny Club. We verified that.

Then he had letters, six of them from some very decent people in

London. One of them was a bishop."

"Did you verify those?"

"Across the Atlantic, Witter? It really didn't seem worth while!"

"And it's lucky for him you didn't!"

"Why?"

"Because they're forgeries, every one of them!"

"What ground have you for thinking that?" asked the solemn Van Tuyl.

"I don't think it--I know it. And, I imagine, I can tell you the name

of the man who forged them for him."

"Well, what is it?"

"A worthy by the name of Turk McMeekin."

Van Tuyl sat up with a heavy purpose on his honest and unimaginative

face.

"We've had a nice lot of this mystery, Witter, but we've got to get to

the end of it. Tell me what you know, everything, and I'll have him in

here and face him with it. Now, what is there beside the Turk McMeekin

item?"

"Not yet!" murmured Beatrice Van Tuyl warningly, as Wilkins and his

mask-like face advanced into the room.

I had the feeling, as he served us with one of those delectable ices

which make even the epicureanism of the Cyrenaics tame in retrospect,

that we were deliberately conspiring against our own well-being, that

we were dethroning our own peace of mind. We were sitting there

scheming to undo the agency whose sole function was to minister to our

delights. And I could not help wondering why, if the man was indeed

what I suspected, he chose to follow the most precarious and the most

ill-paid of all professions. I found it hard to persuade myself that

behind that stolid blue-white mask of a face could flicker any wayward

spirit of adventure--and yet without that spirit my whole case was a

card house of absurdities.

I noticed that for the first time Beatrice Van Tuyl's own eyes dwelt

with a quick and searching look on her servant's immobile face. Then I

felt her equally searching gaze directed at me. I knew that my failure

to make good would meet with scant forgiveness. She would demand

knowledge, even though it led to the discovery of the volcano's

imminence. And after so much smoke it was plainly my duty to show

where the fire lay.

I seized the conversation by the tail, as it were, and dragged it back

into the avenues of inconsequentiality. We sat there, the three of us,

actually making talk for the sake of a putty-faced servant. I noticed,

though, that as he rounded the table he repeatedly fell under the

quickly questioning gaze of both his master and mistress. I began to

feel like an Iago who had willfully polluted a dovecote of hitherto

unshaken trust. It became harder and harder to keep up my pretense of

artless good humor. Time was flying, and nothing had as yet been found

out.

"Now," demanded Van Tuyl, when the room was once more empty, "what are

you sure of?"

"I'm sure of nothing," I had to confess.

"Then what do you propose doing?" was the somewhat arctic inquiry.

I glanced up at the wall where Ezekiah Van Tuyl, the worthy founder of

the American branch of the family, frowned reprovingly down at me over

his swathing black stock.

"I propose," was my answer, "having your great grandfather up there let

us know whether I am right or whether I am wrong."

And as Wilkins stepped into the room I rose from the table, walked over

to the heavy-framed portrait, and lifted it from its hook. I held it

there, with a pretense of studying the face for a moment or two. Then

I placed my table napkin on a chair, mounted it, and made an

unsuccessful effort to rehang the portrait.

"If you please, Wilkins," I said, still holding the picture flat

against the wall.

"A little higher," I told him, as I strained to loop the cord back over

its hook. I was not especially successful at this, because at the time

my eyes were directed toward the hands of the man holding up the

picture.

His position was such that the sleeves of his black service coat were

drawn away from the white and heavy-boned wrists. And there, before my

eyes, across the flexor cords of the right wrist was a wide and ragged

scar at least three inches in length.

I returned to my place at the dinner table. Van Tuyl, by this time,

was gazing at me with both resentment and wonder.

"Shall we have coffee up-stairs?" his wife asked with unruffled

composure. I could see her eye meet her husband's.

"Here, please," I interpolated.

"We'll have coffee served here," Beatrice Van Tuyl said to her butler.

"Very good, madam," he answered.

I wondered, as I watched him cross the room, if he suspected anything.

I also wondered how hare-brained the man and woman seated at the table

thought me.

"Listen," I said, the moment we were alone; "have you a servant here

you can trust, one you can trust implicitly?"

"Of course," answered my hostess.

"Who is it?"

"Wilkins," was the answer.

"Not counting Wilkins?"

"Well, I think I can also trust my maid Felice--unless you know her

better than I do."

I could afford to ignore the thrust.

"Then I'd advise you to send her up to look over your things at once."

"Why do you say that?"

