CONFIDENCE AND BOLDNESS

Women secretly detest bashful men. It is their own duty, prescribed by

etiquette, to be passive, shy, and diffident; hence if men were shy and

diffident too, no advances would be made, and all progress in

Love-making would be retarded.

Women love courage. He who robs lions of their hearts can easily win a

woman’s.

“Our doubts are traitors,

And make us lose the good we oft might win

By fearing to attempt,”

says Shakspere; and Chesterfield remarks _à propos_, that “that silly

sanguine notion which is firmly entertained here, that one Englishman

can beat three Frenchmen, encourages and has sometimes enabled one

Englishman in reality to beat two.”

Ovid knew the value of boldness. And although his object was not to

teach how to win permanent Love, but how to get honey without taking

care of the bees, yet his psychology is correct, and agrees with

Goethe’s aphorism that “if thou approachest women with tenderness thou

winnest them with a word; but he who is bold and saucy comes off

better.”

Perhaps this is one reason why officers are so successful in Love, for

several of them have been known to be bold and saucy.

Another reason may be that their pursuit is more distinctively and

exclusively masculine than any other profession.

What, for instance, could be more delightfully masculine, _i.e._

mediæval, than the way in which, according to the _Chronicon Turonense_,

William the Conqueror wooed and won Mathilde, the daughter of Count

Baldwin, Prince of Flanders. At first he was unsuccessful, “for the

young girl,” says Professor Scherr, “declared proudly she would not

marry a bastard. Then William rode to Bruges, waylaid Mathilde, attacked

her when she came from church, pulled her long hair, and maltreated her

with his fists and with kicks, after which heroic performance he made

his escape. Strange to say, this peculiar mode of Love-making imposed so

greatly on the beauty that she declared with tears in her eyes that she

would marry no one but the Norman Duke, whom she actually did marry. A

parallel case may be found in the German _Nibelungenlied_ (str. 870 and

901).”

Since, according to the old philosophy, human nature, including Love and

Love-making, is the same at all times and in all countries, it follows

that a modern lover, after donning his brass buttons, should administer

his sweetheart a sound thrashing. That will make her mellow and docile.

Romantic Love and Personal Beauty Their development, causal relations, historic and national peculiarities · 第 160 / 296 题