GOULD, JAY (1836-1892), American financier, was born in Roxbury,

Delaware county, New York, on the 27th of May 1836. He was brought up on

his father's farm, studied at Hobart Academy, and though he left school

in his sixteenth year, devoted himself assiduously thereafter to private

study, chiefly of mathematics and surveying, at the same time keeping

books for a blacksmith for his board. For a short time he worked for his

father in the hardware business; in 1852-1856 he worked as a surveyor in

preparing maps of Ulster, Albany and Delaware counties in New York, of

Lake and Geauga counties in Ohio, and of Oakland county in Michigan, and

of a projected railway line between Newburgh and Syracuse, N.Y. An

ardent anti-renter in his boyhood and youth, he wrote _A History of

Delaware County and the Border Wars of New York, containing a Sketch of

the Early Settlements in the County, and A History of the Late Anti-Rent

Difficulties in Delaware_ (Roxbury, 1856). He then engaged in the lumber

and tanning business in western New York, and in banking at Stroudsburg,

Pennsylvania. In 1863 he married Miss Helen Day Miller, and through her

father, Daniel S. Miller, he was appointed manager of the Rensselaer &

Saratoga railway, which he bought up when it was in a very bad

condition, and skilfully reorganized; in the same way he bought and

reorganized the Rutland & Washington railway, from which he ultimately

realized a large profit. In 1859 he removed to New York City, where he

became a broker in railway stocks, and in 1868 he was elected president

of the Erie railway, of which by shrewd strategy he and James Fisk, Jr.

(q.v.), had gained control in July of that year. The management of the

road under his control, and especially the sale of $5,000,000 of

fraudulent stock in 1868-1870, led to litigation begun by English

bondholders, and Gould was forced out of the company in March 1872 and

compelled to restore securities valued at about $7,500,000. It was

during his control of the Erie that he and Fisk entered into a league

with the Tweed Ring, they admitted Tweed to the directorate of the Erie,

and Tweed in turn arranged favourable legislation for them at Albany.

With Tweed, Gould was cartooned by Nast in 1869. In October 1871 Gould

was the chief bondsman of Tweed when the latter was held in $1,000,000

bail. With Fisk in August 1869 he began to buy gold in a daring attempt

to "corner" the market, his hope being that, with the advance in price

of gold, wheat would advance to such a price that western farmers would

sell, and there would be a consequent great movement of breadstuffs from

West to East, which would result in increased freight business for the

Erie road. His speculations in gold, during which he attempted through

President Grant's brother-in-law, A. H. Corbin, to influence the

president and his secretary General Horace Porter, culminated in the

panic of "Black Friday," on the 24th of September 1869, when the price

of gold fell from 162 to 135.

Gould gained control of the Union Pacific, from which in 1883 he

withdrew after realizing a large profit. Buying up the stock of the

Missouri Pacific he built up, by means of consolidations,

reorganizations, and the construction of branch lines, the "Gould

System" of railways in the south-western states. In 1880 he was in

virtual control of 10,000 miles of railway, about one-ninth of the

railway mileage of the United States at that time. Besides, he obtained

a controlling interest in the Western Union Telegraph Company, and after

1881 in the elevated railways in New York City, and was intimately

connected with many of the largest railway financial operations in the

United States for the twenty years following 1868. He died of

consumption and of mental strain on the 2nd of December 1892, his

fortune at that time being estimated at $72,000,000; all of this he left

to his own family.

His eldest son, GEORGE JAY GOULD (b. 1864), was prominent also as an

owner and manager of railways, and became president of the Little Rock &

Fort Smith railway (1888), the St Louis, Iron Mountain & Southern

railway (1893), the International & Great Northern railway (1893), the

Missouri Pacific railway (1893), the Texas & Pacific railway (1893), and

the Manhattan Railway Company (1892); he was also vice-president and

director of the Western Union Telegraph Company. It was under his

control that the Wabash system became transcontinental and secured an

Atlantic port at Baltimore; and it was he who brought about a friendly

alliance between the Gould and the Rockefeller interests.

The eldest daughter, HELEN MILLER GOULD (b. 1868), became widely known

as a philanthropist, and particularly for her generous gifts to American

army hospitals in the war with Spain in 1898 and for her many

contributions to New York University, to which she gave $250,000 for a

library in 1895 and $100,000 for a Hall of Fame in 1900.

GOUNOD, CHARLES FRANCOIS (1818-1893), French composer, was born in Paris

on the 17th of June 1818, the son of F. L. Gounod, a talented painter.

He entered the Paris Conservatoire in 1836, studied under Reicha, Halevy

and Lesueur, and won the "Grand Prix de Rome" in 1839. While residing in

the Eternal City he devoted much of his time to the study of sacred

music, notably to the works of Palestrina and Bach. In 1843 he went to

Vienna, where a "requiem" of his composition was performed. On his

return to Paris he tried in vain to find a publisher for some songs he

had written in Rome. Having become organist to the chapel of the

"Missions Etrangeres," he turned his thoughts and mind to religious

music. At that time he even contemplated the idea of entering into holy

orders. His thoughts were, however, turned to more mundane matters when,

through the intervention of Madame Viardot, the celebrated singer, he

received a commission to compose an opera on a text by Emile Augier for

the Academie Nationale de Musique. _Sapho_, the work in question, was

produced in 1851, and if its success was not very great, it at least

sufficed to bring the composer's name to the fore. Some critics appeared

to consider this work as evidence of a fresh departure in the style of

dramatic music, and Adolphe Adam, the composer, who was also a musical

critic, attributed to Gounod the wish to revive the system of musical

declamation invented by Gluck. The fact was that _Sapho_ differed in

some respects from the operatic works of the period, and was to a

certain extent in advance of the times. When it was revived at the Paris

Opera in 1884, several additions were made by the composer to the

original score, not altogether to its advantage, and _Sapho_ once more

failed to attract the public. Gounod's second dramatic attempt was again

in connexion with a classical subject, and consisted in some choruses

written for _Ulysse_, a tragedy by Ponsard, played at the Theatre

Francais in 1852, when the orchestra was conducted by Offenbach. The

composer's next opera, _La Nonne sanglante_, given at the Paris Opera in

1854, was a failure.

Goethe's _Faust_ had for years exercised a strong fascination over

Gounod, and he at last determined to turn it to operatic account. The

performance at a Paris theatre of a drama on the same subject delayed

the production of his opera for a time. In the meanwhile he wrote in a

few months the music for an operatic version of Moliere's comedy, _Le

Medecin malgre lui_, which was produced at the Theatre Lyrique in 1858.

Berlioz well described this charming little work when he wrote of it,

"Everything is pretty, piquant, fluent, in this 'opera comique'; there

is nothing superfluous and nothing wanting." The first performance of

_Faust_ took place at the Theatre Lyrique on the 19th of March 1859.

Goethe's masterpiece had already been utilized for operatic purposes by

various composers, the most celebrated of whom was Spohr. The subject

had also inspired Schumann, Berlioz, Liszt, Wagner, to mention only a

few, and the enormous success of Gounod's opera did not deter Boito from

writing his _Mefistofele_. _Faust_ is without doubt the most popular

French opera of the second half of the 19th century. Its success has

been universal, and nowhere has it achieved greater vogue than in the

land of Goethe. For years it remained the recognized type of modern

French opera. At the time of its production in Paris it was scarcely

appreciated according to its merits. Its style was too novel, and its

luscious harmonies did not altogether suit the palates of those

dilettanti who still looked upon Rossini as the incarnation of music.

Times have indeed changed, and French composers have followed the road

opened by Gounod, and have further developed the form of the lyrical

drama, adopting the theories of Wagner in a manner suitable to their

national temperament. Although in its original version _Faust_ contained

spoken dialogue, and was divided into set pieces according to custom,

yet it differed greatly from the operas of the past. Gounod had not

studied the works of German masters such as Mendelssohn and Schumann in

vain, and although his own style is eminently Gallic, yet it cannot be

denied that much of its charm emanates from a certain poetic

sentimentality which seems to have a Teutonic origin. Certainly no music

such as his had previously been produced by any French composer. Auber

was a gay trifler, scattering his bright effusions with absolute

_insouciance_, teeming with melodious ideas, but lacking depth. Berlioz,

a musical Titan, wrestled against fate with a superhuman energy, and,

Jove-like, subjugated his hearers with his thunderbolts. It was,

however, reserved for Gounod to introduce _la note tendre_, to sing the

tender passion in accents soft and languorous. The musical language

employed in _Faust_ was new and fascinating, and it was soon to be

adopted by many other French composers, certain of its idioms thereby

becoming hackneyed. Gounod's opera was given in London in 1863, when its

success, at first doubtful, became enormous, and it was heard

concurrently at Covent Garden and Her Majesty's theatres. Since then it

has never lost its popularity.

