paintings by, _Adoration of the Magi_, formerly attributed to J. van
Eyck, owned by Brussels Museum, shown at Bruges, 1902., 39;
_Altarpiece_ in the National Gallery, and (part of a) _Triptych_,
36;
Triptych, _Baptism of Christ_, shown at Bruges, 1902., 36;
_B.V.M. with Child, Virgin Saints, and Angels_, Rouen Museum,
shown at Bruges, 1902., (illustrated), 36, 39;
Judgement of Cambyses, two pictures, in Bruges Museum (one
illustrated), 36;
miniatures, and by his wife C. Cnoop, where preserved (some
illustrated), 40;
parts of a Triptych, (J. Simon of Berlin), shown at Bruges, 1902.,
39
panels, part of an _Altarpiece_, (Lady Wantage), 39
Triptych, _St. Anne, the B. V. M . and Child with Saints_, (M. de
Somzée), shown at Bruges, 1902., 39
_Transfiguration_, (Church of Our Lady, Bruges), shown at Bruges,
1902., 40
paintings possibly attributable to, variously owned, some shown at
Bruges, 1902., 39-40
period of his painting in Bruges, 326
dates, limiting known period of production of, 39
Davis, Mrs. C. E., drawings on wood owned by, 305
Dealers, The Publication of Works of Art belonging to, _editorial_, 5
de Bock, Théophile, characteristics of his work, 189
painting by, shown at Guildhall, 1903., _An Avenue in Holland_, 189
de Brézé, Jacques, _see_ Brézé, Jacques de
de Brocar, Arnaldo Guillen, printer of the Complutensian Bible and
other books, 358
de Calonne, M., former owner of a painting attributed (erroneously)
to Rembrandt, _Portrait of the Artist_ (Guildhall, 1903.), 52
de Carpin, Jean du Plan, missionary to the Grand Khan, _cited_ on
Mongol sacred pictures, 140
de Charenton, Enguerrand, painter, influence of Italian ideas on, 90
de Comano, Marc, and François de la Planche, Flemish upholsterers,
brought to Paris by Henri IV., 235
de Foix, _see_ Foix
de Iode, plate by, of the picture from which Titian painted his
_Portrait of the Empress Isabella_, 282 _note_
de Keyser, Thomas, painting by, _Portrait of a Gentleman_ (Guildhall,
1903.), and characteristics of his art, 55
de Koninck, Philips, characteristics of his painting, 59
painting, now ascribed to, (Guildhall, 1903.), his masterpiece,
attributed to Rembrandt, _Commencement d’Orage_, (Lady Wantage),
60 _et seq._
de Koninck, S., painting probably by, _Head of a Man_, usually
attributed to Rembrandt, (Guildhall, 1903.), 52
de la Bazinière, Bertrand, house of, decorated by Le Brun, 230
de la Planche, F., _see_ de Comano and
Delft, _see_ Van der Neer
Delft-faïence, trade of Holland in English clays for, 277
and in the manufactured article, with Lowestoft, 272
Delhi, the Grand Moguls of, their love for art, 143
de Limbourg, Pol, miniature by, a copy of a fresco by T. Gaddi at
Florence, 90
della Robbia, Andrea, ornaments of the loggia of the Spedale di S.
Paolo, Florence, by, 23
de Marsy, Gaspard and Balthazar, employed under Le Brun, 235
de’ Medici, Giuliano, in Baldovinetti’s frescoes, 170
Lorenzo, the Magnificent, in Baldovinetti’s frescoes, 170
Demeter, meaning of the Svastika sign on, 43
de’ Migliorelli, Giovanni di Jacopo, notary of Florence, 170
Denmark (_see_ Anne of), regulations for the protection of ancient
buildings in, 4, 5
Sorö Chalice (found in grave of Bishop Absalon), H. P. Mitchell, 357
‘Denunzie’ of Baldovinetti, details of his affairs given by, 23
De Passe, Crispin, engraver, portrait of _Queen Elizabeth_ by, V. and
A. Museum Exhibition (H.M. the King), 194
family, prints by, V. and A. Museum Exhibition (H.M. the King), 194
de Pellegrini, G., Mr. Julius Wernher’s Titian (_Portrait of Giacomo
Doria_), (letter), 267
De Poitiers, _see_ Poitiers, Diane, Jean, and Marie de
de Quaroube, Joan, widow of Simon Marmion, first wife of John
Prevost, painter, 332
Derby, Countess of, _see_ Hamilton, Lady Betty
twelfth Earl of, his two wives, 218
de Richelieu, Cardinal, works done for, by Le Brun, his resultant
appointment, 229-30
de Roias, Francis, Dominican Breviary owned by,--its artist, 39
de Rorthays, Vicomte G., Notes from France, Exhibition of French
Primitives, to be held 1904., 373
de Rothschild, Baron Edouard, Persian MS. late ~XV.~ cent. owned by,
144
de Ruffo Bonneval, Viscount, painting by J. Prevost owned by, _Last
Judgement_ (Bruges, 1902.), 332
de Ruysbroeck, Guillaume, missionary to the Grand Khan, _cited_ on
Mongol sacred pictures, 140
Des Marez, G., keeper of the records of Brussels, and the Gilds’
Seals discovered by him, 190 et _seq._
de Somzée Collection, painting by Gerard David in, Triptych, _St.
Anne, the B.V.M. and Child with Saints_, (Bruges, 1902.), 39
painting by Isenbrant _ex, S. Mary Magdalene in the Desert_
(Bruges, 1902.), 331
de Thorigny, Lambert, decorations in house of, by Le Brun, results to
the painter, 230
de Vasselot, J. J. Marquet, Three Italian Albarelli, recently acquired
by the Louvre, 338
Devonshire, Duke of, disappearance of copy of _Gaston Phoebus_ from
his library, 21
owner of a first folio Shakespeare, original of the Clarendon Press
facsimile, 335
de Vos, Cornelis, painting by, Guildhall, 1903., _Portrait of
Ambrogio Marchese di Spinola_, 55
Dharma and Prabhakara, parents of Rishi Atri according to some
legends, 354
Dibdin’s _Decameron_, description of lost copy of _Gaston Phoebus_
in, 21
Dickinson, W., engraver of lost _Portrait of the Countess of Derby_
by Sir J. Reynolds, 218
Digby, Sir Kenelm, prices realized for the works of Ben Jonson and
Beaumont and Fletcher at the sale of his library, 1680., 335
Dodgson, Campbell, A Newly Discovered Portrait-drawing by Dürer, 286
Dogs, excellence of Gainsborough and Velasquez as painters of, 218
Domenico, gold-beater of Florence, 169
Donatello and his followers, 131
Dordrecht, associations of, with Cüyp, 59
Dormer-Hunter first folio Shakespeare, price paid for, 1901., (C.
Scribner, New York), 335
Douglas, Professor Langton, and Documentary Evidence, _letter_, R. H.
H. Cust, 113
=Drawings:=--
by Cockerell, _Greek Landscapes_, shown at the Burlington Fine Arts
Club Exhibition, 255
by Dürer, A., on green paper, Portraits, _of a Lady_, _of his Wife_,
of _Lord Morley_ (B.M.), of a _Young Lady_ (Heseltine), 287
one in the Vienna Hof Museum, deductions from as to authenticity
of _Portrait_ recently acquired by the British Museum, 289
Drawing, A Newly Discovered Portrait--, by Dürer, C. Dodson, 286
for illustrations. _see_ Later Nineteenth-century Illustrations _and
under artists’ names_
Dresden Gallery, tine collection of drawings at, 293
paintings by Jan Vermeer in, 55
Druggists’ jars, or Albarelli and similar ware, principal pieces of,
and their source, 338
Dubosc, Georges, Notes from Rouen, 374
Duccio, Agostino di, sculptor, Bas-relief (probably) by _Virgin and
Child with Saint and Angels_, (Louvre), 89
other works of, _ib._
Du Celier, John, Diptych painted for, by Memlinc, (Louvre), prototype
of one by Isenbrant, 326
picture painted for, by Memlinc, _Sacra Conversazione_, now in the
Louvre, 39
Dudley and Ward, Lady, portrait of, by Sir J. Reynolds, as
_Fortitude, clad as Britannia_ (Normanton), 211, 217
Dulwich College gallery, painting by Sir J. Reynolds in, replica of
_Portrait of Mrs. Siddons as the Tragic Muse_, 224
Dumontier, views of, on the Svastika as development of Chinese
characters C. h. e., 44
Dunford, Clark, London agent of the Lowestoft Porcelain Factory,
1770., 277
Dürer, Agnes, wife of Albrecht, _Portrait of_, by her husband (B.M.),
289
Dürer, Albrecht. A Newly Discovered Portrait-Drawing by, C. Dodgson,
286
drawings by, on green paper, _Portrait of a Lady_, _Portrait of his
Wife_, and _Portrait of Lord Morley_ (B.M.), 286-9
_Portrait of a Young Lady_ (Heseltine), 287
provenance and authenticity of the first drawing, 286-9
one, with notes on a dream (Vienna Hof Museum), deductions from,
as to authenticity of _Portrait_ recently acquired by the
British Museum, 289
painting by, _lost votive picture_, with portraits of the Margrave
of Culmbach and his wife, 290
Dur-Sarkayan, glazed-brick Bas-reliefs of, 139
Dutch Exhibition, The, at the Guildhall; I. The Old Masters, 51
II. The Modern Painters, 177
painters, modern, representative collection of, at Glasgow
Exhibition, 177
painters to whom the picture by Hendrik Pot, at Hampton Court, has
been successively attributed, 56
Duyster, Willem Cornelisz, and other painters greatly resembling
Palamedes in method and subject, 56
~Early~ French Printers of _Gaston Phoebus_, 8
Early Painters, The, of the Netherlands, as illustrated by the Bruges
Exhibition of 1902., W. H. J. Weale, 35, 326
Early Staffordshire Ware, illustrated by pieces in the British
Museum, R. L. Hobson, 64
=Editorial Articles:=--
Clifford’s Inn and the Protection of Ancient Buildings, 3
The Publication of Works of Art belonging to Dealers, 5
Edward IV., visit of and loan of live lion by, to Winchester College,
149
Edward VI., sequestration of Winchester College plate in the reign
of, 150
Egypt, (_see_ Cairo), and the Lotus, 350
Egyptian influence on Arab Illuminations, 136
and Nubian houses, dreariness of, 349
Elstracke, Renold, Flemish engraver, prints by, shown at V. and A.
