General Characteristics of his Writings

20. The letter to Basilides on several points of ecclesiastical order

(the larger portion of which is given on pp. 76 ff.) is a model of what

such episcopal utterances should be: it definitely states which is the

highest and best course, but leaves the decision to the individual

conscience. But it is to the general correspondence (pp. 35 ff.) that the

bulk of English readers will probably turn, and that deals with a large

variety of subjects: in some cases theological matters like Novatianism

and the baptism of heretics are discussed; in others there are

descriptions of the martyrdoms of his time at Alexandria and his own

personal experiences under persecution, all told with a vividness and a

sobriety eminently characteristic of the man: others are addressed to

persons or districts in his province, especially at Eastertide, treating

of matters of local and temporary importance, while one or two incidents

which he records are of much value as illustrating church customs and

manners of the period (_e. g._ the case of Sarapion on p. 42, prayers for

the Emperors on p. 47, matters connected with the celebration of Holy

Baptism and Holy Communion on p. 59).

In his controversy with the Sabellians, as we have already remarked, some

of the expressions and figures employed were insufficiently guarded or

explained and so laid Dionysius open to criticism: but we must remember

how much more easy it is for us, who have the benefit of subsequent

history and experience, to see this and to correct it, than it was for

him and for his contemporaries to grope their way, as they slowly but

surely did, under the Divine guidance to a fuller knowledge and a more

accurate statement of the truth.

21. It is further to be noticed how very seldom, if ever, Dionysius

offends against the principles of good taste either when attacking

opponents, or when describing horrors, or when dealing with the mysteries

of the Faith. In controversy he always displays an admirable moderation

and sweetness of tone, which is the more remarkable because his

convictions were strong and definite. This is especially to be observed

in his treatment of Novatianus the intruder (see p. 50), in his criticism

of the deceased Nepos of Arsenoe (see p. 82), and to a less extent in his

defence of himself against the charges of Germanus (see p. 43). Even when

he has to speak of one whom he believes to have done him wrong, like the

Prefect Æmilianus (p. 48), or of one whom his soul abhors like Macrianus

(p. 68), his language is mild in comparison with that of many in similar

circumstances. So, too, when he takes upon himself to describe the

tortures and deaths of the martyrs (pp. 35 f.), or the ravages of

pestilence (p. 74), he indulges in but few ghastly or revolting details,

though his narrative is always lively and thrilling. And once more when

he deals with such a subject as the Eternal Sonship of our Lord, or, if

the passage (not here given) be authentic, His Death and Passion, the

same good taste and restraint of language is to be observed.

22. Dionysius's literary style is excellent for the age in which he

lived, and so far confirms the truth of the statement that he had been a

master of rhetoric before his conversion. He gives evidence of having

read widely and to good purpose both in classical and in religious

literature. As to the former, he actually quotes from or refers to Homer,

Hesiod, Thucydides, Aristotle, and Democritus: but his language is really

saturated with classical uses, and a large number of the words and

phrases which he employs recall the best writers of antiquity. His

compositions exhibit signs of much care in production, notably the

treatise _On Nature_ ({peri Physeôs}) and the two Easter letters, to the

Alexandrians and to Hierax (pp. 70 and 73). Here, and to a somewhat less

degree in the letter to Hermammon (pp. 65 ff.), he writes in a more

rhetorical and elaborate manner than in most of the other fragments which

are extant, but even in these passages he is seldom fantastic, or

stilted, or obscure; whilst in pure narrative or simple description (_e.

g._ in the letters which record his own or others' sufferings and in the

treatise _On the Promises_ ({peri Epangeliôn})), his language could

hardly be more unaffected or better chosen.

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