Although the success of _Faust_ in Paris was at first not so great as

might have been expected, yet it gradually increased and set the seal on

Gounod's fame. The fortunate composer now experienced no difficulty in

finding an outlet for his works, and the succeeding decade is a

specially important one in his career. The opera from his pen which came

after Faust was _Philemon et Baucis_, a setting of the mythological tale

in which the composer followed the traditions of the Opera Comique,

employing spoken dialogue, while not abdicating the individuality of his

own style. This work was produced at the Theatre Lyrique in 1860. It has

repeatedly been heard in London. _La Reine de Saba_, a four-act opera,

produced at the Grand Opera on the 28th of February 1862, was altogether

a far more ambitious work. For some reason it did not meet with

success, although the score contains some of Gounod's choicest

inspirations, notably the well-known air, "Lend me your aid." _La Reine

de Saba_ was adapted for the English stage under the name of _Irene_.

The non-success of this work proved a great disappointment to Gounod,

who, however, set to work again, and this time with better results,

_Mireille_, the fruit of his labours, being given for the first time at

the Theatre Lyrique on the 19th of March 1864. Founded upon the _Mireio_

of the Provencal poet Mistral, _Mireille_ contains much charming and

characteristic music. The libretto seems to have militated against its

success, and although several revivals have taken place and various

modifications and alterations have been made in the score, yet

_Mireille_ has never enjoyed a very great vogue. Certain portions of

this opera have, however, been popularized in the concert-room. _La

Colombe_, a little opera in two acts without pretension, deserves

mention here. It was originally heard at Baden in 1860, and subsequently

at the Opera Comique. A suavely melodious _entr'acte_ from this little

work has survived and been repeatedly performed.

Animated with the desire to give a pendant to his _Faust_, Gounod now

sought for inspiration from Shakespeare, and turned his attention to

_Romeo and Juliet_. Here, indeed, was a subject particularly well

calculated to appeal to a composer who had so eminently qualified

himself to be considered the musician of the tender passion. The

operatic version of the Shakespearean tragedy was produced at the

Theatre Lyrique on the 27th of April 1867. It is generally considered as

being the composer's second best opera. Some people have even placed it

on the same level as _Faust_, but this verdict has not found general

acceptance. Gounod himself is stated to have expressed his opinion of

the relative value of the two operas enigmatically by saying, "_Faust_

is the oldest, but I was younger; _Romeo_ is the youngest, but I was

older." The luscious strains wedded to the love scenes, if at times

somewhat cloying, are generally in accord with the situations, often

irresistibly fascinating, while always absolutely individual. The

success of _Romeo_ in Paris was great from the outset, and eventually

this work was transferred to the Grand Opera, after having for some time

formed part of the repertoire of the Opera Comique. In London it was not

until the part of Romeo was sung by Jean de Reszke that this opera

obtained any real hold upon the English public.

After having so successfully sought for inspiration from Moliere, Goethe

and Shakespeare, Gounod now turned to another famous dramatist, and

selected Pierre Corneille's _Polyeucte_ as the subject of his next

opera. Some years were, however, to elapse before this work was given to

the public. The Franco-German War had broken out, and Gounod was

compelled to take refuge in London, where he composed the "biblical

elegy" _Gallia_ for the inauguration of the Royal Albert Hall. During

his stay in London Gounod composed a great deal and wrote a number of

songs to English words, many of which have attained an enduring

popularity, such as "Maid of Athens," "There is a green hill far away,"

"Oh that we two were maying," "The fountain mingles with the river." His

sojourn in London was not altogether pleasant, as he was embroiled in

lawsuits with publishers. On Gounod's return to Paris he hurriedly set

to music an operatic version of Alfred de Vigny's _Cinq-Mars_, which was

given at the Opera Comique on the 5th of April 1877 (and in London in

1900), without obtaining much success. _Polyeucte_, his much-cherished

work, appeared at the Grand Opera the following year on the 7th of

October, and did not meet with a better fate. Neither was Gounod more

fortunate with _Le Tribut de Zamora_, his last opera, which, given on

the same stage in 1881, speedily vanished, never to reappear. In his

later dramatic works he had, unfortunately, made no attempt to keep up

with the times, preferring to revert to old-fashioned methods.

The genius of the great composer was, however, destined to assert itself

in another field--that of sacred music. His friend Camille Saint-Saens,

in a volume entitled _Portraits et Souvenirs_, writes:

Gounod did not cease all his life to write for the church, to

accumulate masses and motetts; but it was at the commencement of his

career, in the _Messe de Sainte Cecile_, and at the end, in the

oratorios _The Redemption and Mors et vita_, that he rose highest.

Saint-Saens, indeed, has formulated the opinion that the three

above-mentioned works will survive all the master's operas. Among the

many masses composed by Gounod at the outset of his career, the best is

the _Messe de Sainte Cecile_, written in 1855. He also wrote the _Messe

du Sacre Coeur_ (1876) and the _Messe a la memoire de Jeanne d'Arc_

(1887). This last work offers certain peculiarities, being written for

solos, chorus, organ, eight trumpets, three trombones, and harps. In

style it has a certain affinity with Palestrina. _The Redemption_, which

seems to have acquired a permanent footing in Great Britain, was

produced at the Birmingham Festival of 1882. It was styled a sacred

trilogy, and was dedicated to Queen Victoria. The score is prefixed by a

commentary written by the composer, in which the scope of the oratorio

is explained. It cannot be said that Gounod has altogether risen to the

magnitude of his task. The music of _The Redemption_ bears the

unmistakable imprint of the composer's hand, and contains many beautiful

thoughts, but the work in its entirety is not exempt from monotony.

_Mors et vita_, a sacred trilogy dedicated to Pope Leo XIII., was also

produced for the first time in Birmingham at the Festival of 1885. This

work is divided into three parts, "Mors," "Judicium," "Vita." The first

consists of a Requiem, the second depicts the Judgment, the third

Eternal Life. Although quite equal, if not superior to _The Redemption_,

_Mors et vita_ has not obtained similar success.

Gounod was a great worker, an indefatigable writer, and it would occupy

too much space to attempt even an incomplete catalogue of his

compositions. Besides the works already mentioned may be named two

symphonies which were played during the 'fifties, but have long since

fallen into neglect. Symphonic music was not Gounod's forte, and the

French master evidently recognized the fact, for he made no further

attempts in this style. The incidental music he wrote to the dramas _Les

Deux Reines_ and _Jeanne d'Arc_ must not be forgotten. He also attempted

to set Moliere's comedy, _Georges Dandin_, to music, keeping to the

original prose. This work has never been brought out. Gounod composed a

large number of songs, many of which are very beautiful. One of the

vocal pieces that have contributed most to his popularity is the

celebrated _Meditation on the First Prelude of Bach_, more widely known

as the _Ave Maria_. The idea of fitting a melody to the Prelude of Bach

was original, and it must be admitted that in this case the experiment

was successful.

Gounod died at St Cloud on the 18th of October 1893. His influence on

French music was immense, though during the last years of the 19th

century it was rather counterbalanced by that of Wagner. Whatever may be

the verdict of posterity, it is unlikely that the quality of

individuality will be denied to Gounod. To be the composer of _Faust_ is

alone a sufficient title to lasting fame. (A. He.)

