OUR BOOKING-OFFICE.

_(By Mr. Punch's Staff of Learned Clerks.)_

_My War Experiences in Two Continents_ (MURRAY) is made up of the

diary and letters of Miss MACNAUGHTAN, written during her search for

work that might help in the great Task. The book, it is sad to say,

must serve as her memorial to those many whom she has amused by her

bright and wholesome stories. Worn out by labours and quests beyond

her strength she fell sick at Teheran in 1916 and returned to England

to die. In 1914 she had done fine service with her soup-kitchen in

Flanders, where her energy and almost too tender sympathy had full

scope and the reward of good work accomplished. She seemed also to be

happy in her lecture tour on her return to England, trying to arouse

the sluggish-minded to a sense of the gravity of the business. But

in her Russian and Persian adventure it is clear that she was deeply

disappointed at feeling herself unwanted and useless in a region

of waste and muddle. It is probable that for all her courage and

unselfish devotion she was too sensitive to the suffering she

encountered ever to attain the routine indifference which makes work

among such horrors possible. Her deep religious convictions aggravated

rather than eased that suffering. She was honestly old-fashioned and

never took quite kindly to the khaki-breeched free-spoken young women

of the subsidiary war services, had a hatred of muddle and was a

little severe on men, though acknowledging that "young men are the

kindest members of the human race." True this, I should say, who am no

longer young. "The war is fine, _fine_, FINE, though I don't get near

the fineness except in the pages of _Punch_." Charming of her to say

that.

* * * * *

The heroine of _Miss Fingal_ (BLACKWOOD) is called by her publishers

"a woman whose distinguishing trait is femininity," to which they add,

with obvious truth, "a refreshing creation in these days." Really,

in this one phrase Messrs. BLACKWOOD have covered the ground so

comprehensively that I have little more to do than subscribe my

signature. To fill in details, Mrs. W.K. CLIFFORD'S latest is a

quietly sympathetic tale about a lonely gentlewoman (this you can take

either as one or two words) rescued from a life of penury by the

will of a rich uncle, transferred from her tiny flat in Battersea to

Bedford Square and a country cottage, expanding in prosperity, and

generally proving the old adage that where there's a will there's a

way, indeed several ways, of spending the result agreeably. As I have

said, it is all the gentlest little comedy of happiness, not specially

exciting perhaps. I find it characteristic of Mrs. CLIFFORD'S method

that the only at all violent incident, a railway smash, happens

discreetly out of sight, and does no more than provide its victim

with an enjoyable convalescence, and the attentive reader with the

suggestion of a psychological problem that is both unnecessary and

unconvincing. The best of the tale is its picture of _Miss Fingal_

herself, rescued from premature decay and gradually recovering her

youth under the stimulus of new interests and opportunities. Whether

the now rather too familiar _Kaiser-ex-machina_ solution was needed in

order to rid the stage of a superfluous character is open to question;

but at all events it leaves _Miss Fingal_ happy in companionship and

assured of the success that waits upon a satisfactory finish.

* * * * *

"How can I"--I seem to hear the author of _Elizabeth and Her German

Garden_ communing with herself--"how can I write a story, with all

my necessary Teutonic ingredients in it, which shall be popular even

during the War?" And then I seem to see the satisfaction with which

she hit upon the solution of inventing pretty twin girls of seventeen,

an age which permits remarks with a sting in them to be uttered

apparently in innocence and yet is marriageable or, at any rate,

engageable; making them orphans; giving them a German father and

an English mother, and very mixed sympathies, in which England

predominates; and sending them to America to pass its novelty under

their candid European eyes. Much of the satisfaction which her scheme

must have given to the authoress of _Christopher and Columbus_

(MACMILLAN) is shared by its readers, although the feeling that it has

been made to order to fit a difficult market is never absent. For much

of the dialogue, and often when most amusing, does not ring true,

and we are occasionally asked to believe that the twins could be far

slower in the uptake than at other, and less inconvenient, times they

show themselves to be. But the book is another sufficing proof that

the male sex has no monopoly of humour.

