In such circumstances how came it that there was no sign of a movement

analogous to modern Abolitionism? If the slave was confessedly a man,

had he not the rights of a man? The answer is plain. That a man, simply

as a man, had any rights, was a doctrine not yet formulated or clearly

conceived. The antipathy[125] between Greek and Barbarian was a practical

bar to its recognition. The Persian was not likely to moderate his

treatment of Greeks in his power from any such consideration: superior

force, nothing less, would induce him to conform to Greek notions of

humanity. While force was recognized as the sole foundation of right

as against free enemies, there could not be much serious doubt as to

the right of holding aliens in slavery. But in this questioning age

another theoretical basis of discussion had been found. Men were testing

institutions by asking in reference to each ‘is it a natural[126] growth?

does it exist by nature (φύσει)? or is it a conventional status? does it

exist by law (νόμῳ)?’ Here was one of the most unsettling inquiries of

the period. In reference to slavery we find two conflicting doctrines

beginning to emerge. One is[127] that all men are born free (φύσει) and

that slavery is therefore a creation of man’s device (νόμῳ). The other is

that superior strength is a gift of nature, and therefore the rule of the

weaker[128] by the stronger is according to nature. The conflict between

these two views was destined to engage some of the greatest minds of

Greece in later years, when the political failure of the Greek states

had diverted men’s thoughts to problems concerning the individual. For

the present slavery was taken for granted, but it is evident that the

seeds of future doubt had been sown. Among the stray utterances betraying

uneasiness is the oft-quoted saying[129] of the sophist Alcidamas ‘god

leaves all men free: nature makes no man a slave.’ The speaker was

contemporary with Euripides, whose sayings are often in much the same

tone, if less direct. A remarkable passage is that in which he makes

Heracles repudiate[130] the myths that represent slavery as existing

among the gods. No god that is a real god has any needs, and such tales

are rubbish—an argument that was destined to reappear later as bearing

upon slavery among men, particularly in connexion with the principles of

the Cynic school.

I have said enough as to the point of view from which the questioners,

such as Euripides, regarded slavery. It is somewhat surprising that

the poet’s references to hired labour[131] are very few, and all of a

depressing kind, treating θητεύειν as almost or quite equivalent to

δουλεύειν. The references or allusions to handicrafts are hardly to

the point: such men are doubtless conceived as θῆτες, but they would

generally direct themselves in virtue of their trade-skill: they are not

hired ‘hands.’ Herdsmen often appear, but generally if not always they

seem to be slaves or serfs. Nor is it clear that the digger (σκαφεύς)

is free; he is referred to[132] as a specimen of the meanest class

of labourer. But in three of the plays there occur passages directly

descriptive of the poor working farmer, the αὐτουργὸς of whom I have

spoken above. In the _Electra_, the prologue is put in the mouth of

the poor but well-born αὐτουργὸς to whom the crafty Aegisthus has

given Electra in marriage. The scene between husband and wife is one

of peculiar delicacy and interest. The points that concern us here

are these. The princess has been united[133] to a poor and powerless

freeman. He is fully occupied[134] with the hard labour of his farm,

which he apparently cultivates singlehanded. He understands the motive of

Aegisthus, and shews his respect for Electra by refraining from conjugal

rights. She in turn respects his nobility, and shews her appreciation by

cheerfully performing[135] the humble duties of a cottar’s wife. When

the breadwinner (ἐργάτης) comes home from toil, he should find all ready

for his comfort. He is shocked to see her, a lady of gentle breeding (εὖ

τεθραμμένη) fetch water from the spring and wait upon his needs. But he

has to accept the situation: the morrow’s dawn[136] shall see him at his

labour on the land: it is all very well to pray for divine aid, but

to get a living the first thing needful is to work. Now here we have a

picture of the free farmer on a small scale, who lives in a hovel and

depends on the labour of his own hands. He is the ancient analogue of

the French peasant, who works harder than any slave, and whose views

are apt to be limited by the circumstances of his daily life. He has no

slaves[137]. Again, the Theban herald in the _Supplices_[138], speaking

of the incapacity of a Demos for the function of government, says ‘but

a poor husbandman (γαπόνος ἀνὴρ πένης), even if not stupid, will be

too busy to attend to state affairs.’ Here is our toiling rustic, the

ideal citizen of statesmen who desire to keep free from popular control.