GOURD, a name given to various plants of the order _Cucurbitaceae_,

especially those belonging to the genus _Cucurbita_, monoecious trailing

herbs of annual duration, with long succulent stems furnished with

tendrils, and large, rough, palmately-lobed leaves; the flowers are

generally large and of a bright yellow or orange colour, the barren ones

with the stamens united; the fertile are followed by the large succulent

fruit that gives the gourds their chief economic value. Many varieties

of _Cucurbita_ are under cultivation in tropical and temperate climates,

especially in southern Asia; but it is extremely difficult to refer them

to definite specific groups, on account of the facility with which they

hybridize; while it is very doubtful whether any of the original forms

now exist in the wild state. Charles Naudin, who made a careful and

interesting series of observations upon this genus, came to the

conclusion that all varieties known in European gardens might be

referred to six original species; probably three, or at most four, have

furnished the edible kinds in ordinary cultivation. Adopting the

specific names usually given to the more familiar forms, the most

important of the gourds, from an economic point of view, is perhaps _C.

maxima_, the _Potiron Jaune_ of the French, the red and yellow gourd of

British gardeners (fig. 6), the spheroidal fruit of which is remarkable

for its enormous size: the colour of the somewhat rough rind varies from

white to bright yellow, while in some kinds it remains green; the fleshy

interior is of a deep yellow or orange tint. This valuable gourd is

grown extensively in southern Asia and Europe. In Turkey and Asia Minor

it yields, at some periods of the year, an important article of diet to

the people; immense quantities are sold in the markets of

Constantinople, where in the winter the heaps of one variety with a

white rind are described as resembling mounds of snowballs. The yellow

kind attains occasionally a weight of upwards of 240 lb. It grows well

in Central Europe and the United States, while in the south of England

it will produce its gigantic fruit in perfection in hot summers. The

yellow flesh of this gourd and its numerous varieties yields a

considerable amount of nutriment, and is the more valuable as the fruit

can be kept, even in warm climates, for a long time. In France and in

the East it is much used in soups and ragouts, while simply boiled it

forms a substitute for other table vegetables; the taste has been

compared to that of a young carrot. In some countries the larger kinds

are employed as cattle food. The seeds yield by expression a large

quantity of a bland oil, which is used for the same purposes as that of

the poppy and olive. The "mammoth" gourds of English and American

gardeners (known in America as squashes) belong to this species. The

pumpkin (summer squash of America) is _Cucurbita Pepo_. Some of the

varieties of _C. maxima_ and Pepo contain a considerable quantity of

sugar, amounting in the sweetest kinds to 4 or 5%, and in the hot plains

of Hungary efforts have been made to make use of them as a commercial

source of sugar. The young shoots of both these large gourds may be

given to cattle, and admit of being eaten as a green vegetable when

boiled. The vegetable marrow is a variety (_ovifera_) of _C. Pepo_. Many

smaller gourds are cultivated in India and other hot climates, and some

have been introduced into English gardens, rather for the beauty of

their fruit and foliage than for their esculent qualities. Among these

is _C. Pepo_ var. _aurantia_, the orange gourd, bearing a spheroidal

fruit, like a large orange in form and colour; in Britain it is

generally too bitter to be palatable, though applied to culinary

purposes in Turkey and the Levant. _C. Pepo_ var. _pyriformis_ and var.

_verrucosa_, the warted gourds, are likewise occasionally eaten,

especially in the immature state; and _C. moschata_ (musk melon) is very

extensively cultivated throughout India by the natives, the yellow flesh

being cooked and eaten.

[Illustration: Photographed from specimens in the British Museum.

Group of Gourds.

1-5. Various forms of bottle gourd, _Lagenaria vulgaris_.

6. Giant gourd, _Cucurbita maxima_.]

The bottle-gourds are placed in a separate genus, _Lagenaria_, chiefly

differing from _Cucurbita_ in the anthers being free instead of

adherent. The bottle-gourd properly so-called, _L. vulgaris_, is a

climbing plant with downy, heart-shaped leaves and beautiful white

flowers: the remarkable fruit (figs. 1-5) first begins to grow in the

form of an elongated cylinder, but gradually widens towards the

extremity, until, when ripe, it resembles a flask with a narrow neck and

large rounded bulb; it sometimes attains a length of 7 ft. When ripe,

the pulp is removed from the neck, and the interior cleared by leaving

water standing in it; the woody rind that remains is used as a bottle:

or the lower part is cut off and cleared out, forming a basin-like

vessel applied to the same domestic purposes as the calabash

(_Crescentia_) of the West Indies: the smaller varieties, divided

lengthwise, form spoons. The ripe fruit is apt to be bitter and

cathartic, but while immature it is eaten by the Arabs and Turks. When

about the size of a small cucumber, it is stuffed with rice and minced

meat, flavoured with pepper, onions, &c., and then boiled, forming a

favourite dish with Eastern epicures. The elongated snake-gourds of

India and China (_Trichosanthes_) are used in curries and stews.

All the true gourds have a tendency to secrete the cathartic principle

_colocynthin_, and in many varieties of _Cucurbita_ and the allied

genera it is often elaborated to such an extent as to render them

unwholesome, or even poisonous. The seeds of several species therefore

possess some anthelmintic properties; those of the common pumpkin are

frequently administered in America as a vermifuge.

The cultivation of gourds began far beyond the dawn of history, and the

esculent species have become so modified by culture that the original

plants from which they have descended can no longer be traced. The

abundance of varieties in India would seem to indicate that part of Asia

as the birthplace of the present edible forms; but some appear to have

been cultivated in all the hotter regions of that continent, and in

North Africa, from the earliest ages, while the Romans were familiar

with at least certain kinds of _Cucurbita_, and with the bottle-gourd.

_Cucurbita Pepo_, the source of many of the American forms, is probably

a native of that continent.

Most of the annual gourds may be grown successfully in Britain. They

are usually raised in hotbeds or under frames, and planted out in rich

soil in the early summer as soon as the nights become warm. The more

ornamental kinds may be trained over trellis-work, a favourite mode of

displaying them in the East; but the situation must be sheltered and

sunny. Even _Lagenaria_ will sometimes produce fine fruit when so

treated in the southern counties.

For an account of these cultivations in England see paper by Mr J. W.

Odell, "Gourds and Cucurbits," in _Journ. Royal Hort. Soc._ xxix. 450

(1904).

GOURGAUD, GASPAR, BARON (1783-1852), French soldier, was born at

Versailles on the 14th of September 1783; his father was a musician of

the royal chapel. At school he showed talent in mathematical studies and

accordingly entered the artillery. In 1802 he became junior lieutenant,

and thereafter served with credit in the campaigns of 1803-1805, being

wounded at Austerlitz. He was present at the siege of Saragossa in 1808,

but returned to service in Central Europe and took part in nearly all

the battles of the Danubian campaign of 1809. In 1811 he was chosen to

inspect and report on the fortifications of Danzig. Thereafter he became

one of the ordnance officers attached to the emperor, whom he followed

closely through the Russian campaign of 1812; he was one of the first to

enter the Kremlin and discovered there a quantity of gunpowder which

might have been used for the destruction of Napoleon. For his services

in this campaign he received the title of baron, and became first

ordnance officer. In the campaign of 1813 in Saxony he further evinced

his courage and prowess, especially at Leipzig and Hanau; but it was in

the first battle of 1814, near to Brienne, that he rendered the most

signal service by killing the leader of a small band of Cossacks who

were riding furiously towards Napoleon's tent. Wounded at the battle of

Montmirail, he yet recovered in time to share in several of the

conflicts which followed, distinguishing himself especially at Laon and

Reims. Though enrolled among the royal guards of Louis XVIII. in the

summer of 1814, he yet embraced the cause of Napoleon during the Hundred

Days (1815), was named general and aide-de-camp by the emperor, and

fought at Waterloo.

