Comparative Mythology.[38]

Towards the end of the last century the men of letters of Europe were

astonished to hear that in Asia, on the banks of the Ganges, a more

ancient and richer language had been found than that of Homer. It

offered in its words and forms striking analogies with the languages of

Rome and Athens. Interest once roused, systematic comparisons were made,

and comparative grammar was founded. The sphere of comparisons widened

and the group of Aryan languages was established.

It was thus ascertained that the languages of the Romans, of the Greeks,

of the Gauls, of the Germans, of the Lithuanians, and of the Slavs in

Europe, of the Hindoos and Persians in Asia, are made out of the same

materials and cast in the same mould; that they are only varieties of

one primitive type. The precise laws which regulated the formation of

each of these varieties were discovered, so that it is both possible to

proceed from one of these languages to the other, and to trace all of

them to the original type whence they come, to the lost type which they

reproduce. This lost type, the source of all the idioms of nearly the

whole of Europe and of a third of Asia, science has reconstructed: with

an almost absolute certainty, it has described the grammar, drawn up the

lexicon of that language, of which no direct echo remains, not the

fragment of an inscription on a broken stone, of that language of which

the life and the death are pre-historic, and which was spoken at a

period when there were as yet neither Romans, nor Hindoos, nor Greeks,

nor Persians, nor Germans, nor Celts, and when the ancestors of all

those nations were still wandering as one tribe, one knows not where,

one knows not when.

Closely following comparative grammar, almost at the same time rose up

comparative mythology, and with the ancient words awoke the gods that

they had sung, the beliefs that they had fostered. It was recognized

that if the Indo-Europeans spoke essentially the same language, they

also worshipped essentially the same gods and believed in the same

things. As comparative grammar, on hearing the sister-tongues, caught up

the echo of the mother, whose voice they repeat, so comparative

mythology, in its turn, on looking at the sister religions, has tried to

see through them the original image which they reflect. As the one

restored the words and forms of the language which lived on the lips of

the Aryans at the moment of the breaking up of the Aryan unity, the

other endeavoured to restore the gods and beliefs which lived in their

souls at the moment when, with the unity of the race, the identity of

language and belief passed away. This restoration of the pre-historic

gods and of the pre-historic beliefs is the final object of comparative

mythology, just as the reconstruction of words and forms is the final

object of comparative grammar. The object was analogous and so was the

method. It is the comparative method, which by comparing kindred

divinities and kindred beliefs, finds the original divinity and the

original belief which gave birth to them, and which are reproduced in

them. To sketch the picture of the original mythology, it is sufficient

to separate from the various derivative mythologies the essential

characteristics common to them. Every characteristic common to the

secondary religions will be legitimately referred to the primitive one,

whenever it is essential--that is to say neither borrowed from one of

the kindred religions nor due to an identical, but quite independent

development. If, for instance, the various Indo-European mythologies

agree in naming the gods _Daiva_, "the shining ones," it follows that in

the primitive mythology, in the religion of the period of unity, they

were known already as beings of light and called thus. It is a great

deal easier to admit that the seven derived religions have faithfully

repeated what has been handed down to them from their common source,

than to imagine that once separated they have created the same

conception, each one on its side, and have clothed it with the same

expression: the former hypothesis is a simple and natural induction: the

second is in reality made up of seven hypotheses, and implies seven

chances agreeing together, seven miracles.

Our object in the following pages is to give a sketch of one of the

chapters of the Aryan mythology. We try to show that the religion of the

Indo-European unity recognized a Supreme God, and we try to find the

most ancient form and the earliest origin of that conception among the

Aryans, and to follow out the transformations it has undergone in the

course of ages.

The Supreme God: Zeus, Jupiter, Varuna, Ahura Mazda.

The Aryan Gods are not organized as a Republic: they have a king. There

is over the gods a Supreme God.

Four of the Aryan mythologies have preserved a clear and precise notion

of this conception: they are those of Greece, of Italy, of ancient

India, and of ancient Persia. This Supreme God is called Zeus in Greece,

Jupiter in Italy, Varuna in ancient India, Ahura Mazda in ancient

Persia. Let us then listen to Zeus, to Jupiter, to Varuna, and to Ahura

Mazda each in his turn.