The same character appears again in the _Orestes_, on the occasion of

a debate in the Argive Assembly (modelled on Athens), as defender of

Orestes. He is described[139] as ‘not of graceful mien, but a manly

fellow, one who seldom visits the city and the market-place, a toiler

with his hands (αὐτουργός), of the class on whom alone the safety of the

country depends; but intelligent and prepared to face the conflict of

debate, a guileless being of blameless life.’ So vivid is this portrait,

that the sympathy of the poet with the rustic type of citizen can hardly

be ignored. Now, why did Euripides take pains to shew this sympathy? I

take it to be a sign that he saw with regret the declining influence of

the farmer class in Attic politics.

Can we go a step further, and detect in these passages any sort of

protest against a decline in the number of small working farmers, and

a growth of exploitation-farming, carried on by stewards directing the

labour of slaves or hired hands? In the next generation we find this

system in use, as indeed it most likely always had been to some extent

on the richer soils of lowland Attica. The concentration of the country

folk in the city during the great war would tend to promote agriculture

by deputy after the return of peace. Deaths, and the diversion of some

farmers to other pursuits, were likely to leave vacancies in the rural

demes. Speculators who took advantage of such chances to buy land

would not as a rule do so with intent to live on the land and work it

themselves; and aliens were not allowed to hold real estate. It seems

fairly certain that landlords resident in Athens, to whom land was

only one of many forms of investment, and who either let their land to

tenant-farmers or exploited its cultivation under stewards, were a class

increased considerably by the effects of the war. We shall see further

reasons below for believing this. Whether Euripides in the passages cited

above is actually warning or protesting, I do not venture to say: that

he grasped the significance of a movement beginning under his very eyes,

is surely a probable conjecture.

That we should hear little of the employment of slaves in the hard

work of agriculture, even if the practice were common, is not to be

wondered at. Assuming the existence of slavery, there was no need for

any writer other than a specialist to refer to them. But we have in

the _Rhesus_ a passage[140] in which Hector forecasts the result of an

attack on the Greeks while embarking: some of them will be slain, and

the rest, captured and made fast in bonds, will be taught to cultivate

(γαπονεῖν) the fields of the Phrygians. That this use of captives is

nothing extraordinary appears below, when Dolon the spy is bargaining

for a reward in case of success. To a suggestion that one of the Greek

chiefs should be assigned to him he replies ‘No, hands gently nurtured

(εὖ ’τεθραμμέναι)[141] are unfit for farm-work (γεωργεῖν).’ The notion

of captive Greeks slaving on the land for Asiatic lords is a touch meant

to be provocative of patriotic indignation. And the remark of Dolon

would surely fall more meaningly on the ears of men acquainted with the

presence of rustic slavery in their own country. To serfage we have a

reference[142] in the _Heraclidae_, but the retainer (πενέστης) is under

arms, ‘mobilized,’ not at the time working on the land. His reward, when

he brings the news of victory, is to be freedom.

IX. THE ‘CONSTITUTION OF ATHENS’ OR ‘OLD OLIGARCH.’

One of the most remarkable documents that have come down to us bearing

upon Athenian politics is the ‘Constitution[143] of Athens’ wrongly

assigned to Xenophon. It is certainly the work of an earlier writer,

and the date of its composition can be fixed as between 430 and 424 BC.

