CHAPTER VII.

THE MUSICAL SOIRÉE.

A small, but judiciously-selected company had assembled; all were

people of musical tastes, and most of them capable of sharing in the

performances. There were but few ladies; perhaps it did not suit the

mistress of the house to have the attentions of the gentlemen divided

among too many. Miss Sandford was undeniably queen of the evening; her

superb face and figure, and irreproachable toilet, never showed to

better advantage. And her easy manners, and ready, silvery words, would

have given a dangerous charm to a much plainer woman. She had a smile,

a welcome, and a compliment for each,--not seemingly studied, but

gracefully expressed, and sufficient to put the guests in the best

humor. Mrs. Sandford, less demonstrative in manner than her

sister-in-law, and less brilliant in conversation and personal

attractions, was yet a most winning, lovable woman,--a companion for a

summer ramble, or a quiet _tête-à-tête_, rather than a belle for a

drawing-room. Mr. Sandford was calmly conscious, full of subdued

spirits, cheerful and ready with all sorts of pleasant phrases. It is

not often that one sees such a manly, robust figure, such a handsome,

ingenuous face, and such an air of agreeable repose. Easelmann was

present, retiring as usual, but with an acute eye that lost nothing

while it seemed to be observing nothing. Greenleaf was decidedly the

lion. It was not merely his graceful person and regular features that

drew admiring glances upon him; the charm lay rather in an atmosphere

of intellect that surrounded him. His conversation, though by no means

faultless, was marked by an energy of phrase joined to an almost

womanly delicacy and taste. His was the "hand of steel," but clothed

with the "glove of velvet." Easelmann followed him with a look half

stealthy, half comical, as he saw the unusual vivacity of the reigning

beauty when in his immediate society. Her voice took instinctively a

softer and more musical tone; she showered her glances upon him,

dazzling and prismatic as the rays from her diamonds; she seemed

determined to captivate him without the tedious process of a siege.

And, in truth, he must have been an unimpressible man that could steel

himself against the influence of a woman who satisfied every critical

sense, who piqued all his pride, who stimulated all that was most manly

in his nature, and without apparent effort filled his bosom with an

exquisite intoxication.

The music commenced under Marcia's direction. There were piano solos

that were _not_ tedious,--full of melody and feeling, and with few of

the pyrotechnical displays which are too common in modern

virtuoso-playing; vocal duets and quartets from the Italian operas, and

from _Orfeo_ and other German masterpieces; and solos, if not equal to

the efforts of professional singers, highly creditable to amateurs, to

say the least. The auditors were enthusiastic in praise. Even Charles,

who came in late, declared the music "Vewy good, upon my

soul,--surpwizingly good!"

Greenleaf was listening to Marcia, with a pleased smile on his face,

when Mr. Sandford approached and interrupted them.

"You are proficient in more than one art, I see. You paint as well as

though you knew nothing of music, and yet you sing like a man who has

made it an exclusive study."

Greenleaf simply bowed.

"How do you come on with the picture?" Mr. Sandford continued.

"Very well, I believe."

"My dear Sir, make haste and finish it."

"I thought you were not in a hurry."

"Not in the least, my friend; but when you get that finished, you can

paint others, which I can probably dispose of for you."

"You are very kind."

"I speak as a business man," said Sandford, in a lower tone, at which

Marcia withdrew. "The arts fare badly in time of a money panic, and all

the pictures you can sell now will be clear gain."

"Are there signs of a panic?"

"Decidedly; the rates of interest are advancing daily, and no one knows

where it will end. Unless there is some relief in the market by Western

remittances, the distress will be wide-spread and severe."

"I am obliged to you for the hint. I have two or three pictures nearly

done."

"I will look at them in a day or two, and try to find you purchasers."

Greenleaf expressed his thanks, warmly, and then walked towards Mrs.

Sandford, who was sitting alone at that moment.

"There is no knowing what Marcia may do," thought Sandford; "I have

never seen her when she appeared so much in earnest,--infatuated like a

candle-fly. I hope she won't be fool enough to marry a man without

money. These artists are poor sheep; they have to be taken care of like

so many children. At all events, it won't cost much to keep him at work

for the present. Meanwhile she may change her mind."

Greenleaf was soon engaged in conversation with Mrs. Sandford. She had

too much delicacy to flatter him upon his singing, but naturally turned

the current towards his art. Without depreciating his efforts or the

example of deservedly eminent American painters, she spoke with more

emphasis of the acknowledged masters; and as she dwelt with unaffected

enthusiasm upon the delight she had received from their immortal works,

his old desire to visit Europe came upon him with redoubled force.

