OUR BOOKING-OFFICE.

_(By Mr, Punch's Staff of Learned Clerks.)_

It is difficult within the ordinary limits of a review in these columns

to say all that one feels or even to express adequately one's gratitude

after reading the two volumes of Lord MORLEY'S generous and delightful

_Recollections_ (MACMILLAN). I seem to have been sitting with him in a

large and comfortable library while the great Viscount rolled me out his

mind, now breaking out into a glowing eulogy of GEORGE MEREDITH, JOSEPH

CHAMBERLAIN or LESLIE STEPHEN, or again dashing off with a few firm and

skilful strokes a portrait of JOHN MILL or HERBERT SPENCER, or some

other intellectual giant of that nineteenth century which Lord MORLEY

nobly defends and of which he himself was _grande decus columenque_. The

book is crammed with passages that arouse and maintain pleasure in

the reader and clamour for quotation on the part of the reviewer.

"Meredith," we are told, "who did not know Mill in person, once spoke to

me of him, with the confident intuition proper to imaginative genius, as

partaking of the Spinster. Disraeli, when Mill made an early speech in

Parliament, raised his eye-glass and murmured to a neighbour on the

bench, 'Ah, the Finishing Governess.'" Or we are introduced to SPENCER

at MILL'S table: "The host said to him at dessert that Grote, who was

present, would like to hear him explain one or more of his views about

the equilibration of molecules in some relation or other. Spencer, after

an instant of good-natured hesitation, complied with unbroken fluency

for a quarter-of-an-hour or more. Grote followed every word intently,

and in the end expressed himself as well satisfied. Mill, as we moved

off into the drawing-room, declared to me his admiration of a wonderful

piece of lucid exposition. Fawcett, in a whisper, asked me if I

understood a word of it, for he did not. Luckily I had no time to

answer." Or again: "Another contributor [to _The Saturday Review_]

was the important man who became Lord SALISBURY. He and I were alone

together in the editorial anteroom every Tuesday morning, awaiting our

commissions, but he too had a talent for silence, and we exchanged no

words, either now or on any future occasion." How charming a picture

is this of two shy British publicists maintaining towards one another,

against every possible discouragement, an inviolable silence. Not even

the weather could tempt them to break it. Yet the great characteristic

of this book is the large-hearted tolerance of comment and judgment

which makes it emphatically a friendly book. As such I commend it with

all the warmth in my power.

* * * * *

For her new story, _Missing_ (COLLINS), Mrs. HUMPHRY WARD has used her

knowledge, already proved elsewhere, of two settings, the English Lakes

and a Base Hospital somewhere in France. Also perhaps her knowledge

of human nature, though I like to think that there are not many elder

sisters so calculatingly callous as _Bridget_. The bother about her

was that she sadly wanted her attractive younger sister to marry a

sufficient establishment, not, I fear, from wholly altruistic motives.

So she was not altogether sorry when the impecunious soldier-husband,

whom _Nelly_ had personally preferred, was reported missing, thus

leaving that to chance once again open. Then, just as her plans seemed

to be prospering, word came secretly to her that there was a man

shattered and with memory lost in a base hospital who might possibly be

the brother-in-law whom she so emphatically didn't want. What happens

upon this you shall find out for yourself. Mrs. HUMPHRY WARD, as you

will notice, has no fear of a dramatic, even melodramatic, situation;

handles it, indeed, with a skill that the most popular might envy.

Thence onwards the story, perhaps a trifle slow in starting, gathers

force. The two visits to the camp at X---- (a very thin disguise for a

place that no Englishman of our time will ever forget) are admirably

vivid; the last chapters especially being as moving as anything that

Mrs. WARD has given us, whether in her popular, profound or propagandist

manner.

* * * * *

Lately, Mr. E.F. BENSON seems to have been devoting himself almost

wholly to chronicling the short and simple annals of the middle-aged.

With one exception, all his recent protagonists have been, if not

exactly in the sere and yellow, at least ripely mature. So that such

a title as that of his latest novel, _An Autumn Solving_ (COLLINS),

produced in me rather a feeling of familiar expectancy than of surprise.

