WITH SYNGE IN CONNEMARA

I had often spent a day walking with John Synge, but a year or two ago

I travelled for a month alone through the west of Ireland with him. He

was the best companion for a roadway any one could have, always ready

and always the same; a bold walker, up hill and down dale, in the hot

sun and the pelting rain. I remember a deluge on the Erris Peninsula,

where we lay among the sand hills and at his suggestion heaped sand

upon ourselves to try and keep dry.

When we started on our journey, as the train steamed out of Dublin,

Synge said: 'Now the elder of us two should be in command on this

trip.' So we compared notes and I found that he was two months older

than myself. So he was boss and whenever it was a question whether we

should take the road to the west or the road to the south, it was Synge

who finally decided.

Synge was fond of little children and animals. I remember how glad he

was to stop and lean on a wall in Gorumna and watch a woman in afield

shearing a sheep. It was an old sheep and must have often been sheared

before by the same hand, for the woman hardly held it; she just knelt

beside it and snipped away. I remember the sheep raised its lean old

head to look at the stranger, and the woman just put her hand on its

cheek and gently pressed its head down on the grass again.

Synge was delighted with the narrow paths made of sods of grass

alongside the newly-metalled roads, because he thought they had been

put there to make soft going for the bare feet of little children.

Children knew, I think, that he wished them well. In Bellmullet on

Saint John's eve, when we stood in the market square watching the

fire-play, flaming sods of turf soaked in paraffine, hurled to the sky

and caught and skied again, and burning snakes of hay-rope, I remember

a little girl in the crowd, in an ecstasy of pleasure and dread,

clutched Synge by the hand and stood close in his shadow until the

fiery games were done.

His knowledge of Gaelic was a great assistance to him in talking to the

people. I remember him holding a great conversation in Irish and

English with an innkeeper's wife in a Mayo inn. She had lived in

America in Lincoln's day. She told us what living cost in America then,

and of her life there; her little old husband sitting by and putting in

an odd word. By the way, the husband was a wonderful gentle-mannered

man, for we had luncheon in his house of biscuits and porter, and

rested there an hour, waiting for a heavy shower to blow away; and when

we said good-bye and our feet were actually on the road, Synge said,

'Did we pay for what we had?' So I called back to the innkeeper, 'Did

we pay you?' and he said quietly, 'Not yet sir.'

Synge was always delighted to hear and remember any good phrase. I

remember his delight at the words of a local politician who told us how

he became a Nationalist. 'I was,' he said plucking a book from the

mantlepiece (I remember the book--it was 'Paul and Virginia') and

clasping it to his breast--'I was but a little child with my little

book going to school, and by the house there I saw the agent. He took

the unfortunate tenant and thrun him in the road, and I saw the man's

wife come out crying and the agent's wife thrun her in the channel, and

when I saw that, though I was but a child, I swore I'd be a

Nationalist. I swore by heaven, and I swore by hell and all the rivers

that run through them.'

Synge must have read a great deal at one time, but he was not a man you

would see often with a book in his hand; he would sooner talk, or

rather listen to talk--almost anyone's talk.

Synge was always ready to go anywhere with one, and when there to enjoy

what came. He went with me to see an ordinary melodrama at the Queen's

Theatre, Dublin, and he delighted to see how the members of the company

could by the vehemence of their movements and the resources of their

voices hold your attention on a play where everything was commonplace.

He enjoyed seeing the contrite villain of the piece come up from the

bottom of the gulch, hurled there by the adventuress, and flash his

sweating blood-stained face up against the footlights; and, though he

told us he had but a few short moments to live, roar his contrition

with the voice of a bull.

Synge had travelled a great deal in Italy in tracks he beat out for

himself, and in Germany and in France, but he only occasionally spoke

to me about these places. I think the Irish peasant had all his heart.

He loved them in the east as well as he loved them in the west, but the

western men on the Aran Islands and in the Blaskets fitted in with his

humour more than any; the wild things they did and said were a joy to

him.

Synge was by spirit well equipped for the roads. Though his health was

often bad, he had beating under his ribs a brave heart that carried him

over rough tracks. He gathered about him very little gear, and cared

nothing for comfort except perhaps that of a good turf fire. He was,

though young in years, 'an old dog for a hard road and not a young pup

for a tow-path.'

He loved mad scenes. He told me how once at the fair of Tralee he saw

an old tinker-woman taken by the police, and she was struggling with

them in the centre of the fair; when suddenly, as if her garments were

held together with one cord, she hurled every shred of clothing from

her, ran down the street and screamed, 'let this be the barrack yard,'

which was perfectly understood by the crowd as suggesting that the

police strip and beat their prisoners when they get them shut in, in

the barrack yard. The young men laughed, but the old men hurried after

the naked fleeting figure trying to throw her clothes on her as she ran.

But all wild sights appealed to Synge, he did not care whether they

were typical of anything else or had any symbolical meaning at all. If

he had lived in the days of piracy he would have been the fiddler in a

pirate-schooner, him they called 'the music--' 'The music' looked on at

every thing with dancing eyes but drew no sword, and when the schooner

was taken and the pirates hung at Cape Corso Castle or The Island of

Saint Christopher's, 'the music' was spared because he _was_ 'the

music.'

Synge and the Ireland of His Time · 第 18 / 19 题