But the help of Horace is by no means exhausted. He refers to a story

of a wage-earning labourer (_mercennarius_) who had the luck to turn

up a buried treasure, a find which enabled him to buy the very farm on

which he was employed, and work it as his own. There is no point in

this ‘yarn’ unless it was a well-known tale, part of the current stock

of the day. The famous _satire_ in which it occurs (II 6) seems to be

almost exactly contemporary with the appearance of the _Georgics_. In it

the restful charm of country life is heartily preferred to the worries

and boredom of Rome. His Sabine estate, with its garden, its unfailing

spring of water, and a strip of woodland, is of no great size, but it

is enough: he is no greedy land-grabber. When in Rome he longs for it.

There he can take his ease among spoilt young slaves, born[901] on the

place, keeping a sort of Liberty Hall for his friends. The talk at table

is not _de villis domibusve alienis_ but of a more rational and improving

kind: envy of other men’s wealth is talked out with an apposite fable.

Here we have mention of wage-earning, land-purchase, and slaves. And

the poet’s estate is evidently in the first place a residence, not a

farm worked on strict economic lines. That the number of slave hands

(_operae_) employed there on the Home Farm[902] was eight, we learn

from another _satire_ (II 7 118). To the smart country seats, which

advertise the solid wealth of rich capitalists, he refers in express

terms in _epistles_ I 15 45-6, and by many less particular references.

The land-grabbers are often mentioned, and the forest-lands (_saltus_)

used for grazing, in which much money was invested by men ‘land-proud,’

as a sign of their importance. In short, the picture of rural Italy given

by Horace reveals to us a state of things wholly unfavourable to the

reception of the message of the _Georgics_. When he speaks of _pauper

ruris colonus_ or of _inopes coloni_ he is surely not betraying envy of

these toilers’ lot. Far from it. When enjoying a change in his country

place, he may occasionally divert himself with a short spell[903] of

field-work, at which his neighbours grin. On the other hand the spectacle

of a disreputable freedman, enriched by speculations in time of public

calamity, and enabled through ill-gotten wealth to become a great

landlord, is the cause of wrathful indignation (_epode_ IV). And these

and other candid utterances come from one whose father was a freedman

in a country town, farming in quite a small way, to whose care and

self-denial the son owed the education that equipped him for rising in

the world. Horace indeed is one of the best of witnesses on these points.

There are points on which Vergil and Horace are agreed, though generally

with a certain difference of attitude. Thus, both prefer the country to

the town, but Horace frankly because he enjoys it and likes a rest: he

does not idealize country life as such, still less agricultural labour.

Both disapprove _latifundia_, but Horace on simple commonsense grounds,

not as a reformer. Both praise good old times, but Horace without the

faintest suggestion of possible revival of them, or anything like them.

Both refer to the beginnings of civilization, but Vergil looks back to

a golden age of primitive communism, when _in medium quaerebant_ and

so forth; a state of things ended by Jove’s ordinance that man should

raise himself by toil. Horace, less convinced of the superiority of

the past, depicts[904] the noble savage as having to fight for every

thing, even acorns; and traces steps, leading eventually to law and

order, by which he became less savage and more noble. Horace is nearer

to Lucretius here than Vergil is. Neither could ignore the disturbing

effect of the disbanding of armies and ejectment of farmers to make

way for the settlement of rude soldiers on the land. But to Horace,

personally unconcerned, a cool view was more possible. So, while hinting

at public uneasiness[905] as to the detailed intentions of the new ruler

in this matter, he is able to look at the policy in general merely as

the restoration of weary veterans to a life of peace and the relief of

their chief’s anxieties. Vergil, himself a sufferer, had his little fling

in the _Bucolics_, and was silent[906] in the _Georgics_. Again, Vergil

shuns the function of war as a means of supplying the slave-market. He

knows it well enough, and as a feature of the ‘heroic’ ages the fate of

the captive appears in the _Aeneid_. Horace makes no scruple[907] of

stating the time-honoured principle that a captive is to the conqueror

a valuable asset: there is a market for him as a serviceable drudge,

and not to spare his life is sheer waste. That there may be sarcasm

underlying the passage does not impair its candour. And it distinctly

includes rustic slavery in the words _sine pascat durus aretque_.

