CHAPTER XXXI.

HOW GOLD AND SILVER ARE LAID IN BOOKS.

Afterwards take pure minium (red lead), and add to it a third part of

cinnabar (vermilion), grinding it upon a stone with water. Which being

carefully ground, beat up the clear of the white of an egg, in summer

with water, in winter without water; and when it is clear, put the minium

into a horn and pour the clear upon it, and stir it a little with a piece

of wood put into it, and with a pencil fill up all places with it upon

which you wish to lay gold. Then place a little pot with glue over the

fire, and when it is liquefied, pour it into the shell of gold and wash

it with it. When you have poured which into another shell, in which the

purifying is kept, again pour in warm glue, and holding it in the palm of

your left hand, stir it carefully with the pencil, and lay it on where

you wish, thick or thin, so, however, that there be little glue, because,

should it exceed, it blackens the gold and does not receive a polish; but

after it has dried, polish it with a tooth or bloodstone carefully filed

and polished, upon a smooth and shining horn tablet. But should it

happen, through negligence of the glue not being well cooked, that the

gold pulverizes in rubbing, or rises on account of too great thickness,

have near you some old clear of egg, beat up without water, and directly

with a pencil paint slightly and quickly over the gold; when it is dry

again rub it with the tooth or stone. Lay in this manner silver, brass,

and copper in their place and polish them.

The raised gold was not always produced by the mixture of red lead and

white of egg recommended by Theophilus. It was, especially in Italy,

frequently made of a composition of "gesso," or plaster, and in the 15th

century was often punctured all over by way of ornament. It may be

occasionally met with stamped over in patterns, with intaglio punches. This

"gesso raising," though very brilliant, possessed little tenacity, and in

many examples it has scaled off, while the more ancient "raising"

prescribed by Theophilus has adhered perfectly.

The History, Theory, and Practice of Illuminating Condensed from 'The Art of Illuminating' by the same illustrator and author · 第 5 / 10 章