The film "Titanic" is riddled with moral dilemmas. In one of the

scenes, the owner of Star Line, the shipping company that owned the

now-sinking Unsinkable, joins a lowered life-boat. The tortured

expression on his face demonstrates that even he experiences more than

unease at his own conduct. Prior to the disaster, he instructs the

captain to adopt a policy dangerous to the ship. Indeed, it proves

fatal. A complicating factor was the fact that only women and children

were allowed by the officers in charge into the lifeboats. Another was

the discrimination against Third Class passengers. The boats sufficed

only to half the number of those on board and the First Class, High

Society passengers were preferred over the Low-Life immigrants under

deck.

Why do we all feel that the owner should have stayed on and faced his

inevitable death? Because we judge him responsible for the demise of

the ship. Additionally, his wrong instructions - motivated by greed

and the pursuit of celebrity - were a crucial contributing factor. The

owner should have been punished (in his future) for things that he has

done (in his past). This is intuitively appealing.

Would we have rendered the same judgement had the Titanic's fate been

the outcome of accident and accident alone? If the owner of the ship

could have had no control over the circumstances of its horrible

ending - would we have still condemned him for saving his life? Less

severely, perhaps. So, the fact that a moral entity has ACTED (or

omitted, or refrained from acting) in its past is essential in

dispensing with future rewards or punishments.

The "product liability" approach also fits here. The owner (and his

"long arms": manufacturer, engineers, builders, etc.) of the Titanic

were deemed responsible because they implicitly contracted with their

passengers. They made a representation (which was explicit in their

case but is implicit in most others): "This ship was constructed with

knowledge and forethought. The best design was employed to avoid

danger. The best materials to increase pleasure." That the Titanic

sank was an irreversible breach of this contract. In a way, it was an

act of abrogation of duties and obligations. The owner/manufacturer of

a product must compensate the consumers should his product harm them

in any manner that they were not explicitly, clearly, visibly and

repeatedly warned against. Moreover, he should even make amends if the

product failed to meet the reasonable and justified expectations of

consumers, based on such warrants and representations. The payment

should be either in kind (as in more ancient justice systems) or in

cash (as in modern Western civilization).

The product called "Titanic" took away the lives of its end-users. Our

"gut justice" tells us that the owner should have paid in kind. Faulty

engineering, insufficient number of lifeboats, over-capacity, hubris,

passengers and crew not drilled to face emergencies, extravagant

claims regarding the ship's resilience, contravening the captain's

professional judgement. All these seem to be sufficient grounds to the

death penalty.

And yet, this is not the real question. The serious problem is this :

WHY should anyone pay in his future for his actions in the past?

First, there are some thorny issues to be eliminated. Such as

determinism: if there is no free will, there can be no personal

responsibility. Another is the preservation of personal identity: are

the person who committed the act and the person who is made to pay for

it - one and the same? If the answer is in the affirmative, in which

sense are they the same, the physical, the mental? Is the "overlap"

only limited and probabilistic? Still, we could assume, for this

discussion's sake, that the personal identity is undeniably and

absolutely preserved and that there is free will and, therefore, that

people can predict the outcomes of their actions, to a reasonable

degree of accuracy and that they elect to accept these outcomes prior

to the commission of their acts or to their omission. All this does

not answer the question that opened this paragraph. Even if there were

a contract signed between the acting person and the world, in which

the person willingly, consciously and intelligently (=without

diminished responsibility) accepted the future outcome of his acts,

the questions would remain: WHY should it be so? Why cannot we

conceive of a world in which acts and outcomes are divorced? It is

because we cannot believe in an a-causal world.