Lastly, while both poets praise the restfulness of the countryside with

equal sincerity, it is Horace who recognizes[908] that the working

farmer himself, after his long labours at the plough, looks forward to

retirement and ease when he has saved enough to live on. His is a real

rustic, Vergil’s an ideal.

It will be admitted that all writers are, as sources of evidence, at

their best when they feel free to say or to leave unsaid this or that

according to their own judgment. If there is in the background some

other person whom it is necessary to please, it is very hard to divine

the reason of an author’s frankness, and still more of his reticence.

For instance, the omission of a topic naturally connected with a subject

need not imply that a patron forbade its introduction. I cannot believe

that such a man as Maecenas[909] banned the free mention of slavery in

the _Georgics_. But, if a whole subject is proposed for treatment under

conditions of a well-understood tendency, the writer is not unlikely to

discover that artistic loyalty to that tendency will operate to render

the introduction of this or that particular topic a matter of extreme

difficulty. If the task of Vergil was to recommend a return to a more

wholesome system of agriculture, reference to the labour-question or

to land-tenure bristled with difficulties. My belief is that the poet

shirked these topics, relevant though they surely were, because he did

not see how to treat them without provoking controversy or ill-feeling;

a result which Maecenas and the Emperor were undoubtedly anxious to

avoid. It was simpler and safer not to refer to these things. True, the

omission was a restraint on full-blooded realism. An indistinct picture

was produced, and modern critics have some reason to complain of the

difficulty of understanding many places of the _Georgics_.

Whether chronological considerations may throw any light on the

influences to which this indistinctness is due, and, if so, what is their

exact significance, are very difficult questions, to which I cannot

offer a definite answer. The completion of the _Georgics_ is placed in

the year 30 BC, after seven years more or less spent on composition and

revision. Now it was in that year that the new ruler, supreme since the

overthrow of Antony, organized the great disbandment of armies of which

he speaks in the famous inscription[910] recording the events of his

career. He tells us that he rewarded all the discharged men, either with

assignations of land or with sums of money in lieu thereof. The lands

were bought by him (not confiscated) and the money-payments also were at

his cost (_a me dedi_). Below he refers to the matter again, and adds

that to pay for lands taken and assigned to soldiers was a thing no one

had ever done before. That he paid in all cases, and paid the full market

value, he does not expressly say; Mommsen shews cause for doubting it.

The only remark I have to make is that in the years between Philippi

and Aetium there was plenty of fighting and negotiations. Maecenas was

for most of the time in a position of great trust, and pretty certainly

in touch with all that went on. The fact that a wholesale discharge

of soldiers was surely coming, and that the future of agriculture in

Italy was doubtful, was perhaps not likely to escape the forecast of so

far-sighted a man. Is it just possible that Vergil may have had a hint

from him, to stick to generalities and avoid controversial topics? We are

credibly informed[911] that Maecenas was well rewarded by his master for

his valuable services, and it has been pointed out[912] that his position

of authority offered many opportunities of profitable transactions

on his own account. There is even an express tradition that he was

concerned in the liquidation of one estate. In short, he was one of the

land-speculators of the time. To such a man it would seem not untimely

to praise the virtues of the rustic Romans of old and to recommend their

revival in the coming age; but to call attention to the uncertainties of

the present, involving many awkward problems, would seem imprudent. In

suggesting, doubtfully, that a patron’s restraining hand may have had

something to do with the poet’s reticence, I may be exaggerating the

pressure exercised by the one on the other. But that Maecenas interested

himself in the slowly-growing poem is hardly to be doubted. Early in each

of the four books he is addressed by name. His _haud mollia iussa_ (III

41) may imply nothing more than the general difficulty of Vergil’s task:

but may it not faintly indicate just the least little restiveness under a

guidance that could not be refused openly?

