LEONARDO DA VINCI.

The hour which preceded my arrival in the ancestral garden, where they

awaited me, seems to me--as I see it in imagination--illuminated with a

light of unaccustomed poetry.

To him who knows what slow or sudden fertilisations, what unexpected

transfigurations, are possible to an intense soul communicating with

other souls in the vicissitudes of this most uncertain life--to him

for whom the whole dignity of existence lies in exerting or submitting

to a moral force, and who approaches his kind with a secret anxiety to

dominate or be dominated--to every man who is curious about the inner

mystery, who is ambitious of spiritual power, or feels the need of

slavery, no hour has such a charm as that in which he moves forward,

with a vague anticipation, to meet the living Unknown and Infinite, a

dim world which he will either conquer, or by which he will be absorbed.

I was about to enter an enclosed garden. There the three virgin

princesses were awaiting the friend who had been absent so long, him to

whom, as their contemporary in age, they were bound by recollections

of childhood and adolescence, him who was sole heir to a name no less

ancient and distinguished than their own. And thus they were awaiting

the return of an equal, of a sojourner in great cities, one who should

bring them a breath of that larger life which they had renounced.

And each one of them perhaps in her secret heart was awaiting the

Bridegroom.

* * * * *

This time of waiting appears to me vehement in its anxiety when I think

of the bare and gloomy solitude of the house in which, until that

day, they had languished, their beautiful hands overflowing with the

treasures of youth, surrounded by a phantom pomp of existence called up

by their mother’s delirium to people the emptiness of the vast mirrors.

There, as if in twilight pools, the raving soul of the mother was wont

to be immersed. On the infinite distance of those colourless expanses,

had not each one of the maidens beheld the apparition of the youthful,

ardent figure of the Bridegroom who was to tear her from this obscure

decay, and carry her away in a whirlwind of delight?

Thus each one waited anxiously within her enclosed garden for the

coming of him who was only after all to delude her, to watch her perish

without possessing her.

“Ah! which of us will be the elect?”

Never perhaps--so I think--were their beautiful dim eyes so

earnestly strained as at that hour; those eyes dimmed by melancholy

and weariness, the light of inquiry quenched in them by too long

familiarity with never-changing objects: eyes dimmed by mutual pity,

reflecting the forms of familiar things without mystery or variety, in

hard outlines and lifeless colouring.

And suddenly each of them perceived in the other a new creature, armed

for combat.

* * * * *

I know not if there be anything sadder than these lightning-like

revelations made to tender hearts by the desire for happiness. The

virtuous sisters breathed in the same circle of sorrow; the same

destiny weighed upon them; and during the evenings, heavy with anxiety,

one of them from time to time would lay her brow on the shoulder or the

breast of another, while the darkness effaced the diversity of their

faces, and fused their three souls in one. But when the prophesied

guest--to their waiting hearts already appearing with the gestures

of the lover who elects and who promises--was about to set foot on

their deserted threshold, they lifted up their heads with a thrill,

and loosed their clasped hands, and exchanged a look which had the

violence of a sudden flash of lightning. And while from the depth of

their troubled souls there welled up an unknown feeling which had none

of the old sweetness, that one look brought them consciousness at

last of all their waning grace, of the contrast between their three

figures coloured by the same blood, of the spirit of night lurking in

the mass of hair heaped up like a load on the nape of a white neck, of

the marvellous persuasion expressed by the curve of a silent mouth, of

the enchantment woven like a net by the ingenuous frequency of some

inimitable gesture, and of every other magic power.

And a dim instinct of strife dismayed them.

Thus do I picture to myself those who were waiting for me in that

glowing hour.

The first breath of spring, faintly warm, which had touched the dry

summits of the rocks, was caressing the brows of the anxious maidens.

Within the great cloister, carpeted with jonquils and violets, the

fountains repeated the melodious accompaniment which for centuries

the waters had made to the thoughts of voluptuousness and of wisdom

expressed in the leonine verses on the pediment. On certain trees and

on certain bushes the delicate leaves were shining as though coated

with gum or diaphanous wax. The ancient and immovable things of time

which could only decay were touched with an indefinable softness,

communicated to them by the things that had power to renew themselves.

“Ah, which of us will be the chosen one?”

The three sisters, who had secretly become rivals in face of this

deceptive offer of apparent life, composed their attitudes according to

the inward rhythm of their natural beauty, which time had already begun

to threaten. Perhaps not till that day had they understood that beauty

in its true sense; just as a sick person, hearing the unaccustomed

sound of the blood beating in the ear which presses the pillows, for

the first time understands the portentous music which sustains his

feeble frame.

But perhaps in them this rhythm had no words.

Nevertheless, I can now distinctly hear the words of that rhythm within

me, strengthening the pure outlines of those ideal figures.

“A boundless desire for slavery makes me suffer,” says Massimilla

silently, as she sits on the stone seat, her hands, with fingers

interwoven, clasped round her weary knee. “I have not the gift of

communicating happiness; but my whole being, more than any other

creature, more than any inanimate thing, is ready to become the perfect

and perpetual possession of a master.

“A boundless desire for slavery makes me suffer. I am devoured by an

unquenchable yearning to give myself up entirely, to belong to a higher

and stronger being, to dissolve myself in his will, to burn like a

holocaust in the fire of his great soul. I envy the frail things which

lose themselves, which are swallowed up in an abyss, or carried away

by a whirlwind; and I gaze often and long at the drops of water which

fall into the great basin, and hardly awake the slightest smile on its

surface.