Thus it refers to the first years of the Peloponnesian war, during which

Attica was repeatedly invaded, its rural economy upset, and the manifold

consequences of overcrowding in the city of refuge were beginning to

shew themselves. Not a few of the ‘better classes’ of Athenian citizens

(οἱ βέλτιστοι) were dissatisfied with the readiness of the Demos,

under the guidance of Pericles, to carry out a maritime and aggressive

policy abroad at the cost of sacrificing rural interests at home. For

the sacrifice fell on the landowners, more particularly on the larger

owners: the compensations[144] of state-pay and chances of plunder might

suffice for the peasant farmer driven into Athens. At the same time

it was undeniable that the astounding energy displayed by democratic

Athens had surprised the Greek world; and the most discontented Athenian

could hardly suppress an emotion of patriotic pride. The writer of the

pamphlet before us—for a pamphlet it is—was under the influence of these

conflicting feelings. Whether it is right to describe him as an Oligarch

depends on what that term is taken to connote. That he would greatly

prefer a system[145] under which the educated orderly and honest citizens

should enjoy greater consideration and power, is evident: also that in

his view these qualities are normal attributes of the wealthier classes.

For he finds in poverty the main cause[146] of democratic misdeeds.

That the masses are ill-informed and lack judgment and self-control,

is the result of their preoccupation with necessities of daily life.

But from this conviction to aiming at a serious oligarchic revolution

is a long step. The democracy in its less aggressive form, before the

recent developments owing to the presence of an idle refugee population,

might conceivably have sufficed for his requirements. He is a prejudiced

contemporary witness, frank and cynical in the extreme, praising the

Demos for doing the very things that he hates and despises, because those

things are in the interest of the democracy such as it appears to him:

they would be fools to act otherwise. For convenience sake I follow Mr

Zimmern[147] in calling him the _Old Oligarch_.

His disgust at the lack of discipline in the slaves at Athens, and his

ingenious explanation[148] of the causes that have led to toleration of

the nuisance, are very characteristic of his whole attitude. But the

slaves of whom he speaks are those labourers whom their owners allowed

to work for hire in the city and Peiraeus, taking a share of their pay

as rent for their services. Perhaps the state slaves are meant also. He

admits that you have to put up with the airs of these fellows, who often

become men of substance (πλούσιοι δοῦλοι) and think themselves as good

as the citizens. Truth is, the master depends on the return he gets from

his investment: if the rent comes in regularly, he asks no questions

and the slave is given[149] a free hand. No wonder the bondman jostles

his betters in the public streets, a state of things inconceivable in

orderly Sparta. Now on the face of it this picture has nothing to do with

the agricultural situation. But let us look further. The stress of the

great war had increased the city population. The increased demand for

imported food-stuffs and for materials of war (such as ship-timber) had

undoubtedly increased the demand for dock-labourers, boatmen, porters,

carters, and other ‘hands.’ Male citizens had enough to do in services by

land and sea. From what source was the extra force of rough able-bodied

labour recruited? Is it likely that a number of raw barbarian slaves

were imported for the purpose? I think not; time would be needed to make

them efficient, and the available shipping had already a difficult task

to keep up the supply of indispensable goods. Is it not much more likely

that rustic slaves, brought into Athens by their owners, were turned to

account[150] in another department of labour, thus earning wages for

themselves while they maintained their masters? The probability of this

view will depend largely on proof that rustic slaves were employed in

Attica under normal conditions at this time. We shall presently see how

the evidence of Aristophanes bears on the point.