After the second abdication of the emperor (June 22nd, 1815) Gourgaud

retired with him and a few other companions to Rochefort. It was to him

that Napoleon entrusted the letter of appeal to the prince regent for an

asylum in England. Gourgaud set off in H.M.S. "Slaney," but was not

allowed to land in England. He determined to share Napoleon's exile and

sailed with him on H.M.S. "Northumberland" to St Helena. The ship's

secretary, John R. Glover, has left an entertaining account of some of

Gourgaud's gasconnades at table. His extreme sensitiveness and vanity

soon brought him into collision with Las Cases and Montholon at

Longwood. The former he styles in his journal a "Jesuit" and a scribbler

who went thither in order to become famous. With Montholon, his senior

in rank, the friction became so acute that he challenged him to a duel,

for which he suffered a sharp rebuke from Napoleon. Tiring of the life

at Longwood and the many slights which he suffered from Napoleon, he

desired to depart, but before he could sail he spent two months with

Colonel Basil Jackson, whose account of him throws much light on his

character, as also on the "policy" adopted by the exiles at Longwood. In

England he was gained over by members of the Opposition and thereafter

made common cause with O'Meara and other detractors of Sir Hudson Lowe,

for whose character he had expressed high esteem to Basil Jackson. He

soon published his _Campagne de 1815_, in the preparation of which he

had had some help from Napoleon; but Gourgaud's _Journal de Ste-Helene_

was not destined to be published till the year 1899. Entering the arena

of letters, he wrote, or collaborated in, two well-known critiques. The

first was a censure of Count P. de Segur's work on the campaign of 1812,

with the result that he fought a duel with that officer and wounded him.

He also sharply criticized Sir Walter Scott's _Life of Napoleon_. He

returned to active service in the army in 1830; and in 1840 proceeded

with others to St Helena to bring back the remains of Napoleon to

France. He became a deputy to the Legislative Assembly in 1849; he died

in 1852.

Gourgaud's works are _La Campagne de 1815_ (London and Paris, 1818);

_Napoleon et la Grande Armee en Russie; examen critique de l'ouvrage

de M. le comte P. de Segur_ (Paris, 1824); _Refutation de la vie de

Napoleon par Sir Walter Scott_ (Paris, 1827). He collaborated with

Montholon in the work entitled _Memoires pour servir a l'histoire de

France sous Napoleon_ (Paris, 1822-1823), and with Belliard and others

in the work entitled _Bourrienne et ses erreurs_ (2 vols., Paris,

1830); but his most important work is the _Journal inedit de

Ste-Helene_ (2 vols., Paris, 1899), which is a remarkably naif and

life-like record of the life at Longwood. See, too, _Notes and

Reminiscences of a Staff Officer_, by Basil Jackson (London, 1904),

and the bibliography to the article LOWE, SIR HUDSON. (J. Hl. R.)

GOURKO, JOSEPH VLADIMIROVICH, COUNT (1828-1901), Russian general, was

born, of Lithuanian extraction, on the 15th of November 1828. He was

educated in the imperial corps of pages, entered the hussars of the

imperial bodyguard as sub-lieutenant in 1846, became captain in 1857,

adjutant to the emperor in 1860, colonel in 1861, commander of the 4th

Hussar regiment of Mariupol in 1866, and major-general of the emperor's

suite in 1867. He subsequently commanded the grenadier regiment, and in

1873 the 1st brigade, 2nd division, of the cavalry of the guard.

Although he took part in the Crimean War, being stationed at Belbek, his

claim to distinction is due to his services in the Turkish war of 1877.

He led the van of the Russian invasion, took Trnovo on the 7th July,

crossed the Balkans by the Hain Bogaz pass, debouching near Hainkioi,

and, notwithstanding considerable resistance, captured Uflani, Maglish

and Kazanlyk; on the 18th of July he attacked Shipka, which was

evacuated by the Turks on the following day. Thus within sixteen days of

crossing the Danube Gourko had secured three Balkan passes and created a

panic at Constantinople. He then made a series of successful

reconnaissances of the Tunja valley, cut the railway in two places,

occupied Stara Zagora (Turkish, Eski Zagra) and Nova Zagora (Yeni

Zagra), checked the advance of Suleiman's army, and returned again over

the Balkans. In October he was appointed commander of the allied

cavalry, and attacked the Plevna line of communication to Orkhanie with

a large mixed force, captured Gorni-Dubnik, Telische and Vratza, and, in

the middle of November, Orkhanie itself. Plevna was isolated, and after

its fall in December Gourko led the way amidst snow and ice over the

Balkans to the fertile valley beyond, totally defeated Suleiman, and

occupied Sophia, Philippopolis and Adrianople, the armistice at the end

of January 1878 stopping further operations (see RUSSO-TURKISH WARS).

Gourko was made a count, and decorated with the 2nd class of St George

and other orders. In 1879-1880 he was governor of St Petersburg, and

from 1883 to 1894 governor-general of Poland. He died on the 29th of

January 1901.

GOURMET, a French term for one who takes a refined and critical, or even

merely theoretical pleasure in good cooking and the delights of the

table. The word has not the disparaging sense attached to the Fr.

_gourmand_, to whom the practical pleasure of good eating is the chief

end. The O. Fr. _groumet_ or _gromet_ meant a servant, or shop-boy,

especially one employed in a wine-seller's shop, hence an expert taster

of wines, from which the modern usage has developed. The etymology of

gourmet is obscure; it may be ultimately connected with the English

"groom" (q.v.). The origin of _gourmand_ is unknown. In English, in the

form "grummet," the word was early applied to a cabin or ship's boy.

Ships of the Cinque Ports were obliged to carry one "grummet"; thus in a

charter of 1229 (quoted in the _New English Dictionary_) it is laid down

_servitia inde debita Domino Regi, xxi. naves, et in qualibet nave xxi.

homines, cum uno gartione qui dicitur gromet_.

GOUROCK, a police burgh and watering-place of Renfrewshire, Scotland, on

the southern shore of the Firth of Clyde, 3-1/4 m. W. by N. of Greenock

by the Caledonian railway. Pop. (1901) 5261. It is partly situated on a

fine bay affording good anchorage, for which it is largely resorted to

by the numerous yacht clubs of the Clyde. The extension of the railway

from Greenock (in 1889) to the commodious pier, with a tunnel 1-1/3 m.

long, the longest in Scotland, affords great facilities for travel to

the ports of the Firth, the sea lochs on the southern Highland coast and

the Crinan Canal. The eminence called Barrhill (480 ft. high) divides

the town into two parts, the eastern known as Kempoch, the western as

Ashton. Near Kempoch point is a monolith of mica-schist, 6 ft. high,

called "Granny Kempoch," which the superstitious of other days regarded

as possessing influence over the winds, and which was the scene, in

1662, of certain rites that led to the celebrants being burned as

witches. Gamble Institute (named after the founder) contains halls,

recreation rooms, a public library and baths. It is said that Gourock

was the first place on the Clyde where herrings were cured. There is

tramway communication with Greenock and Ashton. About 3 m. S.W. there

stands on the shore the familiar beacon of the Cloch. Gourock became a

burgh of barony in 1694.

GOURVILLE, JEAN HERAULD (1625-1703), French adventurer, was born at La

Rochefoucauld. At the age of eighteen he entered the house of La

Rochefoucauld as a servant, and in 1646 became secretary to Francois de

la Rochefoucauld, author of the _Maximes_. Resourceful and quick-witted,

he rendered services to his master during the Fronde, in his intrigues

with the parliament, the court or the princes. In these negotiations he

made the acquaintance of Conde, whom he wished to help to escape from

the chateau of Vincennes; of Mazarin, for whom he negotiated the

reconciliation with the princes; and of Nicolas Fouquet. After the

Fronde he engaged in financial affairs, thanks to Fouquet. In 1658 he

farmed the _taille_ in Guienne. He bought depreciated _rentes_ and had

them raised to their nominal value by the treasury; he extorted gifts

from the financiers for his protection, being Fouquet's confidant in

many operations of which he shared the profits. In three years he

accumulated an enormous fortune, still further increased by his

unfailing good fortune at cards, playing even with the king. He was

involved in the trial of Fouquet, and in April 1663 was condemned to

death for peculation and embezzlement of public funds; but escaping, was

executed in effigy. He sent a valet one night to take the effigy down

from the gallows in the court of the Palais de Justice, and then fled

the country. He remained five years abroad, being excepted in 1665 from

the amnesty accorded by Louis XIV. to the condemned financiers. Having

returned secretly to France, he entered the service of Conde, who,

unable to meet his creditors, had need of a clever manager to put his

affairs in order. In this way he was able to reappear at court, to

assist at the campaigns of the war with Holland, and to offer himself

for all the delicate negotiations for his master or the king. He

received diplomatic missions in Germany, in Holland, and especially in

Spain, though it was only in 1694, that he was freed from the

condemnation pronounced against him by the chamber of justice. From 1696

he fell ill and withdrew to his estate, where he dictated to his

secretary, in four months and a half, his _Memoires_, an important

source for the history of his time. In spite of several errors,

introduced purposely, they give a clear idea of the life and morals of a

financier of the age of Fouquet, and throw light on certain points of

the diplomatic history. They were first published in 1724.

