OSCAR WILDE

Yes, most fellows' book of life may be said to begin at the chapter

where woman comes in; mine did. She came in years ago, when I was a raw

undergraduate. With the sober thought of retrospective analysis, I may

say she was not all my fancy painted her; indeed now that I come to

think of it there was no fancy about the vermeil of her cheeks, rather

an artificial reality; she had her bower in the bar of the Golden Boar,

and I was madly in love with her, seriously intent on lawful wedlock.

Luckily for me she threw me over for a neighbouring pork butcher, but at

the time I took it hardly, and it made me sex-shy. I was a very poor man

in those days. One feels one's griefs more keenly then, one hasn't the

wherewithal to buy distraction. Besides, ladies snubbed me rather, on

the rare occasions I met them. Later I fell in for a legacy, the

forerunner of several; indeed, I may say I am beastly rich. My tastes

are simple too, and I haven't any poor relations. I believe they are of

great assistance in getting rid of superfluous capital, wish I had some!

It was after the legacy that women discovered my attractions. They found

that there was something superb in my plainness (before, they said

ugliness), something after the style of the late Victor Emanuel,

something infinitely more striking than mere ordinary beauty. At least

so Harding told me his sister said, and she had the reputation of being

a clever girl. Being an only child, I never had the opportunity other

fellows had of studying the undress side of women through familiar

intercourse, say with sisters. Their most ordinary belongings were

sacred to me. I had, I used to be told, ridiculous high-flown notions

about them (by the way I modified those considerably on closer

acquaintance). I ought to study them, nothing like a woman for

developing a fellow. So I laid in a stock of books in different

languages, mostly novels, in which women played title roles, in order to

get up some definite data before venturing amongst them. I can't say I

derived much benefit from this course. There seemed to be as great a

diversity of opinion about the female species as, let us say, about the

salmonidae.

My friend Ponsonby Smith, who is one of the oldest fly-fishers in the

three kingdoms, said to me once: Take my word for it, there are only

four true salmo; the salar, the trutta, the fario, the ferox; all the

rest are just varieties, subgenuses of the above; stick to that. Some

writing fellow divided all the women into good-uns and bad-uns. But as a

conscientious stickler for truth, I must say that both in trout as in

women, I have found myself faced with most puzzling varieties, that were

a tantalizing blending of several qualities. I then resolved to study

them on my own account. I pursued the Eternal Feminine in a spirit of

purely scientific investigation. I knew you'd laugh sceptically at that,

but it's a fact. I was impartial in my selection of subjects for

observation--French, German, Spanish, as well as the home product.

Nothing in petticoats escaped me. I devoted myself to the freshest

_ingenue_ as well as the experienced widow of three departed; and I may

as well confess that the more I saw of her, the less I understood her.

But I think they understood me. They refused to take me _au sérieux_.

When they weren't fleecing me, they were interested in the state of my

soul (I preferred the former), but all humbugged me equally, so I gave

them up. I took to rod and gun instead, _pro salute animae_; it's

decidedly safer. I have scoured every country in the globe; indeed I can

say that I have shot and fished in woods and waters where no other white

man, perhaps ever dropped a beast or played a fish before. There is no

life like the life of a free wanderer, and no lore like the lore one

gleans in the great book of nature. But one must have freed one's spirit

from the taint of the town before one can even read the alphabet of its

mystic meaning.

What has this to do with the glove? True, not much, and yet it has a

connection--it accounts for me.

Well, for twelve years I have followed the impulses of the wandering

spirit that dwells in me. I have seen the sun rise in Finland and gild

the Devil's Knuckles as he sank behind the Drachensberg. I have caught

the barba and the gamer yellow fish in the Vaal river, taken muskelunge

and black-bass in Canada, thrown a fly over _guapote_ and _cavallo_ in

Central American lakes, and choked the monster eels of the Mauritius

with a cunningly faked-up duckling. But I have been shy as a chub at the

shadow of a woman.

Well, it happened last year I came back on business--another confounded

legacy; end of June too, just as I was off to Finland. But Messrs.

