IX.

There are one or two other episodes less sentimental than this one

recorded of this visit to Paris, not the least interesting of these

being the account given of a call upon Madame de Genlis. The younger

author from her own standpoint having resolutely turned away from the

voice of the charmer for the sake of that which she is convinced to be

duty and good sense, now somewhat sternly takes the measure of her elder

sister, who has failed in the struggle, who is alone and friendless, and

who has made her fate.

The story is too long to quote at full length. An isolated page without

its setting loses very much; the previous description of the darkness

and uncertainty through which Maria and her father go wandering, and

asking their way in vain, adds immensely to the sense of the gloom and

isolation which are hiding the close of a long and brilliant career. At

last, after wandering for a long time seeking for Madame de Genlis, the

travellers compel a reluctant porter to show them the staircase in the

Arsenal, where she is living, and to point out the door before he goes

off with the light.

They wait in darkness. The account of what happens when the door is

opened is so interesting that I cannot refrain from quoting it at

length:--

After ringing the bell we presently heard doors open and little

footsteps approaching nigh. The door was opened by a girl of about

Honora's size, holding an ill set-up, wavering candle in her hand,

the light of which fell full upon her face and figure. Her face

was remarkably intelligent--dark sparkling eyes, dark hair curled

in the most fashionable long corkscrew ringlets over her eyes and

cheeks. She parted the ringlets to take a full view of us. The

dress of her figure by no means suited the head and elegance of

her attitude. What her nether weeds might be we could not

distinctly see, but they seemed a coarse short petticoat like what

Molly Bristow's children would wear. After surveying us and

hearing our name was Edgeworth she smiled graciously and bid us

follow her, saying, 'Maman est chez elle.' She led the way with

the grace of a young lady who has been taught to dance across two

ante-chambers, miserable-looking; but, miserable or not, no home

in Paris can be without them. The girl, or young lady, for we were

still in doubt which to think her, led into a small room in which

the candles were so well screened by a green tin screen that we

could scarcely distinguish the tall form of a lady in black who

rose from her chair by the fireside; as the door opened a great

puff of smoke came from the huge fireplace at the same moment. She

came forward, and we made our way towards her as well as we could

through a confusion of tables, chairs, and work-baskets, china,

writing-desks and inkstands, and birdcages, and a harp. She did

not speak, and as her back was now turned to both fire and candle

I could not see her face or anything but the outline of her form

and her attitude. Her form was the remains of a fine form, her

attitude that of a woman used to a better drawing-room.

I being foremost, and she silent, was compelled to speak to the

figure in darkness. 'Madame de Genlis nous a fait l'honneur de

nous mander qu'elle voulait bien nous permettre de lui rendre

visite,' said I, or words to that effect, to which she replied by

taking my hand and saying something in which 'charmée' was the

most intelligible word. While she spoke she looked over my

shoulder at my father, whose bow, I presume, told her he was a

gentleman, for she spoke to him immediately as if she wished to

please and seated us in _fauteuils_ near the fire.

I then had a full view of her face--figure very thin and

melancholy dark eyes, long sallow cheeks, compressed thin lips,

two or three black ringlets on a high forehead, a cap that Mrs.

Grier might wear--altogether in appearance of fallen fortunes,

worn-out health, and excessive but guarded irritability. To me

there was nothing of that engaging, captivating manner which I had

been taught to expect. She seemed to me to be alive only to

literary quarrels and jealousies. The muscles of her face as she

spoke, or as my father spoke to her, quickly and too easily

expressed hatred and anger.... She is now, you know, _dévote

acharnée_.... Madame de Genlis seems to have been so much used to

being attacked that she has defence and apologies ready prepared.

She spoke of Madame de Staël's 'Delphine' with detestation....

Forgive me, my dear Aunt Mary; you begged me to see her with

favourable eyes, and I went, after seeing her 'Rosière de

Salency,' with the most favourable disposition, but I could not

like her.... And from time to time I saw, or thought I saw,

through the gloom of her countenance a gleam of coquetry. But my

father judges of her much more favourably than I do. She evidently

took pains to please him, and he says he is sure she is a person

over whose mind he could gain great ascendency.

The 'young and gay philosopher' at fifty is not unchanged since we knew

him first. Maria adds a postscript:

I had almost forgotten to tell you that the little girl who showed

us in is a girl whom she is educating. 'Elle m'appelle maman, mais

elle n'est pas ma fille.' The manner in which this little girl

spoke to Madame de Genlis and looked at her appeared to me more in

her favour than anything else. I went to look at what the child

was writing; she was translating Darwin's _Zoonomia_.

Every description one reads by Miss Edgeworth of actual things and

people makes one wish that she had written more of them. This one is the

more interesting from the contrast of the two women, both so remarkable

and coming to so different a result in their experience of life.

This eventful visit to Paris is brought to an eventful termination by

several gendarmes, who appear early one morning in Mr. Edgeworth's

bedroom with orders that he is to get up and to leave Paris immediately.

Mr. Edgeworth had been accused of being brother to the Abbé de Fermont.

When the mitigated circumstances of his being only a first cousin were

put forward by Lord Whitworth, the English Ambassador, the Edgeworths

received permission to return from the suburb to which they had retired;

but private news hurried their departure, and they were only in time to

escape the general blockade and detention of English prisoners. After

little more than a year of peace, once more war was declared on May 20,

1803. Lovell, the eldest son, who was absent at the time and travelling

from Switzerland, was not able to escape in time; nor for twelve years

to come was the young man able to return to his own home and family.

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