Museum Exhibition; _Prince Charles_, etc. (H.M. the King), 194
Ely cathedral, paintings on roof of nave of, by T. G. Parry, 117
Empress Isabella, the, Titian’s Portrait of, G. Gronau, 281
England (_see_ British), pre-eminence of, in private collections of
Greek antiquities, 236
English engravers employed on Curmer’s ‘Paul et Virginie,’ 306
potters, copyists of Chinese decoration, 278
Engraving, _see_ British Engraving
=Engraving(s)=, shown at the V. and A. Museum Exhibition, by de Passe,
Crispin, _Portrait of Queen Elizabeth_ (H.M. the King), 194
others by members of the same family, _ib._
by Elstracke, R., _Prince Charles_, etc. (H.M. the King), 194
by Gemini, Thomas, 194
Landseer, school of, (Sheepshanks collection), 199
by Rogers, William, the first important British engraver, Portraits,
_Alphonso, King of Castile_, _Godfrey Aldelmar_, _Queen
Elizabeth_, (H.M. the King), and _Sir T. Docwra_, 194
by Woollett, W., and his school of Engravers, plate by and by his
pupil, _Roman Edifices in Ruins_, after Claude, and other plates,
194-9
Epiktetos, plate signed by, shown at the Burlington Fine Arts Club
Exhibition, 255
Escurial, Spain, loss of the original of _Gaston Phoebus_ from,
1809., 8
Esther, Queen, the Apadana of, and its art, 139
=Etching(s):=--
by Rembrandt, _The Three Trees_, compared with the painting, _Le
Commencement d’Orage_, 63
at the V. and A. Museum Exhibition of British Engraving, 199
Europe, (_see_ Northern Europe), the Tree of Life in the Symbolism of,
353
Everat, printer of Curmer’s edition of ‘Paul et Virginie,’ etc., 306
Exhibition(s), _see_ British Engraving, Bruges, Glasgow, Guildhall,
Hague, Mussulman Art, _etc._
of French Primitives, to be held 1904., G. de Rorthays, 373
The, of Greek Art, at the Burlington Fine Arts Club, C. Smith, 236
~Fabritius~, Karel, possibly the painter of _Ruth and Naomi_,
attributed to Rembrandt, Guildhall, 1903., 52
Faenza, Ceramic ware of, 338, 343
Fa-hiau, (a doctor of reason), _cited_ on the Tao-sse of China, 47
Faithorne and other Engravers, latter ~XVII.~ cent., fine work by,
shown at the V. and A. Museum Exhibition, 194
Falconer, Miss, (Hon. Mrs. Stanhope), Portrait of, by Sir J. Reynolds,
as _Contemplation_, (Normanton), 217
Family names of painters, importance of writing them correctly, 332
_note_
Farnese family, patrons of Titian, 281
once owners of the painting from which he painted his _Portrait of
the Empress Isabella_, 282
Farren, Miss, actress, afterwards Countess of Derby, 218
Fei, Paolo di Giovanni, a pupil of Andrea Vanni, painting by,
_Madonna del Rosario_, (S. Domenico), other paintings and their
locations, 325
Ferdinand, Archduke, Duke of Tyrol, Codex MS. 616 of _Gaston Phoebus_
presented to, by Bishop Bernard of Trent, 12
Lord Morley’s visit to, with the order of the Garter, 1523., and
Dürer’s portrait of the latter, 289
Ferrukh Siyyar, books owned by, 143
Fiesole Cathedral, painting by unknown artist, Florentine school,
early ~XV.~ cent., in, 131
Finest Hunting MS. Extant, the, W. A. Baillie-Grohman, 8
First Folio Shakespeare, the, The Geographical Distribution of, F.
Rinder, 335
Flanders, _see_ Early Flemish Painters, _and_ Elstracke
Flemish School, artist unknown, painting by, shown at Bruges, 1902.,
Panel, _S. Nicolas of Tolentino_, and _Roger do Jonghe_, Austin
Friar, (Black Sisters, Bruges), 332
Flemish upholsterers brought to Paris by Henri IV., 235
Florence, _see_ Baldovinetti, Opera di Duomo, S. Croce, S. Trinità,
Spedale di S. Paolo, _etc._
Ceramic wares of, 343
Florentine Academy, painting by A. Baldovinetti in, Altarpiece,
(formerly in S. Trinita), _Trinity with two Saints_, 32
Florentine painters, works of, in the Parry collection, 117 _et seq._
Flötner, P., Medal by, with portrait of Susanna of Bavaria, (Munich),
290
Foix, Agnes de, daughter of Philip III. of Navarre, wife of Gaston de
Foix, 11
Gaston de, (Gaston III. of Béarn and Foix, surnamed Phoebus), patron
of Froissart, author of the ‘Livre de Chasse’ known as _Gaston
Phoebus_, 8
characteristics of,
as shown by his book, 16
made Lieutenant de Roi in Languedoc and Saxony, 8
marriage of, with Agnes daughter of Philip III of Navarre, 11
his nicknames for his secretaries, 8
his remorse for the murder of his son, 15
Fonthill, Mrs. Alfred Morrison’s collection of Lace at, 95
=Foreign Correspondence=, 373
Notes from Belgium, Ghent and Nieuport, architectural works in
progress at, R. Petrucci, 375
from Berlin, Pictures acquired by the Gallery, 375
from France, Exhibition of French Primitives, (to be held 1904.), G.
de Rorthays, 373
repairs to the cathedral etc., and Samian bowls, coins, etc.,
found during excavations at Rouen, G. Dubose, 374
from Vienna, Pictures in the new Modern Gallery, 375
Foucquet, Jean, valet-painter to Charles VII. of France, 11
_Boccaccio_ and _Book of Hours_ executed by, for E. Chevalier, and
_Book of Hours_ for the Duchess of Cleves, _ib._
illuminations in MS. 616 of _Gaston Phoebus_ attributed to and other
illuminated MSS. executed by, _ib._
influence of Italian ideas on, 90
Fouquet, Superintendent to Louis XIV., patron of Le Brun, 230
his fêtes of 1659., organized by Le Brun, _ib._
=France=, (_see_ Louvre, St. Denis, Paris, _etc._)
Drawings in, storage and exhibition of, 293
French and English illustrators of the early ~XIX.~ cent., different
aims of, 306
German and English engravers employed on Curmer’s ‘Paul et
Virginie,’ 306
illustrators working in, 1836. _et seq._, 299
Notes from:--
Exhibition of French Primitives (to be held 1904)., G. de
Rorthays, 373
Rouen, repairs to the Cathedral, etc., and Samian bowls, coins,
etc., found during other excavations at, G. Dubosc, 374
regulations for the protection of ancient buildings in, 4, 5
tendency to centralization in, _temp._ Louis XIV., 229
Francesci, Piero dei, painting by, central panel of Altarpiece, Borgo
S. Sepolcro, _Baptism of Christ_, (London), 321
Francis I. of France and Diane de Poitiers, 12
Tomb of, designed by P. Delorme, executed by Bontemps, Perret, and
Pilon, 95
Franciscan administration of the Spedale di S. Paolo, Florence, 23-4
Frankfort, Städel Institute at, painting by Botticelli in, details
identical with those in a painting by G. David, in Bruges Museum, 36
Fraschetti, and Stettiner, studies of, on Albarelli, _see_ Albarelli
Fredi, Bartolo di, a pupil or partner of Vanni, 321
influence shown in paintings by, 309
French Art of the ~XIV.~ cent., Italian influence discernible in, 90
Furniture of the Seventeenth and Eighteenth Centuries; E. Molinier;
II. The Louis XIV. style: The Gobelins, 229
paintings probably ~XIV.~ cent., artists unknown, _Adoration of the
Magi_ and _Dormition of the B.V.M._ (Dowdeswell), 89
Primitive painters, Exhibition of, to be held 1904., G. de Rorthays,
373
Revolution, suppression of the trade corporations under, 229
Frescoes by A. Baldovinetti in the Cappella Maggiore, S. Trinità,
Florence, subjects of, and portraits amongst, Vasari _cited_ on, 170
early decay, ruthless destruction and recent restoration of, 173
methods of transferring cartoons for, to plaster, 167
at Pisa, attributed by Milanesi to Daddi, _Triumph of Death_, 126
Fresco-painting(s) by Sir F. Leighton, (V. and A. M.), 117
Parry’s researches into and practice of the art of, 117
Friedländer, Dr., _cited_ on the _Annunciation_ attributed to Memlinc,
(Prince Radziwill), Bruges, 1902., 35
views of, on the _Adoration of the Magi_ attributed to G. David,
shown at Bruges, 1902., 39
and on a Holy Family so attributed, 40
Fry, R., Pictures in the Collection of Sir Hubert Parry, at Highnam
Court, near Gloucester; I. Italian Pictures of the Fourteenth
Century, 117
Furniture, French, of the Seventeenth and Eighteenth centuries, E.
Molinier; II. The Louis XIV. Style: The Gobelins, 229
Furtwängler, Professor, _cited_ on Apollo as the Βούπαις, 244
_cited_ on the sculptor of the Leconfield _Head of Aphrodite_, 249
and Mrs. Strong, views of, on the modeller of the _Head of Zeus_,
shown at the Burlington Fine Arts Club Exhibition, 249
~Gaddi~, Agnolo, painting by, _Coronation of the Virgin_, (Parry), 126
Taddeo, follower of Giotto, 125
painting by, _Coronation of the Virgin_, (S. Croce), 126
fresco by, in S. Croce, Florence, copied in miniature by Pol de
Limbourg, 90
Gainsborough, T., excellence of, as a painter of dogs, 218
Galerie d’Apollon, Louvre, work of Le Brun, 230, 235
d’Hercule, painted by Le Brun in the de Thorigny mansion, his
consequent call to Vaux, 230
Gambart sale, drawings by Millais for illustrations to _Dream of Fair
Women_ purchased at, by V. and A. Museum, 294 _note_
Gandhi’s views on the origin of the name of the Tirthakar sect of
Thibet, 44
Gaston Phoebus, _see_ Foix, Gaston de
_Gaston Phoebus_, familiar title of the _Livre de Chasse_, written by
Gaston III. of Béarn and Foix, 11
Codex MS. 616 of, now with others in Bibliothèque Nationale, Paris,
15
contents summarized, 16
difference between it and other mediaeval hunting-books, 15
illuminations in, 15;
locale and losses of existing copies of, 16, 21
portions of, borrowed from other writers, 15
prologue of, a reflection of the spirit of the age, 15-16
Gaucheraud, researches of, on Codex MS. 616 of _Gaston Phoebus_, 8
Gemini, Thomas, title-page to ‘Anatomy’ of, early instance of British
engraving, (V. and A M.), 194
Genoese war with Florence, B. Gianfigliazzi the ‘Commessario’ of
Florence in, 28
Geographical Distribution, The, of the First Folio Shakespeare, F.
Rinder, 335
its publishers, a facsimile of, and its original, Lee’s notes on,
first authentic sale of a copy by auction, 335
first priced records, classification of copies extant, 336
table showing present ownership of said copies, 337
Germany (_see_ Bavaria, Berlin, Charles V., Dresden, Dürer, Munich,
_etc._), (La Magnia), source of ‘Azzurro della Magnia,’ 168
’Ghazels,’ the, of Hāfiz. 143
Ghent, Crypt staircase, etc., at S. Bavo’s, 375
Ghirlandajo, Domenico, pupil of Baldovinetti, works of, in Florence,
174
Gianfigliazzi, Bongiani, patron of the Capella Maggiore of S. Trinità,
Florence, his agreement with Baldovinetti, 27, 167
his family history, high official rank, and connexion with the
Chapel, 28 _et seq._
death of, 170
portrait of, with Jacopo and Giovanni in Baldovinetti’s frescoes,
170
Gherardo, high rank attained by, 28
sepulchral slab of, _ib._
Jacopo, son of Bongiani, and continuer of his work, 170
Gigoux, Jean, as an engraver, 306
illustration by, to ‘Gil Blas,’ 299
Gild of Bakers, Brussels, matrix of seal of, (Lefébure), 190
described, 192
privileges owned by, 193
Gild of Barbers, Brussels, matrix of seal of, (Museées Royaux du
Cinquantenaire), 190
described, 191-2
Gild of Butchers, Brussels, matrix of seal of, (City archives), 190
described, 192
their privileges, etc, 193
Gild of Drapers, Brussels, its lack of judicial powers, 190
its seal, 190
described, reason for existence of the seal, 191
Gild of Painters, dispute of, with the king’s painters, France,
result of, to Le Brun, 230
Gild of St. John, (miniaturists), Gerard David a member of, 40
Gild of St. Luke, 326, 332
some members of, 36, 343
‘Giorgione,’ Two Alleged Paintings by, H. Cook, 78
once called Barbarelli, two paintings attributed to, but by Cariani,
_Adoration of the Shepherds_, _ex_ Leuchtenberg Gallery, 78
Madonna and Child, (Salting), _ib._
Giotto, characteristic of his styles, 125
influence of, on painter of _Nativity and Adoration_, (Parry), 118
paintings attributed to, by Berenson, Panels, _Last Judgement_,
etc., (Munich Gallery), 118
Giovanni d’Andrea, glazier, Florence, work of, in the Cappella
Maggiore, 31, 168
Giovanni di Jacopo de’ Migliorelli, notary of Florence, 170
Giovanni di Paolo, _see_ Paolo, G. di
Giovanni, Il Rosso, gold-beater of Florence, 169
Giovanni, Matteo di, paintings by, part of _Altarpiece_, (Borgo S.