To reject the suggestion of actual interference on Maecenas’ part is not

to say that the _Georgics_ exhibits no deference to his wishes. That many

a veiled hint could be given by a patron in conversation is obvious.

That Maecenas would be a master of that judicious art, is probable

from what we know of his character and career. But, while it is plain

that questions of land-tenure would from his point of view be better

ignored, how would his likes and dislikes affect the mention of slavery

and the labour-question? Here I must refer to the three great writers

on agriculture. Cato, about 150 years earlier, and Columella, about 80

years later, both contemplate the actual buying of land, and insist on

the care necessary in selection. The contemporary Varro seems certainly

to assume purchase. All three deal with slave-labour, Cato like a

hard-fisted _dominus_ of an old-Roman generation just become consciously

imperial and bent on gain, Columella as a skilful organizer of the only

regular supply of labour practically available: Varro, who makes more

allowance[913] for free labour beside that of slaves, reserves the free

man for important jobs, where he may be trusted to use his wits, or for

unhealthy work, in which to risk slaves is to risk your own property.

All the ordinary work in his system is done by slaves. The contemporary

Livy[914] tells us that in his time large districts near Rome had scarce

any free inhabitants left. The elder Pliny, reckoning up the advantages

of Italy for the practice of agriculture, includes[915] among them the

supply of _servitia_, though no man knew better than he what fatal

results had issued from the plantation-system. It is to be borne in mind

that this evidence relates to the plains and the lower slopes of hills,

that is to the main agricultural districts. It is to these parts that

Gardthausen[916] rightly confines his remarks on the desolation of Italy,

which began before the civil wars and was accelerated by them. Other

labour was scarce, and gangs of slaves, generally chained, were almost

the only practicable means of tillage for profit. Speaking broadly, I

think the truth of this picture is not to be denied. If then the word had

gone forth that a return to smaller-scale farming was to be advocated

as a cure for present evils, it was hardly possible to touch on slavery

without some unfavourable reference to the plantation-system. Now surely

it is most unlikely that Maecenas, a cool observer and a thorough child

of the age, sincerely believed in the possibility of setting back the

clock. The economic problem could not be solved so simply, by creating

a wave of ‘back-to-the-land’ enthusiasm. I suggest that he saw no good

to be got by openly endeavouring to recreate the race of small working

farmers by artificial means. Would it be wise to renew an attempt in

which the Gracchi had failed? Now to Vergil, who had passed his youth

in a district of more humane agriculture, the mere praise of farming,

with its rich compensations for never-ending toil and care, would be a

congenial theme. The outcome of their combination was that a topic not

easily idealized in treatment was omitted. The realistic value of the

picture was impaired to the relief of both poet and patron. But what the

poem gained as a beautiful aspiration it lost as a practical authority.

Can we suppose that Vergil did not know how important a place in

contemporary agriculture was filled by slave-labour? I think not: surely

it is inconceivable. What meets us at every turn in other writers

cannot have been unknown to him. Macrobius[917] has preserved for us

a curious record belonging to 43 BC, when the great confiscations and

assignations of land were being carried out in the Cisalpine by order

of the Triumvirs. Money and arms, needed for the coming campaign of

Philippi, were being requisitioned at the same time. The men of property

threatened by these exactions hid themselves. Their slaves were offered

rewards and freedom if they would betray their masters’ hiding-places,

but not one of them yielded to the temptation. The commander who made

the offer was Pollio. No doubt domestics are chiefly meant, but there

were rustic slaves, and we have reason to think that they were humanely

treated in those parts. Dion Cassius[918] tells us that in 41 BC

Octavian, under great pressure from the clamorous armies, saw nothing to

be done but to take all Italian lands from present owners and hand them

over to the soldiers μετά τε τῆς δουλείας καὶ μετὰ τῆς ἄλλης κατασκευῆς.

