PREFACE.

The play which is presented in this volume is the only specimen

known to me of the native American comedy. It is of comparatively

recent origin, and is composed in a mixed dialect, a jargon of low

Spanish and corrupt Aztec (Nahuatl); but, both in its history and

spirit, it bears so many marks of native composition, and is so

characteristic of the sort of humor popular with the tribes from

whom it was obtained, that it fairly merits a place in this series

of publications.

The text was obtained in Nicaragua, by the late Dr. Carl Hermann

Berendt. But no translation of any part of it and no notes upon it

were found among his papers. The responsibility for the rendering

rests, therefore, with myself. It has presented extreme difficulty,

owing to the imperfect condition of the text, the deterioration of

the Nahuatl words and forms, the antiquated and provincial senses of

the Spanish words, and the obscure local references introduced. I

would rather speak of my work as a loose paraphrase, aimed to give

the general sense and humorous tone of the original, than as a

faithful translation.

The text has been printed precisely as in the manuscript, even

obvious errors in spelling and punctuation having been preserved.

Suggestions with reference to these are made in the notes.

For assistance in translating the Spanish text, I would acknowledge

my indebtedness to Professor Adolfo Pierra, of Philadelphia, and Dr.

F. C. Valentine, of New York, both of whom have passed considerable

periods in Central America.

_Philadelphia, November, 1883._

The Güegüence; A Comedy Ballet in the Nahuatl-Spanish Dialect of Nicaragua · 第 2 / 45 题