Thimble and Rigg, the highly respectable firm who look after my affairs,

represented that I owed it to others, whom I kept out of their share of

the legacy, to stay near town till affairs were wound up. They told me,

with a view to reconcile me perhaps, of a trout stream with a decent inn

near it; an unknown stream in Kent. It seems a junior member of the firm

is an angler, at least he sometimes catches pike or perch in the Medway

some way from the stream where the trout rise in audacious security from

artificial lures. I stipulated for a clerk to come down with any papers

to be signed, and started at once for Victoria. I decline to tell the

name of my find, firstly because the trout are the gamest little fish

that ever rose to fly and run to a good two pounds. Secondly, I have

paid for all the rooms in the inn for the next year, and I want it to

myself. The glove is lying on the table next me as I write. If it isn't

in my breast-pocket or under my pillow, it is in some place where I can

see it. It has a delicate grey body (suède, I think they call it) with a

whipping of silver round the top, and a darker grey silk tag to fasten

it. It is marked 5-3/4 inside, and has a delicious scent about it, to

keep off moths, I suppose; naphthaline is better. It reminds me of a

'silver-sedge' tied on a ten hook. I startled the good landlady of the

little inn (there is no village fortunately) when I arrived with the

only porter of the tiny station laden with traps. She hesitated about a

private sitting-room, but eventually we compromised matters, as I was

willing to share it with the other visitor. I got into knickerbockers at

once, collared a boy to get me worms and minnow for the morrow, and as I

felt too lazy to unpack tackle, just sat in the shiny armchair (made

comfortable by the successive sitting of former occupants) at the open

window and looked out. The river, not the trout stream, winds to the

right, and the trees cast trembling shadows into its clear depths. The

red tiles of a farm roof show between the beeches, and break the

monotony of blue sky background. A dusty waggoner is slaking his thirst

with a tankard of ale. I am conscious of the strange lonely feeling that

a visit to England always gives me. Away in strange lands, even in

solitary places, one doesn't feel it somehow. One is filled with the

hunter's lust, bent on a 'kill', but at home in the quiet country, with

the smoke curling up from some fireside, the mowers busy laying the hay

in swaths, the children tumbling under the trees in the orchards, and a

girl singing as she spreads the clothes on the sweetbriar hedge, amidst

a scene quick with home sights and sounds, a strange lack creeps in and

makes itself felt in a dull, aching way. Oddly enough, too, I had a

sense of uneasiness, a 'something going to happen'. I had often

experienced it when out alone in a great forest, or on an unknown lake,

and it always meant 'ware danger' of some kind. But why should I feel it

here? Yet I did, and I couldn't shake it off. I took to examining the

room. It was a commonplace one of the usual type. But there was a

work-basket on the table, a dainty thing, lined with blue satin. There

was a bit of lace stretched over shiny blue linen, with the needle

sticking in it; such fairy work, like cobwebs seen from below, spun from

a branch against a background of sky. A gold thimble, too, with

initials, not the landlady's, I know. What pretty things, too, in the

basket! A scissors, a capital shape for fly-making; a little file, and

some floss silk and tinsel, the identical colour I want for a new fly I

have in my head, one that will be a demon to kill. The northern devil I

mean to call him. Some one looks in behind me, and a light step passes

upstairs. I drop the basket, I don't know why. There are some reviews

near it. I take up one, and am soon buried in an article on Tasmanian

fauna. It is strange, but whenever I do know anything about a subject,

I always find these writing fellows either entirely ignorant or damned

wrong.

After supper, I took a stroll to see the river. It was a silver grey

evening, with just the last lemon and pink streaks of the sunset

staining the sky. There had been a shower, and somehow the smell of the

dust after rain mingled with the mignonette in the garden brought back

vanished scenes of small-boyhood, when I caught minnows in a bottle, and

dreamt of a shilling rod as happiness unattainable. I turned aside from

the road in accordance with directions, and walked towards the stream.

Holloa! someone before me, what a bore! The angler is hidden by an

elder-bush, but I can see the fly drop delicately, artistically on the

water. Fishing upstream, too! There is a bit of broken water there, and

the midges dance in myriads; a silver gleam, and the line spins out, and

the fly falls just in the right place. It is growing dusk, but the

fellow is an adept at quick, fine casting--I wonder what fly he has

on--why, he's going to try downstream now? I hurry forward, and as I

near him, I swerve to the left out of the way. S-s-s-s! a sudden sting

in the lobe of my ear. Hey! I cry as I find I am caught; the tail fly is

fast in it. A slight, grey-clad woman holding the rod lays it carefully

down and comes towards me through the gathering dusk. My first impulse

is to snap the gut and take to my heels, but I am held by something less

tangible but far more powerful than the grip of the Limerick hook in my

ear.