Circumstances necessitated compromise, which does not concern us here.

But it is well to remember that it was just the best land that the

soldiers wanted, and with it slaves and other farm-stock. For it was a

pension after service, not a hard life of bodily drudgery, that was in

view. The plan of letting the former owner stay on as a tenant has been

referred to above.

I hold then that Vergil’s silence on the topics to which I have called

attention, however congenial it may have been to him, was intentional:

and that the poem, published _in honorem Maecenatis_[919], was limited

as to its practical outlook with the approval, if not at the suggestion,

of the patron. It is essentially a literary work. In it Vergil’s power

of gathering materials from all quarters and fusing them into a whole

of his own creation is exemplified to a wonderful degree. His own deep

love of the country, with its homely sights and sounds, phenomena of a

Nature whose laws he felt unable to explore, helped him to execute the

task of recommending a social and economic reform through the medium of

poetry. By ignoring topics deemed unsuitable, he left his sympathies

and enthusiasm free course, and without sympathies and enthusiasm the

_Georgics_ would not have been immortal. Even when digressing from

agriculture, as in his opening address to the Emperor, there is more

sincerity than we are at first disposed to grant. He had not been a

Republican, like Horace, and probably had been from the first attached to

the cause of the Caesars.

I can discover no ground for thinking[920] that Vergil was ever himself

a farmer. That Pliny and Columella cite him as an authority is in my

opinion due to the predominance of his works in the literary world. As

writers of prose dealing with facts often of an uninspiring kind, it

would seem to raise the artistic tone of heavy paragraphs if the first

name in Latin literature could be introduced with an apposite quotation

in agreement with their own context. Vergil-worship began early and

lasted long; and indeed his admirers in the present day are sometimes so

absorbed in finding[921] more and more in what he said that they do not

trouble themselves to ask whether there may not be some significance[922]

in his silences. Rightly or wrongly, I am persuaded that this question

ought at least to be asked in connexion with the _Georgics_. I have

reserved till the last a passage[923] of Seneca, in which he challenges

the authority of Vergil in some points connected with trees, speaking of

him as _Vergilius noster, qui non quid verissime sed quid decentissime

diceretur aspexit, nec agricolas docere voluit sed legentes delectare_.

Now Seneca was devoted to the works of Vergil, and is constantly quoting

them. He has no prejudice against the poet. The view of the _Georgics_

set forth in these words implies no literary dispraise, but a refusal to

let poetic excellence give currency to technical errors. Seneca is often

tiresome, but in this matter his criticism is in my opinion sound. In the

matter of labour my contention is not that the poet has inadvertently

erred, but that he has for some reason deliberately dissembled.

XXX. THE ELDER SENECA AND OTHERS.

The comparatively silent interval, between the Augustan circle and

the new group of writers under Claudius and Nero, furnishes little of

importance. The one writer who stands out as giving us a few scraps of

evidence is the =elder Seneca=, the earliest of the natives of Spain who

made their mark in Latin literature. But the character of his work, which

consists of examples of the treatment of problem-cases in the schools of

rhetoric, makes him a very peculiar witness. When he tells us how this

or that pleader of note made some point neatly, the words have their

appropriate place in the texture of a particular argument. Often they

contain a fallacious suggestion or a misstatement useful for the purpose

of _ex parte_ advocacy, but having as statements no authority whatever.

