During the earlier years of Anna's married life, when Pauli saw how

things culinary were going, a young Hungarian servant had been sent him

by one of his sisters. She was an excellent cook and had taught Anna in

a way, a lot of things, but she had been landed, like all good cooks,

in the net of marriage, and was succeeded in the Birbach household by

various maids of varying and inferior talents. But Anna really didn't

know good food from bad, and she got careless too. Pauli was oftener

and longer absent, and then the War came and then the Peace. Pauli by

no means let them starve, but he didn't see his way to keeping those

two ghosts, who unnaturally bore his name, supplied with the delicacies

or, to be more exact, the relative delicacies of post-war Vienna, that

oftener than not they would spoil in the cooking.

He had his two sisters, widowed on the same day of the war, and their

broods of little children to support. It had not been so difficult

to care for them at first for they had taken their children and gone

back to the house of their mother near Groswardein, that comfortable

Landhaus that they had all three inherited with its acres bearing wine

and grain. But when they thought the war was over they suddenly found

themselves one dark night fleeing with the rest of the inhabitants

before an unexpected army. After days they got into Budapest and when

the panic had abated and they wanted to go back, they found to their

consternation that though they were still Hungarian their lands had

become Roumanian. Some dark, transmuting evil had been worked. Suddenly

they had no civil state there where they were born and no longer

possessed what their parents had bequeathed them ... as unbelievable as

that.... Pauli enabled them to eke out a reduced existence with their

many children in some rooms on the outskirts of Pesth.

The comfortable Landhaus with its pink walls, its green shutters, its

sloping roof, the grapevine growing up over the door, the great plane

tree in the garden, became as a lost paradise to be described to

children at the knee,--with hints of recovery when they were old enough

to fight for their own.

Though Anna suspected that Pauli supported his sisters and in her

heart was bitter about it, she had no courage and less opportunity to

reproach him with it.

Pauli loved his sisters very much, especially his sister Mimi, and

he had never told her the tale of Geza's death brought back by his

comrade. How they were to charge a certain hill in Galicia one chilly

autumn dawn in the face of the enemy, waiting millions of them, it

seemed, after the Russian way of lavish cannon-food. How Geza naturally

a laughing man had been leaden-hearted as they went up side by side;

even the schnapps served out to the troops had not put heart into him.

He had said, "I'm going up because I must, but it's quite useless--I'll

never come down again."... Geza loved life ... and when they got up to

the top immediately a great splinter of shell struck him in the chest

and he looked a last reproachful look at his comrade as he fell against

him.... The end of Geza who loved life.

No, Pauli couldn't bear to think of that. Some day he meant to tell

Mimi of those cruel last moments, when Geza knew, knew that his end was

near.

... Perhaps he never would, and then again the day might come when it

wouldn't hurt Mimi so much. The children would never understand. And

it would be as if Geza, heavy with premonition, had never charged that

hill and said those last words,--as if he had never been at all. That

was the way of life, but Pauli didn't like to think of it ... all that

being no more ... as if you had never been; his bright, strong flesh

rejected it.

He was, somewhat vaguely to his wife, in business that brought with

it frequent mention of the Travel Bureau in the Kaerntnerring and

entailed many absences. They had grown accustomed to his travels,

and anyway the thoughts of his wife and daughter ran, with that of

the rest of the population on what they were going to eat and how

they were going to get it, rather than on the coming or going of any

non-edible, even husband and father. So, though they were among the

relatively well-to-do in the starving city, the two women talked almost

entirely of what they had eaten or were going to eat and Hermine was to

experience her greatest enthusiasms when scurrying home with a bit of

fat or a can of jam.

* * * * *

The difficulty of getting to Anna's from the Hoher Markt was occupying

Frau Stacher's thoughts as she lay awake in the early dawn, watching

the day grow stronger, till she could see Haydn leading the young

Mozart by the hand, and the gilt of the flat, white vase on the bracket

underneath began to glisten faintly in the dull light coming in over

the top of the curtains.

