II

Some ten or twelve years ago, a man with whom I have since quarrelled

for sound reasons, a very singular man who had given his life to

studies other men despised, asked me and an acquaintance, who is now

dead, to witness a magical work. He lived a little way from London,

and on the way my acquaintance told me that he did not believe in

magic, but that a novel of Bulwer Lytton’s had taken such a hold upon

his imagination that he was going to give much of his time and all his

thought to magic. He longed to believe in it, and had studied though

not learnedly, geomancy, astrology, chiromancy, and much cabalistic

symbolism, and yet doubted if the soul outlived the body. He awaited

the magical work full of scepticism. He expected nothing more than an

air of romance, an illusion as of the stage, that might capture the

consenting imagination for an hour. The evoker of spirits and his

beautiful wife received us in a little house, on the edge of some kind

of garden or park belonging to an eccentric rich man, whose curiosities

he arranged and dusted, and he made his evocation in a long room that

had a raised place on the floor at one end, a kind of dais, but was

furnished meagrely and cheaply. I sat with my acquaintance in the

middle of the room, and the evoker of spirits on the dais, and his wife

between us and him. He held a wooden mace in his hand, and turning to a

tablet of many-coloured squares, with a number on each of the squares,

that stood near him on a chair, he repeated a form of words. Almost

at once my imagination began to move of itself and to bring before me

vivid images that, though never too vivid to be imagination, as I had

always understood it, had yet a motion of their own, a life I could

not change or shape. I remember seeing a number of white figures, and

wondering whether their mitred heads had been suggested by the mitred

head of the mace, and then, of a sudden, the image of my acquaintance

in the midst of them. I told what I had seen, and the evoker of spirits

cried in a deep voice, ‘Let him be blotted out,’ and as he said it the

image of my acquaintance vanished, and the evoker of spirits or his

wife saw a man dressed in black with a curious square cap standing

among the white figures. It was my acquaintance, the seeress said, as

he had been in a past life, the life that had moulded his present,

and that life would now unfold before us. I too seemed to see the man

with a strange vividness. The story unfolded itself chiefly before

the mind’s eye of the seeress, but sometimes I saw what she described

before I heard her description. She thought the man in black was

perhaps a Fleming of the sixteenth century, and I could see him pass

along narrow streets till he came to a narrow door with some rusty

ironwork above it. He went in, and wishing to find out how far we had

one vision among us, I kept silent when I saw a dead body lying upon

the table within the door. The seeress described him going down a long

hall and up into what she called a pulpit, and beginning to speak. She

said, ‘He is a clergyman, I can hear his words. They sound like Low

Dutch.’ Then after a little silence, ‘No, I am wrong. I can see the

listeners; he is a doctor lecturing among his pupils.’ I said, ‘Do you

see anything near the door?’ and she said, ‘Yes, I see a subject for

dissection.’ Then we saw him go out again into the narrow streets, I

following the story of the seeress, sometimes merely following her

words, but sometimes seeing for myself. My acquaintance saw nothing; I

think he was forbidden to see, it being his own life, and I think could

not in any case. His imagination had no will of its own. Presently the

man in black went into a house with two gables facing the road, and up

some stairs into a room where a hump-backed woman gave him a key; and

then along a corridor, and down some stairs into a large cellar full of

retorts and strange vessels of all kinds. Here he seemed to stay a long

while, and one saw him eating bread that he took down from a shelf. The

evoker of spirits and the seeress began to speculate about the man’s

character and habits, and decided, from a visionary impression, that

his mind was absorbed in naturalism, but that his imagination had been

excited by stories of the marvels wrought by magic in past times, and

that he was trying to copy them by naturalistic means. Presently one of

them saw him go to a vessel that stood over a slow fire, and take out

of the vessel a thing wrapped up in numberless cloths, which he partly

unwrapped, showing at length what looked like the image of a man made

by somebody who could not model. The evoker of spirits said that the

man in black was trying to make flesh by chemical means, and though he

had not succeeded, his brooding had drawn so many evil spirits about

him, that the image was partly alive. He could see it moving a little

where it lay upon a table. At that moment I heard something like little

squeals, but kept silent, as when I saw the dead body. In a moment more

the seeress said, ‘I hear little squeals.’ Then the evoker of spirits

heard them, but said, ‘They are not squeals; he is pouring a red liquid

out of a retort through a slit in the cloth; the slit is over the mouth

of the image and the liquid is gurgling in rather a curious way.’ Weeks

seemed to pass by hurriedly, and somebody saw the man still busy in

his cellar. Then more weeks seemed to pass, and now we saw him lying

sick in a room up-stairs, and a man in a conical cap standing beside

him. We could see the image too. It was in the cellar, but now it could

move feebly about the floor. I saw fainter images of the image passing

continually from where it crawled to the man in his bed, and I asked

the evoker of spirits what they were. He said, ‘They are the images

of his terror.’ Presently the man in the conical cap began to speak,

but who heard him I cannot remember. He made the sick man get out of

bed and walk, leaning upon him, and in much terror till they came to

the cellar. There the man in the conical cap made some symbol over

the image, which fell back as if asleep, and putting a knife into the

other’s hand he said, ‘I have taken from it the magical life, but you

must take from it the life you gave.’ Somebody saw the sick man stoop

and sever the head of the image from its body, and then fall as if he

had given himself a mortal wound, for he had filled it with his own

life. And then the vision changed and fluttered, and he was lying sick

again in the room up-stairs. He seemed to lie there a long time with

the man in the conical cap watching beside him, and then, I cannot

remember how, the evoker of spirits discovered that though he would in

part recover, he would never be well, and that the story had got abroad

in the town and shattered his good name. His pupils had left him and

men avoided him. He was accursed. He was a magician.

The story was finished, and I looked at my acquaintance. He was white

and awestruck. He said, as nearly as I can remember, ‘All my life I

have seen myself in dreams making a man by some means like that. When

I was a child I was always thinking out contrivances for galvanizing

a corpse into life.’ Presently he said, ‘Perhaps my bad health in

this life comes from that experiment.’ I asked if he had read

_Frankenstein_, and he answered that he had. He was the only one of us

who had, and he had taken no part in the vision.

The Collected Works in Verse and Prose of William Butler Yeats, Vol. 6 (of 8) Ideas of Good and Evil · 第 27 / 72 题