FOR THE FAME OF SANFORD HIGH
When Marjorie Dean went down to breakfast the following morning it was
with the feeling that her sharp answer to Mary's unexpected comments of
the night before had been unworthy of her better self. Mary's reply,
"Oh, it doesn't matter," had somehow sounded wistful rather than
indifferent. To be sure, Mary had literally forced upon her the reserved
stand which she had at last taken. Yet underneath her proud attitude of
distant courtesy toward the girl who had once taken first place in her
friendship still lurked the faint hope of reconciliation. But she had
made her last advance on that memorable Christmas day when Mary had
shown her so plainly that she respected the flag of truce for the day
only and had returned to her former state of antagonism at the first
opportunity. In the beginning it had been hard to stifle her impulsive
nature, and appear courteous yet wholly unconcerned regarding her chum's
welfare, but in time she found it comparatively easy. Friendship was
dying hard, yet it _was_ dying, nevertheless. This thought had startled
Marjorie a little as she recalled how easy it had been to be
disagreeable, where once it would have seemed absolutely impossible to
allow those cutting words to pass her lips. It came soberly to her that
morning as she walked into the dining room that, after all, she did not
wish that friendship to die. Something must be done to keep it alive
until Mary was quite herself again.
The faint line of concern which appeared between her dark brows deepened
as this latest conviction took hold of her. As she pondered, the object
of her thoughts appeared in the doorway. Mary's face wore an air of
listlessness that quite corresponded with her subdued, "Good morning,
Marjorie. Good morning, Captain."
"You look all tired out, my dear," remarked Mrs. Dean solicitously.
There was a curiously pathetic droop to Mary's mouth which gave her the
appearance of a very tired child who had played too hard and was ready
to be put to bed, rather than to begin the day's round of events. "Did
you dance too much?"
"No." A peculiar little smile flickered across the girl's pale features.
She wondered what Mrs. Dean would say if she told her just how she had
spent her evening.
Marjorie regarded Mary almost curiously. In some indefinable way she had
changed. Then it flashed across her that Mary's usual stubborn
expression had given place to one of distinct sadness. With a kindly
endeavor toward lightening her chum's heavy mood, she tried to draw her
out to talk of the party. She met with little success. As Mary, in
reality, knew nothing further of it than the fact that Mignon had worn a
gypsy costume and that the majority of the boys invited had not put in
an appearance, she was hardly prepared to describe the affair. She,
therefore, answered Marjorie's questions in brief monosyllables and
volunteered no information whatever.
"I am going over to see Jerry Macy this morning. Would you like to go
with me?" asked Marjorie, after her attempt to discuss the party had
proved futile.
"No; I thank you just the same. I have several things to buy at the
stores, and then I am going for a walk. I would ask you to go with me,
only you are going to Jerry's."
"I'd love to," a touch of Marjorie's old heartiness came to the surface,
"but I promised Jerry I'd surely go to see her to-day."
"Perhaps we can take a walk some other day," remarked Mary vaguely as
they rose from the table.
"I will take you both for a ride this afternoon, if you are good,"
volunteered Mrs. Dean. She had been observing the signs. She decided,
within herself, that matters were assuming a more hopeful turn. Yet she
had long since left the two girls to work out their problem in their own
way.
"That will be splendid!" cried Marjorie.
"I should like to go," acceded Mary almost shyly.
Mrs. Dean smiled to herself and saw light ahead. The barrier seemed
about to crumble.
But as the days went by, both she and Marjorie grew puzzled over the
change in blue-eyed Mary. She had, indeed, lost her belligerent spirit
of animosity, but a profound melancholy had settled down upon her like a
pall. Gradually it became noised about in school that Mary Raymond and
Mignon La Salle were no longer on speaking terms. Why this was so, no
one knew. Mary was mute on the subject. For once, also, the French girl
had nothing to say. As it happened, she believed that no one of the
guests had witnessed the scene between herself and Mary, and to try to
relate it, even with emendations of her own, would hardly redound to her
credit. She was too shrewd not to know that the average person resents
an affront against childhood. Then, too, Constance Stevens was making
rapid strides toward popularity among the girls of Sanford High School
and her cowardly nature warned her to be silent. But her chief reason
for silence lay in the fact that Mary had curtly informed her on the
Monday morning following the party that she had seen Charlie safely
home, that so far as she could learn his family did not know who had
escorted him home, and that if she, Mignon, were wise she would say
nothing whatever of the occurrence. Without further words, Mary had
walked away, but that same afternoon she had removed her wraps to
another locker, a significant sign that she was done with the French
girl forever.