The trolley that she could take at the Opernring was itself far off and

the fares had jumped up to prohibitive prices. Foreigners, workmen and

Jews alone had the wherewithal. She decided finally as she proceeded,

soundlessly as possible, to make the limited toilet the alcove

permitted, that she would walk. The hot cup of ersatz coffee with the

ersatz sugar and the thin slice of gritty bread seemed somehow quite

sufficient. She had entirely lost that wild hunger of the night before,

so curiously the result of the tasty meal at Liesel's. She made up her

divan, put her things in order and carefully pulled back the curtains

of the alcove. She had been made aware, the morning before, that Irma

liked to have them drawn back early and tight, and certainly it did

give a more spacious aspect to the living room, off which were the two

little bed chambers, one occupied by Irma with her youngest boy and the

other by Ferry and Gusl. Except for the fading photograph, on the chest

of drawers, of the long dead Commercial Advisor in its wooden frame of

carved Edelweiss, got when he and his bride had gone to Switzerland,

his widow was completely wiped out of that living space. She felt no

more at ease there than if she were suspended in mid-air, or pressed

into some shadowy yet too-narrow dimension,--in a word horribly

uncomfortable....

The boys had had their cocoa, their thick slices of bread so carefully

measured and cut, and had gone off to school. Heinie would get a midday

meal at a relief station near the seat of learning, which provided for

one scholar out of each needy family each day. The three boys took

turns, coming home for dinner on alternate days. There was a fierceness

about Irma where food for the boys was in question. When they had

licked their spoons and looked about at the empty plates on the table,

with their eyes a trifle too big, and Ferry with those bright spots on

each cheek, Irma's jaw would set and her brow darken. Not long before

she had discovered however, a way of adding to their nourishment ...

the "Friends" in the Singerstrasse ... you received a ticket there

and then you went to the Franzensplatz to get the package. But as the

endeavor of the various foreign relief societies was not to fully

nourish any one family or quarter at the expense of other families and

quarters, but to the best of their limited ability to keep as large a

part as possible of the two and one half millions from actually dying

of hunger, that relief in any one case was only palliative....

When Tante Ilde set out on that tramp to Anna's dressed again

in her best things,--Pauli always noticed what women wore, even

old women,--she left Irma planning the midday meal. Irma in an

extraordinarily fortunate way had got hold of some chicken legs,--it

would never happen again she was sure, being inclined to pessimism.

She had scraped and washed them, and was going to cook them with the

rice. Furthermore into the rice she was going to put a little of the

evaporated milk that had come in the thrice blessed package from the

Franzensplatz, it would be nearly equal to meat. Enough for three

plates full, two large ones for Gusl and for little Heinie and a

smaller one for herself. A box of zwieback had come in the package too,

and a piece for each would be dipped into some of the milk. It was a

good day and she warmly returned Tante Ilde's farewell and told her

she hoped Anna would have something fit to eat. She had a feeling that

she couldn't get rid of, that some day Tante Ilde would have a cold or

something and wouldn't be able to get out. However sufficient unto the

day, and that morning she was almost affectionate.

When Frau Stacher got down into the street a great puff of wind

caught her and slapped her dress about her legs, but she disentangled

herself and stepped, not unbriskly, into the Rotenthurm Street. The

day was cold and overcast, but the rain had not yet begun to fall.

She passed St. Stephen's, crossing herself as she did so and got into

the Kaerntner Street. In spite of the chill dampness and the great

slaps of wind doing full honor to the reputation of the windiest of

cities, (the Windobona of the Romans, that name on which generations of

windswept inhabitants have made their jokes and puns), she felt more at

home than in the alcove. After all the pavement was free to everybody,

just as much hers, when you came down to it, as anybody's. Quite unlike

the alcove which in some pervasive, though not at all indefinite way,

seemed not to be hers. She tried to comfort herself with the thought

that she was paying for it, just as Irma decently tried to remember

that fact. But Irma clearly wanted to be alone with her children.

Irma's nerves, for all her seeming bodily health, were certainly in a

bad way....

Passing down the Kaerntner Street Frau Stacher stood a moment looking

in at Zwieback's windows, such warm stuffs in such bright colors were

displayed, gay knitted Jerseys and scarves,--a purple one that would

have lain consolingly against her pale thinness. There were silk

stockings too, beribboned underwear and in another window incredible

evening dresses. Who on earth wore evening dresses--now? She remembered

how she had got her grey silk dress there for Kaethe's wedding. In the

old days she had shopped just like anybody else, buying things she

didn't need and would soon forget she had....

