As there is no doubt that fox-hunting is one of the most inspiriting

and manly of occupations, or that the English are preeminent in their

knowledge of the art, so there is likewise no doubt that equally stout

riders sit in foreign saddles. And though each would have to learn the

other's trade, I fancy you could sooner teach a score or a hundred

average cavalry officers of any nation to ride well across country,

than an equal number of clever, fox-hunting Englishmen to do the mere

saddle work of any well-drilled troops. Leaping is uniformly practiced

and well-taught, in all regular cavalry regiments of every army with

which I have been familiar in all parts of the world.

XI.

Well, Patroclus, you have earned your gallop. I loosen in the least my

hold upon the reins, and shaking your head from very delight, off you

go like the wind. Never could charger plunge into a mad gallop more

quickly than you, Patroclus. Your stride is long, your gather quick,

and the reserve power in your well-balanced movements so inspiring,

that I would almost ride you at the Charles River, in the expectation

that you would clear it. But the lane is all too short. Steady, sir,

steady! and down you come in a dozen bounds to a gait from which you

can fall into a walk at word.

But what is that? A rustling in the woods beside us! That sounds

indeed frightsome enough to make you start and falter. You are not

devoid of fear, Patroclus. No high-couraged horse can ever be. But

though you may tremble in every limb, if I speak to you, I may safely

throw the reins upon your neck. So, boy! To face danger oftener

insures safety than to run from it. To the right about, and let us see

what it means. Steady, again! Now stand, and let it come. There,

Patroclus, despite your snort of fear, it is only a couple of stray

calves cutting their ungainly capers as they make their way towards

home. Their bustle, like that of so many of the rest of us, far

exceeds their importance. Was not this much better seen than avoided?

You would have hardly liked this pleasant lane again had we not seen

the matter through.

I have never kept you in condition, Patroclus, to stand heavy bursts

after hounds, or indeed any exceptionally long or sharp run. That

means too much deprivation of your daily company. Nor indeed, be it

confessed, is your master himself often in the condition requisite to

do the sharpest work. It will generally be noticed that the clear eye

and firm muscle of the rider is a factor in the problem of how to be

in at the death, as well as the lungs and courage of the hunter. And

yet, Patroclus, you are, within your limits, a model jumper, and

always seem to have a spare leg. No horse delights more in being

headed at a wall or ditch than you, even in cold blood. For any horse

worthy the name will jump after a fashion in company. At the end of

our lane we can take the short cut towards the great highway, over the

gate and the little brook and hedge. As I talk to you, I can see that

you catch my purpose, for as we draw near the place, the might of

conscious strength seems to course through all your veins. Perhaps I

have unwittingly settled into my seat as I thought of the four-foot

gate. Here we are, and there is just enough bend in the road to ride

at the gate with comfort. Head up, ears erect, eyes starting from out

their sockets, no need to guide you towards it, my Patroclus! No

excitement, no uncertainty, no flurry. You and I know how surely we

are going over. A quiet canter, but full of elastic power, to within

about fifty feet of the jump, and then a short burst, measuring every

stride, till with a "Now boy!" as you approach the proper gather, I

give you your head, and you go into the air like a swallow. Just a

fraction of a second--how much longer it seems!--and we land cleverly,

well together, and in three strides more you have fallen into a jog

again. And now you look back, lest, perchance, the lump of sugar or

Seckel pear which used to reward you when you were learning your

lesson should be forthcoming now. But no, Patroclus, my good word and

a kindly pat for your docility and strength must be your meed to-day.

Canter along on the soft turf till we come to the little brook. We

will call it a brook, and think of it as a big one, though it is

barely eight feet wide. But never mind. We can jump thrice its width

just as well as across it. Remember, Patroclus, water requires speed

and well-set purpose, as height does clean discretion. At it, my boy!

Take your own stride. There's lots of room this side and more on the

other bank.

"Harden your heart, and catch hold of the bridle,

Steady him! Rouse him! Over he goes!"

In the air again; this time it seems like a minute almost. There,

Patroclus, if it had been twenty feet of water, you would not have

known the odds. Now for the road and company.