"Because now I know this man Wilkins is a criminal of the worst type!"

"You know it?"

"Yes, I know it as well as I know I'm sitting at this table. And I can

prove it."

"How?" demanded Van Tuyl.

"I'll show you how in a very few moments. And, on second thoughts, I'd

have that maid Felice bring what you regard as valuable right to this

dining-room--I mean your jewels and things."

"But this sounds so silly," demurred my still reluctant hostess.

"It won't sound half so silly as a Tiffany advertisement of a reward

and no questions asked."

Beatrice Van Tuyl intercepted a footman and sent him off for the maid

Felice. A moment later Wilkins was at our side quietly serving the

_cafe noir_ in tiny gold-lined cups.

"This method of mine for identifying the real pearl, as you will see,"

I blandly went on, "is a very simple one. You merely take a match end

and dip it in clear water. Then you let a drop of water fall on the

pearl. If the stone is an imitation one the water-drop will spread and

lie close to the surface. If the stone is genuine the drop will stand

high and rounded, like a globe of quicksilver, and will shake with the

minute vibrations which pass through any body not in perfect

equilibrium."

Before I had completed that speech the maid Felice had stepped into the

room. She was a woman of about thirty, white-skinned, slender of

figure, and decidedly foreign-looking. Her face was a clever one,

though I promptly disliked an affectation of languor with which she

strove to hide a spirit which was only too plainly alert.

"I want you to fetch my jewel case from the boudoir safe," her mistress

told her. "Bring everything in the box."

I could not see the maid's face, for at that moment I was busy watching

Wilkins. From that worthy, however, came no slightest sign of

disturbance or wonder.

"Here, madam?" the maid was asking.

"Yes, here and at once, please," answered Beatrice Van Tuyl. Then she

turned to me. "And since you're such a jewel expert you'll be able to

tell me what's darkening those turquoises of mine."

I dropped a lump of sugar into my coffee and sipped it. Wilkins opened

a dark-wooded buffet humidor before me, and I picked out a

slender-waisted Havana corseted in a band of gold. I suddenly looked

up at the man as he stood at my side holding the blue-flamed little

alcohol lamp for the contact of my waiting cigar end.

"Wilkins, how did you get that scar?" I asked him, out of a clear sky.

The wrist itself was covered by its cuff and sleeve end, but under

them, I knew, was the telltale mark.

"What scar, sir?" he asked, his politeness touched with an indulgent

patience which seemed to imply that he was not altogether unused to

facing gentlemen in unaccountably high spirits.

"This one!" I said, catching his hand in mine and running the cuff back

along the white forearm. Not one trace of either alarm or resentment

could I see on that indecipherable countenance. I almost began to

admire the man. In his way he was superb.

"Oh, that, sir!" he exclaimed, with an almost offensively condoning

glance at the Van Tuyls, as though inquiring whether or not he should

reply to a question at once so personal and at the same time so out of

place.

"Tell him where you got it, Wilkins," said Beatrice Van Tuyl, so

sharply that it practically amounted to a command.

"I got it stopping Lord Entristle's brougham, madam, in London, seven

years ago," was the quiet and unhesitating answer.

"How?" sharply asked the woman.

"I was footman for his lordship then, madam," went on the quiet and

patient-noted voice. "I had just taken cards in when the horses were

frightened by a tandem bicycle going past. They threw Siddons, the

coachman, off the box as they jumped, and overturned the vehicle. His

lordship was inside. I got the reins as one of the horses went down.

But he kicked me against the broken glass and I threw out one hand, I

fancy, to save myself."

"And the coach glass cut your wrist?" asked Van Tuyl.

"Yes, sir," replied the servant, moving with methodic slowness on his

way about the table. His figure, in its somber badge of livery, seemed

almost a pathetic one. There was no anxiety on his face, no shadow of

fear about the mild and unparticipating eyes. I was suddenly conscious

of my unjust superiority over him--a superiority of station, of birth,

of momentary knowledge.

The silence that ensued was not a pleasant one. I felt almost grateful

for the timely entrance of the maid Felice. In her hands she carried a

japanned tin box, about the size of a theatrical makeup box. This she

placed on the table beside her mistress.

"Is there anything else, madam?" she asked.

"That is all," answered Beatrice Van Tuyl as she threw back the lid of

the japanned box. I noticed that although the key stood in it, it was

unlocked. Then my hostess looked up at the waiting butler. "And,

Wilkins, you can leave the cigars and liqueur on the table. I'll ring

if I want anything."

