CHAPTER VII

THE CITY OF KANO AND ITS MARKET

You are permanently conscious that this country has a history and

traditions. Nowhere, perhaps, does the fact impress the new-comer

more vividly than at Kano. It is a wonderful place to find in Central

Africa, this native city with its great enfolding walls, twelve miles

in circumference, pierced by thirteen deep gateways (_kofas_), with

platform and guardhouses and massive doors heavily clamped with iron;

with its written records dating back nearly eight hundred years. And

although incomparably the most important it is not the oldest of these

Hausa cities—Katsina, now in the same “province,” is probably older.

When the West-Saxon realm fell before the onslaught of the Danes and

the first Danish King reigned over England, Hausaland was conquered

by an unknown people from the East, and when the prosperity of the

English towns was beginning to revive under Henry I., Gijimasu, the

third King of the invading dynasty, was building Kano. When Henry VIII.

was laying the foundations of personal government, the “rich merchants

and most civil people” of Kano were entertaining Leo Africanus. Three

hundred years later (1824) Clapperton entered this “great emporium of

the kingdom of Hausa,” which Barth forty years afterwards termed the

“far-famed entrepôt of Central Africa;” which Lugard was subsequently

to describe as exceeding anything he had ever seen “or even imagined”

in Africa. Tributary now to this, now to the other, evanescent African

kingdom, frequently at war with its neighbours, repeatedly besieged, it

has survived every vicissitude. Neither the disastrous struggles with

Katsina in the seventeenth, and with Gober in the eighteenth centuries,

nor the deposition and defeat of the forty-third (and last) King of the

original dynasty by the Fulani early in the nineteenth century, nor

yet the occupation of the country by the British seven years ago, have

destroyed its influence or impaired its commercial prestige—a tribute to

the staying power and to the sterling qualities of the truly remarkable

African people whom, in the providence of God, it has now fallen upon

us to rule. Its market-place, still the scene of clamorous activity,

continues to attract merchants and merchandise from all parts of western

Central Africa. It still remains the nerve-centre of a district whose

natural fertility, aided by the labour and skill of a hard-working,

industrious population, not only supports, as it has done for many

centuries, a population of equal density to the square mile as England

boasts, but exports large quantities of grain to less-favoured regions;

and its looms continue to supply the requirements of an immense area

ranging from the Chad to Timbuktu and the borders of Tripoli, and (in

part, at least) southwards to the Niger.

[Illustration: A VIEW OF A PART OF KANO CITY (INSIDE THE WALL).]

Picturesque by day, with numerous and gaily dressed pedestrians and

horsemen perambulating its tortuous streets, busy crowds around its

markets, dye-pits, tanneries, and looms, Kano is still more so when the

moon floods its broad open spaces with light and flings strange shadows

across the sandy thoroughfares where they abut upon the dwelling-places

of its inhabitants. Then, but for the occasional howl of a dog, this

city which has endured so long and withstood so much lies wrapped in

impenetrable silence. The ugly sores of Africa—not, assuredly, as ugly

or as numerous as those of Europe, but more conspicuous—are mercifully

hidden. No one walks abroad. Yet you know as you wander with noiseless

footsteps through its curves and labyrinths, escaping for once from your

inevitable native attendants (delightful people, but sadly hampering

at times), that behind these thick clay walls and closed doors, the

mysterious world of Africa is awake and stirring, that social world

with its primitive impulses, but also with its many courtesies and

refinements, that world of habit and of thought, guarded with jealous

reticence from the alien, unfathomed and unfathomable even by the most

experienced of Residents. And, again, at sunrise, when from the summit

of the minaret outside the Emir’s residence, the pink flush of dawn

steals down the sides of the city’s guardian hills, Dala and Goronduchi,

flickers upon the fronds of the palm trees, and reveals the seemingly

interminable vista of houses, mostly flat-roofed, but varied here and

there by others of humbler thatch and conical in shape; when the blue

wreaths of smoke from many fires mount perpendicularly into the crisp,

still air, mingled with the aromatic scent of burning wood and a confused

murmur of awakening life—then, too, the city holds you in the grip of a

fascinated interest. It is difficult to explain this fascination, for

the architecture of Kano, though imposing in its way, is rude. There are

no flashing domes and sumptuous buildings as in the East; yet the few

who have visited it, and the handful of officers—all travelled men—who

by turn have had responsibility for the good order of the Emirate would

be prepared, I fancy, one and all to confess that not even the blunting

effects of familiarity can do away with the curious influences it

exercises.

A visit to the famous market-place—the _Kasua Kurumi_—which covers

a wide expanse, and where anything from 4000 to 7000 persons may be

congregated together, according to the day, is a bewildering experience.

In this tumultuous sea of humanity, shot with brilliant colours, details

are swamped at first in general impressions. You are aware of a vast

concourse of men and women, cheery-faced, closely packed together, clad

in robes of many hues—white and various shades of blue predominating;

of tossing arms and turbaned heads; of long lines of clay-built booths

where piled-up merchandise awaits the customer; of incessant movement,

the strife of many tongues, the waft of many scents, mostly the reverse

of fragrant—over all, blue sky and fierce hot sun. As you move along

with frequent pauses necessitated by the crush, and the eye gets more

accustomed to the scene, some at least of its component parts stand out

more clearly from the ever-shifting view, and the extraordinary variety

of human types and the multiplicity of articles on sale is realized.

