JOHN COLLIER.

[Illustration: FIG. 6.]

MR. G. H. BOUGHTON, A.R.A.

West House,

Campden Hill-road, W.

DEAR SIR,--The questions you send me regarding my opinion of the present

style of ladies' dress cover too large and varied a field to be disposed

of in a moment--that is, if one _could_ dispose of them even after many

and many a month, let alone moments. The one virtue of the women's dress

of to-day is its variety and individuality. Those who are really

_dressed_ and not merely clothed, have their dresses "created" for them,

and they belong to each other. The fair and the dark, the lean and the

reverse, do not now bedeck themselves with the same all pervading tint

or cut, whether it suits them well or ill, just because it is "all the

go." Even the almost universal cut of to-day is most usually graceful

and of quiet tone. And somehow girls seem to be of taller growth, and of

better health and colour, and to walk better than ever before. The

adoption of _bits_ of bygone fashions is now and then deplorable. One

sees queer jumbles of Marie Stuart ruffs and "Empire" bonnets, or of any

other period except of the Marie Stuart head-gear. Suppose a poor simple

masher of the male kind should try some historical head-gear--say a

cocked hat or a Charles II. with a wreath of feathers and lace--and

mount a jewelled sword, as a new incident to his usual Piccadilly

attire? It would be in no worse taste than the various mixture of

"periods" that some of the dear creatures of to-day startle the student

of costume with now and then. My ideal of "a beautiful woman,

beautifully dressed," is not yet defined. I am not very narrow-minded

with regard to either point. From the Princess in gold and white samite,

to the nut-brown maid with her gown of hodden gray and her bare feet,

there are thousands that are good enough for _me_. The only bad ones are

the pretentious and vulgar (dirt and fine feathers). I saw a little

"æsthetic" creature the other day, with a sad, woe-begone costume in

flabby colours, a mop of tousled hair, a painted mask of a face, all in

keeping, except the boots--"side-spring," if you please (if anything so

squashy could have a spring). She was only a passing vision--but enough.

I could but repeat with Madame Roland under the guillotine (_was_ it

Roland?) "O Liberty (and Co.), what crimes are committed in thy name!"

The subject is a fascinating one; but there are limits.--Yours

faithfully,

The Strand Magazine, Vol. 01, Issue 02, February 1891 An Illustrated Monthly · 第 37 / 65 题