Sepolcro), 321
probably by, Panels, _SS. Peter and Paul_, (S. Pietro Ovile,
Siena), 321
Girardon, François, employed by Le Brun, 235
Girolamo dai Libri, _see_ Libri
Glasgow Exhibition, representative collection of modern Dutch
painters at, 177
Glass, _see_ Ceramics _and_ Glass
Glaze, as used at Burslem, ~XVII.~ cent., 66
Gobelin, Jean, dyer, from Rheims, his house annexed by Colbert,
whence the name of ‘Gobelins,’ 235
Gobelins Manufactory, The, E. Molinier, 229
foundation of, preliminary to the suppression of corporations under
the Revolution, 229
letters patent of Louis XIV. instituting, 235
origin of the name, _ib._
Goblet d’Alviella, Count, _cited_ on absence of Svastika in Babylonia
and Assyria, 44
on meaning of Chinese characters C. h. e., _ib._
on the Tree of Life, its origin and diffusion, 353
Goldsmith (Oliver), his names for the Misses Horneck, 223
Gonzaga, Ludovico, Mecal of, with helmeted knight, Greek character
of, 243
‘Good Words,’ some illustrators of, 300
Goodall, _see_ Turner and Goodall
Goodyear, Professor, _cited_ on the Lotus as a keynote of decoration
rather than the Svastika, 48
on the same as associated with Sun-worship, etc., 350 _et seq._
and with the Svastika, 354
Gordon, Major-General, _cited_ on a Svastika on breech of gun captured
in Taku Fort in 1861., and on its thoroughly Chinese character, 47
Gossart, J., painting attributed to, _Virgin and Child_ ascribed by
Hulin to Prevost, (Carlsruhe), 332
Gothic style, intrusion of, into Eastern art, 139
Graffiato ware, Staffordshire, 68
Grafton, Duchess of, _see_ Liddell, Miss Anne
Grand Moguls of Delhi, their love for art, 143
Granvella, Titian’s letter to, on his portraits of Charles V. and his
wife, (_see note_), 281
Great Britain, lack of legislation in, for protection of ancient
buildings, 3
Greece, drawings of, by Cockerell, shown at the Burlington Fine Arts
Club Exhibition, 255
regulations in, for the protection of ancient buildings, 5
=Greek Art=, evolution of, from idealism to realism, 243
value and limitations of, 236
Exhibition of, The, at the Burlington Fine Arts Club; C. Smith, 236
fret, the, and the Svastika, 48
influence on Persia and Persian art, early prevalence of, 136-9
Type, A New Fount of, (Proctor’s Otter), 358
Green, W. T., remarkable engravings by, illustrations to ‘Solace of
Song,’ etc., 306
Grey, Sir George, donor of a first folio Shakespeare to Auckland, New
Zealand, and Cape Town, 336
Grohman, W. A. Baillie-, The Finest Hunting Manuscript Extant, 8
Gronau, Georg, Titian’s Portrait of the Empress Isabella, 281
Grumentum, probable source of the Greek bronze, _A Mounted Warrior_,
shown at the Burlington Fine Arts Club Exhibition, 243
Guicciardini, Luigi, the elder, portrait of, in Baldovinetti’s
frescoes, 170
Guildhall, the, The Dutch Exhibition (of paintings) at, 1903.
I. The Old Masters, 51
II. The Modern Painters, 177
Guillen, _see_ de Brocar
‘Gulistan,’ Persian MS., non-illuminated, 143
Gwatkin, Mrs., _see_ Palmer, ‘Offy’
Gwyn, Mrs., (Mary Horneck), Goldsmith’s ‘Jessamy Bride,’ portrait of,
_see_ Horneck, the Misses
_Portrait_ of, by Sir J. Reynolds, in _Persian dress_, original
owned by W. W. Astor, copy in Normanton collection, 224
~Haarlem~, 36
Hāfiz, delight of Timur Bey in his writings, 143
Halifax, first Earl of, portrait of his daughter, Lady Charlotte
Johnstone, by Sir J. Reynolds (Normanton), 223
Hals, Dirk, and other painters greatly resembling Palamedes in style
and subject, 56
Hals, F., paintings attributed to, conjointly with Judith Lyster,
_see_ Lyster, Guildhall, 1903., probably by Molenaer, _Group of
Three_, 52
part probably by Van Goyen, _Van Goyen and his wife_, 52
painting by, same exhibition, so-called _Admiral de Ruyter_, high
excellence of, 52
Hamilton, Lady Betty, afterwards Countess of Derby, _Portrait of, as a
child_, by Sir J. Reynolds, (Normanton), her history, 218
later Portrait of by Reynolds, lost, _ib._
Hanap, _see_ Silver Plate
Handles a feature of Staffordshire ware, 66, 68
Hapsburg family, Codex MS. 616 of _Gaston Phoebus_ possessed by, for
130 years, 12
Harrow School, Greek Krater owned by, decoration, _Kaineus overcome
by Centaurs_, shown at the Burlington Fine Arts Club Exhibition, 255
Harvey, William, as an illustrator and wood-engraver, 294, 306
illustrations by, to Lane’s ‘Arabian Nights,’ 299
to ‘Northcote’s Fables,’ 299
to the ‘Solace of Song,’ features of, 306
and Jackson, designers and engravers, illustration by, 306
Hearne, Thomas, water-colour artist, pupil of W. Woollett, engraver,
engraving said to be by him, 194-9
Heath Collection, Liphook, painting attributed to Memlinc once in,
Triptych, _Deposition with Saints_, shown at Bruges, 1902., 35
Heilsbronn, burial-place of the Margraves of Culmbach, Altarpiece
at, with group of the daughters of the Margravine Sophia of
Brandenburg-Ansbach, 289
Henri II. of France and Catherine de’ Medici, Tomb of, at St. Denis,
executed by G. Pilon, 95
and Diane de Poitiers, 12
Henri IV. of France, Flemish upholsterers brought to Paris by, 235
Henry IV. (of England), 21
Henry VI., gift of plate by, to Winchester College, 149
visits of to the school, _ib._
Henry VIII., gift of Winchester College to, 149
Henslowe, Radolphus, Parcel-gilt Rose-water dish presented by, to
Winchester College, 155
Hera, meaning of Svastika sign on, 43
Herat, celebrated Persian writers of, 143
fine library of Sultan Husain Mirza at, _ib._
Persian illuminated MS. executed at, ‘Ascension of Mohammed to
Heaven,’ beauty of, 143
question of Chinese influence on, 144
‘Hero and Leander’ printed by Guillen, effect of use of accents in,
358-60
Herringham, Mrs., _cited_ on various artists’ colours, 168
Higgins, _cited_ on the origin of official name for Governor of
Thibet, 44
Highnam Church, frescoes in, by T. G. Parry, 117
Court, Sir H. Parry’s collection of pictures at, R. Fry, 117
Hindu gods, the Svastika supposed emblem of, 43
use of the Lotus as an emblem, 350
Hipponax, bust of, shown at the Burlington Fine Arts Club Exhibition,
250
Hissarlik, the leaden goddess from, meaning of Svastika sign on, 43
Hittite origin of the Svastika suggested by Sayce, 47
Hiuantusang, (a Doctor of Reason), _cited_ on the Tao-sse of China, 47
Hobbema, characteristics of his work, its singular evenness of
quality, 59
paintings by, Guildhall, 1903., _Landscape_ and _Woody Landscape_,
39
‘Hobby Horse, The,’ a drawing by Sandys produced in, 300
Hobson, R. L., Early Staffordshire Ware, illustrated by pieces in the
British Museum, 64
Holland and China, Rotterdam the centre of the ~XVIII.~ cent. commerce
between, 277
trade of, with Lowestoft in Delft-faïence, 272
and in English clays for its manufacture, 277
Hom, _see_ Date-palm _and_ Soma tree
Honiton lace, revival of, by the late Mrs. Treadwin, 95
Horne, H. P., A Newly-discovered ‘Libro di Ricordi’ of Alesso
Baldovinetti, 22
Appendix giving documents referred to, 377
frescoes by unknown artist, school of Cimabue, discovered by, near
Florence, 118
Horneck, the Misses, afterwards Mrs. Bunbury and Mrs. Gwyn, _Portraits
of_, by Sir J. Reynolds, (Normanton), 223
sketch of, (Bunbury), _ib._
sobriquets given to them by Goldsmith, _ib._
House-Irons, Svastika on, 48
Hulagu, the Mongolian, sent to conquer Persia by Manchu, Emperor of
China, 139
his Christian wife, 140
Hulin, G., _cited_ on the _Annunciation_ attributed to Memlinc,
(Prince Radziwill), shown at Bruges, 1902., 35
_cited_ on the portraits of Philip Wielant and Joan van Halewyn on a
Triptych by Isenbrant, 331
paintings attributed to J. Prevost by, and their locations, 332 and
_note_
Hungary, King Matthias Corvinus of, works executed for, by Verrochio,
84
Hunt, W. Holman, illustrations by, to Moxon’s edition of Tennyson, 299
Hunting Manuscript, The Finest Extant, W. A. Baillie-Grohman, 8
Husain ibn Bäikara, Sultan, ruler of Persia, famous writings of and
famous writers of his day, 143
Husain Mirza, Sultan, Timurid ruler of Persia, fine library collected
by, at Herat, 143, 144
‘Life of the Sufis of,’ repetitive decorations in MSS. of, 135
~Ibn Arabshah~, misrepresentation of Timur Bey by, 143
Iceland, Mediaeval Silver Chalice from, in the Victoria and Albert
Museum, H. P. Mitchell, 70
Illuminated MSS., The Reid Gift of, Victoria and Albert Museum, II.,
74
Inchbald, Mrs., _Portrait of_, ascribed to Sir J. Reynolds,
(Normanton), 224
India, (_see_ Buddha and _other divinities_, Hindu, _etc._), home of
the rose lotus, 350
symbolism of the Svastika in, 43
Indra, the rain god, the Svastika supposed to be an emblem of, 43
Innsbruck, Castle Ambras near, 12
Inselin, house of, decorated by Le Brun, 230
Isabella, Empress, Titian’s Portrait of, G. Gronau, 281
Isabey, G., and other French artists, illustrations by, in Curmer’s
‘Paul et Virginie,’ 306
Isenbrant, Adrian, assistant to Gerard David, notes on his work at
Bruges, and its characteristics, etc., 326
paintings by, shown at Bruges, 1902., Diptych, _Our Lady of the
Seven Dolours_, (part in church of Our Lady at Bruges, part in
Brussels Museum), 326
_B. V. M. in landscape with female saints,_ (Count Arco-Valley),
326
its prototype, replica and variants, _ib._
_B. V. M. and Child on throne with rams’ heads_, (Northbrook), 331
Panels, _B.V. M. and Child enthroned in garden with donor,
peacocks, etc._, (Northbrook), _ib._
_St. Luke with portrait of B. V. M. and Child_, (Colnaghi), _ib_
_SS. Andrew, Michael and Francis_, with _Crucifixion_ in upper
part. (Sedelmeyer), _ib._
_St. Mary Magdalene in the Desert_, (De Somzée), _ib._
Triptychs, _B. V. M. and Child with angels with musical
instruments_ (Lotman), 326
_Presentation in the Temple_, with portraits, probable source of,
(Bruges Cathedral), 331
part of, _Donor and family protected by St. John and a female
saint_, (von Kaufmann), _ib._
_Vision of S. Ildephonsus_, (Northbrook), _ib._
paintings attributed to, _B. V. M. and Child with a Carthusian_,
ascribed by Hulin to Prevost, 332
_B. V. M. and Child_, (Carlsruhe), ascribed to Gossart, _ib._
