38. “We’re all in for it,” cried Villon, swallowing his mirth. “It’s

a hanging job for every man jack of us that’s here--not to speak of

those who aren’t.” He made a shocking gesture in the air with his

raised right hand, and put out his tongue and threw his head on one

side, so as to counterfeit the appearance of one who has been hanged.

Then he pocketed his share of the spoil, and executed a shuffle with

his feet as if to restore the circulation.

39. Tabary was the last to help himself; he made a dash at the money,

and retired to the other end of the apartment.

40. Montigny stuck Thevenin upright in the chair, and drew out a

dagger, which was followed by a jet of blood.

41. “You fellows had better be moving,” he said, as he wiped the blade

on his victim’s doublet.

42. “I think we had,” returned Villon, with a great gulp. “Damn his fat

head!” he broke out. “It sticks in my throat like phlegm. What right

has a man to have red hair when he is dead?” And he fell all of a heap

again upon the stool, and fairly covered his face with his hands.

43. Montigny and Dom Nicolas laughed aloud, even Tabary feebly chiming

in.

44. “Cry baby,” said the monk.

45. “I always said he was a woman,” added Montigny, with a sneer. “Sit

up, can’t you?” he went on, giving another shake to the murdered body.

“Tread out that fire, Nick!”

46. But Nick was better employed; he was quietly taking Villon’s purse,

as the poet sat, limp and trembling, on the stool where he had been

making a ballad not three minutes before. Montigny and Tabary dumbly

demanded a share of the booty, which the monk silently promised as

he passed the little bag into the bosom of his gown. In many ways an

artistic nature unfits a man for practical existence.

47. No sooner had the theft been accomplished than Villon shook

himself, jumped to his feet, and began helping to scatter and

extinguish the embers. Meanwhile Montigny opened the door and

cautiously peered into the street. The coast was clear; there was no

meddlesome patrol in sight. Still it was judged wiser to slip out

severally; and as Villon was himself in a hurry to escape from the

neighborhood of the dead Thevenin, and the rest were in a still greater

hurry to get rid of him before he should discover the loss of his

money, he was the first by general consent to issue forth into the

street.

48. The wind had triumphed and swept all the clouds from heaven. Only a

few vapors, as thin as moonlight, fleeted rapidly across the stars. It

was bitter cold; and by a common optical effect, things seemed almost

more definite than in the broadest daylight. The sleeping city was

absolutely still; a company of white hoods, a field full of little

alps, below the twinkling stars. Villon cursed his fortune. Would it

were still snowing! Now, wherever he went, he left an indelible trail

behind him on the glittering streets; wherever he went he was still

tethered to the house by the cemetery of St. John; wherever he went

he must weave, with his own plodding feet, the rope that bound him to

the crime and would bind him to the gallows. The leer of the dead man

came back to him with a new significance. He snapped his fingers as if

to pluck up his own spirits, and choosing a street at random, stepped

boldly forward in the snow.

49. Two things preoccupied him as he went; the aspect of the gallows

at Montfaucon in this bright, windy phase of the night’s existence,

for one; and for another, the look of the dead man with his bald head

and garland of red curls. Both struck cold upon his heart, and he kept

quickening his pace as if he could escape from unpleasant thoughts by

mere fleetness of foot. Sometimes he looked back over his shoulder with

a sudden nervous jerk; but he was the only moving thing in the white

streets, except when the wind swooped round a corner and threw up the

snow, which was beginning to freeze, in spouts of glittering dust.

50. Suddenly he saw, a long way before him, a black clump and a couple

of lanterns. The clump was in motion, and the lanterns swung as though

carried by men walking. It was a patrol. And though it was merely

crossing his line of march, he judged it wiser to get out of eyeshot

as speedily as he could. He was not in the humor to be challenged, and

he was conscious of making a very conspicuous mark upon the snow. Just

on his left hand there stood a great hotel, with some turrets and a

large porch before the door; it was half-ruinous, he remembered, and

had long stood empty; and so he made three steps of it, and jumped into

the shelter of the porch. It was pretty dark inside, after the glimmer

of the snowy streets, and he was groping forward with outspread hands,

when he stumbled over some substance which offered an indescribable

mixture of resistances, hard and soft, firm and loose. His heart gave

a leap, and he sprung two steps back and stared dreadfully at the

obstacle. Then he gave a little laugh of relief. It was only a woman,

and she dead. He knelt beside her to make sure upon this latter point.