There was a calm strength in her thoughts and manner that moved him

strangely. He saw in a new light his thoughtless devotion to pleasure,

and especially the foolish fascination into which he had been led by a

woman whom he could not marry and ought not to love. Mrs. Sandford did

not exhort, nor even advise; least of all did she allude to her

sister-in-law. Hers was only the influence of truth,--of broad ideas of

life and its noblest ends, presented with simplicity and a womanly tact

above all art. It seemed to Greenleaf the voice of an angel that he

heard, so promptly did his conscience respond. He listened with

heightening color and tense nerves; the delirious languor of amatory

music, and the delirium he had felt while under the spell of Marcia's

beauty, passed away. It seemed to him that he was lifted into a higher

plane, whence he saw before him the straight path of duty, leading away

from the tempting gardens of pleasure,--where he recognized immutable

principles, and became conscious that his true affinities were not with

those who came in contact only with his sensuous nature. He had never

understood himself until now.

A long meditation, the reader thinks; but, in reality, it was only an

electric current, awakening a series of related thoughts; as a flash of

lightning at night illumines at once a crowd of objects in a landscape,

which the mind perceives, but cannot follow in detail.

When, at length, Greenleaf looked up, he was astonished to find the

room silent, and himself with his companion in the focus of all eyes.

Marcia looked on with a curiosity in which there was perhaps a shade of

apprehension. Easelmann relieved the momentary embarrassment by walking

towards his friend, with a meaning glance, and taking a seat near Mrs.

Sandford.

"I can't allow this," said Easelmann. "You have had your share of Mrs.

Sandford's time. It is my turn. Besides, you will forget it all when

you cross the room."

"Trust me, I shall _never_ forget," said Greenleaf, with a marked

emphasis, and a grateful look towards the lovely widow.

"What's this? What's this?" said Easelmann, rapidly. "Insatiate

trifler, could not one suffice?"

"Oh, we understand each other, perfectly," said Mrs. Sandford, in a

placid tone.

"You do, eh? I should have interrupted you sooner. It might have saved

my peace of mind, and perhaps relieved some other anxieties I have

witnessed. But go, now!" Greenleaf turned away with a smile.

Marcia at once proposed a duet to conclude the entertainment,

--Rossini's _Mira bianca luna_,--a piece for which she had

reserved her force, and in which she could display the best

qualities of her voice and style. Greenleaf had a high and pure tenor

voice; he exerted himself to support her, and with some success; the

duet was a fitting close to a delightful and informal concert. But he

was thoroughly sobered; the effects he produced were from cool

deliberation, rather than the outbursts of an enthusiastic temper.

Earlier in the evening the tones and the glances of his companion would

have sent fiery thrills along his nerves and lifted him above all

self-control.

In the buzz of voices that followed, Marcia commenced a lively colloquy

with Greenleaf, as though she desired to leave him under the

impressions with which the evening commenced. The amusements of summer

were discussed, the merits of watering-places and other fashionable

resorts, when Greenleaf accidentally mentioned that he and Easelmann

were going presently to Nahant.

"Delightful!" she exclaimed, "to enjoy the ocean and coast-scenery

after the rush of company has left! While the fashionable season lasts,

there is nothing but dress and gossip. You are wise to avoid it."

"I think so," he replied. "Neither my tastes nor my pursuits incline me

to mingle in what is termed fashionable society. It makes too large

demands upon one's time, to say nothing of the expense or the

unsatisfactory nature of its pleasures."

"I agree with you. So you are going to sketch. Would not you and Mr.

Easelmann like some company? You will not pore over your canvas _all_

day, surely."

"We should be delighted; _I_ should, certainly. And if you will look at

my friend's face just now, as he is talking to your beautiful

sister-in-law, you will see that he would not object."

"Do you think Lydia is _beautiful_?"

The tone was quiet, but the glance questioning.

"Not classically beautiful,--but one of the most lovely, engaging women

I ever met."

"Yes,--she is charming, truly. I don't think her strikingly handsome,

though; but tastes rarely agree, you know. I only asked to ascertain

your predilections."

"I understand," thought Greenleaf; but he made no further reply.

"Don't be surprised, if you see us before your stay is over,--that is,

if Lydia and I can induce Charles to go down with us. Henry is too

busy, I suppose."

Charles passed just then; he was endeavoring to form a cotillon,

declaring that talk was slow, and, now that the music was over, a dance

would be the thing.

"Charles, you will go to Nahant for a week,--won't you?"

"What! now?"

"In a day or two."

"Too cold, Sister Marcia; too late, altogether."

"But you were unwilling to go early in the season."

"Too early is as bad as too late; it is chilly there till the company

comes. No billiards, no hops, no pwetty girls, no sailing, no wides on

the beach, no pwomenades on the moonlight side of the piazza. No, my

deah, Nahant is stupid till the curwent sets that way."

"Southern visitors warm the coast like the Gulf Stream, I suppose,"

said Greenleaf.

"Pwecisely so,"--then, after the idea had reached his brain, adding,

"Vewy good, Mr. Gweenleaf! Vewy good!"

