CHAPTER X

SWIFT REVERSAL TO BARBARISM

BY VANCE THOMPSON

CULTURE SWEPT AWAY -- BREAKING POINT OF CIVILIZATION -- BARBARISM AND

WOMEN -- AFTER BARBARISM, WHAT?

[The following article is reproduced by the courtesy of the New York

Times.]

There is in Brussels--if the Uhlans have spared it--a mad and monstrous

picture. It is called “A Scene in Hell,” and hangs in the Musée Wiertz.

And what you see on the canvas are the fierce and blinding flames of

hell; and amid them looms the dark figure of Napoleon, and around him

the wives and mothers and maids of Belgium scream and surge and clutch

and curse--taking their posthumous vengeance.

And since Napoleon was a notable emperor in his time, the picture is not

without significance today. Paint in another face, and let it go at

that.

War is a bad thing. Even hell is the worse for it.

War is a bad thing; it is a reversal, sudden and complete, to barbarism.

That is what I would get at in this article. One day there is

civilization, authentic, complex, triumphant; comes war, and in a moment

the entire fabric sinks down into a slime of mud and blood. In a day,

in an hour, a cycle of civilization is canceled. What you saw in the

morning was suave and ordered life; and the sun sets on howling

savagery. In the morning black-coated men lifted their hats to women.

Ere nightfall they are slashing them with sabres and burning the houses

over their heads. And the grave old professors who were droning

platitudes of peace and progress and humanitarianism are screaming, ere

today is done, shrill senile clamors for blood and ravage and rapine.

A reversal to barbarism.

Here; it is in the tea-room of the smartest hotel in Munich; war has

come; high-voiced women of title chatter over their teacups; comes

swaggering in the Crown Prince Ruprecht of Bavaria; he has just had his

sabre sharpened and has girt his abdomen for war. His wife runs to him.

And she kisses the sabre and shouts: “Bring it back to me covered with

blood--that I may kiss it again!” And the other high-voiced women flock

to kiss the sword.

A reversal to barbarism.

It has taken place in an hour; but yesterday these were sweet patrician

ladies, who prattled of humanity and love and the fair graces of life;

and now they would fain wet their mouths with blood--laughingly, as

harlots wet their mouths with wine.

The unclean and vampirish spirit of war has swept them back to the

habits of the cave-dwelling ages of the race. In an hour the culture so

painfully acquired in slow generations has been swept away. Royalty, in

the tea-room of the “Four Seasons,” is one with the blonde nude female

who romped and fought in the dark Teutonic forests ere Caesar came

through Gaul.

Reversal to barbarism.

War is declared; and in Berlin the Emperor of Germany rides in an open

motor car down Unter den Linden; he is in full uniform, sworded, erect,

hieratic; and at his side sits the Empress--she the good mother, the

housewife, the fond grandmother--garmented from head to foot in cloth

the color of blood.

Theatricalism? No. The symbolism is more significant. The symbol bears a

savage significance. It marks, as a red sunset, the going down of

civilization and the coming of the dark barbarism of war.

BREAKING POINT OF CIVILIZATION

There was war; and the whole machinery of civilization stopped.

Modern civilization is the most complex machine imaginable; its infinite

cogged wheels turn endlessly upon each other; and perfectly it

accomplishes its multifarious purposes; but smash one wheel and it all

falls apart into muddle and ruin. The declaration of war was like

thrusting a mailed fist into the intricate works of a clock. There was

an end of the perfected machine of civilization. Everything stopped.

That was a queer world we woke in. A world that seemed new, so old it

was.

Money had ceased to exist. It seemed at that moment an appalling thing.

I was on the edge and frontier of a neutral state. I had money in a

bank. It ceased to be money. A thousand-franc note was paper. A

hundred-mark note was rubbish. British sovereigns were refused at the

railway station. The Swiss shopkeeper would not change a Swiss note.

What had seemed money was not money.

Values were told in terms of bread.

It was a swift and immediate return to the economic conditions of

barbarism. Metals were hoarded; and where there had been trade there was

barter. And it all happened in an hour, in that first fierce panic of

war.

Traffic stopped with a clang as of rusty iron. The mailed fist had

dislocated the complex machinery of European traffic. Frontiers which

had been mere landmarks of travel became suddenly formidable and

impassable barriers, guarded by harsh, hysterical men with bayonets.

War makes men brave and courageous? Rubbish! It fills them with the

cruelty of hysteria and the panic of the unknown. I am not talking of

battle, which is a different thing. But I say the men who guarded the

German frontier--and I dare say every other frontier--in the first

stress of war, were wrenched and shaken with veritable hysteria. At St.