When it came to Marjorie's ears that Mary and Mignon had quarreled, she
decided a trifle sadly that Mary's melancholy was due to the French
girl's defection. She was sure that, whatever the quarrel had been
about, Mignon was to blame. Until then she had never quite believed in
the sincerity of Mary's affection for this unscrupulous, headstrong
girl, and it hurt her to see Mary take the estrangement so to heart.
She said as much to Constance Stevens as they walked home from school
together on the Monday following the Easter vacation. To Marjorie the
Easter holidays had been a continuous succession of good times. She had
attended half a dozen parties given by her various schoolmates, and
numerous luncheons and teas. To all these Mary had received invitations
also. She had politely declined them, however, going on long, lonely
walks by day and moping in the living room or her own room by night.
"Somehow," Marjorie confided to Constance, "I never believed Mary could
be so deceived in a person. But she must think a lot of Mignon, or she
wouldn't be so dreadfully sad all the time."
"It's queer," mused Constance. "I don't think she knows to this day the
truth about last year."
"I am sure she doesn't. Mary is really too honorable to stand by
a--a--person that you and I know isn't worthy of loyalty. That sounds
rather hard, especially from one of the reform party. But I can't help
it. I am quite ready to say and mean it, Mignon La Salle hasn't a better
self. She never had one!"
"It hasn't been very pleasant for you this year, has it?" was
Constance's sympathizing question. "It's too bad. After all the nice
things we had planned. Sometimes I think it is better not to make plans.
They never turn out as one hopes they will."
"I know it," rejoined Marjorie with a sigh. "Jerry Macy says that Mary
has something on her mind besides Mignon."
"Perhaps she is sorry that she----" Constance hesitated.
"That we aren't chums any more?" finished Marjorie. "I don't think so.
If she had been truly sorry she would have come to me and said so. I
thought so the day after Mignon's party. Then I heard that they had
quarreled, and I changed my opinion." There was a faint touch of
bitterness in Marjorie's speech. "Suppose we don't talk of it any more.
I wish to forget it, if I can. It doesn't do much good to mourn over
what can't and won't be changed. Did Jerry tell you that Laurie Armitage
has finished his operetta? Professor Harmon is going to have a try-out
of voices in the gymnasium next Saturday morning."
"Laurie told me himself. He brought the score of the operetta to Gray
Gables last night and we tried it over on the piano. The music is
beautiful. It is so tuneful it lingers. I've been humming snatches of it
ever since he played it for me. The 'Rebellious Princess' has some
wonderful songs. That clever young man, Eric Darrow, composed the
libretto and thought out the plot. It's about a princess who grew tired
of staying at home in her father's castle and going to state dinners and
receptions, so she put on the dress of a peasant girl and ran away from
the castle to see the world. She took some gold with her, but it was
stolen from her the very first thing. No one paid any attention to her
because she was poor, and she had a dreadfully hard time. But she was so
stubborn she wouldn't go back to her father and say she was sorry, so
she wandered on until her clothes were ragged and her shoes were worn
out. Then an old woman took the poor princess to live with her and she
had to work terribly hard and wait on the woman's daughter, who loved
nothing but pretty clothes and to have a good time. No one was good to
her except the woman's adopted son, who was left on her doorstep when he
was a baby. At last the princess grew so tired of it all she went back
to her father, but to punish her he pretended he didn't know her. So
she had to go away again, but the woman's son had followed her and when
he saw her leave the castle, crying, he told her he loved her and asked
her to marry him. She said 'yes,' because he was the only person in the
world who cared for her. But her father hadn't really intended that she
should go away. He sent his courtiers after her to bring her back to the
castle. She wanted to go back, but she wouldn't go unless the young man
went with her. When he found out that she was really a great princess he
said he would never dare to ask her to marry him. But she said that true
love was better than all the wealth in the world, and she would not go
back unless he went with her, and so he said he would go. That is where
the operetta ends. They sing a duet, 'True Love Is Best,' and you have
to imagine what the king said. There isn't so much in the plot, but it
is very sweet, and the music is delightful," finished Constance.
"I know I shall love to hear it!" exclaimed Marjorie. "I do hope you
will be chosen to sing the part of the princess."