_Zeus and Jupiter._[39]--About three centuries before our era a Greek

poet thus addressed Zeus:--

"Oh! Thou most glorious of immortals, whose names are many, for ever

Almighty, Zeus, Thou who rulest nature, directing all things

according to a law, hail! To Thee all this universe moving round the

earth yields obedience, following whither thou leadest, and submits

itself to Thy rule.... So great in Thy nature, King Supreme above

all things, no work is achieved without Thee, neither on the earth,

nor in the celestial regions of ether, nor on the sea, but those

which the wicked accomplish in their folly."

This is the Zeus of the philosophers, of the Stoics, of Cleanthes: but

he was already the Zeus of the ancient poets. Powerful, omniscient, and

just is the god of Æschylus, as that of Cleanthes: he is the king of

kings, the blessed of the blessed, the sovereign power among all powers,

the only one who is free among the gods, who is the master of the

mightiest, who is subservient to no one's rule; above whom no one sits,

no one to whom from below he looks with awe; every word of his is

absolute; he is the God of deep thoughts, whose heart has dark and

hidden ways, impenetrable to the eye, and no scheme formed within his

mind has ever miscarried. Finally, he is the Father of Justice, Dike,

"the terrible virgin who breathes out on crime anger and death," it is

he who from hell raises vengeance with its slow chastisement against the

bold wayward mortal. Terpander proclaims in Zeus the essence of all

things, the god who rules over everything. Archilochus sings Zeus

father, as the God who rules the heavens, who watches the guilty and

unjust actions of men, who administers chastisements to monsters, the

God who created heaven and earth. The old man of Ascra knows that Zeus

is the father of gods and of men, that his eye sees and comprehends all

things and reaches all that he wishes. In short, as far back as the

Greek Pantheon appears in the light of history, even from Homer, Zeus

towers above the nation of gods which surrounds him. He himself

proclaims, and the other gods proclaim after him, that, unrivalled in

power and strength, he is the greatest of all; the gods, at his behest,

silently bow down before him; he would hurl into the gloomy depths of

Tartarus whomsoever should dare to disobey him: he would hurl him down

into the uttermost depths of the subterranean abyss: alone against them

all, he would master them. Should they let fall from the sky a golden

chain on which all the gods and goddesses might be suspended, they still

would be powerless, however hard they might strain to drag him from the

heavens to the earth; and if it pleased him, he could draw them up even

with the earth, even with the sea, and he would then fix the chain on

the ridge of Olympus, and suspend on it the whole universe; so much is

he above mankind, above the gods. Not only is he the most powerful, but

also he is the wisest--the =mêtietês=; he is all wisdom and he is

likewise all justice. It is from him that the judges of the sons of the

Achæans have received their laws: very good, very great, he holds

learned conversations with Themis (the law) who sits at his side;

prayers are his daughters, whom he avenges for all the insults of the

wicked.

Thus, power, wisdom, justice, belonged from all time to Zeus, to the

Zeus of Homer as well as to the Zeus of Cleanthes; to the Zeus of the

poets as to him of the philosophers, in the remotest period of paganism

as at the approach of the religion of Christ. A providential god rules

the Pantheon of the Hellenes.

What Zeus is in Greece, Jupiter is in Italy: the God who is above all

the gods. The identity of the two deities is so striking that the

ancients themselves, forestalling comparative mythology, recognized it

from the very first. He is the God, great and good amongst them all:

_Jupiter, optimus, maximus_.

_Varuna._--The most ancient of the religions of India, which the Vedas

have made known to us, has also a Zeus, whose name is Varuna.[40]

"Truly admirable for grandeur are the works of Him who has separated

the two worlds and fixed their vast extent: of Him who has set in

motion the high and sublime firmament, who has spread out the

heavens above and the earth beneath.

"These heavens and this earth which reach so far, flowing with milk,

so beautiful in form, it is by the law of Varuna that they remain

fixed, facing each other, immortal beings with fertile seed.