The carefully coiffured blonde head was bent low over the box as the

servants stepped out of the room. The delicate fingers probed through

the array of leather-covered cases. I could see by her face, even

before she spoke, that the box's contents were intact.

"You see," she said, ladling handful after handful of glittering

jewelry out on the white table-cloth between her coffee-cup and mine,

"everything is here. Those are my rings. There's the dog collar.

There's angel Jim's sunburst. Here's the ordinary family junk."

I sat for a moment studying that Oriental array of feminine adornment.

It was plainly an array of evidence to discountenance me. I felt a

distinct sense of relief when the woman in blue suddenly dropped her

eyes from my face to her jewel box again. It was Van Tuyl's persistent

stare that roweled me into final activity.

"Then so far, we're in luck! And as from now on I want to be

responsible for what happens," I said, as I reached over and gathered

the glittering mass up in a table napkin, "I think it will simplify

things if you, Van Tuyl, take possession of these."

I tied the napkin securely together and handed it to my wondering host.

Then I dropped a silver bon-bon dish and a bunch of hothouse grapes

into the emptied box, locking it and handing the key back to Beatrice

Van Tuyl.

That lady looked neither at me nor the key. Instead, she sat staring

meditatively into space, apparently weighing some question in which the

rest of that company could claim no interest. It was only after her

husband had spoken her name, sharply, that she came back to her

immediate surroundings.

"And now what must I do?" she asked, with a new note of seriousness.

"Have the maid take the box back to where it came from," I told her.

"But be so good as to retain the key."

"And then what?" mocked Van Tuyl.

"Then," cut in his wife, with a sudden note of antagonism which I could

not account for, "_the sooner we send for the police the better_."

An answering note of antagonism showed on Van Tuyl's face.

"I tell you, Kerfoot, I can't do it," he objected, even as his wife

rang the bell. "You've got to show me!"

"Please be still, Jim," she said, as Wilkins stepped into the room.

She turned an impassive face to the waiting servant. "Will you ask

Felice to come here."

None of us spoke until Felice entered the room. Wilkins, I noticed,

followed her in, but passed across the room's full length and went out

by the door in the rear.

"Felice," said the woman beside me, very calmly and coolly, "I want you

to take this box back to the safe."

"Yes, madam."

"Then go to the telephone in the study and ring up police headquarters.

Tell them who you are. Then explain that I want them to send an

officer here, at once."

"Yes, madam," answered the attentive-faced maid.

"Felice, you had better ask them to send two men, two--"

"Two plain-clothes men," I prompted.

"Yes, two plain-clothes men. And explain to them that they are to

arrest the man-servant who opens the door for them--at once, and

without any fuss. Is that quite clear?"

"Yes, madam, quite clear," answered the maid.

"Then please hurry."

"Yes, madam."

I looked up at Van Tuyl's audible splutter of indignation.

"Excuse me," he cried, "but isn't all this getting just a little

highhanded? Aren't we making things into a nice mess for ourselves?

Aren't we moving just a little too fast in this game, calling out the

reserves because you happen to spot a scar on my butler's wrist?"

"I tell you, Jim," I cried with all the earnestness at my command, "the

man's a thief, a criminal with a criminal's record!"

"Then prove it!" demanded Jim.

"Call him in and I will."

Van Tuyl made a motion for his wife to touch the bell.

Her slippered toe was still on the rug-covered button when Wilkins

entered, the same austere and self-assured figure.

"Wilkins," said Van Tuyl, and there was an outspoken and deliberate

savagery in his voice even as his wife motioned to him in what seemed a

signal for moderation, "Wilkins, I regard you as an especially good

servant. Mr. Kerfoot, on the other hand, says he knows you and says

you are not."

"Yes, sir," said Wilkins with his totem-pole abstraction.

There was something especially maddening in that sustained calmness of

his.

"And what's more," I suddenly cried, exasperated by that play-acting

role and rising and confronting him as he stood there, "your name's not

Wilkins, and you never got that wrist scar from a coach door."

"Why not, sir?" he gently but most respectfully inquired.

"Because," I cried, stepping still nearer and watching the immobile

blue-white face, "in the gang you work with you're known as Sir Henry,

and you got that cut on the wrist from a wedge when you tried to blow

open a safe door, and the letters of introduction which you brought to

the Whippeny Club were forged by an expert named Turk McMeekin; and I

know what brought you into this house and what your plans for robbing

it are!"