'I am very sorry!' she says in a voice that matched the evening, it was

so quiet and soft; 'but it was exceedingly stupid of you to come behind

like that.'

'I didn't think you threw such a long line; I thought I was safe,' I

stammered.

'Hold this!' she says, giving me a diminutive fly-book, out of which she

has taken a scissors. I obey meekly. She snips the gut.

'Have you a sharp knife? If I strip the hook you can push it through; it

is lucky it isn't in the cartilage.'

I suppose I am an awful idiot, but I only handed her the knife, and she

proceeded as calmly as if stripping a hook in a man's ear were an

everyday occurrence. Her gown is of some soft grey stuff, and her grey

leather belt is silver clasped. Her hands are soft and cool and steady,

but there is a rarely disturbing thrill in their gentle touch. The

thought flashed through my mind that I had just missed that, a woman's

voluntary tender touch, not a paid caress, all my life.

'Now you can push it through yourself. I hope it won't hurt much.'

Taking the hook, I push it through, and a drop of blood follows it.

'Oh!' she cries, but I assure her it is nothing, and stick the hook

surreptitiously in my coat sleeve. Then we both laugh, and I look at her

for the first time. She has a very white forehead, with little tendrils

of hair blowing round it under her grey cap, her eyes are grey. I didn't

see that then, I only saw they were steady, smiling eyes that matched

her mouth. Such a mouth, the most maddening mouth a man ever longed to

kiss, above a too-pointed chin, soft as a child's; indeed, the whole

face looks soft in the misty light.

'I am sorry I spoilt your sport!' I say.

'Oh, that don't matter, it's time to stop. I got two brace, one a

beauty.'

She is winding in her line, and I look in her basket; they _are_

beauties, one two-pounder, the rest running from a half to a pound.

'What fly?'

'Yellow dun took that one, but your assailant was a partridge spider.' I

sling her basket over my shoulder; she takes it as a matter of course,

and we retrace our steps. I feel curiously happy as we walk towards the

road; there is a novel delight in her nearness; the feel of woman works

subtly and strangely in me; the rustle of her skirt as it brushes the

black-heads in the meadow-grass, and the delicate perfume, partly

violets, partly herself, that comes to me with each of her movements is

a rare pleasure. I am hardly surprised when she turns into the garden of

the inn, I think I knew from the first that she would.

'Better bathe that ear of yours, and put a few drops of carbolic in the

water.' She takes the basket as she says it, and goes into the kitchen.

I hurry over this, and go into the little sitting-room. There is a tray

with a glass of milk and some oaten cakes upon the table. I am too

disturbed to sit down; I stand at the window and watch the bats flitter

in the gathering moonlight, and listen with quivering nerves for her

step--perhaps she will send for the tray, and not come after all. What a

fool I am to be disturbed by a grey-clad witch with a tantalizing mouth!

That comes of loafing about doing nothing. I mentally darn the old fool

who saved her money instead of spending it. Why the devil should I be

bothered? I don't want it anyhow. She comes in as I fume, and I forget

everything at her entrance. I push the armchair towards the table, and

she sinks quietly into it, pulling the tray nearer. She has a wedding

ring on, but somehow it never strikes me to wonder if she is married or

a widow or who she may be. I am content to watch her break her biscuits.

She has the prettiest hands, and a trick of separating her last fingers

when she takes hold of anything. They remind me of white orchids I saw

somewhere. She led me to talk; about Africa, I think. I liked to watch

her eyes glow deeply in the shadow and then catch light as she bent

forward to say something in her quick responsive way.

'Long ago when I was a girl,' she said once.

'Long ago?' I echo incredulously, 'surely not?'

'Ah, but yes, you haven't seen me in the daylight,' with a soft little

laugh. 'Do you know what the gipsies say? "Never judge a woman or a

ribbon by candle-light." They might have said moonlight equally well.'

She rises as she speaks, and I feel an overpowering wish to have her put

out her hand. But she does not, she only takes the work-basket and a

book, and says good night with an inclination of her little head.