Causality is a relationship (mostly between two things, or, rather,

events, the cause and the effect). Something generates or produces

another. Therefore, it is the other's efficient cause and it acts upon

it (=it acts to bring it about) through the mechanism of efficient

causation. A cause can be a direct physical mechanism or an

explanatory feature (historical cause). Of Aristotle's Four Causes

(Formal, Material, Efficient and Final), only the efficient cause

creates something distinguishable from itself. The causal discourse,

therefore, is problematic (how can a cause lead to an effect,

indistinguishable from itself?). Singular Paradigmatic Causal

Statements (Event A caused Event B) differ from General ones (Event A

causes Event B). Both are inadequate in dealing with mundane, routine,

causal statements because they do not reveal an OVERT relation between

the two events discussed. Moreover, in daily usage we treat facts (as

well as events) as causes. Not all the philosophers are in agreement

regarding factual causation. Davidson, for instance, admits that facts

can be RELEVANT to causal explanations but refuses to accept them AS

reasons. Acts may be distinct from facts, philosophically, but not in

day-to-day regular usage. By laymen (the vast majority of humanity,

that is), though, they are perceived to be the same.

Pairs of events that are each other's cause and effect are accorded a

special status. But, that one follows the other (even if invariably)

is insufficient grounds to endow them with this status. This is the

famous "Post hoc, ergo propter hoc" fallacy. Other relations must be

weighed and the possibility of common causation must be seriously

contemplated. Such sequencing is, conceptually, not even necessary:

simultaneous causation and backwards causation are part of modern

physics, for instance.

Time seems to be irrelevant to the status of events, though both time

and causation share an asymmetric structure (A causes B but B does not

cause A). The direction (the asymmetry) of the causal chain is not of

the same type as the direction (asymmetry) of time. The former is

formal, the latter, presumably, physical, or mental. A more serious

problem, to my mind, is the converse: what sets apart causal (cause

and effect) pairs of events from other pairs in which both

member-events are the outcomes of a common cause? Event B can

invariably follow Event A and still not be its effect. Both events

could have been caused by a common cause. A cause either necessitates

the effect, or is a sufficient condition for its occurrence. The

sequence is either inevitable, or possible. The meaninglessness of

this sentence is evident.

Here, philosophers diverge. Some say (following Hume's reasoning and

his constant conjunction relation between events) that a necessary

causal relation exists between events when one is the inevitable

outcome (=follows) the other. Others propound a weaker version: the

necessity of the effect is hypothetical or conditional, given the laws

of nature. Put differently: to say that A necessitates (=causes) B is

no more than to say that it is a result of the laws of nature that

when A happens, so does B. Hempel generalized this approach. He said

that a statement of a fact (whether a private or a general fact) is

explained only if deduced from other statements, at least one of which

is a statement of a general scientific law.

This is the "Covering Law Model" and it implies a symmetry between

explaining and predicting (at least where private facts are

concerned). If an event can be explained, it could have been predicted

and vice versa. Needless to say that Hempel's approach did not get us

nearer to solving the problems of causal priority and of

indeterministic causation.

The Empiricists went a step further. They stipulated that the laws of

nature are contingencies and not necessary truths. Other chains of

events are possible where the laws of nature are different. This is

the same tired regularity theory in a more exotic guise. They are all

descendants of Hume's definition of causality: "An object followed by

another and where all the objects that resemble the first are followed

by objects that resemble the second." Nothing in the world is,

therefore, a causal necessity, events are only constantly conjoined.

Regularities in our experience condition us to form the idea of causal

necessity and to deduce that causes must generate events. Kant called

this latter deduction "A bastard of the imagination, impregnated by

experience" with no legitimate application in the world. It also

constituted a theological impediment. God is considered to be "Causa

Sui", His own cause. But any application of a causal chain or force,

already assumes the existence of a cause. This existence cannot,

therefore, be the outcome of the use made of it. God had to be recast

as the uncaused cause of the existence of all things contingent and

His existence necessitated no cause because He, himself, is necessary.

This is flimsy stuff and it gets even flimsier when the issue of

causal deviance is debated.