"This Asura,[41] who is acquainted with all things, has propped up

these heavens, he has fixed the boundaries of the earth. He is

enthroned above all the worlds, universal king; all the laws of the

world are the laws of Varuna.

"In the bottomless abyss the king Varuna has lifted up the summit of

the celestial tree.[42] It is the king Varuna who has traced out to

the sun the broad path he is to follow: to footless creatures he has

given feet so that they may run.

"Those stars, which illumine the night, where were they during the

day? Infallible are the laws of Varuna: the moon kindles itself and

walks through the night.

"Varuna has traced out paths for the sun: he has thrown forwards the

fluctuating torrent of rivers. He has dug out the wide and rapid

beds where the waves of the days, let loose, unroll themselves in

their order.

"He has put strength into the horse, milk into the cow, intellect

into the heart, Agni[43] into the waters, the sun in the sky,

soma[44] into the stone.

"The wind is thy breath, O Varuna! which roars in the atmosphere,

like the ox in the meadow. Between this earth and the sublime heaven

above, all things, O Varuna, are of thy creation."

There is an order in nature, there is a law, a habit, a rule, _a Rita_.

This law, this _Rita_, it is Varuna who has established it. He is the

god of the Rita, the god of Order, the guardian of the Rita; he is the

god of efficient and stable laws; in him rest as in a rock the fixed

immovable laws.

Organizer of the world, he is its master. He is the first of the Asuras,

"of the lords;" he is _the Asura_, "the Lord;" he is the sovereign of

the whole world, the king of all beings, the universal king, the

independent king; no one amongst the gods dares to infringe his laws;

"it is thou, Varuna, who art the king of all."

As he has omnipotence, he has omniscience too, he is "the Lord who knows

all things," the _Asura viçva-vedas_. He is the sage who has supreme

wisdom, in whom all sciences have their centre; when the poet wishes to

praise the learning of a god, he compares it to that of Varuna. "He

knows the place of the birds which fly in the air, he knows the ships

which are sailing on the ocean, he knows the twelve months and what they

will bring forth, he knows every creature that is born. He knows the

path of the sublime wind in the heights, he knows who sits at the

sacrifice. The God of stable laws, Varuna, has taken his place in his

palace to be the universal king, the god with the wondrous intellect.

Hence, following in his mind all these marvels, he looks around him at

what has happened and what will happen."

As he is the universal witness, he is also the universal judge, the

infallible judge whom nothing escapes: none can deceive him, and from

above he sees the evil done below and strikes it: he has sevenfold bands

to clasp thrice round the liar by the upper, by the middle, and by the

lower part of the body. The man, smitten by misfortune, implores his

pity, and feels that he has sinned, and that the hand which strikes is

also the hand that punishes:

"I ask Thee, O Varuna, because I wish to know my fault:

"I come to Thee, to question Thee who knowest all things. All the

sages, with one voice, said to me, Varuna is angry with thee.

"What great crime have I committed, O Varuna, that thou shouldst

want to kill thy friend, thy bard. Tell me, O Lord, O infallible

one, and I will then lay my homage at thy feet.

"Free me from the bonds of my crime, do not sever the thread of the

prayer that I am weaving, do not deliver me over to the deaths that,

at thy dictate, O Asura, strike him who has committed a crime: send

me not into the gloomy regions far from the light.

"Let me pay the penalty of my faults; but let me not suffer, O King,

for the crime of others; there are so many days that have not dawned

yet! Let them dawn for us also, O Varuna!"

Such is the supreme God of the Vedic religion, an organizing God,

almighty, omniscient, and moral. The following is a Vedic hymn which

sums up with singular force the essential attributes of the God:--

"He who from on high rules this world sees every thing as if it were

before him. That which two men, seated side by side are plotting, is

heard by king Varuna, himself the third.

"This earth belongs to the king Varuna, and this sky, these two

sublime worlds with their remote limits; the two seas[45] are the

belly of Varuna, and he rests also even in this small pool of water.

"He who should leap over the sky and beyond it, would not escape the

king Varuna: he has his spies, the spies of the heavens, who go

through the world; he has his thousand eyes which look on the earth.