Still there are a few references of significance and value. Thus, when

the poor man’s son refuses the rich man’s offer to adopt him, and his own

father approves the proposal, one rhetorician made the young man[924]

say ‘Great troops of slaves whom their lord does not know by sight, and

the farm-prisons echoing to the sound of the lash, have no charm for me:

my love for my father is an unbought love.’ Again, a poor man, whose

property has been outrageously damaged by a rich neighbour, protests[925]

against the whims of modern luxury. ‘Country districts’ he says ‘that

once were the plough-lands of whole communities are now each worked by

a single slave-gang, and the sway of stewards is wider than the realms

of kings.’ Now, we cannot cite the old rhetorician as an authority on

agriculture directly: but he gives us proof positive that references to

estates worked by gangs[926] of slaves, and the _ergastula_ in which the

poor wretches were shut up after the hours of labour, would not in his

time sound strange to Roman audiences. Another passage[927] touches on a

very typical lecture-room theme, an unnatural son. A father is banished

for unintentional homicide. The law forbids the sheltering and feeding

of an exile. But the father contrives to return and haunt an estate

adjoining the main property, now controlled by his son. The son hears

of these visits, flogs the _vilicus_ for connivance, and compels him to

exclude the old man. The piece is one of which only a brief abstract

remains, but there is enough to shew that, while the gist of it was a

casuistic discussion of a moral problem, it assumes as a matter of course

the liability of a trusted slave to the lash. The faithful and kindly

slave is contrasted with the unnatural son. There are in these curious

collections other utterances indicative of the spread of humanitarian

notions. Thus in the piece first cited[928] above, the poor man’s son in

refusing the rich man’s offer of adoption, as a situation to which he

could never accommodate himself, is made to add ‘If you were selling a

favourite slave, you would inquire whether the buyer was a cruel man.’

Such ideas come from the later Greek philosophies, chiefly Stoic, the

system on which Seneca brought up his more famous son. In one place[929]

we find an echo of an earlier Greek sentiment, when a rhetorician

propounds the doctrine that Fortune only, not Nature, distinguishes

freemen from slaves.

Indeed it is evident, from the many passages that touch on slavery and

expose some of its worst horrors, that the subject was at this time

beginning to attract more general attention than heretofore. And the

relations of patron and freedman, also discussed in these artificial

school-debates, are a further illustration of this tendency. Milder

and more humane principles were germinating, though as yet they had

not found expression in law. In arguing on a peculiarly revolting case

(the deliberate mutilation of child-beggars) a speaker incidentally

refers[930] to wealthy landowners recruiting their slave-gangs by seizing

freemen. The hearers are supposed to receive this reference to kidnapping

as no exceptional thing extravagantly suggested. We have seen that both

Augustus and Tiberius had to intervene to put down this _suppressio_.

One little note of interest deserves passing mention. In a discussion on

unequal marriages the question is raised whether even the very highest

desert on a slave’s part could justify a father in taking him as a

son-in-law. A speaker cites the case[931] of Old Cato, who married the

daughter of his own _colonus_. Here we clearly have the tenant farmer in

the second century BC In Plutarch the man appears as a client. Neither

writer makes him a freedman in so many words. But it is probably the

underlying fact. That the daughter was _ingenua_ does not rule out this

supposition.

=Velleius= and =Valerius Maximus= also belong to the reign of Tiberius.

The former in what remains of his history supplies nothing to my purpose.

Valerius made a collection of anecdotes from Roman and foreign histories

illustrating various virtues and vices, classifying the examples of good

and bad action under heads. They are ‘lifted’ from the works of earlier

writers: many are taken from Livy, already used as a classic quarry.

The book is pervaded by tiresome moralizing, and points of interest are

few. There is the story of the farm[932] of Regulus, of the patriotic

refusal[933] of M’ Curius to take more than the normal seven _iugera_ of

land as a reward from the state, of the horny-handed rustic voter[934]

being asked whether he walked on his hands; also reference to the simple

habits of the famous Catos, and a passing remark that the men of old had

few slaves. Those of the above passages that are of any value at all

have been noticed in earlier sections. The freedman =Phaedrus= gives us

next to nothing in his fables, unless we care to note the items[935]

of a farm-property, _agellos pecora villam operarios boves iumenta et

instrumentum rusticum_, and a fable specially illustrating the fact that

a master’s eye sees what escapes the notice of the slave-staff, even of

the _vilicus_.

XXXI. SENECA THE YOUNGER.

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