Ludwig and Constance those husky soldiers in iron-mongery, with shaved

heads and beards and outstanding ears, fell into sheer savagery, not

because they were bad and savage men, but simply because they were

hysterical. The fact is worth noting.

It explains many a bloody and infamous deed in the tragic history of sad

Alsace and of little Belgium. The war-begotten reversal to savagery

brought with it all the hysteria of the savage man. The sentries at St.

Ludwig struck with muskets and sabres because they were hysterical with

terror of the new, unknown state into which they had been plunged, not

because they were not men like you and me. Surely the savage Uhlan who

ravaged the cottages of Alsace was your brother and mine, as were the

Magyar beyond the Danube and the Cossack at Kovna. Only they had gone

back to the terrors of the man who dwelt in a cave.

Traffic stopped; and when it stopped civilization fell away from the

travelers. That was strange. Take the afternoon of the day war was

declared, the date being Aug. 1, in the year of our Lord 1914, and the

hour 7.30 P. M., Berlin time. It was the last train that reached the

frontier from Paris. Between Delle and Bicourt lies a neutral zone about

three kilometers--say, nearly two and a half miles--in extent. On one

side France and invasion and terror and war; on the other side of the

zone the relative safety of Switzerland. Six hundred passengers poured

out of the French train at noon into that neutral zone and started to

walk to Swiss safety. A blazing August sun; a road of pebbles and

stinging, upblown dust.

The passengers had been permitted to bring on the train only what

luggage they could carry; so they were laden with bags and coats,

dressing bags and jewel cases--all they had deemed most valuable. Mostly

women. German ladies fleeing for refuge; Russian ladies; English,

American; and a crowd of men, urgent to reach their armies, German,

Swiss, Russian, Austrian, Servian, Italian; withal many of the kind of

American men who go to Switzerland in August.

And the caravan started in the dust and heat of a desert. A woman let

fall her heavy bag and plodded on. Another threw away her coats. Men

shook off their bundles. The heat was stifling. And through the clouds

of dust a panic terror crept. It was the antique terror of the God

Pan--the God All; it was a fear as immense as the sky.

A woman screamed and began to run, throwing away everything she had

safeguarded so she might run with empty hands. A score followed her. Men

began to run. They thrust the women aside, cursing; and ran. And for

over two miles the road was covered thick with coats and bags, with

packages and jewel cases. The greed of possession died out in the

causeless fear.

These hoarse, pushing men, these sweating, shameless women had gone back

10,000 years into prehistoric savagery. Lightly they threw away all the

baubles and gewgaws civilization had fashioned for adorning and

disguising their raw humanity, and the habits of civilization as well.

They had touched but the outermost edge of war, and their very clothes

fell off them.

BARBARISM AND WOMEN

War; and it takes eighty-four hours to make a twelve-hour journey from

the Alps to Paris; the cable is dead; the telegraph is dumb; letters go

only when smuggled over the frontiers by couriers; you look about you

and find you are in a mediæval and mysterious world. You stand amid the

melancholy ruins of canceled cycles. The mailed fist of war has smashed

your world to pieces. You do not know it.

The man you thought of as a brother looks at you with eyes of passionate

hatred; you have eaten bread and salt together; you have drunk together;

you have been uplifted by the same books; you have been sublimed by the

same music; but he is a German, and your blood was made in another land,

and he looks at you with suspicion and hate--perhaps you are a spy. (The

spy mania! Dear Lord, what absurd, bloody, and abominable stories I

could write of this madness which has Europe by the throat, this madness

which is only another form of war hysteria!) A reversal to barbarism;

you and the man who was your friend have gone back to the fear and

hatred of primitive savages, meeting at the corner of a dark wood. All

of humanity we have acquired in the slow way of evolution sloughs off

us.

We are savages once more. For science is dead. All the laboratories are

shut, save those where poison is brewed and destruction is put up in

packages. Education has ceased, save that fierce Nietzschean education

which declares: “The weak and helpless must go to the wall; and we shall

help them go.” All that made life humanly fair is hidden in the fetid

clouds of war where savages (in terror and hysteria) grope for each

other’s throats.

The glory of war--rot! The heroism of war--rot! The scarlet and

beneficent energies of war--rot! When you look at it close what you see

are hulking masses of brutes with fear behind them prodding them on, or

wild and splendid savages, hysterical with hate, battling to save their

hearth fires and women from the oncoming horde. Reversal to barbarism.

Think it over. Upon whom falls the stress of war? Not upon the soldier.