Constance flushed. "Laurie wishes me to have it," she said almost
humbly. "But there are sure to be others who can sing it better than I.
However, the try-out will settle that. At any rate, I may be chosen for
a court lady in the chorus. I hope you'll be in it, too."
"I can't sing well enough," laughed Marjorie. "But I'll be there on
Saturday, and perhaps I'll be lucky enough to get into it somehow. Won't
it be fun to rehearse? Hal Macy ought to have a part. He has a splendid
tenor voice, and the Crane can sing bass. I can hardly wait until
Saturday comes. I am so anxious to see who will be chosen."
Marjorie's pleasant anxiety was shared by the majority of the girls of
Sanford High School. The proposed operetta became the chief topic for
discussion as the unusually long week dragged interminably along toward
that fateful Saturday. Even the high and mighty seniors condescended to
become interested. Among their number, more than one ambitious seeker
after fame secretly imagined herself as carrying off the rôle of the
Rebellious Princess, and conducted assiduous practice of much neglected
scales in the hope of glory to come.
As the star singer of her class, Constance Stevens' name was often
brought up for discussion among her classmates as the possibly
successful contestant in the try-out. Besides, was it not Lawrence
Armitage's opera? It was generally known that the dark-haired,
dreamy-eyed lad had a decided predeliction for Constance's society.
Rumor, therefore, decreed that if Laurie Armitage had the say, Constance
would have no trouble in carrying off the leading rôle.
But the most determined aspirant for fame was none other than Mignon La
Salle. With her usual slyness, she kept her own counsel. Nevertheless,
she believed she stood a fair chance of winning the prize of which she
dreamed. For Mignon could sing. From childhood her father had spared no
expense in the matter of her musical education. An ardent lover of
music he had decreed that Mignon should be initiated into the mysteries
of the piano when a tiny girl, and, although Mr. La Salle had allowed
her undisputed liberty to grow up as she pleased, on one point he was
firm. Mignon must not merely study music; she must each day practice the
required number of hours. In the beginning she had rebelled, but finding
her too indulgent parent adamant in this one particular, she had been
forced to bow her obstinate head to his decree. In consequence she
profited by the enforced practice hours to the extent of becoming a
really creditable performer on the piano for a girl of her years. At
fourteen she had begun vocal training. Possessed of a strong, clear,
soprano voice, three years under the direction of competent instructors
had done much for her, and, although she was far too selfish to use her
fine voice merely to give pleasure to others, she never allowed an
opportunity to pass wherein she might win public approval by her
singing.
The mere fact that "The Rebellious Princess" was Lawrence Armitage's own
composition served to spur her on to conquest. Given the leading rôle,
she believed that she might awaken in the young man a distinct
appreciation of herself which hitherto he had never demonstrated toward
her. Once she had brought him to a tardy realization of her superiority
over Constance Stevens, by outsinging the latter, along with all the
other contestants, she was certain that admiration for herself as a
singer would blot out any unpleasant impression he might earlier have
conceived of her. She had heard that "the Stevens girl" could sing. It
was to be doubted, however, if her voice amounted to much. Another point
in her favor lay in the fact that Professor Harmon was a close friend of
her father. He would surely give her the preference.
But while she dreamed of triumphantly holding the center of the stage
before a spellbound audience, her rival to be, Constance Stevens, was
seriously debating within herself regarding the wisdom of even entering
the contest. Of a distinctly retiring nature, Constance was not eager to
enter the lists. On the Friday afternoon before the try-out she was
still undecided, and when the afternoon session of school was over, and
she and the five girls with whom she spent most of her leisure hours
were walking down the street, headed for Sargent's and its never-failing
supply of sweets, she was curiously silent amid the gay chatter of her
friends.
"I suppose you girls know that our dear Mignon has designs on the
Princess," announced Jerry Macy, with the elaborate carelessness of one
who gives forth important news as the commonest every-day matter.
"Mignon!" exclaimed Marjorie Dean in amazement. "I never even knew she
could sing."
"She thinks she can," shrugged Muriel Harding. "Goodness knows she ought
to. She has studied for ages. I'm surprised to hear that she is going to
enter the try-out, considering it's Laurie's operetta. You know just how
much he likes her. She knows, too."
"Who told you, Jerry?" quizzed Susan Atwell. "The way you gather news
is positively marvelous. Was it big brother Hal?"
"No, he doesn't know it. If I told him, he'd tell Laurie and Laurie
would promptly have a spasm. One of the girls in the senior class
mentioned it to me."