A causal deviance is an abnormal, though causal, relation between

events or states of the world. It mainly arises when we introduce

intentional action and perception into the theory of causation. Let us

revert to the much-maligned owner of the sinking Titanic. He intended

to do one thing and another happened. Granted, if he intended to do

something and his intention was the cause of his doing so - then we

could have said that he intentionally committed an act. But what if he

intended to do one thing and out came another? And what if he intended

to do something, mistakenly did something else and, still,

accidentally, achieved what he set out to do? The popular example is

if someone intends to do something and gets so nervous that it happens

even without an act being committed (intends to refuse an invitation

by his boss, gets so nervous that he falls asleep and misses the

party). Are these actions and intentions in their classical senses?

There is room for doubt. Davidson narrows down the demands. To him,

"thinking causes" (causally efficient propositional attitudes) are

nothing but causal relations between events with the right application

of mental predicates which ascribe propositional attitudes supervening

the right application of physical predicates. This approach omits

intention altogether, not to mention the ascription of desire and

belief.

But shouldn't have the hapless owner availed his precious place to

women and children? Should not he have obeyed the captain's orders

(=the marine law)? Should we succumb to laws that put our lives at

risk (fight in a war, sink with a ship)? The reason that women and

children are preferred over men is that they represent the future.

They are either capable of bringing life to the world (women) - or of

living longer (children). Societal etiquette reflects the arithmetic

of the species, in this (and in many another) case. But if this were

entirely and exclusively so, then young girls and female infants would

have been preferred over all the other groups of passengers. Old women

would have been left with the men, to die. That the actual (and

declared) selection processes differed from our theoretical exercise

says a lot about the vigorousness and applicability of our theories -

and a lot about the real world out there. The owner's behaviour may

have been deplorable - but it, definitely, was natural. He put his

interests (his survival) above the concerns of his society and his

species. Most of us would have done the same under the same

circumstances.

The owner of the ship - though "Newly Rich" - undoubtedly belonged to

the First Class, Upper Crust, Cream of Society passengers. These were

treated to the lifeboats before the passengers of the lower classes

and decks. Was this a morally right decision? For sure, it was not

politically correct, in today's terms. Class and money distinctions

were formally abolished three decades ago in the enlightened West.

Discrimination between human beings in now allowed only on the basis

of merit (=on the basis of one's natural endowments). Why should we

think one basis for discrimination preferable to another? Can we

eliminate discrimination completely and if it were possible, would it

have been desirable?

The answers, in my view, are that no basis of discrimination can hold

the moral high ground. They are all morally problematic because they

are deterministic and assign independent, objective, exogenous values

to humans. On the other hand, we are not born equal, nor do we proceed

to develop equally, or live under the same circumstances and

conditions. It is impossible to equate the unequal. Discrimination is

not imposed by humans on an otherwise egalitarian world. It is

introduced by the world into human society. And the elimination of

discrimination would constitute a grave error. The inequalities among

humans and the ensuing conflicts are the fuel that feeds the engines

of human development. Hopes, desires, aspirations and inspiration are

all the derivatives of discrimination or of the wish to be favoured,

or preferred over others. Disparities of money create markets, labour,

property, planning, wealth and capital. Mental inequalities lead to

innovation and theory. Knowledge differentials are at the heart of

educational institutions, professionalism, government and so on.

Osmotic and diffusive forces in human society are all the results of

incongruences, disparities, differences, inequalities and the negative

and positive emotions attached to them. The passengers of the first

class were preferred because they paid more for their tickets.

Inevitably, a tacit portion of the price went to amortize the costs of

"class insurance": should anything bad happen to this boat, persons

who paid a superior price will be entitled to receive a superior

treatment. There is nothing morally wrong with this. Some people get

to sit in the front rows of a theatre, or to travel in luxury, or to

receive superior medical treatment (or any medical treatment)

precisely because of this reason. There is no practical or

philosophical difference between an expensive liver transplant and a

place in a life boat. Both are lifesavers.