"The king Varuna sees everything, all that which is between the two

worlds and beyond them: he reckons the winking of the eye of all

creatures:

"The world is in his hand like the dice in the hand of the gamester.

"Let thy sevenfold bands, O Varuna, let thy bands of wrath which are

thrice linked together, let them enfold the man with a lying tongue,

let them leave free the man with a truthful tongue!"

_Ahura Mazda._[46]--Ancient Persia opposes to Zeus, to Jupiter, to

Varuna, her Ormazd or Ahura Mazda.[47] "It is through me," he said to

his prophet, Zoroaster, "that the firmament, with its distant

boundaries, hewn from the sparkling ruby, subsists without pillars to

rest upon; it is through me that the earth, through me that the sun, the

moon, and the stars take their radiant course through the atmosphere; it

was I who formed the seeds in such a manner that, when sown in the

earth, they should grow, spring up, and appear on the surface; it was I

who traced their veins in every species of plants, who in all beings put

the fire of life which does not consume them; it is I who in the

maternal womb produce the new-born child, who form the limbs, the skin,

the nails, the blood, the feet, the ears; it was I who gave the water

feet to run; it was I who made the clouds, which carry the water to the

world," &c. This development, taken from a recent book of the Ghebers,

the Bundahish, is to be found entire, in the very first words of their

oldest and holiest book, the Avesta: "I proclaim and worship Ahura

Mazda, the _Creator_." As far as history can be traced, he was already

what he is now. Near the ruins of the ancient Ecbatana, the traveller

may read, on the red granite of the mountain of Alvand, these words,

which were engraved by the hand of Darius, the king of kings, nearly

five centuries before the birth of Christ:--

"A powerful God is Aurâmazda!

'Twas he who made this earth here below!

'Twas he who made that heaven above!

'Twas he who made man!"

This God, who made the world, rules it. He is the sovereign of the

universe, the _Ahura_,[48] "the Lord." "He is a powerful god," exclaims

Xerxes; "he is the greatest of all the gods." It is to his favour that

Darius, inscribing upon the rock of Behistun the narrative of his

nineteen victories, ascribes both his elevation and his triumphs. It is

to his supreme care that he confides Persia: "This country of Persia,

which Aurâmazda has given me, this beautiful country, beautiful in

horses, beautiful in men, by the grace of Aurâmazda, and through me,

king Darayavus, has nothing to fear from any enemy. May Aurâmazda and

the gods of the nation bring me their help! May Aurâmazda protect this

country from hostile armies, from barrenness and evil! May this country

never be invaded by the stranger, nor by hostile armies, nor by

barrenness, nor by evil! This is the favour which I implore from

Aurâmazda and the gods of the nation!"

This world which he has organized is a work of intelligence; by his

wisdom it began, and by his wisdom it will end. He is the mind which

knows all things, and it is to him that the sage appeals in order to

penetrate the mysteries of the world.

"Reveal to me the truth, O Ahura! What was the beginning of the good

creation?

"Who is the father, who, at the beginning of time, begat Order?

"Who has traced for the sun and the stars the paths that they must

follow?

"Who makes the moon increase and decrease?

"O Ahura! I would learn those mysteries and many more!

"Who has fixed the earth and the immovable stars to establish them

firmly, so that they might not fall? Who has fixed the waters and

the trees?

"Who has directed the rapid course of the wind and of the clouds?

What skilful artist has made the light and the darkness?

"What skilful workman has made sleep and wakefulness? Through whom

have we dawn, noon, and night? From whom do they learn the law which

is traced out for them? Who endeared the son to his father so that

he should train him? Those are the things that I wish to ask Thee, O

Mazda, O beneficent Spirit, O Creator of all things!"