* * * * *

Mr. CHRISTOPHER CULLEY, in his rather superfluous and petulant preface

to _Billy McCoy_ (CASSELL), observes that such reviewers as "may find

time to skip through its pages" will probably call it a Romance. Well,

skipping or not, here is one reviewer who will not disappoint him.

A story of a hero who adventures into sinister places, disregards

repeated warnings to "go back ere it is too late" (or the American for

that entrancing formula), meets there a Distressed Damsel and kisses

her as introduction, and finally, after an infinity of perils, is

left with the D.D. as his B.B., or blushing bride--this I state

emphatically to be not only Romance, but a most excellent brand of

that article. What however Mr. CULLEY seems most to fear is that we

shall think that _McCoy_ himself and the whole setting (New Mexican

scenes) are all make-believe. He need have had no such alarm in my

case. I have, I remember, already commented on the admirable reality

of his cowboys, as exemplified in the hero of a previous story.

_Billy_, if just a little less convincing, is in many ways a worthy

companion. But Mr. CULLEY'S heroines always strike me as inferior to

his men. They have the air of hanging about in corners of the tale,

and generally of being rather a nuisance than a delight to their

creator. But the heroine of _Billy McCoy_ makes hardly a pretence

of being other than a lay figure; without her it would be just as

entertaining and exciting, if perhaps less completely furnished for

Romance.

* * * * *

While reading _"Q" Boat Adventures_ (JENKINS) I kept on telling myself

that it ought to be read in small doses if the greatest enjoyment

was to be got from it; but all the same I could not let it out of my

hands. "The 'Q' boat," says Lieutenant-Commander AUTEN, V.C., "was a

'stunt' possible only to a nation of sailors. Officers might be found

for 'Q' boats in any country with a seaboard; but men--no;" and I

imagine that few Englishmen will be found to deny this statement.

Elizabethan days for all their spaciousness contained nothing more

incredibly brave than the exploits of these decoy boats, exploits

which could only be carried out if absolutely every man taking part in

them played his rôle to perfection. And it cannot be too widely noted

that after the Huns had become suspicious the "Q" boat had to invite

a torpedo as a preliminary to real business. Officers and men alike

deserve all the gratitude their nation can give them, not only for

their courage in action, but also for their patience when spending

dreary months without getting to grips with the enemy. Few things are

more demoralizing than to wait to be attacked and to find no one kind

enough to accommodate you; but even during all these long periods

of inaction the discipline and keenness of the "Q" boat crews never

relaxed. Lieut.-Commander AUTEN has done a great service in telling us

of these astounding achievements and of the infinite difficulties in

the way of their successful accomplishment. We may be a nation of

short memories, but it is impossible to believe that our "Q" boats

will ever be forgotten.

* * * * *

Anything more Pettridgian than _The Bustling Hours_ (METHUEN) cannot

be conceived and cannot certainly be written. That means that Mr. PETT

RIDGE'S latest book will be heartily welcomed and thoroughly enjoyed

by the large circle of his readers. Mr. PETT RIDGE is as good as a

tonic in these depressing days, and without any effort he keeps at a

high level of sane cheerfulness. His heroine is a certain _Dorothy

Gainsford_, who has the gift of turning up at exactly the right moment

and of getting exactly the right thing done, or more often of doing it

herself. She really is a marvel and the last word in efficiency. There

is only one thing at which I hint a doubt or hesitate dislike. She

takes a banjo with her to a picnic on the Upper Thames.

* * * * *

[Illustration: _Professor (who has inadvertently pulled the

shower-bath handle)._ "TYPICAL APRIL WEATHER!"]

* * * * *

There was a young man who said, "How,

With the minimum sweat of my brow,

Can I find jobs to do

For a maximum screw?"

So they said to him, "Why not try Slough?"

Punch, or the London Charivari, Volume 156, April 16, 1919 · 第 44 / 44 题