Israels, Josef, a leader of modern Dutch painting, characteristics and
inequality of his work, 177
paintings by, shown at Guildhall, 1903., _The Cottage Madonna_,
special excellence of, 177
_A Jewish Wedding_, last picture painted by, _ib._
_The New Flower_, _A Ray of Sunshine_, _The Shipwrecked Fisherman_,
_ib._
Italian Albarelli, Three, (Louvre), 338
art, evolution of, from the early Christian style, works of art
illustrating, 118
influence of, evident in paintings by Gerard David, 36
Bas-reliefs, Two, in the Louvre, A. Michel, 84
Painters, _see_ Baldovinetti, Cariani, Giorgione, Titian, Vanni
Pictures of the Fourteenth Century, at Highnam Court, in the
Collection of Sir Hubert Parry, R. Fry, 117
Italy and the North, (specially France), ~XIV.~ cent., interchange of
artistic ideas between, instances of, 90
regulations in, for the preservation of ancient buildings, 5
Itoga, chief divinity of the Mongols, 140
Ivory carvings recently acquired by the British Museum, 200
~Jackson~, _see_ Harvey, W., and Jackson
Jains, _see_ Tirthankara
Jāmī, illustrious Sūfi poet of Herat, 143
Japan, symbolism of the Svastika in, 43
Jarvis, glass-painter, executor of the Reynolds designs for New
College window, 211
Jenghis Khan, 132
Jerusalem, arms of, with others, on Italian Albarelli, (Louvre), 338
Johnson, J., printer of ‘Northcote’s Fables,’ excellent work of, 306
Johnstone, Lady Charlotte, daughter of first Earl of Halifax,
_Portrait of_, (Normanton), by Sir J. Reynolds, 223
Jonson, Ben, collected works of, published 1616. and 1640., size of
edition and cost per copy then and in 1680., Lee on, 335
Joseph, Mrs., painting by Jan Vermeer, owned by, 55
Jourdain, M., Lace in the Collection of Mrs. Alfred Morrison at
Fonthill, 95
Jupiter Pluvius and Jupiter Tonans, Svastika supposed to be an emblem
of, 43
~Kalaoun~, Sultan, Koursi inscribed with his name, (Cairo Museum), 344
Kaufmann, R. von, owner of painting attributed to Memlinc, Triptych,
_Deposition with Saints_, (Bruges, 1902.), 35
Khorassan, Chinese influence on the Timurid art of, 143
Khwand-Amir, historian, of Herat, 143
Knight, Payne, _cited_ on the sculptor of the Leconfield _Head of
Aphrodite_, 249
Knutchmar, German engraver of Menzel’s illustrations, 306
‘Koran,’ Arab illuminated MSS. of, inferiority of, 136
Koursi cover, Arabic, copper, gold and silver encrusted, acquired by
the Louvre, G. Migeon, 344 names inscribed on, _ib._
Ku K’ai-chih, Chinese artist of the T’ang dynasty, roll believed to
be his work acquired by the Print Room, British Museum, 200-5
Kunigunda of Austria, sister of the Emperor Maximilian, her husband
and daughter, 290
~Labarum~ standard and the Tau Cross, 47, _see note_
Lace in the Collection of Mrs. Alfred Morrison at Fonthill, M.
Jourdain, 95
‘La Chace dou Serf,’ poetical work of ~XIII.~ cent., parts of _Gaston
Phoebus_ borrowed from, 15
Lanchals, Peter, picture by Gerard David commemorating the execution
of, 36
Landscape backgrounds in Titian‚s portraits, 282
a sign of comparatively late date, instances of, 285
Landseer school of engraving, (Sheepshanks collection), shown at the
V. and A. Museum Exhibition, 199
Landsknechte of Charles V. of Germany, 8
the first trained infantry, 52
Langue d’Oc, spelling peculiar to, ~XIV.~ cent., found in MS. 616 of
_Gaston Phoebus_, 11
Lastra, Il, (Bartolommeo di Giovanni), glazier, work of, from designs
by Baldovinetti, in the Cappella Maggiore of S. Trinità, Florence,
31
other work there, 168
Later Nineteenth-Century Book Illustrations, J. Pennell, I., 293
artists and collections of drawings, 293, _and see note_
collectors, hesitancy of, and its causes, 293
fate of early originals till 1865., 300
intervention of photography to save, 305
methods of workers, 300, 305
Notes on the illustrations, 305
publisher and illustrator, past and present relations between, 300
Latin gods represented by the Svastika, 43
Lavallée, Joseph, researches of, on Codex MS. 616 of _Gaston
Phoebus_, 8, 11, 21
Lawrence, Sir T., mark of, on the Dürer Portrait-Drawing newly
acquired by the British Museum, 286
Layard _cited_ on the Palm as an Assyrian symbol, 353
Le Brun, Charles, ‘first painter to the King’ (Louis XIV.), sketch of
his life and association with the Gobelins, 229-35
designs for Tapestry by, _Chasses de Méléagre_, _History of
Constantinople_, _Jupiter allaité par le chèvre Amalthée_, _Mars
et Venus_, _Les Muses_, 230
painting by, _Alexandre pénétrant dans le tente de Darius_, ordered
by Louis XIV., 230
paintings by or designed by, executed at Vaux, _L’Apothéose
d’Hercule_, _L’Aurore_, _Le Palais du Soleil_, _Le Sommeil_, Le
Triomphe de la Fidélité, 230
sculptors and decorators employed by, 235
Nicholas, sculptor, father of Charles Le Brun, 229
Leconfield, Lord, _Head of Aphrodite_ ascribed to Praxiteles, owned
by, shown at the Burlington Fine Arts Club Exhibition, 249
Lee, Sidney, introduction by, etc., to Clarendon Press facsimile
first folio Shakespeare, 335 _et seq._
Lefébure, C., matrix of the seal of the Gild of Bakers of Brussels,
owned by, 190, 192
M., exertions of, in reviving lace-making, 95
Le Gros family, Augustinian nun of, portrait of, on triptych by
Isenbrant, 331
Leighton, Lord, drawings by, for Dalziel’s ‘Bible Gallery,’ 305
fresco paintings by, (V. and A. M.), 117
Le Maire, Barbara, wife of George Van de Velde, donor of painting by
Isenbrant to church of Our Lady, Bruges, 326
Lemoyne, employed by Le Brun, 235
Le Noir, Philippe, _Gaston Phoebus_ hand-printed by, 8
Leonardo da Vinci, his father the notary of Florence who engrossed the
‘ricordo’ referring to Baldovinetti, 22
is the Bust in Bas-relief inscribed ‘_P. Scipioni_’ his work? 84 _et
seq._
Le Roi, Martin, painting by unknown Flemish artist attributed to G.
David, owned by, _Holy Family_, 40
Leuchtenberg Gallery, St. Petersburg, painting by Cariani, attributed
to Giorgione, from, _Adoration of the Shepherds_, illustrated, 78
Lévy, MM., et ses Fils, Paris, 315 _note_
Lhermitte, Leon, painting by, Pastel, _Le Pêcheur_, (Balli), 360
‘Liber Studiorum.’ mezzotints of, (Rawlinson), shown at the V. and A.
Museum Exhibition, 199
Libri, Girolamo dai, backgrounds of his paintings, 78
‘Libro de la Monteria,’ by Argote de Molina, containing description
of lost original of _Gaston Phoebus_, 8
Liddell, Miss Anne, afterwards Duchess of Grafton and Countess of
Upper Ossory, _Portrait of_, by Sir J. Reynolds, (Normanton), 223
Light, god of, and of Lightning, Svastika supposed to be the emblem
of, 43
Lilly, Joseph, vendor of the Berlin first folio Shakespeare, 336
Line engraving, late development of, in Great Britain, 194
Linnell, John, as a wood-engraver and illustrator, 294
Lippi, Filippo, influence of, on Lorenzo Monaco, 131
Lippmann, Dr., suggestion of, as to the identity of the person in the
newly acquired Portrait-Drawing by Dürer, (B. M.), 290
Lockyer, Dr., _cited_ on the Svastika as a Chinese symbol, 47
London, _see_ Clifford’s Inn _and_ Guildhall
County Council, and its work in preserving ancient buildings, 3
and district. slipware of, ~XVII.~ cent. _et seq._, 68
Lorenzo the Magnificent (de’ Medici), in Baldovinetti’s frescoes, 170
Lorenzotti, the brothers, influence of, shown in paintings by Fredi
and Vanni, 309, 310
Ambrogio, 310
painting attributed to (ascribed by Perkins to Vanni), Fresco,
_Seated Virgin, and Child_, (S. Francesco, Siena), 315
Pietro, painting attributed to, (ascribed by Perkins to Vanni),
_Madonna degli Infermi_, (S. Francesco, Siena), 310-15
Lotto, Lorenzo, influence of, on Cariani, 78
Lotus, the accepted Tree of Life, Goodyear on, 48
connexion of the Svastika with, 43
evolution of, from ornament to symbol, 349
as a development of sun-worship, etc., Goodyear _cited_ on the
three forms of, and identity with the Tree of Life, 350
evolution of the Svastika from, according to Goodyear, 354
and Tree of Life, The, in Oriental Carpets, 349
Louis XIV. Style, The, in French Furniture, _see_ Molinier
Louvain, visit of Dirk Bouts, painter, to, 36
=Louvre, the:=--
commission of Le Brun to restore the gallery destroyed by fire in
1661., 230
afterwards called the Galerie d’Apollon, 235
paintings by Jean Malouel in, intense ultramarine in and in some
other pictures there, 90
by Memlinc in, _Sacra Conversazione,_ done for John Du Celier, 39
by Jacob Ruysdael in, 343
by Jan Vermeer in, 55
Recent Acquisitions by:--Italian Albarelli, Three, J. J. Marquet de
Vasselot, 338
Koursi Cover, Arabic, G. Migeon, 344
Pictures, _Landscapes_ (2) by S. Ruysdael, _Portrait of Dame
Danger_, by L. Tocqué, P. Vitry, 343
sculpture in, group, _Les Trois Grâces_, by G. Pilon, 95
Two Italian Bas-reliefs in, artists unknown, _Bust in Profile
wearing helmet and armour inscribed ‘P. Scipioni,’_ 84
_Virgin and Child with Saints and Angels_, from a country church,
(probably) by A. di Duccio, 89
Two Italian Bas-reliefs in, artists unknown, A. Michel, 84
Lowestoft Porcelain Factory, The, and the Chinese Porcelain made for
the European market during the ~XVIII.~ cent., L. Solon, 271
Allen, Robert, manager of, maker of the ‘Buckle’ teaservice,
(Crisps), 272
hard porcelain teapot, Chinese, marked with his name, 277
Browne, Robert, head of factory, how he gained his knowledge of the
trade, 272
crested or initialed porcelain found at Lowestoft, Chaffers’
erroneous theory _re_, its true provenance, 271, 277, 278
Crisps, A., genuine ‘Lowestoft’ Porcelain owned by, 272
dates of some of the pieces extant, 272
distinctive features of genuine Lowestoft ware, 271, 272
absence of any mark, 278
distinctive features of so-called Lowestoft ware, 278
hard porcelain never made at, but imported and sold from, 271, 272-7
history of the works, 272-8
London warehouse of, its manager and methods, 277
ruin of, how caused, _ib._
specimens of, ‘Buckle’ tea-service, by R. Allen, inkpots (one marked
‘Allen’), teapot, etc., (Crisps), 272
teapot in hard porcelain, Chinese in decoration, marked ‘Allen,
Lowestoft,’ (V. and A. M.), 277
Lucca, painted glass window in the Cathedral at, designed by A.