There is a modern edition, with notes, an introduction and appendix,

by Lecestre (Paris, 1894-1895, 2 vols.).

GOUT, the name rather vaguely given, in medicine, to a constitutional

disorder which manifests itself by inflammation of the joints, with

sometimes deposition of urates of soda, and also by morbid changes in

various important organs. The term gout, which was first used about the

end of the 13th century, is derived through the Fr. _goutte_ from the

Lat. _gutta_, a drop, in allusion to the old pathological doctrine of

the dropping of a morbid material from the blood within the joints. The

disease was known and described by the ancient Greek physicians under

various terms, which, however, appear to have been applied by them alike

to rheumatism and gout. The general term _arthritis_ ([Greek: arthron],

a joint) was employed when many joints were the seat of inflammation;

while in those instances where the disease was limited to one part the

terms used bore reference to such locality; hence _podagra_ ([Greek:

podagra], from [Greek: pous], the foot, and [Greek: hagra], a seizure),

_chiragra_ ([Greek: cheir], the hand), _gonagra_ ([Greek: gonu], the

knee), &c.

Hippocrates in his _Aphorisms_ speaks of gout as occurring most commonly

in spring and autumn, and mentions the fact that women are less liable

to it than men. He also gives directions as to treatment. Celsus gives a

similar account of the disease. Galen regarded gout as an unnatural

accumulation of humours in a part, and the chalk-stones as the

concretions of these, and he attributed the disease to over-indulgence

and luxury. Gout is alluded to in the works of Ovid and Pliny, and

Seneca, in his 95th epistle, mentions the prevalence of gout among the

Roman ladies of his day as one of the results of their high living and

debauchery. Lucian, in his _Tragopodagra_, gives an amusing account of

the remedies employed for the cure of gout.

In all times this disease has engaged a large share of the attention of

physicians, from its wide prevalence and from the amount of suffering

which it entails. Sydenham, the famous English physician of the 17th

century, wrote an important treatise on the subject, and his description

of the gouty paroxysm, all the more vivid from his having himself been

afflicted with the disease for thirty-four years, is still quoted by

writers as the most graphic and exhaustive account of the symptomatology

of gout. Subsequently Cullen, recognizing gout as capable of manifesting

itself in various ways, divided the disease into _regular gout_, which

affects the joints only, and _irregular gout_, where the gouty

disposition exhibits itself in other forms; and the latter variety he

subdivided into _atonic gout_, where the most prominent symptoms are

throughout referable to the stomach and alimentary canal; _retrocedent

gout_, where the inflammatory attack suddenly disappears from an

affected joint and serious disturbance takes place in some internal

organ, generally the stomach or heart; and _misplaced gout_, where from

the first the disease does not appear externally, but reveals itself by

an inflammatory attack of some internal part. Dr Garrod, one of the most

eminent authorities on gout, adopted a division somewhat similar to,

though simpler than that of Cullen, namely, _regular gout_, which

affects the joints alone, and is either acute or chronic, and _irregular

gout_, affecting non-articular tissues, or disturbing the functions of

various organs.

It is often stated that the attack of gout comes on without any previous

warning; but, while this is true in many instances, the reverse is

probably as frequently the case, and the premonitory symptoms,

especially in those who have previously suffered from the disease, may

be sufficiently precise to indicate the impending seizure. Among the

more common of these may be mentioned marked disorders of the digestive

organs, with a feeble and capricious appetite, flatulence and pain after

eating, and uneasiness in the right side in the region of the liver. A

remarkable tendency to gnashing of the teeth is sometimes observed. This

symptom was first noticed by Dr Graves, who connected it with irritation

in the urinary organs, which also is present as one of the premonitory

indications of the gouty attack. Various forms of nervous disturbance

also present themselves in the form of general discomfort, extreme

irritability of temper, and various perverted sensations, such as that

of numbness and coldness in the limbs. These symptoms may persist for

many days and then undergo amelioration immediately before the impending

paroxysm. On the night of the attack the patient retires to rest

apparently well, but about two or three o'clock in the morning awakes

with a painful feeling in the foot, most commonly in the ball of the

great toe, but it may be in the instep or heel, or in the thumb. With

the pain there often occurs a distinct shivering followed by

feverishness. The pain soon becomes of the most agonizing character: in

the words of Sydenham, "now it is a violent stretching and tearing of

the ligaments, now it is a gnawing pain, and now a pressure and

tightening; so exquisite and lively meanwhile is the part affected that

it cannot bear the weight of the bedclothes, nor the jar of a person

walking in the room."

When the affected part is examined it is found to be swollen and of a

deep red hue. The superjacent skin is tense and glistening, and the

surrounding veins are more or less distended. After a few hours there is

a remission of the pain, slight perspiration takes place, and the

patient may fall asleep. The pain may continue moderate during the day

but returns as night advances, and the patient goes through a similar

experience of suffering to that of the previous night, followed with a

like abatement towards morning. These nocturnal exacerbations occur with

greater or less severity during the continuance of the attack, which

generally lasts for a week or ten days. As the symptoms decline the

swelling and tenderness of the affected joint abate, but the skin over

it pits on pressure for a time, and with this there is often associated

slight desquamation of the cuticle. During the attacks there is much

constitutional disturbance. The patient is restless and extremely

irritable, and suffers from cramp in the limbs and from dyspepsia,

thirst and constipation. The urine is scanty and high-coloured, with a

copious deposit, consisting chiefly of urates. During the continuance of

the symptoms the inflammation may leave the one foot and affect the

other, or both may suffer at the same time. After the attack is over the

patient feels quite well and fancies himself better than he had been for

a long time before; hence the once popular notion that a fit of the gout

was capable of removing all other ailments. Any such idea, however, is

sadly belied in the experience of most sufferers from this disease. It

is rare that the first is the only attack of gout, and another is apt to

occur within a year, although by care and treatment it may be warded

off. The disease, however, undoubtedly tends to take a firmer hold on

the constitution and to return. In the earlier recurrences the same

joints as were formerly the seat of the gouty inflammation suffer again,

but in course of time others become implicated, until in advanced cases

scarcely any articulation escapes, and the disease thus becomes chronic.

It is to be noticed that when gout assumes this form the frequently

recurring attacks are usually attended with less pain than the earlier

ones, but their disastrous effects are evidenced alike by the

disturbance of various important organs, especially the stomach, liver,

kidneys and heart, and by the remarkable changes which take place in the

joints from the formation of the so-called chalk-stones or tophi. These

deposits, which are highly characteristic of gout, appear at first to

take place in the form of a semifluid material, consisting for the most

part of urate of soda, which gradually becomes more dense, and

ultimately quite hard. When any quantity of this is deposited in the

structures of a joint the effect is to produce stiffening, and, as

deposits appear to take place to a greater or less amount in connexion

with every attack, permanent thickening and deformity of the parts is

apt to be the consequence. The extent of this depends, of course, on the

amount of the deposits, which, however, would seem to be in no necessary

relation to the severity of the attack, being in some cases even of

chronic gout so slight as to be barely appreciable externally, but on

the other hand occasionally causing great enlargement of the joints, and

fixing them in a flexed or extended position which renders them entirely

useless. Dr Garrod describes the appearance of a hand in an extreme case

of this kind, and likens its shape to a bundle of French carrots with

their heads forward, the nails corresponding to the stalks. Any of the

joints may be thus affected, but most commonly those of the hands and

feet. The deposits take place in other structures besides those of

joints, such as along the course of tendons, underneath the skin and

periosteum, in the sclerotic coat of the eye, and especially on the

cartilages of the external ear. When largely deposited in joints an

abscess sometimes forms, the skin gives way, and the concretion is

exposed. Sir Thomas Watson quotes a case of this kind where the patient

when playing at cards was accustomed to chalk the score of the game upon

the table with his gouty knuckles.