Then suddenly she found that her heart was beating thickly. She was

passing Fanny's corner, timidly looking away from it, magnetically

drawn to it; the pavement seemed somehow alive under her feet.... She

longed yet feared to meet Fanny; Fanny wrapped to her sea-blue eyes in

her scented furs, Fanny young and beautiful, Fanny who knew neither

cold nor hunger, nor about being unwanted. Fanny's desirability, though

it brought no images with it, sent the blood pounding up darkly to her

face....

But she was white again as she passed the Hotel Erzherzog Johann,

remembering with a sudden stab how she had always driven there in a

drosky when she came to Vienna from Baden for a day's shopping, and

how pleasant that great, laughing, singing city had seemed. Now the

iridescence had gone out of it. It was drab where once it had gleamed

with a thousand vivid tints; beggarly where it had dispensed with a

lavish unconcern.

She had been in the habit of taking her dinner at the Erzherzog

Johann's, the proprietor had been a friend of her husband's. The old

head waiter would always greet her warmly as a friend of the house

he had served so long, and he would recommend a quarter of a roast

chicken, the wing and breast, of course, and tell her how the noodles

had been made fresh in the hotel that very morning, and then wind up by

singing the merits of a Linzer or Sacher tart.

She'd leave her bundles there and come back at four o'clock for her

coffee with whipped cream, and he'd cut her a slice of the fresh

gugelhupf. Such happy days. She hadn't really had the slightest idea

how happy they were; she thought how she had often worried about the

stupidest things. She became conscious of an increasing sadness as

she passed on down the street, realizing miserably how little human

beings make of their actual blessings, whatever they may be, and

she found herself sending up a prayer to be trusted with a little

happiness,--just once more. She thought how never, never again, should

they miraculously be hers, would she take as rightful dues her three

meals a day, her comfortable bed, her clothes befitting the seasons,

but that always, up from her heart would well thanks to the mysterious

Giver or Withholder of these things.

She felt a little faint as she hurried past the delicatessen shop on

the corner. There wasn't much in the windows; food wasn't kept in

windows in those days, but inside there would doubtless be a maddening

smell of cheese and sausage.

A one-legged young man, his leg gone to the thigh, in a tattered

combination of military and civil coverings, stood always on that

corner selling his miserable shoe laces....

But there was another note, quite another, that rang lustily out from

the Kaerntner Street, for there the new feudal lords of Vienna, (which

inevitably has lords of some kind), walked with ringing tread in the

triumph of their plenty. That mushroom aristocracy come out of Israel

and the war had pushed into some shadowy, scrawny underbrush of life

that once great, powerful "First Society."

As Frau Stacher got near the Bristol the flooding crowd seemed almost

entirely made up of large, showily-dressed women and bright, alert,

stout men, whose prosperity was immediate and inescapable. Before it

her seventy years of gentility were swept up, a bit of dust, into her

otherwise bare corner. What had she to do with that new princedom

arisen from the ruins of the war, or it with her? Their ways, their

gestures, their looks were alien, inimical to those of the Princes,

Counts and Barons of that old world; that old world the pride and joy

even of those not of it. What the new Lords did and how they lived was

a mystery to Frau Stacher that she had no desire to solve. Her fear

increased. She felt but a bit of pallid wreckage in the flooding of

that active, highly-colored element. It beat against her suffocatingly,

frighteningly, that new blood flowing vehemently in Vienna's veins, its

only blood indeed. In the familiar street she was both stranger and

outcast daughter. She couldn't even look at the Bristol, whither so

many of those new lords seemed bent, there where people still crumbled

their bread at dinner instead of eating it.... It was Fanny's world.

Perhaps even now Fanny would be on her way there with her light,

straight, flying step, like a bird in the air. They all knew that walk

of Fanny's....

That first comfortable feeling of owning the pavement, of independence

had gone. She was increasingly confused by the myriad signs and symbols

of money of which she had none. Everywhere "Cambio-Valute," "Devisen"

in gilt letters, and banknotes laid out in patterns in the windows ...

exchange bureaux, in which unholy rites were performed by those chosen

men standing fatly, firmly on gold, while the rest of Vienna tottered

and fell on paper. She was exhausted too, by the buffeting of the

everlasting wind, and she suddenly and recklessly decided to take the

three hundred crowns remaining in her purse and get on the trolley.