Baldovinetti, _Annunciation_, non-extant, 31
Lund, Bishop Absalon of, _see_ Sorö
Lung’ arno Corsini, Florence, palace of the Gianfigliazzi on, 28
Lysippus, _Head of Mourning Woman_, (Ponsonby), attributed to by
Reinach, shown at Burlington Fine Arts Club Exhibition, 249
Michaelis cited on, 250
Lyster, Judith, wife of J. M. Molenaer, paintings by, attributed to
her and F. Hals, Guildhall, 1903., _The Jovial Companions_, and _The
Health of the Troop_, 55
~Macartney~, Lord, embassy of, to China, 205
Mackowsky, historian of Verrochio, views of, on the artist of the _P.
Scipioni_ Bas-relief, 84
Macquoid, P., The Plate of Winchester College, 149
Maghreb and Yemen, no illuminated MSS. from, 135
Maincy, manufactory of high-warp tapestry at, established by Fouquet,
230
Malcolm Collection, Bas-relief in, _Warrior_, by Leonardo da Vinci,
analogies of, 84
Malik al Nasir, name on Koursi cover, (Louvre), 344
Malouel, Jean, painter, intense ultramarine employed by, 90
Manchu, Emperor of China, Hulagu the Mongol sent by, to conquer
Persia, 139
Manni, Domenico Maria, _cited_ on Baldovinetti’s portraits of himself
and Guido Baldovinetti in his frescoes, 174
=Manuscripts=, see Mussulman MSS.
illuminated, (_see_ Reid Gift), The Finest Hunting MS. Extant, W. A.
Baillie-Grohman, 8
Marble Statue, A, by Germain Pilon, _Charité_, 90
Marbled Staffordshire Slipware, 68
Margaret of Anjou, Queen, gift of plate made by, to Winchester
College, 149
daughter of Frederick, Margrave of Brandenburg-Anspach, probably the
subject of the newly-acquired Portrait-Drawing by Dürer, (B. M.),
289
Maria Theresa, wife of Louis XIV., 230
Maris, the brothers, J., M., and W., leaders of modern Dutch painting,
177-8
Jacob, characteristics of his work, 51, 177-8
his methods and their evolution, 177-8
paintings by, shown at Guildhall, 1903., _The Bridge_, 178
_A Dutch Town_, _ib._
_The Ferry Boat_, influences traceable in, _ib._
_Gathering Seaweed_, notable brushwork of, _ib._
_River and Windmill_, _The Storm Cloud_; _The Weary Watchers_,
in his early highly finished style; _A Windmill_, _Moonlight_,
his last work, _ib._
Matthew, characteristics of his work, 178, 189
paintings by, shown at Guildhall, 1903., _The Butterflies_, 189
_L’Enfant Couchée_, _ib._
_Lady and Goats_, _ib._
_Montmartre_, _ib._
_Outskirts of a Town_, 178
_A Study_, 189
Willem, characteristics of his work, 178
painting by, shown at Guildhall, 1903., _Springtime_, 178
‘Marks and Monograms,’ by W. Chaffers, erroneous theories in, as to
Lowestoft China, 271, 277, 278
Marlborough, George, third Duke of, _Portrait of_, by Sir J. Reynolds,
(Normanton), 218
and replica, (Pembroke), 223
Marmion, Simon, miniaturist of Valenciennes, 332
Marquet de Vasselot, J. J., _see_ de Vasselot
Marshall, John, State of a Sculptured Head of a Girl, from Chios,
shown at Burlington Fine Arts Exhibition, Smith’s views traversed by
those of Rodin, _letter_, 376
Martin Folkes copy, first folio Shakespeare, price paid for, by
Steevens, 1756., (Rylands Library), 336
Martini, Simone, influence of, shown in paintings by Fredi and Vanni,
309, 310
paintings by, _Annunciation_, (Uffizi), free copy by Vanni, (S.
Pietro Ovile), 321
fresco of the _Majestas_ (Palazzo della Signoria), 310
_St. John Baptist_, (2), (Pisa and Altenburg), 310
type of Madonna painted by, 89
Mary I., Queen of England, visit and gifts of, to Winchester College,
on her marriage, 150
Masaccio, influence of Donatello on, 131
the young, type of head painted by, 131
Masolino, type of head painted by, 131
‘Master of Game, The,’ by Edward, Duke of York, oldest English
hunting-book, its indebtedness to _Gaston Phoebus_, 21
Mas’ūdī, _cited_ on ‘The Sum of Histories,’ Persian MS., 140
Matteo di Giovanni, see Giovanni, Matteo di
Matthias Corvinus, King of Hungary, works executed for, by Verrochio,
84
Mauritshuis, Hague, painting by J. Ruysdael in, _View of Haarlem_,
its excellence, 59
Mauve, Anton, characteristics and inequality of his work, 177, 189
paintings by, shown at Guildhall, 1903., _Driving in the Dunes_, 189
_The Hay Cart_, _ib._
_Watering Horses_, _ib._
Maximilian I., Emperor of Austria, 36
his sister and niece and patronage of Dürer, 290
and the trades of Brussels, 192
Mazarin, Cardinal, patron of Le Brun, 230
Mazdean Persians, art of, 132
Mea, servant of Baldovinetti, his provision for, 22, 23
Medals by Flötner and Daucher, with portraits of Susanna of Bavaria,
290
Medici, Lorenzo de’ (vecchio), works of Verrochio executed for, 84
Medicean cameos, in painting by G. David, deductions from, 36
Meissonier, J. L. E., as an illustrator, 294, 299
illustrations by, to the ‘Contes Rémois,’ 299, 306
Melbourne Museum, drawings on wood for illustrations to Dalziel’s
Arabian Nights, etc., owned by, 305
Melik Adel, brother of Saladin, marriage projected between him and
Cœur de Lion’s sister, 135
Memlinc, Hans, paintings attributed to, shown at Bruges, 1903.,
various owners, 35
paintings by, Diptych (Louvre), prototype of one by Isenbrant, 326
_Sacra Conversazione_, done for John Du Celier, now in the Louvre,
39
Memmi, Lippo, a follower of Simone Martini, 310
painting attributed to, copy of Simone Martini’s _Annunciation_, (S.
Pietro Ovile, Siena), ascribed by Perkins and Berenson to Vanni,
321
Triptych, _St. Michael between St. Anthony the abbot and the
Baptist_, (Siena Gallery), ascribed by Perkins to Vanni, 325
Vanni a pupil of the school of, 325
‘Memoirs’ of Timur Bey, his undisputed authorship of, 143
Menander, busts of, shown at the Burlington Fine Arts Club
Exhibition, 250
Mendoza, Don Diego, and Titian’s _Portrait of the Empress Isabella_,
281
Menzel, A., as an illustrator, 294
his work the source of modern illustration in England, 306
illustrations by, to ‘Geschichte Friedrichs des Grossen,’ 294
excellence of, 299, 306
Mesdag, characteristics of his work, its defects, 189
paintings by, shown at Guildhall, 1903., _A Stormy Sunset_, 189
_A Threatening Sky_, _ib._
Mesopotamia and the Tree of Life, 353
Metals and Metal Work, _see_ Copper _and_ Silver
Metsys, Quentin, influence of, on paintings attributed to G. David,
39, 40
Metzu, Gabriel, painting by, or attributed to, Guildhall, 1903.,
_Woman Dressing Fish_, 56
Meux, Miss, _Portrait of_, by Sir J. Reynolds, 223
earlier erroneous identification of, (Normanton) 224
Mexican and Maga codices, the Tree of Life in, 353
Meyer, Dr. Julius, cited on a lost votive picture by Dürer, with
portraits of the Margrave of Culmbach and his wife, 290
=Mezzotint(s):=--A New, _Portrait of Mrs. Home Drummond_, after
Raeburn, executed by H. Scott Bridgwater for P. and D. Colnaghi, 267
shown at V. and A. Museum Exhibition, Prince Rupert’s _Great
Executioner_, after Spagnoletto, (H.M. the King), and others, 199
C. Turner’s _Watermill_, after Callcott, fine qualities of, 199
Michael Angelo (di Buonarroti), the ‘bar’ of, 249
his intellectual rendering of constructed form, as in _The Last
Judgement_, foreshadowed by Baldovinetti’s Altarpiece, 32
position of, in Italian sculpture, 243
Michaelis, _cited_ on the _Head of a Mourning Woman_, (Ponsonby),
shown at the Burlington Fine Arts Club Exhibition, 250
Michel, A., Two Italian Bas-reliefs in the Louvre, 84
Migeon, Gaston, Koursi Cover, Arabic, copper, encrusted with gold and
silver, recently acquired by the Louvre, 344
Milan, arms of, with others, on the Italian Albarelli now in the
Louvre, 338
Duke of, _see_ Sforza, Francesco I.
Milanesi, commentator of Vasari, his bequest to the Communal Library,
Siena, and extracts from the ‘Ricordi’ of Baldovinetti amongst, 24,
27
error of, as to locale of the Baldovinetti ‘ricordo,’ 22
and as to name of Baldovinetti’s wife, 23
source of all information on Bernardo Daddi, 125-6
_cited_ on Vanni as diplomat, and on his death, 309, 325
Millais, Sir J. E., illustrations by, to Moxon’s edition of Tennyson,
299
study by, for illustrations to ‘The Parables,’ (B.M.), 300
Miniatures, _see_ Mussulman Miniatures
Miniaturists, _see_ Gerard David, _and_ Marmion
Mir Alī Shir Navā’ī, Vizir of the Timurid Sultan Husain ibn Bäikara, a
famous writer, 143
splendid MS. dated 1527. from divān of, 144
Mr Julius Wernher’s Titian, (letter), G. de Pellegrini, 267
Mitchell, H. P., The Sorö Chalice, (from Bishop Absalon’s grave,
Denmark), 357
Modern Dutch Painters, The; works of, Dutch Exhibition, Guildhall, 177
Mohammed, effect on art of his prohibition of the art of painting, 132
Persian tradition connected with his birth, 139
Mohammed el Nasser, Koursi inscribed with his name, (Cairo Museum),
344
Mohammed Shah, books owned by, 143
Mohammedan Art, distribution of and commonplace character of, 132
various schools of, 135
foreign influences on, 139 _et seq._
Molenaer, Jan Miense, painting probably by, attributed to Frans Hals,
Guildhall, 1903., _Group of Three_, 52
painting by, The _Spinet-players_, (Rycks Museum, Amsterdam),
compared with above, _ib._
Molina, Argote de, his ‘Libro de la Monteria’ containing description
of lost original of _Gaston Phoebus_, 8
Molinier, E., French Furniture of the ~XVII.~ and ~XVIII.~ Centuries;
II. The Louis XIV. Style: The Gobelins, 229
Monaco, Lorenzo, features of his work and influence traceable in, 126,
131
paintings by, Predella pieces, _Adoration of the Magi_ and
_Visitation_, (Parry), 126
_Adoration_, (Raczynski Gallery, Berlin) compared with the
foregoing, 131
Monaldi, Piero, _cited_ on the Gianfigliazzi family of Florence, 28
Mongolian dynasty in Persia, 139
attitude of, towards Christianity, 140
Persian Art during this period, _ib._
Mons, Hainault, birthplace of John Prevost, painter, 331, 332 _note_
Moon, the connexion of, with Soma, 354
Moor, Major, cited on the Lotus, 350
More, Warden, ‘Election Cup’ presented by, to Winchester College, 155
Morelli, painting bequeathed by, to the Accademia Carrara, Bergamo,
part of a fresco said to be the portrait of A. Baldovinetti, 174
Morley, Lord, (Henry Parker), _Portrait drawing of_, by Dürer,
(B.M.), 289, 290
Morrison, Mrs. Alfred, Lace in her Collection at Fonthill, M.