He is killed and fattens the soil where he falls; or he is maimed and

hobbles off toward a pension or beggary--both tolerable things; anyway

he has drunk deep of cruelty and terror and may go his way. By rare good

grace he may have been a hero. In other words, he may have been a

Belgian--which is a word like a decoration, a name to make one strut

like a Greek of Thermopylae--and become thus a permanent part of the

world’s finest history.

* * * * *

I would like to write here the name of a friend, Charles Flamache of

Brussels. He was twenty-one years old. He was an artist who had already

tasted fame. He had known the love of woman. That his destiny might be

fulfilled he died, the blithe, brave boy, in front of Liège. It was the

right death at the right time--ere yet the massed Prussians had rolled

in fire and blood over his fair small land. Wherefore, hail and

farewell, young hero!

* * * * *

But upon whom falls the stress of war?

In a time of barbarism those who suffer are always the weak. War is in

its essence (as said Nietzsche, the German philosopher of “world power”)

an attack upon weakness. The weakest suffer most.

I saw children born on cinder heaps, and I saw them die; and the mothers

die gasping like she dogs in a smother of flies.

Some day the story of what was done in Alsace will be written and the

stories of Visé and Aerschot and Orsmael and Louvain will seem pale and

negligible; but not now--five generations to come will whisper them in

the Vosges.

What I would emphasize is that in the natural state of barbarism induced

by the war the woman falls back to her antique state of she animal. In

thousands of years she has been made into a thing of exquisite and

mysterious femininity; in a day she is thrown back to kinship with the

she dog. Slashed with sabres, pricked with lances, she is a mere thing

of prey.

Surely not the dear Countess and Baroness? Of course not. War is made in

the palaces, but it does not attack the palaces. The worth of every

nation dwells in the cottage; and it is upon the cottage that war works

its worst infamy. Go to Alsace and see.

Pillage, loot, incendiarism, “indemnity”--you can read that in the

records of the invasion of Belgium; that is war; it is all right if war

is to be, for all this talk of chivalrous consideration for foes and

regard for international law is all nonsense; necessity, as

Bethmann-Hollweg said, knows no law, and necessity has always been the

tyrant’s plea; it is the business of a soldier to kill and terrify; if

he restricts his killing and terrifying he is a bad soldier and bad at

his work of barbarism; but--

There is a more sinister side to Europe’s lapse into barbarism. The

women are paying too dear. And to make them pay dear is not really the

business of a soldier, not even a bad soldier. Yet the woman is paying,

God knows. A tragic payment.

AFTER BARBARISM WHAT?

One morning at dawn--it was at Ambérieu--I saw the long trains go by

carrying the German wounded and the German prisoners, who had been taken

in the battles of the Vosges. There were 2,400 taken on toward the

south. There were French nurses with the wounded. I saw water and fruit

and chocolate given to the prisoners.

This was early in the war. The sheer lapse into barbarism had not yet

come. Soon the German newspapers announced:

“Great concern is expressed in press and public utterances lest

prisoners of war receive anything in the line of favored treatment.

Newspapers have conducted an angry campaign against women who have

ventured at the railway station to give coffee or food to prisoners of

war passing through; commanding officers have ordered that persons

‘demeaning themselves by such unworthy conduct’ are to be immediately

ejected from the stations, and in response to public clamor official

announcements have been issued that such prisoners in transport receive

only bread and water.”

And the French followed suit; no “coddling” of prisoners; back to

barbarism, the lessons of humanity forgot and savagery come again.

Civilization in the old world is smashed. I have traversed the ruins;

and my feet are still dirty with mud and blood. But I can tell you what

is going to come out of that welter of ruin. There will come a sane and

righteous hatred of militarism. What will be surely destroyed is

Cæsarism. Prophecy? This is not prophecy; I am stating an assured fact.

Even at this hour of hysterical and relentless warfare there lies deep

in the heart of the democracy of Europe a consuming hatred of

militarism.

Drops of water (or blood) do not more naturally flow into each than did

the English hatred of Cæsarism blend with the high French hatred of the

evil thing; and when the palaces have done fighting, the cottages of

Europe, from the Baltic to the Mediterranean and from the Black Sea to

the Hebrides, will proclaim its destruction.

And you will see it; you will see Cæsarism drowned in the very blood it

has shed. And the German, mark you, will not be the least bitter of the

foes of militarism. He will be indeed a relentless foe.

Reversal to barbarism, say you? A shuddering lapse into savagery?

Quite true; that is the state of Europe over the fairest and most highly

civilized provinces. The picture of Sir John French strolling up and

down the battle line smoking a cigarette does not give a fair idea of

it; nor do you get it from the Kaiser on a hilltop surveying his massed

war bullocks surging forth patiently to battle; all that belongs to the

picture books of war.

The real thing is dirtier.

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