She was freezing cold, and rigid like a stick. A little ragged finery

fluttered in the wind about her hair, and her cheeks had been heavily

rouged that same afternoon. Her pockets were quite empty; but in her

stocking, underneath the garter, Villon found two of the small coins

that went by the name of whites. It was little enough, but it was

always something, and the poet was moved with a deep sense of pathos

that she should have died before she had spent her money. That seemed

to him a dark and pitiful mystery; and he looked from the coins in his

hand to the dead woman, and back again to the coins, shaking his head

over the riddle of man’s life.

51. Henry V. of England, dying at Vincennes just after he had conquered

France, and this poor jade cut off by a cold draught in a great man’s

doorway, before she had time to spend her couple of whites--it seemed

a cruel way to carry on the world. Two whites would have taken such

a little while to squander; and yet it would have been one more good

taste in the mouth, one more smack of the lips, before the devil got

the soul, and the body was left to birds and vermin. He would like

to use all his tallow before the light was blown out and the lantern

broken.

52. While these thoughts were passing through his mind, he was feeling,

half mechanically, for his purse. Suddenly his heart stopped beating; a

feeling of cold scales passed up the back of his legs, and a cold blow

seemed to fall upon his scalp. He stood petrified for a moment; then

he felt again with one feverish movement; and then his loss burst upon

him, and he was covered at once with perspiration. To spend-thrifts

money is so living and actual--it is such a thin veil between them

and their pleasures! There is only one limit to their fortune--that

of time; and a spendthrift with only a few crowns is the Emperor of

Rome until they are spent. For such a person to lose his money is to

suffer the most shocking reverse, and fall from heaven to hell, from

all to nothing, in a breath. And all the more if he has put his head in

the halter for it; if he may be hanged to-morrow for that same purse,

so dearly earned, so foolishly departed! Villon stood and cursed; he

threw the two whites into the street; he shook his fist at heaven;

he stamped, and was not horrified to find himself trampling the poor

corpse. Then he began rapidly to retrace his steps toward the house

beside the cemetery. He had forgotten all fear of the patrol, which was

long gone by at any rate, and had no idea but that of his lost purse.

It was in vain that he looked right and left upon the snow; nothing

was to be seen. He had not dropped it in the streets. Had it fallen in

the house? He would have liked dearly to go in and see; but the idea

of the grisly occupant unmanned him. And he saw besides, as he drew

near, that their efforts to put out the fire had been unsuccessful; on

the contrary, it had broken into a blaze, and a changeful light played

in the chinks of door and window, and revived his terror for the

authorities and Paris gibbet.

53. He returned to the hotel with the porch, and groped about upon the

snow for the money he had thrown away in his childish passion. But he

could only find one white; the other had probably struck sideways and

sunk deeply in. With a single white in his pocket, all his projects

for a rousing night in some wild tavern vanished utterly away. And

it was not only pleasure that fled laughing from his grasp; positive

discomfort, positive pain, attacked him as he stood ruefully before the

porch. His perspiration had dried upon him, and although the wind had

now fallen, a binding frost was setting in stronger with every hour,

and he felt benumbed and sick at heart. What was to be done? Late as

was the hour, improbable as was success, he would try the house of his

adopted father, the chaplain of St. Benoit.

54. He ran there all the way, and knocked timidly. There was no answer.

He knocked again and again, taking heart with every stroke; and at last

steps were heard approaching from within. A barred wicket fell open in

the iron-studded door, and emitted a gush of yellow light.

55. “Hold up your face to the wicket,” said the chaplain, from within.

56. “It’s only me,” whimpered Villon.

57. “Oh, it’s only you, is it?” returned the chaplain; and he cursed

him with foul unpriestly oaths for disturbing him at such an hour, and

bade him be off to hell, where he came from.

58. “My hands are blue to the wrist,” pleaded Villon; “my feet are dead

and full of twinges; my nose aches with the sharp air; the cold lies

at my heart. I may be dead before morning. Only this once, father, and

before God, I will never ask again!”

59. “You should have come earlier,” said the ecclesiastic coolly.

“Young men require a lesson now and then.” He shut the wicket and

retired deliberately into the interior of the house.