A natural disaster is no Great Equalizer. Nothing is. Even the

argument that money is "external" or "accidental" to the rich

individual is weak. Often, people who marry for money considerations

are judged to be insincere or worse (cunning, conspiring, evil). "He

married her for her money", we say, as though the she-owner and the

money were two separate things. The equivalent sentence: "He married

her for her youth or for her beauty" sounds flawed. But youth and

beauty are more temporary and transient than money. They are really

accidental because the individual has no responsibility for or share

in their generation and has no possibility to effect their long-term

preservation. Money, on the other hand, is generated or preserved (or

both) owing to the personality of its owner. It is a better reflection

of personality than youth, beauty and many other (transient or

situation-dependent) "character" traits. Money is an integral part of

its owner and a reliable witness as to his mental disposition. It is,

therefore, a valid criterion for discrimination.

The other argument in favour of favouring the first class passengers

is their contribution to society. A rich person contributes more to

his society in the shorter and medium term than a poor person. Vincent

Van Gogh may have been a million times more valuable to humanity, as a

whole, than his brother Theo - in the long run. But in the

intermediate term, Theo made it possible for Vincent and many others

(family, employees, suppliers, their dependants and his country) to

survive by virtue of his wealth. Rich people feed and cloth poor

people directly (employment, donations) and indirectly (taxation). The

opposite, alas, is not the case. Yet, this argument is flawed because

it does not take time into account. We have no way to predict the

future with any certainty.

Each person carries the Marshall's baton in his bag, the painter's

brush, the author's fables. It is the potential that should count. A

selection process, which would have preferred Theo to Vincent would

have been erroneous. In the long run, Vincent proved more beneficial

to human society and in more ways - including financially - then Theo

could have ever been.

Being John Malkovich

By: Dr. Sam Vaknin

A quintessential loser, an out-of-job puppeteer, is hired by a firm,

whose offices are ensconced in a half floor (literally. The ceiling is

about a metre high, reminiscent of Taniel's hallucinatory Alice in

Wonderland illustrations). By sheer accident, he discovers a tunnel (a

"portal", in Internet-age parlance), which sucks its visitors into the

mind of the celebrated actor, John Malkovich. The movie is a tongue in

cheek discourse of identity, gender and passion in an age of languid

promiscuity. It poses all the right metaphysical riddles and presses

the viewers' intellectual stimulation buttons.

A two line bit of dialogue, though, forms the axis of this

nightmarishly chimerical film. John Malkovich (played by himself),

enraged and bewildered by the unabashed commercial exploitation of the

serendipitous portal to his mind, insists that Craig, the

aforementioned puppet master, cease and desist with his activities.

"It is MY brain" - he screams and, with a typical American finale, "I

will see you in court". Craig responds: "But, it was I who discovered

the portal. It is my livelihood".

This apparently innocuous exchange disguises a few very unsettling

ethical dilemmas.

The basic question is "whose brain is it, anyway"? Does John Malkovich

OWN his brain? Is one's brain - one's PROPERTY? Property is usually

acquired somehow. Is our brain "acquired"? It is clear that we do not

acquire the hardware (neurones) and software (electrical and chemical

pathways) we are born with. But it is equally clear that we do

"acquire" both brain mass and the contents of our brains (its wiring

or irreversible chemical changes) through learning and experience.

Does this process of acquisition endow us with property rights?

It would seem that property rights pertaining to human bodies are

fairly restricted. We have no right to sell our kidneys, for instance.

Or to destroy our body through the use of drugs. Or to commit an

abortion at will. Yet, the law does recognize and strives to enforce

copyrights, patents and other forms of intellectual property rights.

This dichotomy is curious. For what is intellectual property but a

mere record of the brain's activities? A book, a painting, an

invention are the documentation and representation of brain waves.

They are mere shadows, symbols of the real presence - our mind. How

can we reconcile this contradiction? We are deemed by the law to be

capable of holding full and unmitigated rights to the PRODUCTS of our

brain activity, to the recording and documentation of our brain waves.

But we hold only partial rights to the brain itself, their originator.

This can be somewhat understood if we were to consider this article,

for instance. It is composed on a word processor. I do not own full

rights to the word processing software (merely a licence), nor is the

laptop I use my property - but I posses and can exercise and enforce

full rights regarding this article.