Jourdain, 95
=Mosaic(s)= on the mosques of the Sefevæan kings of Persia, 139
Treatise on, by A. Baldovinetti, lost, 22, 24
his work in, 169-70
Moses of Chorene _cited_ on the Arsacidean Kings of Armenia, 47
Mostaert, painting attributed to, _B. V. M. and Child_, ascribed by
Hulin to Prevost (N.G.), 332
Moxon’s edition of Tennyson, and its illustrators, 299
Müller, Ludwig, his discovery of Svastikas on Persian coins of the
Arsacide and Sassanide dynasties, 44
Müller, Professor Max, _cited_ on alleged absence of Svastika in
Babylonia and Assyria, 44
on the Suavastika, 44
Muller-Walde, and others, views of, on the artist of the _P.
Scipioni_ bas-relief, 84
Munich Gallery, _Portrait of Charles V._ by Titian in, 285
Royal Library ‘Boccaccio’ illuminated by J. Fouquet for Chevalier,
now in, 11
Munro, H. A. J., of Novar, first owner of the _Portrait of Miss Anne
Liddell_, by Sir J. Reynolds, (Normanton), 223
and of the _Portrait of Miss Meux_, wrongly called _Portrait of
Fanny Reynolds_, (Normanton), 224
Murghab, monuments of, influence shown by, 136
Murray, Fairfax, drawings on wood owned by, 305
Miss, of Kirkcudbright, _Portrait of, when a child_, by Sir J.
Reynolds, (Normanton), 218
Musées Royaux du Cinquantenaire. Brussels, Matrix of seal of Gild of
Barbers, Brussels, in, 190, 191
Museums, _see_ British Museum, Louvre, V. and A., _and others_,
_under their names_
Mussulman Art, Exhibition of, in Paris, May to June, 1903., 132
Manuscripts and Miniatures as illustrated in the recent Exhibition
at Paris, E. Blochet, I., 132
painting, ~XV.~ cent., locale of its masterpieces, 143
Mytens, painting by H. Pot, at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, formerly attributed to, 56
~Nana~ of Chaldea, meaning of Svastika sign on, 43
Naples and Sicily. Alfonzo II. of Aragon, King of, 338
Nardo, elder brother of Orcagna, not identical with Bernardo Daddi,
125
=National Gallery=, attitude of, towards picture-buying, 7
paintings in, by Cariani, _Madonna and Child_, _ex_ Leuchtenberg
collection, lent to, by G. Salting, 78
by G. David, from the Cathedral at Bruges, _Altarpiece_, and (part
of) a _Triptych_, 36
by P. de Koninck, compared with Commencement d’Orage, 60
by J. Ruysdael, _View over an extensive flat wooded Country_, an
excellent example, 59
National Museums, _see_ New Acquisitions at, _and under names of
museums_
Nature gods, Svastika supposed to be the emblem of, 43
Navarre, Philip III. of, father of Agnes, wife of Gaston Phoebus de
Foix, 11
Nelthorpe, Sutton, painting attributed to J. Prevost, owned by, _S.
Francis renouncing the world_, 332
Neroni, Diotisalvi, portrait of, in Baldovinetti’s frescoes, 170
Netherlands, the, The Early Painters of, as illustrated by the Bruges
Exhibition of 1902., W. H. J. Weale, 35, 326
Netherlands, Turenne’s Campaign in, 12
Neuburg, Otto Heinrich Count Palatine of, second husband of Susanna
of Bavaria, Margravine of Culmbach, medal portraits of, 290
Neuhuys, Albert, painting by, shown at Guildhall, 1903., _Near the
Cradle_, 189
New Acquisitions at the National Museums:--
British Museum, Department of Mediaeval Antiquities, 199
Print Room, 75
rare Chinese roll, 199
Victoria and Albert Museum, Mediaeval Silver Chalice from Iceland,
H. P. Mitchell, 70
The Reid Gift, (MSS.), 74
New College, Oxford, window at, original designs for, by Sir J.
Reynolds, subjects of, and models for, 211 _et seq._
his intentions stated by himself, 212
English character of painting, _ib._
Newton, Lord, of Lyme, Rose-water dish and ewer owned by, compared
with those of Winchester College, 136
Niccolini, Don Averardo, collector of notices of S. Trinità,
Florence, ~XVII.~ cent., 32
Nicolas, Dr., Warden, gift of plate by, to Winchester College, 155
Nieuport, Belgium, restoration of the church of, 375
Nineteenth-Century Book Illustrations, Later, J. Pennell, I., 293
Nizāmī, delight of Timur Beg in his writings, 143
Normanton, Diana, second Countess of, 206
_Portrait of Her Mother_, by Sir J. Reynolds, 217
the present Earl of, The Collection of Pictures of, at Somerley,
Hampshire, M. Roldit I. Pictures by Sir Joshua Reynolds, 206
Welbore Ellis, second Earl of, Normanton picture gallery formed by,
chief works in, 206
predominance of Sir J. Reynolds’ paintings in, 206, 211, 224
prices paid by this Earl, _passim_, the pictures described, 212_
et seq._
North Africa, Svastika introduced into, by travellers to Phoenicia, 47
North American Indians, use of and name for the Svastika, 43-4
Northbrook, Earl of, paintings by A. Isenbrant owned by, shown at
Bruges, 1902., panel, _B. V. M. and Child, enthroned in garden,
donor, peacocks, etc._, 335
_B. V. M. and Child, on stone throne with rams’ heads_, _ib._
_Vision of S. Ildephonsus_, _ib._
Northern Europe, plain plate with granulated or matted surface made
in, 161
Nuremberg, visit of Lord Morley to, 1523., its object, and the
portrait made by Dürer, 289
~Oaken~ Chest, The, of Ypres, 357
Old Dutch Masters, at the Guildhall Exhibition, 1903., 51
Onatas, statue of Apollo by, and epigram on, 244
‘Once a Week,’ and its illustrators, 299
On Oriental Carpets:--
III. The Svastika, 43
IV. The Lotus and the Tree of Life in, 349
Opera di Duomo, Florence, _Madonna_ of, by A. di Duccio, 89
Orcagna, (Italian painter), 125, 126
‘Oresteia’ of Aeschylus, the first book to be printed from ‘Otter
type,’ 360
Oriental Carpets:--
III. The Svastika, 43
IV. The Lotus and the Tree of Life, 349
Oriental China in Europe and America, ~XVIII.~ cent., Chaffers’
erroneous theory regarding, 271, 277, 278
Orthéz, splendour of Gaston de Foix’s court at, 8
Osiris, the Lotus as an attribute of, 350
‘Otter’ Type, Proctor’s, 358
Oudenarde, birthplace of Gerard David, painter, of Bruges, 36
~Painted~ glass windows, designed by A. Baldovinetti, 31
methods of executing, Florence, ~XV.~ cent., 31
Painters, Dutch, Exhibition of the works of, Guildhall, 1903., 51, 177
Early, of the Netherlands, as illustrated by the Bruges Exhibition
of 1902., W. H. J. Weale, 35, 326
having marked similarity in style and subject to Palamedes, 56
=Painting(s) in Oils, Frescoes=,_ etc._, _see also_ Pictures:--
by Baldovinetti, A., Altarpiece for S. Trinità, Florence, _Trinity
with two Saints_, now in the Florentine Academy, 32
Frescoes, in the Cappella Maggiore, S. Trinità, Florence, the only
ones preserved, 167
found in 1890-7., and described, 173-4
attributed to Barna, panel, _Virgin and Child_, half-length, (Chapel
of SS. Chiodi, Siena), ascribed by Perkins to Vanni, 315-6
attributed to Berkheyde, Gerrit, Guildhall, 1903., _Rising in a
Dutch Town_, 60
by Bisschop, Christopher, shown at Guildhall, 1903., _Prayer
Disturbed_, 189
by Bosboom, Jan, shown at Guildhall, 1903., _Archives at Veere_,
189
by Botticelli, S. _Portrait of Lucretia Tornabuoni_, (Städel
Institute, Frankfort), Medicean medallion in, also painted by G.
David, 36
attributed to Brouwer, Adriaen, Guildhall, 1903., _Interior with
Figures_, possible painters of, 56
by Cariani, ascribed to Giorgione, _ex_ Leuchtenberg collection,
_Adoration of the Shepherds_, (Wertheimer), and _Madonna and
Child_, (Salting), 78
_La Vergine Cucitrice_, (Corsini Gallery, Rome), 78
by Cornelis, Albert, the only known work of, _Coronation of the B.
Virgin_, (Bruges, 1902.), 332
attributed to Cüyp, Adrian, Guildhall, 1903., signed Berchem, _Head
of a Cow_, 59
by Daddi, Bernardo, _Altarpiece_ in five parts, (Parry), 125
attributed to David, G., Triptych, _Deposition of Christ_, views of
Mr. Weale on its authenticity, 39, 40
_Holy Family_, (M. Le Roi), shown at Bruges, 1902., 40
_Annunciation_, shown at Bruges, 1902., 39, 40
paintings by him: dates limiting period of production of, 39
_Adoration of the Magi_, formerly attributed to J. van Eyck,
(Brussels Museum), shown at Bruges, 1902., 39
_Altarpiece_, and (part of a) _Triptych_, (N. G.), 36
Triptych, _Baptism of Christ_, shown at Bruges, 1902., 36
_B. V. M. with Child, Virgin Saints, and Angels_, (Rouen
Museum), 36, 39
_Judgement of Cambyses_, two pictures in Bruges Museum, (one
illustrated), 36;
panels, part of an Altarpiece, (Lady Wantage), 39
parts of a Triptych, (J. Simon, of Berlin), shown at Bruges,
1902., 39
Triptych, _St. Anne and the B. V. M. and Child, SS Nicholas and
Anthony of Padua_, (de Somzee), shown at Bruges, 1902., 39
_Transfiguration_, (Church of Our Lady, Bruges), shown at
Bruges, 1902., 40
by de Bock, Théophile, shown at Guildhall, 1903., _An Avenue in
Holland_, 189
by de Keyser, T., Guildhall, 1903., _Portrait of a Gentleman_, 55
by or ascribed to de Koninck, P., (his masterpiece), attributed to
Rembrandt, _Commencement d’Orage_, (Wantage), Guildhall, 1903., 60
_et seq._
probably by de Koninck, S., _Head of a Man_, usually ascribed to
Rembrandt, Guildhall, 1903., 52
by de Limbourg, P.. a (miniature) copy of a Florentine fresco by T.