Meanwhile let us see what references to agriculture are to be found

in this pamphlet. In speaking of the nautical skill[151] now a common

accomplishment among Athenians, the writer remarks that the possession

of estates abroad, and the duties of offices concerned with external

affairs, have something to do with it. Men have to cross the water: they

and their attendants (ἀκόλουθοι) thus pick up skill by experience without

intending it: for it happens time and again that both master and slave

(καὶ αὐτὸν καὶ τὸν οἰκέτην) have to take a turn at the oar. The estates

referred to are chiefly state-lands allotted to Athenian cleruchs in

confiscated districts, but also private properties. The voyages to and

fro are nothing exceptional. Whether a man resided on his estate and had

need to visit Athens, or whether he resided in Athens and had to visit

his estate from time to time, he must go to sea. It is to be borne in

mind that allottees in cleruchies often let their lands to the former

owners as tenants. In another passage[152] he points out the disadvantage

to Athens, as a maritime power, of not being on an island and so secure

from invasion. ‘As things are, those Athenians who farm land or are

wealthy (οἱ γεωργοῦντες καὶ οἱ πλούσιοι) are more inclined to conciliate

the enemy (ὑπέρχονται = cringe to), while the Demos, well aware that

their own belongings are in no danger of destruction, is unconcerned and

defiant.’ A notable admission, confirmed by other evidence, as we shall

see. It is to be observed that farmers and wealthy men are coupled

together. The class more especially meant are probably those represented

in Aristophanes by the substantial farmers of the _Peace_. But

capitalists with investments in land are also included, and small-holders

or tenants; these last working the land themselves, but not necessarily

without employing hired or slave labour.

X. ARISTOPHANES.

=Aristophanes= is a witness of great importance. Of eleven surviving

plays the _Acharnians_ appeared in 425 BC, the _Plutus_ in 388. Thus

we have from this prince of wit and humour a series of comments on the

social and political life of Athens and Attica from the point of view

of conservative admirers of good old times. The evidence of Comedy is

liable to be suspect, on the ground of a tendency to exaggerate and

distort facts: but to make allowances for this tendency is not a task

of extreme difficulty. Nor can it fairly be said that the political

bias of the poet is such as to deprive his evidence of all authority.

If he seems at times to be singularly detached from the prejudices of

the war-party, dominating Athens under the democratic leaders, and able

to discern and boldly to declare that the right was not solely on their

own side in the war; still he was a warm patriot, devoted to the Athens

whose defects he could not ignore. Among the striking events of the time

nothing seems to have impressed him more forcibly than the devastation

of Attica and the consequent ruin of the agricultural interest. That the

cooping-up of the rural population[153] within the walls month after

month was a progressive calamity, could hardly escape the notice of

any one then resident. It was not merely the squalor or the appalling

sickness, though these were in themselves enough to produce a terrible

strain. Discontent and recklessness took hold of the masses, and other

observers beside Aristophanes remarked the degeneration of the democracy.

Aristophanes was an opponent of the war-policy, and strove hard to rally

the farmer-folk in favour of peace. He spared no pains to discredit

the noisy demagogues, accusing them of prolonging the war in order to

retain or increase their own importance at the cost of the soundest

element in the civic body. But, while he turned the farmers’ grievances

to account in political advocacy, he was no mere unscrupulous partisan.

His frequent references to the homely joys of country life, sometimes

in sympathetic rural vignettes, have the ring of sincerity. Like many

another dweller in the unwholesome city, he sighed for the fresh air,

the wholesome food, the peace and quiet of Attic farmsteads: no doubt he

idealized the surroundings, though he did not depict them as scenes of

spotless innocence. But the details that drop out casually are often very

significant from the point of view of my inquiry, and very helpful as

giving us a genuine picture of the time.

On no point is information more to be desired than the relation of

agriculture to wealth. Is the typical farmer of the period a man of large

estate or not? We have seen that the ‘old oligarch’ classed together

the wealthy and the farmers as favouring a peace-policy. That such a

body of opinion, large or small, existed in Athens, is also suggested by

passages in Aristophanes. In the _Ecclesiazusae_, the play in which the

leader of the female politicians offers to cure distress by a communistic

scheme, we are told[154] that a proposal to mobilize a fleet divides the

Assembly: the poor man votes for it, but the wealthy and the farmers are

against it. I take it that, as in the case of the Sicilian expedition,

the man who wants to get paid for service (with a chance of profit)

