LETTER II.

Visit to the cabinets of pictures in Antwerp.--Monsieur Van

Lencren’s collection.--The Canon Knyff’s house and gallery of

paintings.--The Canon himself.--His domestic felicity.--Revisit the

cathedral.--Grand service in honour of St. John the

Baptist.--Mynheer Van den Bosch, the organist’s astonishing flashes

of execution.--Evening service in the cathedral.--Magical effect of

the music of Jomelli.--Blighted avenues.--Slow travelling.--Enter

the United Provinces.--Level scenery.--Chinese prospects.--Reach

Meerdyke.--Arrival at the Hague.

Antwerp, 23rd June, 1780.

After breakfast this morning I began my pilgrimage to all the cabinets

of pictures in Antwerp. First, I went to Monsieur Van Lencren’s, who

possesses a suite of apartments, lined, from the base to the cornice,

with the rarest productions of the Flemish school. Heaven forbid I

should enter into a detail of their niceties! I might as well count the

dew-drops upon the most spangled of Van Huysum’s flower-pieces, or the

pimples on their possessor’s countenance; a very good sort of man,

indeed; but from whom I was not at all sorry to be delivered.

My joy was, however, of short duration, as a few minutes brought me into

the court-yard of the Canon Knyff’s habitation; a snug abode, well

furnished with ample fauteuils and orthodox couches. After viewing the

rooms on the first floor, we mounted an easy staircase, and entered an

ante-chamber, which they who delight in the imitations of art rather

than of nature, in the likenesses of joint stools and the portraits of

tankards, would esteem most capitally adorned: but it must be confessed,

that amongst these uninteresting performances are dispersed a few

striking Berghems and agreeable Polembergs. In the gallery adjoining,

two or three Rosa de Tivolis merit observation; and a large Teniers,

representing the Hermit St. Anthony surrounded by a malicious set of

imps and leering devilesses, is well calculated to display the whimsical

buffoonery of a Dutch imagination.

I was enjoying this strange medley, when the canon made his appearance;

and a most prepossessing figure he has, according to Flemish ideas. In

my humble opinion, his reverence looked a little muddled or so; and, to

be sure, the description I afterwards heard of his style of living

favours not a little my surmises. This worthy dignitary, what with his

private fortune and the good things of the church, enjoys a spanking

revenue, which he contrives to get rid of in the joys of the table and

the encouragement of the pencil.

His servants, perhaps, assist not a little in the expenditure of so

comfortable an income; the canon being upon a very social footing with

them all. At four o’clock in the afternoon, a select party attend him in

his coach to an ale-house about a league from the city; where a table,

well spread with jugs of beer and handsome cheeses, waits their arrival.

After enjoying this rural fare, the same equipage conducts them back

again, by all accounts, much faster than they came; which may well be

conceived, as the coachman is one of the brightest wits of the

entertainment.

My compliments, alas! were not much appreciated, you may suppose, by

this jovial personage. I said a few favourable words of Polemberg, and

offered up a small tribute of praise to the memory of Berghem; but, as I

could not prevail upon Mynheer Knyff to expand, I made one of my best

bows, and left him to the enjoyment of his domestic felicity.

In my way home, I looked into another cabinet, the greatest ornament of

which was a most sublime thistle by Snyders, of the heroic size, and so

faithfully imitated that I dare say no Ass could see it unmoved. At

length, it was lawful to return home; and as I positively refused

visiting any more cabinets in the afternoon, I sent for a harpsichord of

Rucker, and played myself quite out of the Netherlands.

It was late before I finished my musical excursion, and I took advantage

of this dusky moment to revisit the cathedral. A flight of starlings had

just pitched on one of the pinnacles of the tower, whose faint chirpings

were the only sounds that broke the evening stillness. Not a human form

appeared at any of the windows around; no footsteps were audible in the

opening before the grand entrance; and during the half hour I spent in

walking to and fro, one solitary Franciscan was the only creature that

accosted me. From him I learned that a grand service was to be performed

next day in honour of St. John the Baptist, and the best music in

Flanders would be called forth on the occasion, so I determined to stay

one day longer at Antwerp.

Having taken this resolution, I availed myself of a special invitation

from Mynheer Van den Bosch, the first organist of the place, and sat

next to him in his lofty perch during the celebration of high mass. The

service ended, I strayed about the aisles, and examined the innumerable

chapels which decorate them, whilst Mynheer Van den Bosch thundered and

lightened away upon his huge organ with fifty stops.

When the first flashes of execution had a little subsided, I took an

opportunity of surveying the celebrated Descent from the Cross. This has

ever been esteemed the master-piece of Rubens, which, large as it is,

they pretend here that Old Lewis Baboon[2] offered to cover with gold. A

swingeing St. Christopher, fording a brook with a child on his

shoulders, cannot fail of attracting attention. This colossal personage

is painted on the folding-doors which defend the grand effort of art

just mentioned from vulgar eyes; and here Rubens has selected a very

proper subject to display the gigantic boldness of his pencil.

