She starts. 'No, I do not!'

I take up her hand and touch the ring. 'Tell me, does this bind you to

any one?'

I am conscious of a buzzing in my ears and a dancing blurr of water and

sky and trees, as I wait (it seems to me an hour) for her reply. I felt

the same sensation once before, when I got drawn into some rapids and

had an awfully narrow shave, but of that another time.

The voice is shaking.

'I am not legally bound to anyone, at least; but why do you ask?' she

looks me square in the face as she speaks, with a touch of haughtiness

I never saw in her before.

Perhaps the great relief I feel, the sense of joy at knowing she is

free, speaks out of my face, for hers flushes and she drops her eyes,

her lips tremble. I don't look at her again, but I can see her all the

same. After a while she says--

'I half intended to tell you something about myself this evening, now I

_must_. Let us go in. I shall come down to the sitting-room after your

supper.' She takes a long look at the river and the inn, as if fixing

the place in her memory; it strikes me with a chill that there is a

goodbye in her gaze. Her eyes rest on me a moment as they come back,

there is a sad look in their grey clearness. She swings her little grey

gloves in her hand as we walk back. I can hear her walking up and down

overhead; how tired she will be, and how slowly the time goes. I am

standing at one side of the window when she enters; she stands at the

other, leaning her head against the shutter with her hands clasped

before her. I can hear my own heart beating, and, I fancy, hers through

the stillness. The suspense is fearful. At length she says--

'You have been a long time out of England; you don't read the papers?'

'No.' A pause. I believe my heart is beating inside my head.

'You asked me if I was a free woman. I don't pretend to misunderstand

why you asked me. I am not a beautiful woman, I never was. But there

must be something about me, there is in some women, "essential

femininity" perhaps, that appeals to all men. What I read in your eyes

I have seen in many men's before, but before God I never tried to rouse

it. Today (with a sob), I can say I am free, yesterday morning I could

not. Yesterday my husband gained his case and divorced me!' she closes

her eyes and draws in her under-lip to stop its quivering. I want to

take her in my arms, but I am afraid to.

'I did not ask you any more than if you were free!'

'No, but I am afraid you don't quite take in the meaning. I did not

divorce my husband, he divorced _me_, he got a decree _nisi_; do you

understand now? (she is speaking with difficulty), do you know what that

implies?'

I can't stand her face any longer. I take her hands, they are icy cold,

and hold them tightly.

'Yes, I know what it implies, that is, I know the legal and social

conclusion to be drawn from it--if that is what you mean. But I never

asked you for that information. I have nothing to do with your past. You

did not exist for me before the day we met on the river. I take you from

that day and I ask you to marry me.'

I feel her tremble and her hands get suddenly warm. She turns her head

and looks at me long and searchingly, then she says--

'Sit down, I want to say something!'

I obey, and she comes and stands next the chair. I can't help it, I

reach up my arm, but she puts it gently down.

'No, you must listen without touching me, I shall go back to the

window. I don't want to influence you a bit by any personal magnetism

I possess. I want you to listen--I have told you he divorced me, the

co-respondent was an old friend, a friend of my childhood, of my

girlhood. He died just after the first application was made, luckily for

me. He would have considered my honour before my happiness. _I_ did not

defend the case, it wasn't likely--ah, if you knew all? He proved his

case; given clever counsel, willing witnesses to whom you make it worth

while, and no defence, divorce is always attainable even in England. But

remember: I figure as an adulteress in every English-speaking paper. If

you buy last week's evening papers--do you remember the day I was in

town?'--I nod--'you will see a sketch of me in that day's; someone,

perhaps he, must have given it; it was from an old photograph. I bought

one at Victoria as I came out; it is funny (with an hysterical laugh) to

buy a caricature of one's own poor face at a news-stall. Yet in spite of

that I have felt glad. The point for you is that I made no defence to

the world, and (with a lifting of her head) I will make no apology, no

explanation, no denial to you, now nor ever. I am very desolate and your

attention came very warm to me, but I don't love you. Perhaps I could

learn to (with a rush of colour), for what you have said tonight, and it

is because of that I tell you to weigh what this means. Later, when your

care for me will grow into habit, you may chafe at my past. It is from

that I would save you.'

I hold out my hands and she comes and puts them aside and takes me by

the beard and turns up my face and scans it earnestly. She must have

been deceived a good deal. I let her do as she pleases, it is the wisest

way with women, and it is good to have her touch me in that way. She

seems satisfied. She stands leaning against the arm of the chair and

says--

'I must learn first to think of myself as a free woman again, it almost

seems wrong today to talk like this; can you understand that feeling?'

Victorian Short Stories: Stories of Courtship · 第 25 / 35 题