CORAL, AMBER AND JADE

There are no gold and scarlet lanterns bobbing like fat little oriental

Pierrots over this street. No firecracker colors daub its sad walls. Walk

the whole length and not a dragon or a thumbnail balcony or a pigtail will

you see.

Instead, a very efficient, very conservative Chinatown and a colony of

very efficient and very matter-of-fact Chinamen who have gradually taken

possession of a small district around Twenty-second Street and Wentworth

Avenue. A rather famous district in its way, where once the city's

tenderloin put forth its red shadows.

But now as you walk, the night stares evilly out of wooden ruins.

Stretches of sagging, empty buildings, whose windows and doors seem to

have been chewed away, an intimidating silence, a graveyard of crumbling

little houses--these remain. And you see Venus, grown old and toothless,

snoozing amid the debris of another day.

Then the Chinamen begin. Lights twinkle. Clean-looking interiors and

carefully washed store windows. Roofs have been hammered back in place,

stairways nailed together again. The sagging walls and lopsided cottages

have taken a new lease on life. Another of the innumerable little business

districts that dot the city has fought its way into evidence.

There are few oddities. Through the glass of the store fronts you see

curiously immobile groups, men seated in chairs, smoking long pipes and

waiting in silence. Strange fruits, foods, herbs, cloths, trinkets, lie on

the orderly shelves around them. The floors look scrubbed and there is an

absence of litter. It is all very efficient and very natural except for

the immobility of the men in the chairs and the silence that seems to have

descended on them.

* * * * *

A Chinese silence. And if you linger in the neighborhood you begin to feel

that this is more Chinese than the gaudy dragons and the firecracker daubs

and the bobbing paper lanterns of fiction.

This night I am looking for Billy Lee. No. 2209 Wentworth Avenue, says Mr.

Lee's card. We are to talk over some matters, one of which has already

been made public, others of which may never be.

He sits in his inner office, attired like a very efficient American

business man, does Mr. Lee. We say hello and start the talk. In the rooms

outside the inner office are a dozen Chinese. But there is no sound. They

are sitting in chairs or standing up. All smoking. All silent. A sense of

strange preoccupation lies over the place. Yet one feels that the twelve

silent men are preoccupied with nothing except, possibly, the fact that

they are Chinese.

Mr. Lee himself is none too garrulous. We have been talking for several

minutes when he becomes totally silent and after a long pause hands me a

cablegram. The cablegram reads: "Hongkong--Ying Yan: Bandits captured Foo

Wing and wife. Send $5,000 immediately. Signed: Taichow."

* * * * *

"I just received this," says Mr. Lee. "Ying Yan is my father. Foo Wing is

my brother. His American name is Andrew Lee. He went to Hongkong ten

months ago and was married. This is terrible. I am worried to death."

Mr. Lee appears to sink into a studious calm. His eyes regard the

cablegram stolidly. He remarks at length: "Bad news. This is very bad

news."

From outside comes a sudden singsong of Chinese. One of the twelve men has

said something. He finishes. Silence resumes. There seems to be no answer.

Mr. Lee puts the cablegram back in his pocket and some one knocks on the

door.

"Come in," says Mr. Lee. A Chinese youth enters. He carries a bundle.

"Meet Mr. Tang," says Billy Lee. We shake hands and Mr. Tang begins

talking in Chinese. Mr. Lee listens, nods his head and then holds out his

hand for the bundle.

"This is a very interesting event," says Mr. Lee in English. "Mr. Tang is

just over from the Orient. He comes from north of China, from Wu Chang,

where the revolution started, you know. He has with him a very interesting

matter."

Mr. Lee unwraps the bundle. He removes a long necklace made of curiously

carved wooden beads, large balls of jade and pendants of silk and

semi-precious stones.

Next he removes a second necklace somewhat longer than the first. It is

made of marvelously matched amber beads, balls of jade and pendants of

coral.

"A very interesting matter," says Mr. Lee. "Mr. Tang is son of a formerly

very wealthy and high-born mandarin family. But his family has lost

everything and Mr. Tang is here seeking an education in modern business.

He has left of his family's wealth only these two things here. They are

necklaces such as only mandarins could wear when they appeared before the

emperor in court in the old days.

"You see these have three pendants, so they show the mandarin was a

gentleman of the third class under the emperor. They have been in Mr.

Tang's family's possession for generations. You will notice this one of

carved beads is made of beads which are formed from the pits of the

Chinese olive. There are two hundred beads and on each is carved some

figure or scene which in all represent the history of China."

* * * * *

Mr. Lee holds the two necklaces in his hand. Mr. Tang stands by silently.

His eyes gaze at the beads.

"Your father wore them at court?" inquires Mr. Lee in the manner of a

host.

Mr. Tang nods his head slowly and adds a word in Chinese.

"He says his family wore them for generations," explains Mr. Lee. "Now the

family is vanished and all that is left are these insignia of their

nobility. And Mr. Tang wishes me to dispose of them for him so he may have

money to go to school."

Mr. Lee and Mr. Tang are then both silent. Mr. Lee slips one of the

necklaces over his head. It hangs down over his American coat and American

silk shirt in a rather incongruous way. But there seems to be nothing

incongruous in the matter for Lee and Tang. Billy Lee with the necklace

around his neck, the three mandarin pendants against his belt, looks at

Mr. Tang and Mr. Tang bows and leaves.

Our matters have been fully discussed and I follow a half-hour later.

There are still twelve men in the room. They stand and sit and smoke. None

speaks. I notice in the group the immobile figure of Mr. Tang. He is

smoking an American cigarette--one of the twelve silently preoccupied

residents of Chinatown who have gathered in Billy Lee's place to wait for

something.

A Thousand and One Afternoons in Chicago · 第 93 / 144 题