In his omniscience are embraced all human actions. He watches over all

things, and is far-seeing, and never sleeping. He is the infallible one;

"it is impossible to deceive him, the Ahura, who knows all things." He

sees man, and judges and chastises him, if he has not followed his law,

for from him comes the law of man, as well as the law of the world; from

him comes the science supreme among all other sciences, that of duty,

the knowledge of those things we ought to think, say, and do, and of

those things we ought neither to think, nor say, nor do. To the man who

has prayed well, thought, spoken, and acted well, he opens his

resplendent paradise; he opens hell to him who has not prayed and who

has thought, spoken, and done evil.

The Supreme God, the God of Heaven.

Thus the Aryans of Greece, of Italy, of India, and of Persia agree in

giving the highest place in their Pantheon to a supreme God who rules

the world and who has founded order, a God sovereign, omniscient, and

moral. Has this identical conception been formed in each of these cases

by four independent creations, or is it a common inheritance from the

Indo-European religion, and did the Aryan ancestors of the Greeks, of

the Latins, of the Hindoos, and of the Persians already know a supreme

God, an organizing, a sovereign, an omniscient, a moral God?

Although the latter hypothesis is more simple and more probable than the

former, it cannot, however, be taken at once as certain; because an

abstract and logical conception of this kind may very well have

developed itself at the same time among several nations, in an identical

and independent manner. To whomsoever looks upon it at any time and in

any place, the world can reveal the existence of a Supreme maker:

Socrates is not the disciple of the psalmist; yet the heavens reveal to

him, as to the Hebrew poet, the glory of the Lord. But if it be found

that the abstract conception is closely connected with a naturalistic

and material conception, and that the latter is identical in the four

religions, as it is known, on the other hand, that these four religions

have a common past, the hypothesis that this abstract conception is a

heritage of this past, and not a creation of the present, may rise to a

certainty.

Now, these Gods who organize the world, rule it and watch over it; this

Zeus, this Jupiter, this Varuna, this Ahura Mazda are not the

personifications of a simple abstract conception; they emerge from a

former naturalism, from which they are not yet quite detached; they

commenced by being gods of the heavens.

Zeus and Jupiter have never ceased to be gods of the heavens, and to be

conscious of it. When the world was shared among the gods, "Zeus

received the boundless sky in the ether and the clouds for his share."

It is as the God of heaven that sometimes he shines luminous, calm, and

pure, enthroned in the ethereal splendour, and that sometimes he becomes

gloomy and gathers clouds (=nephelêgeretês=), causing the rain to fall

from heaven (=ombrios=, =hyetios=), hurling upon the earth the eddy of

fierce winds, drawing forth the hurricane from the summit of the ether,

brandishing the lightning and the thunderbolt (=keraunios=, =astrapaios=).

This is why the thunderbolt is his weapon, his attribute, "the

thunderbolt with its never-tiring foot," which he hurls in the heights;

why he rolls on a resounding chariot, brandishing in his hand the fiery

trident, or dashing it on the wings of the eagle, or on Pegasus, the

aërial steed of the lightning. This is why he is the husband of Dêmêter,

"the mother Earth," whom he impregnates with his torrents of rain; this

is why he sent forth, from his brow according to some, from his belly

according to others, from the clouds according to the Cretan legend,

Athênê, the resplendent goddess with the penetrating glance, who came

forth, shaking golden weapons, with a cry which made heaven and earth

resound, as she is the incarnation of the stormy light which breaks

forth from the brow of heaven, from the belly of heaven, from the bosom

of the cloud, filling space with its splendour and with the crash of its

stormy birth. Lastly, the very name of Zeus (genitive _Dios_, formerly

_Divos_) is, in conformity with the laws of Greek phonetics, the literal

representative of the Sanscrit Dyaus, heaven (genitive _Divas_), and the

union of =Zeus patêr= with =Dêmêtêr= is the exact counterpart of the

Vedic union of _Dyaus pitar_ with _Prithivî mâtar_, of the Heaven-Father

with Earth-Mother. The word =Zeus= is an ancient synonym of =Ouranos=,

which became obsolete as a common noun; still, in a certain number of

expressions, it retains something of its former meaning. Thus it is,

when the Earth prays Zeus to let rain fall upon her; when the Athenian

in praying exclaims: "O dear Zeus, rain thou on the field of the

Athenians and on the plains"--"Zeus has rained the whole night," says

Homer: =hye Zeus pannychos=. In all these expressions Zeus may be

literally translated as a common noun, _sky_.