The recognition of what is termed irregular gout is less easy than that

form above described, where the disease gives abundant external evidence

of its presence; but that other parts than joints suffer from gouty

attacks is beyond question. The diagnosis may often be made in cases

where in an attack of ordinary gout the disease suddenly leaves the

affected joints and some new series of symptoms arises. It has been

often observed when cold has been applied to an inflamed joint that the

pain and inflammation in the part ceased, but that some sudden and

alarming seizure referable to the stomach, brain, heart or lungs

supervened. Such attacks, which correspond to what is termed by Cullen

retrocedent gout, often terminate favourably, more especially if the

disease again returns to the joints. Further, the gouty nature of some

long-continued internal or cutaneous disorder may be rendered apparent

by its disappearance on the outbreak of the paroxysm in the joints.

Gout, when of long standing, is often found associated with degenerative

changes in the heart and large arteries, the liver, and especially the

kidneys, which are apt to assume the contracted granular condition

characteristic of one of the forms of Bright's disease. A variety of

urinary calculus--the uric acid--formed by concretions of this substance

in the kidneys is a not unfrequent occurrence in connexion with gout;

hence the well-known association of this disease and gravel.

The pathology of gout is discussed in the article on METABOLIC DISEASES.

Many points, however, still remain unexplained. As remarked by

Trousseau, "the production in excess of uric acid and urates is a

pathological phenomenon inherent like all others in the disease; and

like all the others it is dominated by a specific cause, which we know

only by its effects, and which we term the gouty diathesis." This

subject of diathesis (habit, or organic predisposition of individuals),

which is regarded as an essential element in the pathology of gout,

naturally suggests the question as to whether, besides being inherited,

such a peculiarity may also be acquired, and this leads to a

consideration of the causes which are recognized as influential in

favouring the occurrence of this disease.

It is beyond dispute that gout is in a marked degree hereditary, fully

more than half the number of cases being, according to Sir C. Scudamore

and Dr Garrod, of this character. But it is no less certain that there

are habits and modes of life the observance of which may induce the

disease even where no hereditary tendencies can be traced, and the

avoidance of which may, on the other hand, go far towards weakening or

neutralizing the influence of inherited liability. Gout is said to

affect the sedentary more readily than the active. If, however,

inadequate exercise be combined with a luxurious manner of living, with

habitual over-indulgence in animal food and rich dishes, and especially

in alcoholic beverages, then undoubtedly the chief factors in the

production of the disease are present.

Much has been written upon the relative influence of various forms of

alcoholic drinks in promoting the development of gout. It is generally

stated that fermented are more injurious than distilled liquors, and

that, in particular, the stronger wines, such as port, sherry and

madeira, are much more potent in their gout-producing action than the

lighter class of wines, such as hock, moselle, &c., while malt liquors

are fully as hurtful as strong wines. It seems quite as probable,

however, that over-indulgence in any form of alcohol, when associated

with the other conditions already adverted to, will have very much the

same effect in developing gout. The comparative absence of gout in

countries where spirituous liquors are chiefly used, such as Scotland,

is cited as showing their relatively slight effect in encouraging that

disease; but it is to be noticed that in such countries there is on the

whole a less marked tendency to excess in the other pleasures of the

table, which in no degree less than alcohol are chargeable with inducing

the gouty habit. Gout is not a common disease among the poor and

labouring classes, and when it does occur may often be connected even in

them with errors in living. It is not very rare to meet gout in butlers,

coachmen, &c., who are apt to live luxuriously while leading

comparatively easy lives.

Gout, it must ever be borne in mind, may also affect persons who observe

the strictest temperance in living, and whose only excesses are in the

direction of over-work, either physical or intellectual. Many of the

great names in history in all times have had their existence embittered

by this malady, and have died from its effects. The influence of

hereditary tendency may often be traced in such instances, and is

doubtless called into activity by the depressing consequences of

over-work. It may, notwithstanding, be affirmed as generally true that

those who lead regular lives, and are moderate in the use of animal food

and alcoholic drinks, or still better abstain from the latter

altogether, are less likely to be the victims of gout even where an

undoubted inherited tendency exists.

Gout is more common in mature age than in the earlier years of life, the

greatest number of cases in one decennial period being between the ages

of thirty and forty, next between twenty and thirty, and thirdly between

forty and fifty. It may occasionally affect very young persons; such

cases are generally regarded as hereditary, but, so far as diet is

concerned, it has to be remembered that their home life has probably

been a predisposing cause. After middle life gout rarely appears for the

first time. Women are much less the subjects of gout than men,

apparently from their less exposure to the influences (excepting, of

course, that of heredity) which tend to develop the disease, and

doubtless also from the differing circumstances of their physical

constitution. It most frequently appears in females after the cessation

of the menses. Persons exposed to the influence of lead poisoning, such

as plumbers, painters, &c., are apt to suffer from gout; and it would

seem that impregnation of the system with this metal markedly interferes

with the uric acid excreting function of the kidneys.

Attacks of gout are readily excited in those predisposed to the disease.

Exposure to cold, disorders of digestion, fatigue, and irritation or

injuries of particular joints will often precipitate the gouty paroxysm.

With respect to the treatment of gout the greatest variety of opinion

has prevailed and practice been pursued, from the numerous quaint

nostrums detailed by Lucian to the "expectant" or do-nothing system

recommended by Sydenham. But gout, although, as has been shown, a malady

of a most severe and intractable character, may nevertheless be

successfully dealt with by appropriate medicinal and hygienic measures.

The general plan of treatment can be here only briefly indicated. During

the acute attack the affected part should be kept at perfect rest, and

have applied to it warm opiate fomentations or poultices, or, what

answers quite as well, be enveloped in cotton wool covered in with oil

silk. The diet of the patient should be light, without animal food or

stimulants. The administration of some simple laxative will be of

service, as well as the free use of alkaline diuretics, such as the

bicarbonate or acetate of potash. The medicinal agent most relied on for

the relief of pain is colchicum, which manifestly exercises a powerful

action on the disease. This drug (_Colchicum autumnale_), which is

believed to correspond to the hermodactyl of the ancients, has proved of

such efficacy in modifying the attacks that, as observed by Dr Garrod,

"we may safely assert that colchicum possesses as specific a control

over the gouty inflammation as cinchona barks or their alkaloids over

intermittent fever." It is usually administered in the form of the wine

in doses of 10 to 30 drops every four or six hours, or in pill as the

acetous extract (gr. 1/2-gr. i.). The effect of colchicum in subduing the

pain of gout is generally so prompt and marked that it is unnecessary to

have recourse to opiates; but its action requires to be carefully

watched by the physician from its well-known nauseating and depressing

consequences, which, should they appear, render the suspension of the

drug necessary. Otherwise the remedy may be continued in gradually

diminishing doses for some days after the disappearance of the gouty

inflammation. Should gout give evidence of its presence in an irregular

form by attacking internal organs, besides the medicinal treatment above

mentioned, the use of frictions and mustard applications to the joints

is indicated with the view of exciting its appearance there. When gout

has become chronic, colchicum, although of less service than in acute

gout, is yet valuable, particularly when the inflammatory attacks recur.

More benefit, however, appears to be derived from potassium iodide,

guaiacum, the alkalis potash and lithia, and from the administration of

aspirin and sodium salicylate. Salicylate of menthol is an effective

local application, painted on and covered with a gutta-percha bandage.

Lithia was strongly recommended by Dr Garrod from its solvent action

upon the urates. It is usually administered in the form of the carbonate

(gr. v., freely diluted).

The treatment and regimen to be employed in the intervals of the gouty

attacks are of the highest importance. These bear reference for the most

part to the habits and mode of life of the patient. Restriction must be

laid upon the amount and quality of the food, and equally, or still

more, upon the alcoholic stimulants. "The instances," says Sir Thomas

Watson, "are not few of men of good sense, and masters of themselves,

who, being warned by one visitation of the gout, have thenceforward

resolutely abstained from rich living and from wine and strong drinks of

all kinds, and who have been rewarded for their prudence and self-denial

by complete immunity from any return of the disease, or upon whom, at

any rate, its future assaults have been few and feeble." The same

eminent authority adds: "I am sure it is worth any _young_ man's while,

who has had the gout, to become a teetotaller." By those more advanced

in life who, from long continued habit, are unable entirely to

relinquish the use of stimulants, the strictest possible temperance must

be observed. Regular but moderate exercise in the form of walking or

riding, in the case of those who lead sedentary lives, is of great

advantage, and all over-work, either physical or mental, should be

avoided. _Fatiguez la bete, et reposez la tete_ is the maxim of an

experienced French doctor (Dr Debout d'Estrees of Contrexeville).