Gaddi, 90
by de Vos, Cornelis, Guildhall, 1903., _Portrait of Ambrogio,
Marchese di Spinola_, 55
Flemish School, artist unknown, _Altarpiece_ by, for the Gild of SS.
Mary Magdalene, Katherine, and Barbara, compared with one by
Gerard David, 39
by unknown artist, shown at Bruges, 1902., panel, _S. Nicolas of
Tolentino_, and _Roger de Jonghe, Austin friar_, (Black Sisters,
Bruges), 332
by unknown artist, _Portrait of the Empress Isabella_ from which
Titian painted his Portrait, 281, 282, 285
Florentine School, early ~XV.~ cent., artist unknown, _Madonna and
Child with Angels_, (Parry), and Triptych, _Madonna and Child with
Angels and Saints_, (Uffizi), 131
Francesco, Piero dei, central panel, Altarpiece, Borgo S. Sepolcro,
_Baptism of Christ_, (in London), 321
probably French, ~XIV.~ cent., artists unknown, _Adoration of the
Magi_, and _Dormition of the B. V. M._, (Dowdeswell), 89
by Gaddi, Agnolo, _Coronation of the Virgin_, (Parry), 126
by Gaddi, Taddeo, _Coronation of the Virgin_, (S. Croce), 126
Fresco copied as a miniature by Pol de Limbourg, 90
probably by Giovanni di Paola, panel, _Crucifixion_, (S. Pietro
Ovile, Siena), 321
probably by Giovanni, Matteo di, panels, _SS. Peter and Paul_, (S.
Pietro Ovile, Siena), 321
attributed to Gossart, Jean, ascribed by Hulin to Prevost, _Virgin
and Child_, (Carlsruhe), 332
by Hals, Frans, Guildhall, 1903., so-called _Admiral de Ruyter_,
excellence of, 52
paintings attributed to, probably by Jan Miense Molenaer, _Group
of Three_, 52
part probably by Van Goyen, _Van Goyen and his Wife_, 52
conjointly with Judith Lyster, _see_ Lyster
by Hobbema, Guildhall, 1903., _Landscape_, and _Woody Landscape_, 59
by Isenbrant, Adrian, shown at Bruges, 1902., Diptych, _Our Lady of
the Seven Dolours_, (part in church of Our Lady at Bruges, part in
Brussels Museum), 326
_B. V. M. and Child, in landscape with female Saints_, (Count
Arco-Valley), 326
its prototype, replica, and variants, _ib._
_B. V. M. and Child on throne with rams’ heads_, (Northbrook), 331
panel, _B. V. M. and Child enthroned in a garden, donor, peacocks,
etc._, (Northbrook), _ib._
_S. Luke with portrait of B. V. 111 and Child_, (Colnaghi), _ib._
_SS. Andrew, Michael, and Francis_, with _Crucifixion_ in upper
part, (Sedelmeyer), 331
_St. Mary Magdalene in the desert_, (De Somzée), 331
Triptych, _B. V. M., Child, and angels with harp and mandoline_,
(Lotman), 326
_Presentation in the Temple_, with portraits, probable source of,
(Bruges Cathedral), 331
Triptych, part of, _Donor and family protected by St. John and a
female Saint_, (von Kaufmann), 331
Vision of S. Ildephonsus, (Northbrook), 330
attributed to, ascribed by Hulin to Prevost, _B. V. M. and Child
with a Carthusian,_ 332
by Israels, Josef, Guildhall, 1903., _The Cottage Madonna_, 177
_A Jewish Wedding_, _ib._
_ The New Flower_, _ib._
_A Ray of Sunshine_, _ib._
_The Shipwrecked Fisherman_, _ib._
by Le Brun, C., _Alexandre pénétrant dans le tente de Darius_,
ordered by Louis XIV., 230
paintings or designs by, at Vaux, _L’Apothéose d’Hercule_,
_L’Aurore_, _Le Palais du Soleil_, _Le Sommeil_, _Le Triomphe de
la Fidélité_, 230
attributed to Lorenzotto, Ambrogio, fresco, _Seated Virgin and
Child_, (S. Francesco, Siena), ascribed by Perkins to Vanni, 315
attributed to Lorenzotto, Pietro, _Madonna degli Infermi_, (S.
Francesco, Siena), ascribed by Perkins to Vanni, 310-15
by Lyster, Judith, wife of J. M. Molenaer, (attributed to her and
Hals), Guildhall, 1903., _The Jovial Companions_, and _The Health
of the Troop_, 55
by Maris, Jacob, Guildhall, 1903., _The Bridge_, 178
_A Dutch Town_, _ib._
The Ferry Boat, _ib._
Gathering Seaweed, _ib._
River and Windmill, _ib._
The Storm Cloud _ib._
The Weary Watchers, _ib._
A Windmill, Moonlight, (his last work), _ib._
Matthew, Guildhall, 1903., The Butterflies, 189
_L’Enfant Couchée_, ib; Lady and Goats, _ib._
_Montmartre_, _ib._
_Outskirts of a Town_, 178
_A Study_, 189
Willem, Guildhall, 1903., Springtime, 178
by Martini, Simone, _Annunciation_, (Uffizi), 321
copy of the same, variously attributed, _ib._
fresco of the _Majestas_, (Signoria), 310
_St. John Baptist_, (2), (Pisa and Altenburg), 310
by Mauve, Anton, shown at Guildhall, 1903., _Driving in the Dunes_,
189
The Hay Cart, _ib._
Watering Horses, _ib._
by Memlinc, Hans, _Sacra Conversazione_, done for John Du Celier,
now in the Louvre, 39
attributed to him, Bruges, 1903., (various owners), amongst
others, _Passion of St. Sebastian_, (Brussels Museum),
_Triptych, Deposition of Christ. SS. James and Christopher_,
(von Kaufmann), _Blessed Virgin and Child, donor, and St.
Anthony_, (Thiem), _Annunciation_ (Prince Radziwill); views of
Waagen, Huten, and Friedländer controverted, 35
attributed to Memmi, Lippo, copy of Simone Martini’s _Annunciation_,
(S. Pietro Ovile, Siena), ascribed by Perkins and Berenson to
Vanni, 321
Triptych, _St. Michael between St. Anthony the abbot and the
Baptist_, (Siena Gallery), ascribed by Perkins to Vanni, 325
by Mesdag, shown at Guildhall, 1903., _A Stormy Sunset_, 189
_A Threatening Sky_, _ib._
attributed to Metzu, G., Guildhall, 1903., Woman Dressing Fish, 56
by Molenaer, Jan Miense, _The Spinet-players_, (Rycks Museum,
Amsterdam), compared with the _Group of Three_, attributed to
Hals, Guildhall, 1903., 52
by Monaco, Lorenzo, Predella pieces, _Adoration of the Magi_, and
_Visitation_, (Parry), 126
_Adoration_, (Raczynski Gallery, Berlin), compared with the
foregoing, 131
attributed to Mostaert, _B. V. M. and Child_, ascribed by Hulin to
Prevost, (N. G.), 332
by Neuhuys, Albert, shown at Guildhall, 1903., _Near the Cradle_,
189
attributed to Palamedes, Guildhall, 1903., _Lady at Harpsichord_,
probably by Pot, 56
by Pourbus, P., shutters of _Altarpiece_ by Gerard David, 40
by Prevost, J., shown at Bruges, 1902., _Last Judgement_, only
authentic work of, (Bruges Museum), earlier version, (Viscount de
Ruffo Bonneval), and another, (Weber), 332
paintings attributed to, by Hulin, and their locations, 332 _and
note_
by Rembrandt, _Portrait of a Lady_, (Hage), 359
paintings by or attributed to, Guildhall, 1903., _Commencement
d’Orage_, (Lady Wantage), 51
now ascribed to P. de Koninck (pros and cons), 60 _et seq._
_Portrait of the Artist_, previous owners of, unauthentic, 52
_Portrait of the Painter’s Son Titus_, compared with a similar
picture in the Wallace collection, 51
_Ruth and Naomi_, possibly by K. Fabritius, 52
by Reynolds, Sir J., _Nativity_, original design for centre of New
College window, Oxford, and its fate, 212
in the Normanton collection, _Boy Reading_, (said to be his own
portrait), 223
_Faith, Hope, Charity, Temperance, Prudence, Justice, and
Fortitude_, original designs for New College window, 211
_Felina_, 217
_The Little Gardener_, a child’s portrait, 218
Portraits: _Elizabeth Beauclerk_, (afterwards Countess of
Pembroke), as Una and the Lion, 257
_George, third Duke of Marlborough_, 218, 223
_Himself as President of the Royal Academy_, 217
_Lady Betty Hamilton_, 218
_Lady Charlotte Johnstone_, 223
_Study of a Little Girl_, octagonal in shape, 224
of _Miss Anne Liddell_, 223
(on panel),_ Miss Falconer as Contemplation_, 217
_Miss Meux_, 224
_Miss Murray of Kirkcudbright_, as a child, 218
_The two Misses Horneck_, 223
_Mrs. Quarrington_, (actress), as _St. Agnes_, 224
_Mrs. Russell_, 223
in the same collection, _The Little Archer_, 224
paintings ascribed to, in the same collection: Portraits; _Admiral
Barrington_, 224
_Lady Hamilton as a Bacchante_, _ib._
_Mrs. Inchbald_, _ib._
copies of, in the same collection, Portraits, _Mrs. Gwyn in
Persian dress_, 224
_Mrs. Siddons as the Tragic Muse_, painted by the Duchess of
Buckingham, 224
by Ruysdael, Jacob, Guildhall, 1903.,_ Forest Scene_, _Sea-piece_,
and _View on the Brill_, 59
_ View of Haarlem_, (Mauritshuis, Hague), 59
_View over an extensive flat wooded country_, (N. G.), 59
by Solario, _Madonna_, 114
by Steen, Jan, Guildhall, 1903., _Portrait of Himself_,
(Northbrook), 56
by Terborch, Guildhall, 1903., _Portrait of a Lady_, and _Portrait
of a Young Woman_, 56
by Titian, Portraits: _Empress Isabella_, 281
_Giacomo Doria_, 267
by Tocqué, J. L., at the Louvre, chiefly official portraits, 344
_Portrait of Dame Danger_, recently acquired, 343-4
by Unknown Artists, _Richard II._, Diptych, (Wilton), perfection of,
89
School of Cimabue: _Nativity and Adoration_, (Parry), 117-8
Altarpiece of St. Cecilia, (Uffizi), other Altarpieces by,
recently found near Florence by Horne, 118
frescoes by same hand, (Upper Church, Assisi), 118
by van Aelst, Willem, Guildhall, 1903., _Still-life Subject_, 56
by van de Capelle, Jan, Guildhall, 1903., both masterpieces, _Off
Scheveningen_, and _Sea-piece_, 60
River Scene, (N. G.), 60
by van de Velde, Adriaen, Guildhall, 1903., _Landscape with Cattle_,
small and excellent, 59
by van der Heyden, Jan, Guildhall, 1903., _Landscape_, small, very
highly finished, 59
attributed to van der Neer, Aart, _Moonlight River Scene_, 59
by van Eecke or van Eeckele, John, shown at Bruges, 1902., _Mater
Dolorosa_, (Bruges Cathedral), formerly ascribed to John van Eyck,
locale of copies of the same, 332
_Vision of S. Bernard_, (Tournay Museum), 332
by van Huysum, Guildhall, 1903., _Still-life Subjects_, 56
by Vanni, Andrea; _Annunciation_, (Count Fabio Chigi, Siena), 316
_Annunciation_ after Simone Martini, (S. Pietro Ovile, Siena),
various attributions of, 321
_Crucifixion_, (fragmentary), formerly in the church of the
Alborino, (Istituto delle Belle Arte, Siena), 309, 321
_Deposition from the Cross_, (Berenson), 321
Frescoes, one in bad condition, (S. Giovenale, Orvieto), 321
_note_
_Seated Virgin and Child_ (S. Francesco, Siena), usually
attributed to Ambrogio Lorenzotti, 315
_Madonna_ (church on Monte Nero, near Leghorn), 321 note
_Madonna degli Infermi_, (S. Francesco, Siena), attributed to
Pietro Lorenzotti, 310-15
panels, _Madonna and Child_, (S. Giovannino della Staffa, Siena),
316
_Virgin and Child_, full length, (S. Spirito, Siena), 316
_Virgin and Child_, half-length, (Chapel of SS. Chiodi, Siena),
usually attributed to Barna, 315-6
_Virgin and Child_, (priest’s house next S. Pietro Ovile, Siena),
325
Polyptych, _Altarpiece_, (S. Stefano, Siena), 309
_Portrait of St. Catherine of Siena_, (S. Domenico, Siena), 309,
321
Triptych, _St. Michael between St. Anthony the Abbot and the
Baptist_, (Siena Gallery), attributed to Memmi, 325
_Virgin and Child_, (Berenson), 316
by van Os, Jan, Guildhall, 1903., _Still-life Subjects_, 56
by van Ruysdael, Saloman, recently acquired by the Louvre,
Landscapes, (2), 343
by Veneziano, Domenico, frescoes, now lost, once in Cappella
Maggiore of S. Egidio, 168
by Vermeer, Jan, Guildhall, 1903., _The Cook Asleep_, 55
by and probably by Verspronck, Jan, Guildhall, 1903., _Portrait of
a Dutch Lady_, (Mrs. Stephenson Clarke), 55
_Portrait of a Lady_, (at Antwerp), 55
Paintings in Water-colour, _see_ Drawings
Palamedes, painting ascribed to, Guildhall, 1903., _Lady at a
Harpsichord_, probably by Pot, 56
painting formerly ascribed to, at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, now attributed to H. Pot, 56
Palma Vecchio, influence of, on Cariani, 78
Palmer, Mary, _see_ Thomond, Marchioness of
Mrs. Elizabeth, model of Sir J. Reynolds for painting of _Prudence_,
(Normanton), 217
‘Offy,’ (Mrs. Gwatkin), niece and frequent model of Sir J. Reynolds,
211
as _Felina_, 217
Samuel, illustration by, to Adams’s ‘Distant Hills,’ perfection of,
306
Palmetta, the, as the Tree of Life, 350, 353
Paolo, Giovanni di, painting probably by; panel, _Crucifixion_, (S.
