GEO. H. BOUGHTON, A.R.A.

MR. G. A. STOREY, A.R.A.

39, Broadhurst Gardens, N.W.

SIR,--It is difficult to pass an opinion upon "ladies' dress," because

its chief characteristic seems to be that it is ever changing. We no

sooner see a really pretty fashion than we hear ominous rumours--from

Paris (?)--that some abomination such as the crinoline is coming in

again, or the Gainsborough hat is to give place to the Pork-pie, or a

small copy of the Toriodero's head-gear. We are told that costume

indicates the phase or current of thought of the period and of the

country in which it is worn; that it becomes sumptuous in rich

communities and in prosperous times, but is sad and impoverished in

times of war and depression; that it marks the degree of civilisation,

of culture, of taste, and of wealth; and, like the other fine arts, has

its glorious periods as well as its decadence and restoration. Perhaps

it reached its lowest stage of ugliness, in this country, some thirty or

forty years ago, when corkscrew ringlets, high foreheads, flat bandeaus

plastered down the cheeks, evening dresses cut straight across the

collar bones, flounces and crinolines, and all the other horrors that

John Leech has so cleverly depicted in the early volumes of _Punch_ were

the fashions that set off our types of beauty. May we then conclude that

taste has improved since those days, and not only taste, but common

sense? At the present moment we see nothing outrageous to find fault

with, and much that is pretty to admire. It would take up too much space

to go into detail: to discourse on hats alone would require a separate

letter of some pages. I should have to show how some set off the face

and others do not, and how it often happens that the success of a hat

depends very much upon the face that looks out from under it. And so

with the way the hair is dressed, &c.; and I need scarcely say that a

pretty, graceful woman will make almost any costume look well if she

puts it on with taste, whereas there are certain other figures that

require special treatment.

There are some, whom I would not offend, but who nevertheless are

deficient in those graceful curves that Nature bestows upon her best

art, who require farthingales, hoops, improvers, and even flounces to

disguise the angularity of their structure, whilst others go the other

extreme of rotundity, such as a lady I knew, who was taller when she sat

down than when she stood up, and must baffle the most ingenious

contrivers of European costume, and whom nothing but a Chinese or loose

Japanese gown could make at all presentable.

I think female dress may be either very gorgeous, or very

simple--gorgeous as a Venetian lady when Titian and Paul Veronese

delighted to depict her in rich brocades and a wealth of pearls and

jewellery, or simple as in England a hundred years ago, when our

great-grandmothers wore muslin gowns with short waists and silk sashes,

the beauty and refinement of their faces making their chief attraction,

and the simplicity of the dress leaving full scope for the gracefulness

of the figure to display itself, as we see in the pictures of Sir Joshua

Reynolds, Gainsborough, George Morland, Romney, and others.

But the great artists seldom adhere to the passing fashions; they

arrange the dress or reconstruct it so that it shall be most becoming to

their sitters and at the same time make a good composition of colour and

form for their pictures. This is also done by ladies of taste, who will

often turn some freak of fashion into a thing of beauty, and, regardless

of their milliner and dressmaker, will adopt some modification of the

passing style if it seems to them more suitable and becoming.

The sense of fitness in dress as in everything else, should, I think,

guide the fair sex of whatever degree--and I must say that there are

fewer costumes more suitable and, at the same time, much prettier than

those of some of our domestic servants, who, with their white caps, bibs

and aprons and black dresses make quite dainty little pictures, often

reminding us of that well-known print of "La Belle Chocolatière."

Whether this idea of fitness could be carried out in the cases of lady

Town Councillors, female clerks, &c., &c., I do not know. I must leave

that and many other matters connected with this subject to more

competent judges,--and remain, Yours obediently,

The Strand Magazine, Vol. 01, Issue 02, February 1891 An Illustrated Monthly · 第 38 / 65 题