Unfortunately the complete carrying out of such directions, even by

those who feel their importance, is too often rendered difficult or

impossible by circumstances of occupation and otherwise, and at most

only an approximation can be made. Certain mineral waters and baths

(such as those of Vichy, Royat, Contrexeville, &c.) are of undoubted

value in cases of gout and arthritis. The particular place must in each

case be determined by the physician, and special caution must be

observed in recommending this plan of treatment in persons whose gout is

complicated by organic disease of any kind.

Dr Alexander Haig's "uric acid free diet" has found many adherents.

His view as regards the pathology is that in gouty persons the blood

is less alkaline than in normal, and therefore less able to hold in

solution uric acid or its salts, which are retained in the joints.

Assuming gout to be a poisoning by animal food (meat, fish, eggs), and

by tea, coffee, cocoa and other vegetable alkaloid-containing

substances, he recommends an average daily diet excluding these, and

containing 24 oz. of breadstuffs (toast, bread, biscuits and puddings)

together with 24 oz. of fruit and vegetables (excluding peas, beans,

lentils, mushrooms and asparagus); 8 oz. of the breadstuffs may be

replaced by 21 oz. of milk or 2 oz. of cheese, butter and oil being

taken as required, so that it is not strictly a vegetarian diet.

Precisely the opposite view as to diet has recently been put forward

by Professor A. Robin of the Hopital Beaujon, who says serious

mistakes are made in ordering patients to abstain from red meats and

take light food, fish, eggs, &c. The common object in view is the

diminished output of uric acid. This output is chiefly obtained from

food rich in nucleins and in collagenous matters, i.e. young white

meats, eggs, &c. Consequently the gouty subject ought to restrict

himself to the consumption of red meat, beef and mutton, and leave out

of his dietary all white meat and internal organs. He should take

little hydrocarbons and sugars, and be moderate in fats. Vegetarian

diet he regards as a mistake, likewise milk diet, as they tend to

weaken the patient. To prevent the formation of uric acid Robin

prescribes quinic acid combined with formine or urotropine.

GOUTHIERE, PIERRE (1740-1806), French metal worker, was born at Troyes

and went to Paris at an early age as the pupil of Martin Cour. During

his brilliant career he executed a vast quantity of metal work of the

utmost variety, the best of which was unsurpassed by any of his rivals

in that great art period. It was long believed that he received many

commissions for furniture from the court of Louis XVI., and especially

from Marie Antoinette, but recent searches suggest that his work for the

queen was confined to bronzes. Gouthiere can, however, well bear this

loss, nor will his reputation suffer should those critics ultimately be

justified who believe that many of the furniture mounts attributed to

him were from the hand of Thomire. But if he did not work for the court

he unquestionably produced many of the most splendid belongings of the

duc d'Aumont, the duchesse de Mazarin and Mme du Barry. Indeed the

custom of the beautiful mistress of Louis XV. brought about the

financial ruin of the great artist, who accomplished more than any other

man for the fame of her chateau of Louveciennes. When the collection of

the duc d'Aumont was sold by auction in Paris in 1782 so many objects

mounted by Gouthiere were bought for Louis XVI. and Marie Antoinette

that it is not difficult to perceive the basis of the belief that they

were actually made for the court. The duc's sale catalogue is, however,

in existence, with the names of the purchasers and the prices realized.

The auction was almost an apotheosis of Gouthiere. The precious lacquer

cabinets, the chandeliers and candelabra, the tables and cabinets in

marquetry, the columns and vases in porphyry, jasper and choice marbles,

the porcelains of China and Japan were nearly all mounted in bronze by

him. More than fifty of these pieces bore Gouthiere's signature. The duc

d'Aumont's cabinet represented the high-water mark of the chaser's art,

and the great prices which were paid for Gouthiere's work at this sale

are the most conclusive criterion of the value set upon his achievement

in his own day. Thus Marie Antoinette paid 12,000 livres for a red

jasper bowl or _brule-parfums_ mounted by him, which was then already

famous. Curiously enough it commanded only one-tenth of that price at

the Fournier sale in 1831; but in 1865, when the marquis of Hertford

bought it at the prince de Beauvais's sale, it fetched 31,900 francs. It

is now in the Wallace Collection, which contains the finest and most

representative gathering of Gouthiere's undoubted work. The mounts of

gilt bronze, cast and elaborately chased, show satyrs' heads, from which

hang festoons of vine leaves, while within the feet a serpent is coiled

to spring. A smaller cup is one of the treasures of the Louvre. There

too is a bronze clock, signed by "Gouthiere, _cizileur et doreur du Roy

a Paris_," dated 1771, with a river god, a water nymph symbolizing the

Rhone and its tributary the Durance, and a female figure typifying the

city of Avignon. Not all of Gouthiere's work is of the highest quality,

and much of what he executed was from the designs of others. At his best

his delicacy, refinement and finish are exceedingly delightful--in his

great moments he ranks with the highest alike as artist and as

craftsman. The tone of soft dead gold which is found on some of his

mounts he is believed to have invented, but indeed the gilding of all

his superlative work possesses a remarkable quality. This charm of tone

is admirably seen in the bronzes and candelabra which he executed for

the chimney-piece of Marie Antoinette's boudoir at Fontainebleau. He

continued to embellish Louveciennes for Madame du Barry until the

Revolution, and then the guillotine came for her and absolute ruin for

him. When her property was seized she owed him 756,000 livres, of which

he never received a sol, despite repeated applications to the

administrators. "_Reduit a solliciter une place a l'hospice, il mourut

dans la misere._" So it was stated in a lawsuit brought by his sons

against du Barry's heirs.