I go over and stand next to her chair; I don't like to sit in it, but I

like to put my hand where her head leant, and fancy, if she were there,

how she would look up.

I woke next morning with a curious sense of pleasurable excitement. I

whistled from very lightness of heart as I dressed. When I got down I

found the landlady clearing away her breakfast things. I felt

disappointed and resolved to be down earlier in future. I didn't feel

inclined to try the minnow. I put them in a tub in the yard and tried to

read and listen for her step. I dined alone. The day dragged terribly. I

did not like to ask about her, I had a notion she might not like it. I

spent the evening on the river. I might have filled a good basket, but I

let the beggars rest. After all, I had caught fish enough to stock all

the rivers in Great Britain. There are other things than trout in the

world. I sit and smoke a pipe where she caught me last night. If I half

close my eyes I can see hers, and her mouth, in the smoke. That is one

of the curious charms of baccy, it helps to reproduce brain pictures.

After a bit, I think 'perhaps she has left'. I get quite feverish at the

thought and hasten back. I must ask. I look up at the window as I pass;

there is surely a gleam of white. I throw down my traps and hasten up.

She is leaning with her arms on the window-ledge staring out into the

gloom. I could swear I caught a suppressed sob as I entered. I cough,

and she turns quickly and bows slightly. A bonnet and gloves and lace

affair and a lot of papers are lying on the table. I am awfully afraid

she is going. I say--

'Please don't let me drive you away, it is so early yet. I half expected

to see you on the river.'

'Nothing so pleasant; I have been up in town (the tears have certainly

got into her voice) all day; it was so hot and dusty, I am tired out.'

The little servant brings in the lamp and a tray with a bottle of

lemonade.

'Mistress hasn't any lemons, 'm, will this do?'

'Yes,' she says wearily, she is shading her eyes with her hand;

'anything; I am fearfully thirsty.'

'Let me concoct you a drink instead. I have lemons and ice and things.

My man sent me down supplies today; I leave him in town. I am rather a

dab at drinks; I learnt it from the Yankees; about the only thing I did

learn from them I care to remember. Susan!' The little maid helps me to

get the materials, and _she_ watches me quietly. When I give it to her

she takes it with a smile (she _has_ been crying). That is an ample

thank you. She looks quite old. Something more than tiredness called up

those lines in her face.

* * * * *

Well, ten days passed, sometimes we met at breakfast, sometimes at

supper, sometimes we fished together or sat in the straggling orchard

and talked; she neither avoided me nor sought me. She is the most

charming mixture of child and woman I ever met. She is a dual creature.

Now I never met that in a man. When she is here without getting a letter

in the morning or going to town, she seems like a girl. She runs about

in her grey gown and little cap and laughs, and seems to throw off all

thought like an irresponsible child. She is eager to fish, or pick

gooseberries and eat them daintily, or sit under the trees and talk. But

when she goes to town--I notice she always goes when she gets a lawyer's

letter, there is no mistaking the envelope--she comes home tired and

haggard-looking, an old woman of thirty-five. I wonder why. It takes

her, even with her elasticity of temperament, nearly a day to get young

again. I hate her to go to town; it is extraordinary how I miss her; I

can't recall, when she is absent, her saying anything very wonderful,

but she converses all the time. She has a gracious way of filling the

place with herself, there is an entertaining quality in her very

presence. We had one rainy afternoon; she tied me some flies (I shan't

use any of them); I watched the lights in her hair as she moved, it is

quite golden in some places, and she has a tiny mole near her left ear

and another on her left wrist. On the eleventh day she got a letter but

she didn't go to town, she stayed up in her room all day; twenty times I

felt inclined to send her a line, but I had no excuse. I heard the

landlady say as I passed the kitchen window: 'Poor dear! I'm sorry to

lose her!' Lose her? I should think not. It has come to this with me

that I don't care to face any future without her; and yet I know nothing

about her, not even if she is a free woman. I shall find that out the

next time I see her. In the evening I catch a glimpse of her gown in the

orchard, and I follow her. We sit down near the river. Her left hand is

lying gloveless next to me in the grass.

'Do you think from what you have seen of me, that I would ask a question

out of any mere impertinent curiosity?'

Victorian Short Stories: Stories of Courtship · 第 24 / 35 题