Also when the wrapper artist clothes a volume with a picture of an

elderly gentleman obviously giving up an attractive young woman of

perhaps one-third his years it is idle to pretend that the contents

retain all the thrill of the unforeseen. Having said so much, I can let

myself go in praise (as how often before) of those qualities of insight

and gently sub-acid humour that make a BENSON novel an interlude of pure

enjoyment to the "jaded reviewer." In case the indiscreet cover may

happily have been removed before the volume reaches your hands, I do not

propose to give away the plot in any detail. The autumn sowing of course

produces a crop not exactly of wild oats, but of romantic tares that

springs in the hitherto barren heart of one _Keeling_, prosperous

tradesman, husband, father, mayor, public benefactor and baronet,

by reason of the too sympathetic damsel who types his letters and

catalogues his library. That library shows Mr. BENSON'S genius;

without it I should hardly have been able to believe in the subsequent

happenings, but, given this "secret garden," all the tragedy is

explained. I have left myself no space in which to do justice to some

admirable characterization. _Keeling's_ wife is worthy of a place in the

author's long gallery of woolly-witted matrons; while in _Silverdale_ he

has given a study of clerical futility and egotism almost savage in its

detestability, a portrait at which one laughs and shudders together. Of

course the book will have, and deserve, a huge welcome.

* * * * *

The union of scholarship and sympathy, enthusiasm and eloquence, is

rare; yet these qualities are to be found in perfect harmony in the

stately volume on the poets' poet which has just been published under

the style, on the cover, _Life of John Keats_, and on the title-page,

_John Keats, His Life and Poetry, His Friends, Critics and After-Fame_

(MACMILLAN)--a volume upon which Sir SIDNEY COLVIN has been engaged ever

since his retirement from the Print Room of the British Museum, and may

be said to have been preparing to write all his days, ever since, as a

boy, he first opened the "magic casement." A book representing so long

and ardent a devotion, and written by one whose loyalties have always

been so cordially sustained and acknowledged, could not but glow; and it

is its warmth of feeling which, to my mind, peculiarly marks this very

distinguished work. It is more than a life; it is a "companion" to KEATS

so complete and understanding that one can with confidence apply to it

the abused word, "definitive." Critical essays on the poet no doubt will

continue to appear, but this is the last biographical monument likely to

be raised to him.

* * * * *

Your enjoyment of _The Head of the Family_ (METHUEN) may in a measure

depend upon your capacity to appreciate _William Linkhorn_ and the glory

of his "great flaming beard." To me, unhappily, _William_ was an uncouth

rustic, just that and very little else; but he possessed some mysterious

attraction for women; so, at any rate, Mrs. HENRY DUDENEY tells

me, though she does not explain to my satisfaction what it was.

_Phoebe-Louisa_ married him partly because she wanted a man to help in

her greengrocery; but what charm he had for her soon waned, and she

smote hard when she caught him philandering with _Beausire Fillery_. It

was all the lady's fault; _William_ had, so to speak, only to wave his

beard and she was at his feet. But if the hirsute feature of this story

leaves me cold it is easy enough to enjoy and admire the rest. The

_Firebraces_, spoken of here as "The Family," are most admirably drawn.

Never has the condescension of county people to those less exalted in

birth been described with more delightful irony. True that some of the

_Firebraces_ kicked over the traces and married whom they listed, but

the family as a whole was rooted deep enough to stand shocks which would

have devastated people of less assured position. The scenes of the story

are laid in and around Lewes, a part of England dear to Mrs. DUDENEY'S

heart, and of which she writes with real comprehension and devotion.

* * * * *

By a self-denying ordinance Mr. Punch declines, as a general rule, to

review in these columns the work of his Staff. But he may permit himself

to announce to all lovers of the gay humour of "A.A.M." that Messrs.

HODDER AND STOUGHTON have just brought out a new novel, _Once on a

Time_, by Mr. ALAN A. MILNE, with illustrations by Mr. H. M. BROCK.

* * * * *

[Illustration: A CONSOLING THOUGHT.

_Belated Traveller (surprised by a bull when taking a short cut to the

station)._ "BY JOVE! I BELIEVE I SHALL CATCH THAT TRAIN AFTER ALL."]

* * * * *

"Alexander had his 'Plutarch' always under his pillow."--_British

Weekly._

This must have been a very early edition.

* * * * *

"Colombo is suffering from an attack of rabies and there have been

38 cases reported so far. In the first six months of the year 1,300

days were destroyed."--_Singapore Free Press_.

Let us hope that every day had its dog.

Punch, or the London Charivari, Volume 153, November 28, 1917 · 第 40 / 40 题