Admittedly, it is a partial parallel, at best: the computer and word

processing software are passive elements. It is my brain that does the

authoring. And so, the mystery remains: how can I own the article -

but not my brain? Why do I have the right to ruin the article at will

- but not to annihilate my brain at whim?

Another angle of philosophical attack is to say that we rarely hold

rights to nature or to life. We can copyright a photograph we take of

a forest - but not the forest. To reduce it to the absurd: we can own

a sunset captured on film - but never the phenomenon thus documented.

The brain is natural and life's pivot - could this be why we cannot

fully own it?

Wrong premises inevitably lead to wrong conclusions. We often own

natural objects and manifestations, including those related to human

life directly. We even issue patents for sequences of human DNA. And

people do own forests and rivers and the specific views of sunsets.

Some scholars raise the issues of exclusivity and scarcity as the

precursors of property rights. My brain can be accessed only by myself

and its is one of a kind (sui generis). True but not relevant. One

cannot rigorously derive from these properties of our brain a right to

deny others access to them (should this become technologically

feasible) - or even to set a price on such granted access. In other

words, exclusivity and scarcity do not constitute property rights or

even lead to their establishment. Other rights may be at play (the

right to privacy, for instance) - but not the right to own property

and to derive economic benefits from such ownership.

On the contrary, it is surprisingly easy to think of numerous

exceptions to a purported natural right of single access to one's

brain. If one memorized the formula to cure AIDS or cancer and refused

to divulge it for a reasonable compensation - surely, we should feel

entitled to invade his brain and extract it? Once such technology is

available - shouldn't authorized bodies of inspection have access to

the brains of our leaders on a periodic basis? And shouldn't we all

gain visitation rights to the minds of great men and women of science,

art and culture - as we do today gain access to their homes and to the

products of their brains?

There is one hidden assumption, though, in both the movie and this

article. It is that mind and brain are one. The portal leads to John

Malkovich's MIND - yet, he keeps talking about his BRAIN and writhing

physically on the screen. The portal is useless without JM's mind.

Indeed, one can wonder whether JM's mind is not an INTEGRAL part of

the portal - structurally and functionally inseparable from it. If so,

does not the discoverer of the portal hold equal rights to John

Malkovich's mind, an integral part thereof?

The portal leads to JM's mind. Can we prove that it leads to his

brain? Is this identity automatic? Of course not. It is the old

psychophysical question, at the heart of dualism - still far from

resolved. Can a MIND be copyrighted or patented? If no one knows WHAT

is the mind - how can it be the subject of laws and rights? If JM is

bothered by the portal voyagers, the intruders - he surely has legal

recourse, but not through the application of the rights to own

property and to benefit from it. These rights provide him with no

remedy because their subject (the mind) is a mystery.

Can JM sue Craig and his clientele for unauthorized visits to his mind

(trespassing) - IF he is unaware of their comings and goings and

unperturbed by them? Moreover, can he prove that the portal leads to

HIS mind, that it is HIS mind that is being visited? Is there a way to

PROVE that one has visited another's mind? (See: "On Empathy").

And if property rights to one's brain and mind were firmly established

- how will telepathy (if ever proven) be treated legally? Or mind

reading? The recording of dreams? Will a distinction be made between a

mere visit - and the exercise of influence on the host and his / her

manipulation (similar questions arise in time travel)?

This, precisely, is where the film crosses the line between the

intriguing and the macabre. The master puppeteer, unable to resist his

urges, manipulates John Malkovich and finally possesses him

completely. This is so clearly wrong, so manifestly forbidden, so

patently immoral, that the film loses its urgent ambivalence, its

surrealistic moral landscape and deteriorates into another banal

comedy of situations.

Dreamcatcher - The Myth of Destructibility

By: Dr. Sam Vaknin

Read these essays first:

The Habitual Identity

Death, Meaning, and Identity

Being John Malkovich

"Shattered" Identity

More Film REVIEWS - HERE!

Moral Deliberations in Modern Cinema · 第 2 / 3 段