There was one at the very corner that, mercifully, would take her up

the interminability of the Mariahilfer Street. After lunch the wind

would perhaps have fallen and she could walk back. She tried not to

think how far it would be. She was too spent for thought by her impact

with that new world, that world that suddenly had too much, trampling

to death the world that almost as suddenly had too little or nothing.

Outcast indeed.

The crowd was thickly waiting at the stopping place. In the rush

for seats as the trolley slowed down, she was pushed frighteningly

but fortunately along and up the high step and in a second found

herself sitting, breathless and hidden between a man with a large

sack of something that had, to the eager eyes of the other occupants,

the interesting appearance of flour, and a pale young woman with a

spindle-legged, big-eyed child of four or five in her arms. In her

sympathy with the young mother and the doomed child and her relief

at being seated Frau Stacher forgot her hunger and her fatigue and

delivered herself up to the delightful sensation of being borne

clangingly, powerfully along. She descended quite lightly at the

crowded stopping place, though she was jostled and jammed again by the

crowd fighting to get in. Crossing over she turned into a grey little

street and entering a sombre doorway went up to the apartment where

Anna was awaiting her husband and her aunt.

There was an air of expectancy about the room as Frau Stacher entered

that somewhat relieved its terrible dullness. On the table was a fresh,

fine linen cloth, from the days of comfort, and four places were set; a

bottle of pale Tokay, like a streak of sunlight caught the eye. There

was something sadly festive about it.

"I thought it was Pauli when I heard you outside in the hall," were

Anna's words as she opened the door. But her aunt accepted the

vicarious greeting without indeed noticing it. They all knew about

Anna. That was the way she was.

Her heavy dark hair that Tante Ilde had once so faithfully brushed

back into beauty was braided in a thick braid and twisted twice around

her head; but when you had said that about Anna, that was all there

was to be remarked. The rest was long, faded, shadowy. From those once

noticeably broad, fine shoulders, now simply gaunt, her thin breast

fell away into her flat waist above her bony hips. There was not one

single thing about Anna Birbach to cause anyone to suspect that she

belonged to a smiling, art-loving, easy-going, fatalistic race, with

something of the West and much of the East in its make-up. Indeed the

broad highway that leads east from the city is the straight road to the

Orient, is already the Orient. Something only vaguely diagnosable, but

highly-colored, slips in through that Eastern Gate to tint more deeply

the Viennese population, a happy enough mixture when only a tenth of

them, not nine-tenths, are starving. Hunger there has always been in

Vienna. Even in the days of plenty there were thousands who, palely

shadowing the street corners had nothing,--the bare, spectral want of

the East without its sun and leisure....

Hermine was in the kitchen. She had no more knack at cooking than

her mother, but the War had caught her in her earliest youth and the

Peace had taught her a few lessons of culinary survival,--though her

omelettes would always be hard and her pancakes tough.

The smell of the onions in the potato soup had its own peculiar charm,

however. Tante Ilde found that she was very hungry and she was quite

ashamed of certain uncontrollable, rolling sounds that proceeded from

the empty region beneath her belt.

Anna began immediately to tell her that they had finally decided on

a goulash,--it was safer and simpler to make than anything else.

Both Hermine and her mother had an uneasy knowledge that Pauli was

critical in regard to food, though he wouldn't say a word if a dish

hadn't turned out right; only he wouldn't be seen again for a couple

of months. Instinctively desiring to flatter him they had kept as far

as possible along Hungarian lines; the potato soup had been a second

choice, for Hermine's imagination had played at first opaquely about

a Halászle, a fish soup that he loved, but she had no fish and she

didn't know how to make it, so she slumped back on the potato soup as

offering least resistance. She was hoping for great things from the

Palatschinken, however, she had the batter prepared for cooking at the

physiological moment and the can of gluey apricot jam (ersatz) was

already open. Both women were obviously quite excited. Anna had those

dull, maroon spots on her cheeks; Hermine was paler than usual and kept

running into the kitchen and coming back and changing something on the

table. It was a quarter of an hour later when they heard the somewhat

rusty sound of the master's key in the door. He still kept that key

hanging on his chain, though for all the use he made of it the bell

would have sufficed. "The key of the cemetery" he called it to himself

and was thankful as he went in that he would find Tante Ilde there

among the graves.