60. Villon was beside himself; he beat upon the door with his hands and

feet, and shouted hoarsely after the chaplain.

61. “Wormy old fox!” he cried. “If I had my hand under your twist, I

would send you flying headlong into the bottomless pit.”

62. A door shut in the interior, faintly audible to the poet down long

passages. He passed his hand over his mouth with an oath. And then the

humor of the situation struck him, and he laughed and looked lightly up

to heaven, where the stars seemed to be winking over his discomfiture.

63. What was to be done? It looked very like a night in the frosty

streets. The idea of the dead woman popped into his imagination, and

gave him a hearty fright; what had happened to her in the early night

might very well happen to him before morning. And he so young! and with

such immense possibilities of disorderly amusement before him! He felt

quite pathetic over the notion of his own fate, as if it had been some

one else’s, and made a little imaginative vignette of the scene in the

morning when they should find his body.

64. He passed all his chances under review, turning the white between

his thumb and forefinger. Unfortunately he was on bad terms with some

old friends who would once have taken pity on him in such a plight. He

had lampooned them in verses; he had beaten and cheated them; and yet

now, when he was in so close a pinch, he thought there was at least

one who might perhaps relent. It was a chance. It was worth trying at

least, and he would go and see.

65. On the way two little accidents happened to him which colored his

musings in a very different manner. For, first he fell in with the

track of a patrol, and walked in it for some hundred yards, although

it lay out of his direction. And this spirited him up; at least he

had confused his trail; for he was still possessed with the idea of

people tracking him all about Paris over the snow, and collaring him

next morning before he was awake. The other matter affected him quite

differently. He passed a street corner, where, not so long before, a

woman and her child had been devoured by wolves. This was just the

kind of weather, he reflected, when wolves might take it into their

heads to enter Paris again; and a lone man in these deserted streets

would run the chance of something worse than a mere scare. He stopped

and looked upon the place with an unpleasant interest--it was a center

where several lanes intersected each other; and he looked down them

all, one after another, and held his breath to listen, lest he should

detect some galloping black things on the snow or hear the sound of

howling between him and the river. He remembered his mother telling

him the story and pointing out the spot, while he was yet a child. His

mother! If he only knew where she lived, he might make sure at least

of shelter. He determined he would inquire upon the morrow; nay, he

would go and see her too, poor old girl! So thinking, he arrived at his

destination--his last hope for the night.

66. The house was quite dark, like its neighbors; and yet after a few

taps, he heard a movement overhead, a door opening, and a cautious

voice asking who was there. The poet named himself in a loud whisper,

and waited, not without some trepidation, the result. Nor had he

to wait long. A window was suddenly opened, and a pailful of slops

splashed down upon the doorstep. Villon had not been unprepared for

something of the sort, and had put himself as much in shelter as the

nature of the porch admitted; but for all that, he was deplorably

drenched below the waist. His hose began to freeze almost at once.

Death from cold and exposure stared him in the face; he remembered he

was of phthisical tendency, and began coughing tentatively. But the

gravity of the danger steadied his nerves. He stopped a few hundred

yards from the door where he had been so rudely used, and reflected

with his nose. He could only see one way of getting a lodging, and that

was to take it. He had noticed a house not far away, which looked as if

it might be easily broken into, and thither he betook himself promptly,

entertaining himself on the way with the idea of a room still hot, with

a table still loaded with the remains of supper, where he might pass

the rest of the black hours and whence he should issue, on the morrow,

with an armful of valuable plate. He even considered on what viands

and what wines he should prefer; and as he was calling the roll of his

favorite dainties, roast fish presented itself to his mind with an odd

mixture of amusement and horror.

67. “I shall never finish that ballad,” he thought to himself; and

then, with another shudder at the recollection, “Oh, damn his fat

head!” he repeated fervently, and spat upon the snow.

68. The house in question looked dark at first sight; but as Villon

made a preliminary inspection in search of the handiest point of

attack, a little twinkle of light caught his eye from behind a

curtained window.

69. “The devil!” he thought. “People awake! Some student or some

saint, confound the crew! Can’t they get drunk and lie in bed snoring

like their neighbors! What’s the good of curfew, and poor devils of

bellringers jumping at a rope’s end in bell-towers? What’s the use of

day, if people sit up all night! The gripes to them!” He grinned as he

saw where his logic was leading him. “Every man to his business, after

all,” added he, “and if they’re awake, by the Lord, I may come by a

supper honestly for once, and cheat the devil.”

