CHAPTER VI

IN WHICH THE HEROINE TAKES ADVICE

Philomène ran down the garden walk, her mind in a turmoil. Queen Mab was

trotting to meet her along the path, and as soon as she caught sight of

her pet, she knelt down on the gravel and held out her arms to it. “O

Queen Mab, Queen Mab,” she cried, “I am so happy! It seems it doesn’t

matter being ordinary, if only the Good People love one.” The cat had

scrambled upon her lap in an instant, and was rubbing a white velvety

head against her arm, and licking her hand with a little tongue as rough

as it was red. Philomène carried her pussy into the schoolroom, and set

it down on the bearskin hearth-rug; then she glanced curiously at the

canary in his cage, but he was pecking at the seeds in his seed-trough,

and took no notice of her.

Before nightfall it rained. Nurse said it was because Lilian Augusta had

sung “Summer suns are glowing” that morning, which, she declared,

invariably brought on wet weather. The next day it went on raining, but

despite the downpour Miss Mills happened to be in a good humour, and

this was just as well, for it was the turn of what Philomène called “the

little speckled book,” and it is not easy to give your attention to

little speckled books when your thoughts are full of fairies. “The World

and All About It” was a very plump little volume, and the squatness of

its figure was only equalled by the omniscience of its author. It

explained at the beginning who had made the world and why; it gave the

exact date for the invention of pottery, and described the best way of

handling chopsticks. Philomène had just been learning all about the

chameleon, and of how by changing its colour it escapes the notice of

its enemies.

“Does not this show the care which Providence takes of all its

creatures?” demanded Miss Mills.

“I suppose so,” replied Philomène, thoughtfully.

“Don’t say, ‘I suppose so,’” returned Miss Mills, “the answer in the

book is Yes.” But the rebuke was given gently and with a smile, and

Philomène was gladder than ever of this easy-going mood when it came to

the Scripture lesson, which was her weekly nightmare. For when Miss

Mills taught the Scriptures she succeeded in making them as dry as the

biscuit which the Red Queen gave to Alice. “Thirst quenched, I hope?”

said the Red Queen, and happily did not wait for an answer.

Nurse declined to venture out of doors that day, and an interview with

Master Mustardseed was impossible, so when lessons were over Philomène

went down to the kitchen to help Lilian Augusta grate the chocolate for

a pudding. She found her singing to herself, “And now this holy day is

drawing to its end.” “But I don’t see that it is so very holy,”

reflected Philomène, “and it isn’t anywhere near its end either. Nurse

says it is just out of contrariness that Lilian Augusta likes to sing,

“The day thou gavest, Lord, is ended” while she is washing up the

breakfast things, and “When morning gilds the skies” over the

tea-things, but then I think Nurse is sometimes very cross to Lilian

Augusta, and perhaps she doesn’t mean all she sings.”

Lilian Augusta and Philomène were good friends, and had quarrelled only

twice, once when the first canary had been allowed to make its escape,

and another time on Queen Mab’s account. Lilian Augusta had no love for

cats, and she was not pleased therefore when after some fruitless

advertising it was settled that Queen Mab should become a member of the

household. Philomène, bent on making peace, had carried her new pet into

the kitchen and had placed it on the table.

“You know, Lilian Augusta,” she said coaxingly, “we really couldn’t have

put such a little, little cat out into the street again, could we? Only

see how small it is, and who would have fed it?”

“God, I suppose, Miss,” replied Lilian Augusta unmoved, as she measured

out the curry-powder. But Philomène would not hear of this.

“Poor Pussy!” she exclaimed resentfully, “poor, poor Pussy!” And

snatching up Queen Mab she walked straight out of the kitchen and did

not re-visit it that day. Lilian Augusta, however, had grown first

indifferent to the white cat, and then fond of it, for Queen Mab had

pretty endearing ways, besides which, devotion to Philomène was at all

times a passport to the faithful servant’s good opinion.

For several days the steady rain continued; gardeners rejoiced, other

people grumbled. Philomène consoled herself with an occasional peep at

her tall silver savings-box, in which she now treasured her latchkey.

This savings-box of hers was never looked at, for her father wished her

to do as she pleased with her pocket-money, and she had therefore chosen

it as a hiding-place for the key. On these wet days, when she could not

play in the garden, it was a comfort merely to look at the key through

the slit in the lid of the box. Towards the end of the week the rain

abated, though it did not stop altogether. People were beginning to

cheer up all round, excepting, of course, the gardeners, who said that

the soil was sodden, and that the rain had brought the slugs.

Nurse laid aside the pinafore she had been making, and shut her work-box

with a snap. “I want to get some insertion,” she announced, “the same as

is on your other pinafores. I must see if I can match it,”

“Am I to come too, Nurse?” inquired Philomène anxiously.

“I don’t see the necessity, Miss. You had your walk this morning. You

had better stay in and meet your father when he comes home, I should

say. He might be back within the next hour.”

Philomène breathed more freely. “I would ask Lilian Augusta to do that

much shopping for me,” continued Nurse, “but it’s her time off to-day,

and what’s more she never can match things, not so much as a bit of

binding. I’m sure it’s very good of the Lord to make me as patient as I

am with Lilian Augusta every day of my life.”