"Mignon really sings well," put in Irma. "Don't you remember the time
she sang at Muriel's party, two years ago? She has been studying ever
since. She must have improved a good deal since then."
"Oh, I've heard her sing more than once," said Jerry Macy, "but I don't
like her voice. It's--well, it isn't sweet and sympathetic."
"Neither is she," put in Susan with her customary giggle.
"Wait until Connie sings at the try-out. Then someone can gently lead
Mignon to a back seat," predicted Jerry. "It would give me a good deal
of pleasure to be that 'someone.'"
"I don't think I shall enter the try-out," remarked Constance, flushing.
"Why not?" was the questioning chorus.
"Oh, I don't know, only I just don't care to. If I do, someone might say
that I went into it because----" She hesitated, and the flush on her
cheeks deepened.
"Because you expected Laurie to choose you, you mean," finished Jerry.
"Yes; that is what I meant," admitted Constance. "Of course, I know
there are other girls who are better singers than I, and that I couldn't
possibly be chosen. Still, I'd rather not go into it at all, unless I
could just be in the chorus."
"You are a goose; a nice, dear goose, but a goose, just the same," was
Jerry's plain sentiment.
"Connie Stevens, if you don't try for that part, I'll never speak to you
again," threatened Muriel.
"I'll disown you," added Susan in mock menace.
"Connie," Marjorie's voice vibrated with sudden energy, "I think you
_ought_ to try for the Princess. I am almost sure no other girl in
Sanford High can sing so beautifully. Then there is Laurie. He has
always been nice to you. It would hurt his feelings dreadfully if you
didn't try for a part in his operetta. Besides, I know it sounds
hateful, but I can't help saying that I'd be glad to see you take the
Princess away from Mignon. That is, if she really stands a good chance
of winning it. I suppose that is what Miss Archer would call 'an ignoble
sentiment,' but I mean it, just the same." Marjorie glanced half
defiantly around the bright-eyed circle. They were now in Sargent's,
seated about their favorite table.
"Hurrah for you, Marjorie!" cried Jerry, flourishing her hand as though
it were a pennant of triumph. "That's what I say, too. You are really a
human, everyday person, after all. I used to think you were almost too
forgiving toward certain persons, but now I can see that you aren't such
a model forgiver, after all."
"That is rather a doubtful compliment, isn't it?" laughed Marjorie.
"Frankness is the soul of virtue," jeered Muriel.
"Oh, now, you know what I mean," protested Jerry, looking somewhat
sheepish. "You girls do like to tease me. All right, I'll do the
forgiving act and order the refreshments. I'll pay for them, too. I've a
whole dollar. I am supposed to buy some stationery with it, but I'll
just let my correspondence languish and treat instead. Name your eat and
you can have it. Fifteen cents apiece is your limit. I need the other
ten to buy stamps."
"What is the use in buying stamps if you don't intend to correspond?"
put in Irma mischievously.
"I might need them some day," was Jerry's calm retort. "Besides, if I
don't spend the ten cents I may lose it. Now the bureau of information
is closed. Order your fifteen cents' worth!"
After changing their minds several times in rapid succession to the
infinite disgust of the waitress, the sextette finally made unanimous
decision for a new concoction in the way of a fruit lemonade, known as
Sargent Nectar.
"Now," announced Jerry, as the long-suffering waitress deposited the
tall glasses on the table and retired to the back of the room to grumble
uncomplimentary comments to a fellow-worker on the ways of high school
girls who didn't know their own minds, "let us all drink a toast to Miss
Connie Stevens, the celebrated star of 'The Rebellious Princess.' But
remember, we can't drink it until the star says she will shine.
"'Twinkle, twinkle, little star,
Shall we see you from afar?
On the Sanford stage so shy,
For the fame of Sanford High.'
"Who says I'm not a poet?"
"Connie, you can't resist that poetic appeal," giggled Susan.
Constance's blue eyes shone misty affection upon the circle of fresh,
young faces, alight with the honest desire for her success. Her voice
trembled a little as she said: "I'll take it all back, girls. Now that I
know just how you feel about the try-out, _I'd_ be an ungrateful girl to
say I wouldn't do my best. I'll sing to-morrow, but if I'm not chosen,
please don't be disappointed."
"To Connie, our Princess! Long may she warble!" Jerry raised her glass
of lemonade. "Drink her down!"