70. He went boldly to the door and knocked with an assured hand. On

both previous occasions, he had knocked timidly and with some dread

of attracting notice; but now, when he had just discarded the thought

of a burglarious entry, knocking at a door seemed a mighty simple and

innocent proceeding. The sound of his blows echoed through the house

with thin, phantasmal reverberations, as though the house were empty;

but these had scarcely died away before a measured tread drew near,

a couple of bolts were withdrawn, and one wing was opened broadly, as

though no guile or fear of guile were known to those within. A tall

figure of a man, muscular and spare, but a little bent, confronted

Villon. The head was massive in bulk, but finely sculptured; the nose

blunt at the bottom, but refining upward to where it joined a pair of

strong and honest eyebrows; the mouth and eyes surrounded with delicate

markings, and the whole face based upon a thick white beard, boldly

and squarely trimmed. Seen as it was by the light of a flickering

hand-lamp, it looked, perhaps, nobler than it had a right to do; but it

was a fine face, honorable rather than intelligent, strong, simple, and

righteous.

71. “You knock late, sir,” said the old man, in resonant, courteous

tones.

72. Villon cringed, and brought up many servile words of apology; at a

crisis of this sort, the beggar was uppermost in him, and the man of

genius hid his head with confusion.

73. “You are cold,” repeated the old man, “and hungry? Well, step in.”

And he ordered him into the house with a noble enough gesture.

74. “Some great seigneur,” thought Villon, as his host, setting down

the lamp on the flagged pavement of the entry, shot the bolts once more

into their places.

75. “You will pardon me if I go in front,” he said, when this was

done; and he preceded the poet up-stairs into a large apartment,

warmed with a pan of charcoal and lit by a great lamp hanging from

the roof. It was very bare of furniture; only some gold plate on a

sideboard; some folios; and a stand of armor between the windows.

Some smart tapestry hung upon the walls, representing the crucifixion

of our Lord in one piece, and in another a scene of shepherds and

shepherdesses by a running stream. Over the chimney was a shield of

arms.

76. “Will you seat yourself,” said the old man, “and forgive me if I

leave you? I am alone in my house to-night, and if you are to eat I

must forage for you myself.”

77. No sooner was his host gone than Villon leaped from the chair on

which he had just seated himself, and began examining the room, with

the stealth and passion of a cat. He weighed the gold flagons in his

hand, opened all the folios, and investigated the arms upon the shield,

and the stuff with which the seats were lined. He raised the window

curtains, and saw that the windows were set with rich stained glass

in figures, so far as he could see, of martial import. Then he stood

in the middle of the room, drew a long breath, and, retaining it with

puffed cheeks, looked round and round him, turning on his heels, as if

to impress every feature of the apartment on his memory.

78. “Seven pieces of plate,” he said. “If there had been ten, I would

have risked it. A fine house, and a fine old master, so help me all the

saints!”

79. And just then, hearing the old man’s tread returning along the

corridor, he stole back to his chair, and began humbly toasting his wet

legs before the charcoal pan.

80. His entertainer had a plate of meat in one hand and a jug of wine

in the other. He sat down the plate upon the table, motioning Villon

to draw in his chair, and, going to the sideboard, brought back two

goblets, which he filled.

81. “I drink your better fortune,” he said, gravely touching Villon’s

cup with his own.

82. “To our better acquaintance,” said the poet, growing bold. A mere

man of the people would have been awed by the courtesy of the old

seigneur, but Villon was hardened in that matter; he had made mirth for

great lords before now, and found them as black rascals as himself. And

so he devoted himself to the viands with a ravenous gusto, while the

old man, leaning backward, watched him with steady, curious eyes.

83. “You have blood on your shoulder, my man,” he said.

84. Montigny must have laid his wet right hand upon him as he left the

house. He cursed Montigny in his heart.

85. “It was none of my shedding,” he stammered.

86. “I had not supposed so,” returned his host, quietly. “A brawl?”

87. “Well, something of that sort,” Villon admitted with a quaver.

88. “Perhaps a fellow murdered?”