No sooner had the hall-door banged downstairs than Master Mustardseed

burst into song, so full of joyous trills and turns and crushing-notes,

that someone who knew no better might have supposed he was merely

showing what difficult music he could contrive to sing if he gave his

mind to it. Philomène cautiously put two fingers through the bars of his

cage, and at that the canary stopped singing as abruptly as he had

begun, cocked his little green head on one side, and perched upon her

hand. Then he spoke in a shrill, small voice,

“No need to introduce myself, I suppose?” he said gaily. His manner was

good-humoured and easy, and Philomène thought, rightly enough, that he

would prove far slower to take offence than her friend the land-agent.

“No,” she said, “Sweet William has told me that Master Mustardseed is

really your name; and oh! you cannot think what a difference it has made

to me during lesson time to feel that there is a real fairy in the

schoolroom. I used to think sometimes, when it was quiet and getting

late, that if I listened I might hear my toys talking, as they do in

nearly all the story-books, but that never came to anything. Perhaps I

didn’t wait long enough, or perhaps they knew I was listening.”

“The story-books are not always as accurate on that point as they ought

to be,” replied the canary, “it is really not at all so easy to hear

toys talk as they make out. To begin with, the house has to be quite

empty; there must be no daylight in the room, only firelight or

moonlight; and there must be no time going on.”

“How could that be managed?” asked Philomène, as Master Mustardseed

paused to take breath, for he spoke nearly as fast as he sang.

“The clock must have stopped,” said Master Mustardseed, “so you see, it

is rather a difficult matter first and last. You have no idea, by the

way, what confusion you caused in the dolls’ house the other day by

making the dolls play at a wedding.”

“I am sorry if I upset them,” said Philomène in distress, “I thought I

should like to have a wedding, because I had read in my history lesson

that morning about King Louis XII. of France, and how he over-ate

himself at his own wedding-banquet when he married Mary Tudor, and he

died, and she was ever so pleased, and went quickly and married someone

else.”

“I daresay,” said Master Mustardseed, laughing, “but you married two

dolls who did not in the least want to marry each other, poor things,

and what was worse, the mistress of the house had invited the Gollywog

and the Father Christmas to lunch, and she had to tell them not to come,

as there were not enough plates to go round. How would you like to have

to do that if you were a hostess? The dolls’ own lives are constantly

being interrupted and interfered with by those who play with them, but

of course I see that it cannot be helped, and it isn’t your fault. It is

the fault of whoever made them dolls.”

“I will look very hard at them next time I want to play,” said Philomène

remorsefully, “and perhaps I shall see from the expression on their

faces whether they have a funeral or a party or anything of their own

fixed for that day. Poor dears, I hope they don’t hate me. But, oh

please, will you tell me something about yourself now, and why you are

here?”

“Well, as you have already heard,” replied the canary, “I am Master

Mustardseed, one of the fairy queen’s four favourite pages, so you made

a remarkably good shot at my name. As for why I am here—well, have you

never heard that once every hundred years fairies have to turn into

animals for a year and a day, and if they are killed during that time,

so much the worse for them, for you see, we haven’t what you call souls.

However, if we survive that year and that day, we can go back to

Fairyland for another hundred years. Now my friend and brother page,

Master Moth, of whom I daresay you have heard, had to put in his time

before my turn came, and he lived with you as your first canary; but

when his year was over he flew away, and knowing that I had shortly to

make up my mind what to change into myself, he recommended me to come

here, saying that you were a very kind little mistress, and that I might

go farther and fare worse. That is why I came, and as for my staying

longer than a year and a day, why, my dear, before I left Fairyland I

played a prank on the Man in the Moon. He had come to court for the

first time, and we pages thought him something of a country cousin. You

see, he did not know anything at all about court etiquette, and made

absurd mistakes. I thought out the prank all by myself, for I did not

want Puck or Moth or Cobweb or Peasblossom to know anything about it; it

does not do to have too many people in a secret. All would have gone off

well enough, had not the Man in the Moon complained to headquarters. It

appears he cannot take a joke; and indeed I might have guessed as much,

for I expect you have noticed even at this distance what a wry face he

can make. The king and queen were so much displeased that they banished

me from court for three years, and I thought I had much better stay on

here. But if one day I leave you, you must not be sorry, for I shall

only have flown back to Fairyland.”

“Do many of the fairies turn into song-birds?” asked Philomène.

“Yes, a good many of them,” replied Master Mustardseed, “and the court

musician always turns into a nightingale. As for the fairies who dislike

the bother of housekeeping, they become cuckoos, and lay their eggs in

other birds’ nests, which saves them a lot of trouble. Brownies become

bees and ants, for they cannot bear to be idle, and a court-lady as

often as not turns into a butterfly or humming-bird for the sake of the

fine clothes.”

“Have you ever heard the Lorelei sing?” inquired Philomène, “I had to

leave out the question about her in Sweet William’s examination paper.”

“No,” replied Master Mustardseed decidedly, “I have always avoided the

lady. You know, I suppose, what it is that she sings for? The boatmen

hear her, and listen and listen, and watch her combing her shimmering

hair, and forget to steer their boats, so that they are sucked down into

the whirlpools of the Rhine. The gnomes never did mortals a worse turn

than when they made that golden comb for her, and when all’s said and

done her hair is no prettier than your own godmother’s. But don’t let’s

talk about her any more; I know plenty of stories about much nicer

people. Perhaps you would like to hear one right away. Stop me if I talk

too fast; Moth says it is a failing of mine.”

The Fairy Latchkey · 第 6 / 22 章