Jupiter, identical with Zeus in his functions, is identical with him in

his material attributes.

The word Jûpiter, or better Jup-piter, is for Jus-piter, composed of

_pater_ and of _Jus_, the Latin contraction of the Sanscrit _Dyaus_, of

the Greek =Zeus=: Juppiter is then the exact equivalent of =Zeus patêr=,

and the word has even preserved more strongly than Zeus the sense of its

early meaning; _sub Jove_ signifies "under the heavens;" the hunter

awaits the marsian boar, heedless of the cold or snow, _sub Jove

frigido_, "under the cold Jupiter, under the cold sky." Dyaus is also in

Latin, as it is in Sanscrit, the name of the brilliant sky: "Behold,"

exclaims old Ennius, "above thy head this luminous space which all

invoke under the name of Jupiter:"

"Aspice hoc sublime candens quem invocant omnes Jovem."

Varuna, like his European brethren, has been, and is yet, a material

god, and a material god of the same kind, a god of heaven. This is why

the sun is his eye, why the sun, "the beautiful bird which flies in the

firmament," is "his golden-winged messenger;"[49] why the celestial

rivers flow in the hollow of his mouth, as in the hollow of a reed; why

everywhere visible, by turns full of light and of darkness, by turns he

infolds himself in the night, and irradiates the dawns, and by turns

clothes himself in the white garments and in the black ones. Like Zeus,

and from the same cause, he gathers together the clouds, he turns the

sack that contains the rains, and lets it loose upside down on the two

worlds; he inundates the heaven and the earth, he clothes the mountains

with a watery garb, and his blood-red eyes unceasingly furrow the watery

dwelling with their twinkling flashes. As Zeus is the father of Athênê,

he is the father of Atharvan, "the Fire-God," of Bhrigu, "the

Thunderer"--that is to say, of Agni, of the lightning. Agni himself is

brought forth "from his belly in the waters," like a male Athênê.

Finally, like Zeus, like Jupiter, he bears in his very name the

expression of what he is; and the Sanscrit Varuna is the exact phonetic

representative of =Ouranos=, sky.

In fine, the sovereign god of Persia, notwithstanding the character of

profound abstraction which he has acquired and which is reflected in his

name Ahura Mazda, "the omniscient Lord," can himself be recognized as a

god of the heavens. The ancient formulæ of the litanies still show that

he is luminous and corporeal; they invoke the creator Ahura Mazda,

resplendent, very great, very beautiful, corporeally beautiful; white,

luminous, seen from afar; they invoke the entire body of Ahura Mazda,

the body of Ahura which is the greatest of bodies; they say that the sun

is his eye, and that the sky is the garment embroidered with stars with

which he arrays himself; lastly, the most abstract of the Aryan gods has

preserved a trait which shows him more closely tied than the others to

the material world from which they have freed themselves; he is called

"the most solid of the gods," because "he has for clothing the very

solid stone of the sky." Like Varuna, like Zeus, the lightning is in his

hands, "the molten brass which he causes to flow down on the two

worlds;" like them he is the father of the god of lightning, Atar.

Lastly, the most ancient historical evidence confirms the inductions of

mythology, as at the very time when the Achæmenian kings proclaim the

sovereignty of Aurâmazda, Herodotus wrote: "The Persians offer up

sacrifices to Zeus,[50] going up on the highest summit of the mountains,

as they call _Zeus the entire orb of the sky_."

Thus the supreme gods of the four great religions of Greece, of Italy,

of India, and of Persia, are at the same time, or have begun by being

gods of the skies. By the side of these four, Svarogu, the god of the

ancient pagan Slavs, should no doubt equally be placed. Like Zeus, like

Jupiter, like Varuna, like Ahura Mazda, he is the master of the

universe, the gods are his children, and it is from him that they have

received their functions; like them he is the god of the heavens, he is

the thunderer, and like them he is the father of the Fire, Svarojitchi,

"the son of heaven."[51]

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