supports the motion; those who dislike having to pay for the enterprise,

or see no way of profiting by it, are in opposition. This is a phenomenon

normal in politics, and does not tell us whether the ‘farmers’ are

cultivators on a large scale or small. Later in the play we find a

protest[155] against the iniquity of the present juxtaposition of wealth

and destitution, the state of things in which one man farms much land

while another has not enough to afford him a grave. Even a comic poet

would hardly put this into the mouth of one of his characters if there

were not some section of the audience to whom it might appeal. It is

probable that at the time (393-2 BC) communistic suggestions were among

the currents of opinion in humbled and impoverished Athens. To squeeze

the rich had long been the policy of the democrats, and a jealousy of

wealth in any form became endemic in the distressful city. A few years

later (388 BC) the poet gave in the _Plutus_ a pointed discussion[156] of

economic questions, ridiculing the notion that all could be rich at the

same time: for nobody would work, and so civilization would come to an

end. True, the individualistic bent of the average Athenian, grasping and

litigious, prevented the establishment of downright communism: but Athens

was henceforth never free from the jealous and hardly patriotic demands

of the clamorous poor We must remember that military service, no longer

offering prospects of profit in addition to pay, was becoming unpopular;

that land-allotments[157] in conquered territories had ceased; and that

agriculture in a large part of Attica was toilsome and unremunerative.

Poverty was widespread, and commerce declined: this implies that the

supply of slaves, and the money to buy them, would be reduced. Was there

then much to attract the poor man to the lonely tillage of a patch of

rocky land? The generation of small farmers before and during the great

war had some outlook for themselves and their sons, serving in victorious

armies or fleets, getting booty or allotments abroad. Hence they took a

keen interest in politics. The fall of Athens had changed all this: the

profits of empire had departed, and with them the buoyancy of an imperial

pride. No wonder if there were signs of unwillingness to follow a hard

rustic life. So the Informer in the _Plutus_[158], when asked ‘are you

a husbandman?’ replies ‘do you take me for a madman?’ Earlier in the

play[159] Chremylus, wishing to share with old cronies the profits of

having captured the god of wealth, says to his slave ‘invite my fellow

farmers: I fancy you’ll find them working themselves (αὐτοὺς) on their

farms.’

I have taken this later picture first, in order to bring out more clearly

the contrast presented by that given in the earlier plays. Naturally

enough, many details are the same in both, but the general character of

the farmers is different. The farmer class makes an important figure.

They are sturdy rustics[160], old-fashioned and independent, rough in

manners, fond of simple country life, and inclined (perhaps justly) to

mistrust the city folk, who cheat them in business whenever they can,

and take advantage of them in other ways, such as liability to military

service at short notice. When driven to take refuge in Athens, their

hearts are in their farms, and they have to make up their minds whether

to support the war-party in hope of regaining their homes and property

by force of arms, or to press for peace in order to end what is from

their point of view an unnecessary war, kept going in the interest of

demagogues and others who are profiting by the opportunities of offices

and campaigns abroad. The issue appears in our earliest play, the

_Acharnians_ (425 BC). The farmers of the deme Acharnae, one of whose

occupations was wood-cutting and charcoal-burning, at first come on as

stubborn rustics, all for war and revenge on the enemy. But Dicaeopolis

the chief character of the play, himself a farmer, and a sufferer in the

same kind by the Spartan raids, succeeds in persuading[161] them that

Athenian policy, provocative and grasping, is really to blame for their

losses. In the end they come over to his views, and the play serves as a

manifesto of the peace-party. Of course we are not to take it as history.

But the conflict between the two sections of opinion is probably real

enough. When Dicaeopolis describes[162] himself as ‘with my eyes ever

turned to my farm, a lover of peace, detesting the city and hankering

after my own deme, that never yet bade me buy charcoal or rough wine or

olive oil,’ he is giving us a portrait of the rustic who is resolved not

to part with cash for what can be produced on the farm.

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