89. “Oh, no, not murdered,” said the poet, more and more confused.

“It was all fair play--murdered by accident. I had no hand in it, God

strike me dead!” he added, fervently.

90. “One rogue the fewer, I dare say,” observed the master of the house.

91. “You may dare to say that,” agreed Villon, infinitely relieved.

“As big a rogue as there is between here and Jerusalem. He turned up

his toes like a lamb. But it was a nasty thing to look at. I dare say

you’ve seen dead men in your time, my lord?” he added, glancing at the

armor.

92. “Many,” said the old man. “I have followed the wars, as you

imagine.”

93. Villon laid down his knife and fork, which he had just taken up

again.

94. “Were any of them bald?” he asked.

95. “Oh, yes, and with hair as white as mine.”

96. “I don’t think I should mind the white so much,” said Villon.

“His was red.” And he had a return of his shuddering and tendency to

laughter, which he drowned with a great draught of wine. “I’m a little

put out when I think of it,” he went on. “I knew him--damn him! And

then the cold gives a man fancies--or the fancies give a man cold, I

don’t know which.”

97. “Have you any money?” asked the old man.

98. “I have one white,” returned the poet, laughing. “I got it out of a

dead jade’s stocking in a porch. She was as dead as Cæsar, poor wench,

and as cold as a church, with bits of ribbon sticking in her hair. This

is a hard world in winter for wolves and wenches and poor rogues like

me.”

99. “I,” said the old man, “am Enguerrand de la Feuillee, seigneur de

Brisetout, bailly du Patatrac. Who and what may you be?”

100. Villon rose and made a suitable reverence. “I am called Francis

Villon,” he said, “a poor master of arts in this university. I know

some Latin, and a deal of vice. I can make chansons, ballads, lais,

virelais, and roundels and I am very fond of wine. I was born in a

garret and I shall not improbably die upon the gallows. I may add, my

lord, that from this night forward I am your lordship’s very obsequious

servant to command.”

101. “No servant of mine,” said the knight; “my guest for this evening,

and no more.”

102. “A very grateful guest,” said Villon, politely, and he drank in

dumb show to his entertainer.

103. “You are shrewd,” began the old man, tapping his forehead, “very

shrewd; you have learning; you are a clerk; and yet you take a small

piece of money off a dead woman in the street. Is it not a kind of

theft?”

104. “It is a kind of theft much practiced in the wars, my lord.”

105. “The wars are the field of honor,” returned the old man, proudly.

“There a man plays his life upon the cast; he fights in the name of his

lord the king, his Lord God, and all their lordships the holy saints

and angels.”

106. “Put it,” said Villon, “that I were really a thief, should I not

play my life also, and against heavier odds?”

107. “For gain, but not for honor.”

108. “Gain?” repeated Villon, with a shrug. “Gain! The poor fellow

wants supper, and takes it. So does the soldier in a campaign. Why,

what are all these requisitions we hear so much about? If they are not

gain to those who take them, they are loss enough to the others. The

men-at-arms drink by a good fire, while the burgher bites his nails to

buy them wine and wood. I have seen a good many plowmen swinging on

trees about the country; ay, I have seen thirty on one elm, and a very

poor figure they made; and when I asked some one how all these came to

be hanged, I was told it was because they could not scrape together

enough crowns to satisfy the men-at-arms.”

109. “These things are a necessity of war, which the low-born must

endure with constancy. It is true that some captains drive overhard;

there are spirits in every rank not easily moved by pity; and indeed

many follow arms who are no better than brigands.”

110. “You see,” said the poet, “you cannot separate the soldier

from the brigand; and what is a thief but an isolated brigand with

circumspect manners? I steal a couple of mutton chops, without so much

as disturbing people’s sleep; the farmer grumbles a bit, but sups none

the less wholesomely on what remains. You come up blowing gloriously

on a trumpet, take away the whole sheep, and beat the farmer pitifully

into the bargain. I have no trumpet; I am only Tom, Dick, or Harry; I

am a rogue and a dog, and hanging’s too good for me--with all my heart;

but just ask the farmer which of us he prefers, just find out which of

us he lies awake to curse on cold nights.”

Studying the short-story Sixteen short-story classics with introductions, notes and a new laboratory study method for individual reading and use in colleges and schools. · 第 4 / 26 段