Pietro Ovile, Siena), 321
Papillon, Bewick’s possible indebtedness to, 294
Papyrus, the, as the Tree of Life, 350
Parfilage, fashionable work in the ~XVIII.~ cent., 344
=Paris=, see Bibliothèque Nationale, Louvre, _and_ Cluny
decorative paintings by Le Brun in mansions of, 230, 235
recent Exhibition (of Mussulman Art) at, Mussulman Manuscripts and
Miniatures, E. Blochet, I., 132
Parker, Henry, _see_ Morley, Lord
Parry, Sir Hubert, Pictures in the collection of, at Highnam Court,
near Gloucester, R. Fry; I. Italian Pictures of the Fourteenth
Century, 117
_Altarpiece_, in five parts, by Bernardo Daddi, 125
_ Madonna and Child with Angels_, Florentine School of the early
~XV.~ cent., 129
_Coronation of the Virgin_, by Agnolo Gaddi, 126
Predella pieces, _Adoration of the Magi and Visitation_, by
Lorenzo Monaco, 126
_Nativity and Adoration_, by unknown artist, School of Cimabue,
117-8
Thomas Gambier, of Highnam, father of Sir Hubert Parry, his
researches into fresco-painting and paintings in fresco by, his
collection of pictures at Highnam, 117 _et seq._
Parthenon, the, Persepolitan building recalling, 139
slab from north frieze of, bas-relief, _Head of a Knight and of a
horse_, various owners and homes of, shown at the Burlington Fine
Arts Club Exhibition, 244
Passavant, his use of ‘Barbarelli’ as cognomen of Giorgione, 78
Pau, castle of, a stronghold of Gaston de Foix, 8
Paul III., Pope, patron of Titian, meeting of, with Charles V. at
Busseto, 1543., 281
Pavia, battle of, ‘Gaston Phoebus’ MS. 616 part of the loot after, 8,
11, 12
Pavillon de Marsan, Paris, Exhibition of Mussulman Art at, 1903., 132
Pazzi Chapel, S. Croce, Florence, painted window in, designed by A.
Baldovinetti, 31
Pella, birthplace of Alexander the Great, bronze statuette of
emaciated man, possibly a Yogi, found at, 255
Pembroke, Countess of, _see_ Beauclerk, Elizabeth
Earl of, _Portrait of George, third Duke of Marlborough_, owned by,
replica of that by Sir J. Reynolds in the Normanton collection,
222
Earl and Countess of, _Heads of_, by Sir J. Reynolds, (Normanton),
223
earlier portrait of the Countess by him as Una, 217
Pennell, Joseph, Later Nineteenth-Century Book Illustrations, I., 293
Pepoli family of Bologna, original owners of the painting from which
Titian painted his _Portrait of the Empress Isabella_, 282
Pergamene stage, the, of Greek art, 243
Perkins, F. Mason, Andrea Vanni, 309
Persepolis, illustrated book seen at, by Mas’ūdī, ‘Sum of Histories,’
140
monuments of, influences shown by, 136
=Persia=, beginning of the art-history of, early and continuous Greek
influence in, 136-7
Sassanian kings of, 47
Sassanid art in, 140
the three great schools of painting in, 139
the Mongolian, 140
the Timurid, 143
the Sefevæan, 140, 144
Persian coins of the Arsacide and Sassanide dynasties, the Svastika
on, 44
Persian skill in miniature painting, 132
monotonous character of the work, 135
Greek influences on, 139
Perrett, Ambrose, French sculptor, work of, on the Tomb of François
I., 95
Perrier, first master of Charles Le Brun, 229
Perugia, front of S. Bernardino at, by A. di Duccio, 89
Peschiera, meeting of Aretino with Charles V. at, 281
Petrucci, R., Notes from Ghent and Nieuport, 375
Seals of the Brussels Gilds, 190
Phallus associated with the Svastika in Egypt, 43, 47
Pheidias, fragments of his work shown at the Burlington Fine Arts
Club Exhibition, 244
Phelippes de France, Duc de Bourgoigne, original of _Gaston Phoebus_
dedicated to, 8
Philip the Good, privilege granted by, to the butchers of Brussels,
193
Philip II. of Spain, marriage of, to Queen Mary of England, at
Winchester, 150
Philip III. of Navarre, father of Agnes wife of Gaston Phoebus de
Foix, 11
Phoebus, Gaston, or Le Roi Phoebus, sobriquet of Gaston de Foix, and
familiar title of his book, 11
Phoenicia, no trace of Svastika found in, 47
Piazza di San Giovanni, Florence, houses in, assigned to Baldovinetti
in payment for his mosaic work, 170
=Pictures=, _see_ Collection of the Earl of Normanton, Dutch, _etc._
exhibitions of, _see_ Bruges, _and_ Guildhall in the Collection of
Sir Hubert Parry, at Highnam Court, near Gloucester, R. Fry; I.
Italian Pictures of the Fourteenth Century, 117
recently acquired by the Louvre, _Landscapes_, (2.), by S. Ruysdael,
_Portrait of Dame Danger_, by L. Tocqué, P. Vitry, 343
Piero, Lorenzo di, painter and colour seller, 167, _and note_
Pierrotti, Dr., preface of, and notes by, to the ‘Ricordi di Alesso
Baldovinetti,’ 24
sources of his information, 27
Pilon, Germain, French Sculptor ~XVI.~ cent., marble statue by, _La
Charité_, (Lowengard), 90
other works by, groups, _Les Trois Grâces_, (Louvre), _Les Trois
Parques_, (Hôtel de Cluny), 95
_Tomb of François I._, (with other sculptors), _Tomb of Henri II.
and Catherine de Médicis_, 95
Pinwell, G., forgeries of his own drawings by, 305
Pinzocheri, the Frati, of the Spedale di S. Pedro, Florence, 22, 24
records of, 27
women attached to the Hospital, 24
Piot, M., his use of Greek coins ‘to correct the eye,’ 236
Pisa, frescoes, the, in campo-santo at, attributed by Milanesi to
Daddi, _Triumph of Death_, 126
Pisano, Giovanni, influence of, on the painter of the _Nativity_ and
_Adoration_, (Parry), 118
leading features of his work, 125
Pitti, Lucca, portrait of, in Baldovinetti’s frescoes, 170
Place Dauphine, Paris, triumphal arch to welcome Louis XIV. and his
queen, erected on, by Le Brun, 230
Plassenburg Castle, prison of Frederick Margrave of
Brandenburg-Anspach, 289
Plate, (_see_ Silver Plate) The, of Winchester College; P. Macquoid,
149
Plot’s ‘Natural History of Staffordshire’ _cited_ on Burslem pottery
and processes, ~XVII.~ cent., 66
Poelenburg, painting by H. Pot at Hampton Court, _Souldier making a
Strange Posture to a Dutch Lady_, formerly ascribed to, 50
Poitiers, Diane de, daughter of the Sieur de Saint-Vallier and of
Marie of France, her probable connexion with Codex MS. 616 of
_Gaston Phoebus_, 12
Jean de, Sieur de Saint-Vallier, probable owner of Codex MS. 616 of
_Gaston Phoebus_ till 1523., 12
his pardon obtained by his daughter from Francis I., 12
Poland, _see_ Casimir III., King of
Polykleitos, sculptor, leader, of Argive School, earliest recorded
work of, and variants thereof, statue; _Boy-boxer crowning himself_,
_Head_ (Vincent), shown at the Burlington Fine Arts Club Exhibition,
244
Pomegranate, as the Tree of Life, on Yarkand rugs, 353
Ponsonby, Claude, _Head of a Mourning Woman_, owned by, shown at the
Burlington Fine Arts Club Exhibition, 249
Porcelain, _see_ Ceramics
Porcia, Count, _Portrait of_, by Titian, with landscape background,
(Brera Gallery, Milan), 285
Portata al Catasto, Florence, 1470., details given in, as to
Baldovinetti, 23
evidence of, as to his handwriting, 27
=Portrait(s)=, (_see also_ Paintings _and_ Pictures), of the Empress
Isabella, Titian’s, G. Gronau, 281
_Portrait of a Lady,_ by Rembrandt, on view at the Hague, (Hage),
359
by Titian, of _Giacomo Doria_, (J. Wernher), letter on, from G. de
Pellegrini, 267
Portrait-Drawing, A Newly-Discovered, by Dürer, C. Dodgson, 286
Pot, Hendrik, and other painters greatly resembling Palamedes in style
and subject, 56
painting by, at Hampton Court, _Souldier making a Strange Posture to
a Dutch Lady_, various attributions of, 56
Pott, Miss C. M., joint-author, _see_ Short
Pottery Ware, Early Staffordshire, illustrated by pieces in the
British Museum, 64
Pourbus, Peter, shutters of _Altarpiece_, by G. David, painted by, 40
Poussin, Nicolas, companion of C. Le Brun in his journey to Rome, 230