The home of the Kanawa (people of Kano), whose industry is famed from

the Atlantic to the Mediterranean, one would naturally expect to find

their numbers in the ascendant. Keen-featured men of business, women with

elaborate coiffures resembling pictures of old Assyrian helmets, their

cheeks often disfigured by exaggerated “beauty spots” daubed on with lead

or antimony. Other Hausas, visitors from Katsina, Gober, or Daura, each

with the distinguishing facial mark of his clan, six strokes with a dot

for Katsina, two for Daura, and so on. Pale-complexioned Fulani from the

country, the women wearing their straight hair in ringlets, with silver

earrings and gentle eyes. The Nupe, with his characteristic headgear of

red, black, and yellow straw. Thick-lipped Kanuris from Bornu. Tall,

lithe Tuareg from distant Sokoto, or Asben. The Arab merchant, arrogant

and intriguer, making his way through the market to the “Arab quarter,”

a quarter of the city remarkable for its Moorish architecture and

unpleasantly notorious for its smells.

Each trade has its quarter. Beneath the shelter of the booths vendors

sit cross-legged, their wares spread out before them. Cloths of every

hue and texture under the sun, it would seem, absorb one whole quarter,

and form, perhaps, the most important article of sale, although the more

valuable clothes are seldom seen, for the Kano market is essentially a

retail one, transactions in objects of more costly worth taking place

within the shelter of private houses. You will see enough in the cloth

quarter, however, to appreciate the diversity of quality and design,

from the beautifully embroidered Kano _riga_ (a sort of hoodless cloak

universally worn by the better classes, covering the body from neck to

knee) to the common shirting of Manchester, the white _bullan_ or gown

from Bornu, the _arigiddi_, or woman’s cloth from Zaria, the _faringodo_,

or plain white cloth from Ilorin, the _majai_, or webbing made by the

pagan tribes of Bauchi, and used by the Fulani for girths. The products

of native looms from towns hundreds of miles distant, enjoying special

renown for some attractive peculiarity, are purchasable here, together

with the manufactures of Europe. The former are almost infinite in

diversity, and each has its particular uses. Black, white, and blue

gowns, brocade, striped brocade, striped shirting, white shirting,

shirting with a red border, white and black checks, drill, red baft,

cloths for turbans, caps, fezzes, expensively embroidered trousers,

sleeveless under-vests, velvet—all in endless variety.

In the leather quarter you will find great quantities of saddlery from

Tripoli, and also of local manufacture, highly ornamented bridles,

stirrup-leathers, despatch-bags, _Korans_ in leather cases, purses,

red slippers, sandals, quilted horsecloths, undyed goatskins and

cowhides, swords in scabbards, many of them admirable in workmanship.

An examination of the latter will disclose the interesting fact that

the blades of the most expensive specimens bear the Sölingen mark, a

curious example of the conservatism of this interior African trade, for

as far back as the middle of the last century Sölingen sword blades were

imported into Kano across the desert. Passing out of the leather quarter

you will find silver, brass, and tin ware; among the former necklaces and

earrings which would not disgrace a London jeweller’s shop-window, ruder

bangles and anklets, partly tin, partly silver; brass urns and bowls,

and glass bracelets from Bida. Necklaces of beads, Venetian and local,

of agates imported from Tripoli and polished and cut at Bida, of cheap

European coral, of different kinds of bright-coloured local seeds. Rough

pottery, but often of elegant design, such, for example, as the small

lamps used for burning ground-nut oil, in the manufacture of which mica

enters.

Sheds and stalls, in addition to the booths, are devoted to the sale

of numerous merchandise. The store of an elderly white-turbaned Hausa

contains a mass of rough silk mixed up with the cocoons; these are

produced by the silkworm, which feeds on the tamarind tree. The _rigas_

made from it are very dear, and also very pleasant to the touch,

resembling in that respect and in colour tussore. Here is a stall

containing the products of the local smithy, stirrup-irons, locks for

doors, every kind of agricultural implement used by the native farmer,

axes, knives, and skin-scrapers used in preparing goat and sheep skins

for export. There a stall filled with native herbs used as medicines,

from the _tafarnua_ for rheumatism to the _karijiji_ for colds, the

_kula_ and _passakori_ much used by women after child-birth. Much

space is taken up by the sellers of foodstuffs, mostly vegetable, such

as guinea-corn and millet in variety, beans, yams, sugar-cane, sweet

potatoes (in variety), pepper, onions, the fruit of the tamarind, the red

flowers of the tobacco plant, cassava, and ginger.

[Illustration: ONE OF THE GATEWAYS TO KANO CITY, SHOWING OUTER WALL.]

[Illustration: ANOTHER OF THE ENTRANCES TO THE CITY.]

In another direction you will observe on sale European salt and native

potash in cakes and cones, zana-mats, firewood, native rope, roofing,

sticks with branches, guinea-corn and millet stalks for fencing, native

beds, doors made of palm sticks, baskets, mats in great diversity of

size and colouring. Round about the booths and sheds on every side sit

men and women (mostly the latter) selling articles of local or European

origin; by their side, and, apparently, no more carefully watched than

the articles themselves, small piles of cowries and sometimes the new

nickel coinage we have introduced, and threepenny bits represent the

takings of the day. Among such articles are to be observed indigo,

antimony, ground-nuts, the inevitable kola-nut, shea-butter, spices,

cow-dung in small packets (very precious), raw cotton, henna (_lelli_)

for staining hands or feet, fresh honey, cakes and sweetmeats (of a

fearful and wonderful composition), native soap from Nupe (_sabouni_),

bobbins, shuttles, and other necessities of the national industry,

cigarettes, red wool, green wool, crochet-thread, water-pots, and sundry

cheap trinkets from Europe. The butchers’ quarter it is best to pass by

swiftly; unsavoury in Europe, the flies and tropical sun do not improve

it in Africa. Long files of cattle, donkeys, sheep, and goats can be seen

winding their way to the cattle market, where many thousands are daily on

sale.

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