The soirée ended as all seasons of pleasure must, and without the dance

on which Charles had set his heart. The friends walked home together.

Greenleaf was rather silent, but Easelmann at last made him talk.

"What do you think of the beauty, now?" the elder asked.

"Still brilliant, bewitching, dangerous."

"You are not afraid of her?"

"Upon my soul, I believe I am."

"What has frightened you? What faults or defects have you seen?"

"Two. One is, she uses perfumes too freely. Stop that laugh of yours!

It's a trifling thing, but it is an indication. I don't like it."

"Fastidious man, what next? Has she more hairs on one eyebrow than the

other? Or did you see a freckle of the size of a fly's foot?"

"The second is in her manner, which, in spite of its ease and apparent

artlessness, has too much method in it. Her suavity is no more studied

than her raptures. She is frosted all over,--frosted like a cake, I

mean, and not with ice. And, to follow the image, I have no idea what

sort of a compound the tasteful confectionery covers."

"Well, if that is all, I think she has come out from under your

scrutiny pretty well. I should like to see the woman in whom you would

not find as many faults."

"If a man does not notice trifles, he will never learn much of

character. With women especially, one should be as observing as a Huron

on the trail of an enemy."

"Ferocious hunter, who supposed there were so many wiles in your simple

heart?"

"Odd enough, there seemed to be a succession of warnings this evening.

I was dazzled at first, I own,--almost hopelessly smitten. But Sandford

gave me a jolt by bringing in business; he thinks there is to be a

smash, and advises me to make hay while the sun shines. Then I talked

with Mrs. Sandford."

"Now we come to the interesting part--to me!"

"But I shan't gratify you, you mouser! It is enough to say, that in a

few simple words, uttered, I am sure, without forethought, she placed

my frivolity before me, and then showed me what I might and ought to

be. I was like a grasshopper before, drunk with dew, and then sobered

by a plunge into a clear, cool spring. Besides, I have thought more

about your advice in regard to the lady, you dissembling old rascal!

For you know that in such matters you never mean what you say; and when

you counsel me to fall in love with a coquette, you only wish me to be

warned in time and make good my escape. If it were light enough, I

should see that grizzly moustache of yours curl like a cat's, this

minute. You can grin, you amiable Mephistopheles, but I know you! No,

my dear Easelmann, I am cured. I shall take hold of my pencils with new

energy. I will save money and go abroad, and----I had nearly forgotten

her! I will take a new look at my darling's sweet face in my pocket,

and, like Ulysses, I'll put wax into my ears when I meet the singing

Siren again."

"I hope your rustic _fiancée_ is not clairvoyant?"

"I hope not."

"If she is, she will cry her little eyes out to-night."

"Don't speak of it, I beg of you."

"You are getting lugubrious; we shall have to change the subject. Love

affects people in as many different ways as wine. Some are

exalted,--their feet spurn the earth, their heads are in the clouds;

some pugnacious, walking about with a chip on the shoulder; others are

stupidly happy,--their faces wearing a sickly smile that becomes

painful to look at; others again, like you, melancholy as a wailing

tenor in the last act of 'Lucia.' Like learning, a little draught of

love is dangerous; drink largely and be sober. The charmer will not

cast so powerful a spell upon you the next time, and you will come away

more tranquil."

There was just the least shade of sarcasm in the tone, and Greenleaf,

as usual, was a little puzzled. For Easelmann was a study,--always

agreeable, never untruthful, but fond of launching an idea like a

boomerang, to sweep away, apparently, but to return upon some

unexpected curve. His real meaning could not always be gathered from

any isolated sentence; and to strangers he was a living riddle. But

Greenleaf had passed the excitable period, and had lapsed into a state

of moody repentance and grim resolution.

"You need not tempt me," he said, "even if that were your object, which

I doubt, you sly fox! And if you mean only to pique my pride in order

to cure my inconstancy to my betrothed, I assure you it is quite

unnecessary. I shall have too much self-respect to place myself in the

way of temptation again."

"Now you are growing disagreeable; the virtuous resolutions of a

diner-out, on the headachy morning after, are never pleasant to hear.

There is so much implied! One does not like to follow the idea backward

to its naughty source. The penitent should keep his sermons and

soda-water to himself."

"Well, here we are at home. We have walked a mile, and yet it seems but

a furlong. If I were not so disagreeable as you say, we would take

another turn about the Common."

"Sleep will do you more good, my friend; and I think I'll go home. I

haven't smoked since dinner. Good night!"

Greenleaf went to his room, but not at once to sleep; his nerves were

still too tremulous. With the picture of Alice before him, he sat for

hours in a dreamy reverie; and when at last he went to bed, he placed

the miniature under his pillow.

The Atlantic Monthly, Volume 03, No. 15, January, 1859 A Magazine of Literature, Art, and Politics · 第 3 / 7 章