“When a perfume envelopes me and vanishes, when a sound reaches me and

dies out, sometimes I feel myself grow pale and almost faint away, for

it seems to me that the aroma and the harmony of my life are tending to

the same evanescence. And yet sometimes my little soul is straitened

within me like a knot. Who shall untie it and absorb it?

“Ah me! perhaps I should not know how to console him in his sadness;

but my dumb and anxious face should be always turned towards his, quick

to perceive hope reviving in his secret heart. Perhaps I should not

know how to let fall on his silence those rare syllables, seeds of the

soul, which in a moment can generate a boundless dream; but no faith

in the world should surpass the ardour of my faith as I listened, even

when the things I heard were such as must remain inaccessible to my

intellect.

“I am she who listens, admires, and is silent.

“From my birth I bear on my forehead between my eyebrows the sign of

attention.

“I have learned from the calm and intensity of statues the immobility

of harmonious attitude. I can keep my eyes open and turned upwards for

a long time, because my eyelids are light.

“The shape of my lips forms the living and visible image of the word

'Amen.’”

* * * * *

“I suffer,” says Anatolia, “from a virtue within me which is wasting

itself uselessly. My strength is the last support of a solitary ruin,

whereas it might safely guide the current of a river full of all life’s

abundance from its source to the sea.

“My heart is inexhaustible. All the sorrows of the world could never

succeed in wearying its throbs; the fiercest violence of joy could

not break it, nor can it be weakened by this long and slow grief. A

vast multitude of thirsty creatures might drink of the well of its

tenderness without exhausting it.

“Ah! why should fate condemn me to this narrow duty, to this slow

torture? Why should she forbid me that sublime union for which my heart

yearns?

“I could guide the soul of a man up to that highest sphere where

the value of the act and the splendour of the dream converge to the

selfsame apex; from the depths of his unconsciousness I could extract

unseen energies which lie hidden like ore in the veins of rough stone.

“The most hesitating of men would feel secure by my side; he who had

strayed from the light would once more see a steady beacon at the end

of his path; he who had been buffeted about and maimed would become

healthy and whole again. My hands know how to bind up wounds, and how

to tear the bandages off heavy eyelids. When I stretch them out--my

purest heart’s-blood flows magnetically to the tips of my fingers.

“I possess the two supreme gifts which enrich life, and prolong it

beyond the illusion of death: I fear no suffering, and I feel the

imprint of eternity on my thoughts and acts.

“And therefore I am troubled by a desire to create--to become through

love her who propagates and perpetuates the ideal qualities of a race

favoured by Heaven. I could nourish the superhuman within me.

“Once in a dream I kept mysterious watch a whole night long over the

sleep of a child. While with deep-drawn breaths his body lay slumbering

I upheld his soul in my hands, and it was tangible like a globe of

crystal, and my breast swelled with marvellous premonitions.”

* * * * *

Violante says: “I am humbled. When I felt the mass of my hair weigh

upon my brow, I fancied myself to be wearing a crown, and beneath that

regal burden my thoughts wore a purple hue.

“My childhood’s memories are all lit up by visions of fire and

slaughter. Blood ran before my innocent eyes; my delicate nostrils

breathed the odour of unburied corpses. A young and eager queen, hunted

from her throne, took me in her arms before she departed into an

exile from which there was no return. From that time, therefore, the

splendour of great and tragic destinies hangs over my soul.

“In my dreams I have lived a thousand lives of magnificence; I have

passed through all sovereignties as safely as one who retraces a

well-known path; I have discovered in the aspect of the most dissimilar

things secret analogies with the aspect of my own form, and by hidden

arts have pointed them out for man to wonder at; and I have found out

how to compel light and shade, as truly as robes and jewels, to form

the divine and unforeseen adornment of my decline.

“Poets saw in me the ideal apparition in whose lineaments the highest

mystery of life is expressed--that mystery of beauty which has been

revealed in mortal flesh at intervals of long ages, through all the

imperfection of innumerable generations. And they thought: 'This is

doubtless the perfected image of that idea of which the peoples of

the earth have had an intuition from the beginning, and which artists

have unceasingly invoked in poems, in symphonies, on canvas, in clay.

Everything in her is expressive, everything is a symbol. The lines of

her form speak a language whose eternal truth would make him that could

understand it like unto a god; and her slightest movements produce

within the contours of her body ineffable music like the harmony of

midnight skies.’

“But now I am humbled--deprived of my kingdoms. The fire in my blood

is growing paler and dying out. I shall vanish away, less fortunate

than the statues which testified to the joy of life on the brows of the

cities of the past. For ever unknown, I shall dissolve away, whereas

they will endure in the safe keeping of mould and darkness among the

roots of the flowers, and some day, when unburied, they will seem to

the ecstatic soul of kneeling poets as great as the gifts of earth.

“I have now dreamed every dream, and my hair weighs heavier on my brow

than a hundred crowns. I have dazed myself with perfumes. I love to

linger near the fountains as they go on eternally telling the same

tale. Through the thick locks of hair which cover my ears I seem to

hear time ebbing away on the monotonous waters.”

* * * * *

Thus when I evoke them do the three princesses speak within my soul,

as they wait for the irrevocable hour. Thus, perhaps, believing that a

messenger of life had appeared at the gates of their closed garden, did

each one recognise her own charm, display her own seductiveness, revive

her own hope, quicken the dream within her which had almost died away.

O Hour! lit up by grand and solemn poetry! Most brilliant Hour in which

all possibilities emerged and shone on the inward heaven of the soul!

I

“_Non si può avere maggior signoria che quella di sè medesimo._”

The Virgins of the Rocks · 第 9 / 44 题