After I had most dutifully surveyed all his productions in this church,

I walked half over Antwerp in quest of St. John’s relics, which were

moving about in procession. If my eyes were not much regaled by the

saint’s magnificence, my ears were greatly affected in the evening by

the music which sang forth his praises. The cathedral was crowded with

devotees, and perfumed with incense. A motet, in the lofty style of

Jomelli, performed with taste and feeling, transported me to Italian

climates; and I grieved, when a cessation dissolved the charm, to think

that I had still so many tramontane regions to pass before I could in

effect reach that classic country. Finding it was in vain to expect

preternatural interposition, and perceiving no conscious angel or

Loretto-vehicle waiting in some dark consecrated corner to bear me away,

I humbly returned to my hotel.

Monday, June 26th.--We were again upon the pavé, rattling and jumbling

along between clipped hedges and blighted avenues. The plagues of Egypt

have been renewed, one might almost imagine, in this country, by the

appearance of the oak trees: not a leaf have the insects spared. After

having had the displeasure of seeing no other objects for several hours

but these blasted rows, the scene changed to vast tracts of level

country, buried in sand and smothered with heath; the particular

character of which I had but too good an opportunity of intimately

knowing, as a tortoise might have kept pace with us without being once

out of breath.

Towards evening, we entered the dominions of the United Provinces, and

had all their glory of canals, treck-schuyts, and windmills, before us.

The minute neatness of the villages, their red roofs, and the lively

green of the willows which shade them, corresponded with the ideas I had

formed of Chinese prospects; a resemblance which was not diminished upon

viewing on every side the level scenery of enamelled meadows, with

stripes of clear water across them, and innumerable barges gliding

busily along. Nothing could be finer than the weather; it improved each

moment, as if propitious to my exotic fancies; and, at sun-set, not one

single cloud obscured the horizon. Several storks were parading by the

water-side, amongst flags and osiers; and, as far as the eye could

reach, large herds of beautifully spotted cattle were enjoying the

plenty of their pastures. I was perfectly in the environs of Canton, or

Ning Po, till we reached Meerdyke. You know fumigations are always the

current recipe in romance to break an enchantment; as soon, therefore,

as I left my carriage and entered my inn, the clouds of tobacco which

filled every one of its apartments dispersed my Chinese imaginations,

and reduced me in an instant to Holland.

Why should I enlarge upon my adventures at Meerdyke? To tell you that

its inhabitants are the most uncouth bipeds in the universe would be

nothing very new or entertaining; so let me at once pass over the

village, leave Rotterdam, and even Delft, that great parent of pottery,

and transport you with a wave of my pen to the Hague.

As the evening was rather warm, I immediately walked out to enjoy the

shade of the long avenue which leads to Scheveling, and proceeded to the

village on the sea coast, which terminates the perspective. Almost every

cottage door being open to catch the air, I had an opportunity of

looking into their neat apartments. Tables, shelves, earthenware, all

glisten with cleanliness; the country people were drinking tea, after

the fatigues of the day, and talking over its bargains and contrivances.

I left them to walk on the beach, and was so charmed with the vast azure

expanse of ocean, which opened suddenly upon me, that I remained there a

full half hour. More than two hundred vessels of different sizes were in

sight, the last sunbeam purpling their sails, and casting a path of

innumerable brilliants athwart the waves. What would I not have given to

follow this shining track! It might have conducted me straight to those

fortunate western climates, those happy isles which you are so fond of

painting, and I of dreaming about. But, unluckily, this passage was the

only one my neighbours the Dutch were ignorant of. It is true they have

islands rich in spices, and blessed with the sun’s particular attention,

but which their government, I am apt to imagine, renders by no means

fortunate.

Abandoning therefore all hopes of this adventurous voyage, I returned

towards the Hague, and looked into a country-house of the late Count

Bentinck, with parterres and bosquets by no means resembling, one should

conjecture, the gardens of the Hesperides. But, considering that the

whole group of trees, terraces, and verdure were in a manner created out

of hills of sand, the place may claim some portion of merit. The walks

and alleys have all the stiffness and formality which our ancestors

admired; but the intermediate spaces, being dotted with clumps and

sprinkled with flowers, are imagined in Holland to be in the English

style. An Englishman ought certainly to behold it with partial eyes,

since every possible attempt has been made to twist it into the taste of

his country.

I need not say how liberally I bestowed my encomiums on Count Bentinck’s

tasteful intentions; nor how happy I was, when I had duly serpentized

over his garden, to find myself once more in the grand avenue. All the

way home, I reflected upon the unyielding perseverance of the Dutch, who

raise gardens from heaps of sand, and cities out of the bosom of the

waters. I had, almost at the same moment, a whimsical proof of the

thrifty turn of this people; for just entering the town I met an

unwieldy fellow--not ill clad--airing his carcase in a one-dog chair.

The poor animal puffed and panted, Mynheer smoked, and gaped around him

with the most blessed indifference.

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