GOUVION SAINT-CYR, LAURENT, MARQUIS DE (1764-1830), French marshal, was

born at Toul on the 13th of April 1764. At the age of eighteen he went

to Rome with the view of prosecuting the study of painting, but although

he continued his artistic studies after his return to Paris in 1784 he

never definitely adopted the profession of a painter. In 1792 he was

chosen a captain in a volunteer battalion, and served on the staff of

General Custine. Promotion rapidly followed, and in the course of two

years he had become a general of division. In 1796 he commanded the

centre division of Moreau's army in the campaign of the Rhine, and by

coolness and sagacity greatly aided him in the celebrated retreat from

Bavaria to the Rhine. In 1798 he succeeded Massena in the command of the

army of Italy. In the following year he commanded the left wing of

Jourdan's army in Germany; but when Jourdan was succeeded by Massena, he

joined the army of Moreau in Italy, where he distinguished himself in

face of the great difficulties that followed the defeat of Novi. When

Moreau, in 1800, was appointed to the command of the army of the Rhine,

Gouvion St-Cyr was named his principal lieutenant, and on the 9th of May

gained a victory over General Kray at Biberach. He was not, however, on

good terms with his commander and retired to France after the first

operations of the campaign. In 1801 he was sent to Spain to command the

army intended for the invasion of Portugal, and was named grand officer

of the Legion of Honour. When a treaty of peace was shortly afterwards

concluded with Portugal, he succeeded Lucien Bonaparte as ambassador at

Madrid. In 1803 he was appointed to the command of an army corps in

Italy, in 1805 he served with distinction under Massena, and in 1806 was

engaged in the campaign in southern Italy. He took part in the Prussian

and Polish campaigns of 1807, and in 1808, in which year he was made a

count, he commanded an army corps in Catalonia; but, not wishing to

comply with certain orders he received from Paris (for which see Oman,

_Peninsular War_, vol. iii.), he resigned his command and remained in

disgrace till 1811. He was still a general of division, having been

excluded from the first list of marshals owing to his action in refusing

to influence the troops in favour of the establishment of the Empire. On

the opening of the Russian campaign he received command of an army

corps, and on the 18th of August 1812 obtained a victory over the

Russians at Polotsk, in recognition of which he was created a marshal of

France. He received a severe wound in one of the actions during the

general retreat. St-Cyr distinguished himself at the battle of Dresden

(August 26-27, 1813), and in the defence of that place against the

Allies after the battle of Leipzig, capitulating only on the 11th of

November, when Napoleon had retreated to the Rhine. On the restoration

of the Bourbons he was created a peer of France, and in July 1815 was

appointed war minister, but resigned his office in the November

following. In June 1817 he was appointed minister of marine, and in

September following again resumed the duties of war minister, which he

continued to discharge till November 1819. During this time he effected

many reforms, particularly in respect of measures tending to make the

army a national rather than a dynastic force. He exerted himself also to

safeguard the rights of the old soldiers of the Empire, organized the

general staff and revised the code of military law and the pension

regulations. He was made a marquess in 1817. He died at Hyeres (Var) on

the 17th of March 1830. Gouvion St-Cyr would doubtless have obtained

better opportunities of acquiring distinction had he shown himself more

blindly devoted to the interests of Napoleon, but Napoleon paid him the

high compliment of referring to his "military genius," and entrusted him

with independent commands in secondary theatres of war. It is doubtful,

however, if he possessed energy commensurate with his skill, and in

Napoleon's modern conception of war, as three parts moral to one

technical, there was more need for the services of a bold leader of

troops whose "doctrine"--to use the modern phrase--predisposed him to

self-sacrificing and vigorous action, than for a _savant_ in the art of

war of the type of St-Cyr. Contemporary opinion, as reflected by Marbot,

did justice to his "commanding talents," but remarked the indolence

which was the outward sign of the vague complexity of a mind that had

passed beyond the simplicity of mediocrity without attaining the

simplicity of genius.

He was the author of the following works, all of the highest value:

_Journal des operations de l'armee de Catalogne en 1808 et 1809_

(Paris, 1821); _Memoires sur les campagnes des armees de Rhin et de

Rhin-et-Moselle de 1794 a 1797_ (Paris, 1829); and _Memoires pour

servir a l'histoire militaire sous le Directoire, le Consulat, et

l'Empire_ (1831).

See Gay de Vernon's _Vie de Gouvion Saint-Cyr_ (1857).

GOVAN, a municipal and police burgh of Lanarkshire, Scotland. It lies on

the south bank of the Clyde in actual contact with Glasgow, and in a

parish of the same name which includes a large part of the city on both

sides of the river. Pop. (1891) 61,589; (1901) 76,532. Govan remained

little more than a village till 1860, when the growth of shipbuilding

and allied trades gave its development an enormous impetus. Among its

public buildings are the municipal chambers, combination fever hospital,

Samaritan hospital and reception houses for the poor. Elder Park (40

acres) presented to the burgh in 1885 contains a statue of John Elder

(1824-1869), the pioneer shipbuilder, the husband of the donor. A statue

of Sir William Pearce (1833-1888), another well-known Govan shipbuilder,

once M.P. for the burgh, stands at Govan Cross. The Govan lunacy board

opened in 1896 an asylum near Paisley. Govan is supplied with Glasgow

gas and water, and its tramways are leased by the Glasgow corporation;

but it has an electric light installation of its own, and performs all

other municipal functions quite independently of the city, annexation to

which it has always strenuously resisted. Prince's Dock lies within its

bounds and the shipbuilding yards have turned out many famous ironclads

and liners. Besides shipbuilding its other industries are match-making,

silk-weaving, hair-working, copper-working, tube-making, weaving, and

the manufacture of locomotives and electrical apparatus. The town forms

the greater part of the Govan division of Lanarkshire, which returns one

member to parliament.

GOVERNMENT (O. Fr. _governement_, mod. _gouvernement_, O. Fr.

_governer_, mod. _gouverner_, from Lat. _gubernare_, to steer a ship,

guide, rule; cf. Gr. [Greek: kubernan]), in its widest sense, the ruling

power in a political society. In every society of men there is a

determinate body (whether consisting of one individual or a few or many

individuals) whose commands the rest of the community are bound to obey.

This sovereign body is what in more popular phrase is termed the

government of the country, and the varieties which may exist in its

constitution are known as forms of government. For the opposite theory

of a community with "no government," see ANARCHISM.

How did government come into existence? Various answers to this question

have at times been given, which may be distinguished broadly into three

classes. The first class would comprehend the legendary accounts which

nations have given in primitive times of their own forms of government.

These are always attributed to the mind of a single lawgiver. The

government of Sparta was the invention of Lycurgus. Solon, Moses, Numa

and Alfred in like manner shaped the government of their respective

nations. There was no curiosity about the institutions of other

nations--about the origin of governments in general; and each nation was

perfectly ready to accept the traditional [Greek: nomothetai] of any

other.

The second may be called the logical or metaphysical account of the

origin of government. It contained no overt reference to any particular

form of government, whatever its covert references may have been. It

answered the question, how government in general came into existence;

and it answered it by a logical analysis of the elements of society. The

phenomenon to be accounted for being government and laws, it abstracted

government and laws, and contemplated mankind as existing without them.

The characteristic feature of this kind of speculation is that it

reflects how contemporary men would behave if all government were

removed, and infers that men must have behaved so before government came

into existence. Society without government resolves itself into a number

of individuals each following his own aims, and therefore, in the days

before government, each man followed his own aims. It is easy to see how

this kind of reasoning should lead to very different views of the nature

of the supposed original state. With Hobbes, it is a state of war, and

government is the result of an agreement among men to keep the peace.

With Locke, it is a state of liberty and equality,--it is not a state of

war; it is governed by its own law,--the law of nature, which is the

same thing as the law of reason. The state of nature is brought to an

end by the voluntary agreement of individuals to surrender their natural

liberty and submit themselves to one supreme government. In the words of

Locke, "Men being by nature all free, equal and independent, no one can

be put out of this estate and subjected to the political power of

another without his own consent. The only way whereby any one divests

himself of his natural liberty, and puts on the _bonds of civil

society_, is by agreeing with other men to join and unite into a

community" (_On Civil Government_, c. viii.). Locke boldly defends his

theory as founded on historical fact, and it is amusing to compare his

demonstration of the baselessness of Sir R. Filmer's speculations with

the scanty and doubtful examples which he accepts as the foundation of

his own. But in general the various forms of the hypothesis eliminate

the question of time altogether. The original contract from which

government sprang is likewise the subsisting contract on which civil

society continues to be based. The historical weakness of the theory was

probably always recognized. Its logical inadequacy was conclusively

demonstrated by John Austin. But it still clings to speculations on the

principles of government.

The "social compact" (see ROUSSEAU) is the most famous of the

metaphysical explanations of government. It has had the largest history,

the widest influence and the most complete development. To the same

class belong the various forms of the theory that governments exist by

divine appointment. Of all that has been written about the divine right

of kings, a great deal must be set down to the mere flatteries of

courtiers and ecclesiastics. But there remains a genuine belief that men

are bound to obey their rulers because their rulers have been appointed

by God. Like the social compact, the theory of divine appointment

avoided the question of historical fact.

The application of the historical method to the phenomena of society has

changed the aspect of the question and robbed it of its political

interest. The student of the history of society has no formula to

express the law by which government is born. All that he can do is to

trace governmental forms through various stages of social development.

The more complex and the larger the society, the more distinct is the

separation between the governing part and the rest, and the more

elaborate is the subdivision of functions in the government. The

primitive type of ruler is king, judge, priest and general. At the same

time, his way of life differs little from that of his followers and

subjects. The metaphysical theories were so far right in imputing

greater equality of social conditions to more primitive times. Increase

of bulk brings with it a more complex social organization. War tends to

develop the strength of the governmental organization; peace relaxes it.

All societies of men exhibit the germs of government; but there would

appear to be races of men so low that they cannot be said to live

together in society at all. Modern investigations have illustrated very

fully the importance of the family (q.v.) in primitive societies, and

the belief in a common descent has much to do with the social cohesion

of a tribe. The government of a tribe resembles the government of a

household; the head of the family is the ruler. But we cannot affirm

that political government has its origin in family government, or that

there may not have been states of society in which government of some

sort existed while the family did not.

Encyclopaedia Britannica, 11th Edition, "Gordon, Lord George" to "Grasses" Volume 12, Slice 3 · 第 13 / 30 题