There was not one move of his body as he stood there. There was not

one twitch of his mask-like face. But on that face, point by point,

came a slow suffusion of something akin to expression. It was not

fear. To call it fear would be doing the man an injustice. It began

with the eyes, and spread from feature to feature, very much, I

imagine, as sentient life must have spread across the countenance of

Pygmalion's slowly awakening marble.

For one fraction of a moment the almost pitiful eyes looked at me with

a quick and imploring glance. Then the mask once more descended over

them. He was himself again. And I felt almost sure that in the

mellowed light about us the other two figures at the table had not seen

that face as I did.

There was, in fact, something almost like shame on Van Tuyl's heavy

face as the calm-voiced servant, utterly ignoring me and my words,

turned to him and asked if he should remove the things.

"You haven't answered the gentleman," said Beatrice Van Tuyl, in a

voice a little shrill with excitement.

"What is there to answer, madam?" he mildly asked. "It's all the young

gentleman's foolishness, some foolishness which I can't understand."

"But the thing can't stand like this," protested the ponderous Van Tuyl.

There must have been something reassuring to them both in the methodic

calmness with which this calumniated factor in their domestic Eden

moved about once more performing his petty domestic duties.

"Then you deny everything he says?" insisted the woman.

The servant stopped and looked up in mild reproof.

"Of course, madam," he replied, as he slowly removed the liqueur

glasses. I saw my hostess look after him with one of her long and

abstracted glances. She was still peering into his face as he stepped

back to the table. She was, indeed, still gazing at him when the

muffled shrill of an electric bell announced there was a caller at the

street door.

"Wilkins," she said, almost ruminatively, "I want you to answer the

door--the street door."

"Yes, madam," he answered, without hesitation.

The three of us sat in silence, as the slow and methodic steps crossed

the room, stepped out into the hall, and advanced to what at least one

of us knew to be his doom. It was Van Tuyl himself who spoke up out of

the silence.

"What's up?" he asked. "What's he gone for?"

"The police are there," answered his wife.

"Good God!" exclaimed the astounded husband, now on his feet. "You

don't mean you've sprung that trap on the poor devil? You--"

"Sit down, Jim," broke in his wife with enforced calmness. "Sit down

and wait."

"But I won't be made a fool of!"

"You're not being made a fool of!"

"But who's arresting this man? Who's got the evidence to justify

what's being done here?"

"I have," was the woman's answer.

"What do you mean?"

She was very calm about it.

"I mean that Witter was right. _My Baroda pearls and the emerald

pendant were not in the safe. They're gone._"

"They're gone?" echoed the incredulous husband.

"Listen," I suddenly cried, as Van Tuyl sat digesting his discovery.

We heard the sound of steps, the slam of a door, and the departing hum

of a motor-car. Before I realized what she was doing Beatrice Van

Tuyl's foot was once more on the call bell. A footman answered the

summons.

"Go to the street door," she commanded, "and see who's there."

We waited, listening. The silence lengthened. Something about that

silence impressed me as ominous. We were still intently listening as

the footman stepped back into the room.

"It's the chauffeur, sir," he explained.

"And what does he want?"

"He said Felice telephoned for the car a quarter of an hour ago."

"Send Felice to me," commanded my hostess.

"I don't think I can, ma'am. _She's gone in the car with Wilkins_."

"With Wilkins?"

"Yes, ma'am. Markson says he can't make it out, ma'am, Wilkins driving

off that way without so much as a by-your-leave, ma'am."

The three of us rose as one from the table. For a second or two we

stood staring at one another.

Then Van Tuyl suddenly dived for the stairs, with the napkin full of

jewelry in his hand. I, in turn, dived for the street door. But

before I opened it I knew it was too late.

I suddenly stepped back into the hallway, to confront Beatrice Van Tuyl.

"How long have you had Felice?" I asked, groping impotently about the

hall closet for my hat and coat.

"She came two weeks before Wilkins," was the answer.

"Then you see what this means?" I asked, still groping about for my

overcoat.

"What _can_ it mean?"

"They were working together--they were confederates."

Van Tuyl descended the stairs still carrying the table napkin full of

jewelry. His eyes were wide with indignant wonder.

"It's gone!" he gasped. "He's taken your box!"

I emerged from the hall closet both a little startled and a little

humiliated.

"Yes, and he's taken my hat and coat," I sadly confessed.

The Man Who Couldn't Sleep · 第 6 / 11 章