He was a very handsome man of forty in a full-colored, ample way,

inclining slightly to embonpoint. His brown eyes were forever flashing

and going out as he lifted or let fall his pale, heavy lids. A rosy

shade lay upon his cheeks contrasting pleasantly with the clear olive

of his skin. A dark moustache did not conceal his white teeth when he

laughed, which was often, and they gave an additional accent to the

whole, the color scheme becoming even blinding when he wore, as on that

day, one of his favorite red neckties.

Immediately he filled the grey room, or perhaps it dissolved about

him.... Life, life. He brought the life of his pleasant, easy-going,

musical Viennese father; the life of his impetuous, fiery, musical

Hungarian mother, that strong, active element which the Magyars infuse

so happily into the more "gemuetlich" qualities of the Austrians.

Whenever anything happened in Vienna for good or evil in the old

days, it was generally traceable to the more dynamic qualities of the

Hungarians,--and doubtless will be so again.

There was no hint of war or post-war days on Pauli's face, rather some

astounding avoidance of their ills, some unimpaired eagerness for life.

His wife and daughter were unacquainted with a pale shadow that of late

often dimmed it.

The women, except Tante Ilde, were blotted out. She felt the

exhilaration, the immediate electrization of the air and sat up quite

straight, her elbows elegantly pressed against her waist and began

to smile her fine, sweet smile. Her presence lay about Pauli as a

wreathing mist about a mountain on a sunny day. Again he was thankful

to find her there.

Dutifully he gave Anna a robust but empty kiss on both cheeks, with a

"Well, how goes it?" and the same to Hermine, standing close by her

mother. He thought fleetingly for the thousandth time that it was a

calamity for women to be ugly.

Then he turned the full blaze of his countenance on Tante Ilde:

"Ach, the dear, lovely Auntie," he cried, "she must also have a

Busserl," and he proceeded to kiss each pale cheek and even to press

her against his thick, warm breast.

"Not lovely, only loving," she returned, but she smiled, suddenly quite

happy and Pauli felt his words had not been in vain. He liked to have

happy faces about him and laughter and jokes, and if it were women who

were being made happy all the better.

"I smell something good," he next said amiably sniffing in the air,

"and I'm quite ready. In the Cafés," he continued, "it's 3,000 crowns

for a piece of bread, 10,000 for a glass of beer and 5,000 for a smell

of roast pork from the next table!" Again he sniffed gayly. Even when

he barked his shins against a hard, low bench that stood unnaturally

near the dining table, he gave no sign of the impatience that always

possessed him when with Anna. But in spite of his remarks about his

hunger, he took very little of the lukewarm soup which Hermine had

poured out too soon. And when she dragged her sleeve in the goulash

as she put it on the table, he indulgently recounted a joke he had

seen in the _Meggendorfer Blätter_. How a certain woman going into a

cheesemonger's had skilfully passed her long sleeve through a dish of

white cheese, in that way removing an appreciable quantity, and how the

cheesemonger in a rage made her come back to pay for it, threatening to

have her up for theft.

Sallow Hermine was greatly in awe of her highly-colored father, who

expected from her, she uncomfortably felt, something that she could not

offer, but now she was giggling girlishly, and even Anna's face seemed

less formless.

Yes, Pauli was doing his best to make it pleasant for the quite

accidental beings who bore his name. Dispensing smiles that, after

all, were so rightly, though so strangely, theirs. Life was truly

mysterious; they were human beings too, come out of nothing, hurrying

as fast as Time could take them, to the same end. It produced

undeniably at moments a feeling of comradeship,--though Pauli intended

to avoid Anna in the other world....

Tante Ilde was indeed making things easier, suaver; Tante Ilde was

really an alabaster box of precious ointment, broken anew each time she

went into one of those homes not hers, diffusing sweet odors about her.

They would mostly, (perhaps not Pauli), have thought: "It's poor old

Tante Ilde and we've got to do something for her," not dreaming that

all the time it was she who was doing something priceless for them.

Viennese medley · 第 5 / 15 段