I gazed at her sadly.

"You don't recognize it? Has a year of marriage so greatly changed me?

Celia, it is your Ronald! I sat for that, hour after hour, day after; day,

for your sake, Celia. It is not a perfect likeness; in the small space

allotted to him the sculptor has hardly done me justice. But it is your

Ronald.... And there," I added, "is his initial 'r.' Oh, woman, the amount

of thought I spent on that ring!"

She came a little closer and slipped the ring on my finger.

"Spend a little more," she pleaded. "There's plenty of room. Just have

something nice written in it--something about you and me."

"Like 'Pisgah'?"

"What does that mean?"

"I don't know. Perhaps it's 'Mizpah,' or 'Ichabod,' or 'Habakkuk.' I'm sure

there's a word you put on rings--I expect they'd know at the shop."

"But I don't want what they know at shops. It must be something quite

private and special."

"But the shop has got to know about it when I tell them. And I don't like

telling strange men in shops private and special things about ourselves. I

love you, Celia, but----"

"That would be a lovely thing," she said, clasping her hands eagerly.

"What?"

"'I love you, Celia.'"

Punch, or the London Charivari, Vol. 146, April 22, 1914 · 第 15 / 32 题