XII.

The same reasoning may be applied to saddles as to gaits. To pull down

a bull, the Texan must be furnished with a horn-pommel, which would

have been highly dangerous to his rider if Patroclus had happened to

come down over the gate just leaped. Indeed, nothing but the flattest

of saddles is safe to the steeple-chaser. On the contrary, the soldier

rides a trot, or uses his sabre to much better advantage with a cantle

sufficiently high to lean against. And any man is liable to have some

physical conformation requiring a peculiar saddle.

[Illustration: PLATE V.

AN EASY CANTER.]

The present generation of new-fledged riders would fain tie us down to

the English hunting-seat by laws like the Medes and Persians. This is

a good pattern for our Eastern needs, but let us not call it the only

one. It is, of course, well when in Rome to do as the Romans do, or at

least so nearly like them as not to provoke remark. But every one

cannot do this, and the old trooper is not apt to ride this way. And

yet, there are thousands of ancient cavalry soldiers all over this

country, North and South, who, naked weapon in hand, have done such

feats of horsemanship as would shame most of the stoutest of to-day's

fox-hunting, polo-playing riders. I do not refer to the obstacles they

used to ride at,--which meant a vast deal more than merely an ugly

tumble over a three-foot stone wall; I refer to their stout seats in

the saddle, and the rough ground they were wont to cover when they

rode down upon and over a belching wall of fire. For all which,

whenever we see one of these old troopers out for a ride, modestly

(for he is always modest) airing his army saddle, strong curb, and

long and hooded stirrups, we may, perchance, notice the jeer of the

stripling, whose faultless dress and bang-tailed screw are but a sham

which hides his lack of heart. It always gives one's soul a glow of

pride to see the well-known seat, and one is fain tempted to ride up

to the old comrade and grasp him by the hand. A thorough rider will

recognize his equal under any garb. It is pretense alone which merits

a rebuke. You cannot make a poor rider a good one by mounting him in a

fashionable saddle, any more than you can make a worthless brute a

good horse by giving his tail the latest dock.

XIII.

Until within no great time the modified military seat has been the one

which formed the basis of instruction. The riding-master, I presume,

still insists, with civilian and recruit alike, on feet parallel with

the horse, heels down, toes in, knee grip, and a hold of reins utterly

unknown in the hunting-field. And with a certain reason, though indeed

the old whip's rule of "'eels and 'ands down, 'ead and 'eart 'igh," is

the whole of the story, after all. For the man who begins with a knee

grip will never forget what his knees are for, and will not, like the

good little dude we passed a while ago, show daylight between them and

the saddle-flap at every rise. But the knee grip alone will not

suffice for all occasions, despite our military or riding-school

friends. A madly plunging horse or a big leap will instinctively call

out a grip with all the legs a man can spare. Moreover, the closer you

keep your legs to the horse without clasping him, the better. Go into

the hunting-field or over a steeple-chase course, and you will find

that the inside of your boot-tops--and not only yours, but every other

jockey's as well--have been rubbed hard and constantly against the

saddle. There lies the proof. At West Point, and in fact at every

military school, the cadets are sometimes practiced to ride with a

scrap of paper held to the saddle by the knee while they leap a bar,

and at the same time thrust or cut with the sabre at a convenient

dummy foe. I have seen a silver dollar so held between the knee and

saddle. But the bar is not a succession of high stone walls, nor is

the cadet riding a burst of several miles. And with a longer stirrup

it is more natural to keep the foot parallel with the horse's side.

To-day, the best riders do not so hold their feet. Cross-country a man

certainly does not. The proof is forthcoming at the Country Club on

any race-day, or at every meet here or in England, that a man riding

over an obstacle of any size will use all the legs he can without

digging his spurs into his horse's flanks, in a way he could not do

with the feet parallel to the horse's sides.

The modern dispensation differs from the old one in not being tied to

the military seat. The Rev. Sydney Smith objected to clergymen riding,

but modified his disapproval in those cases when they "rode very badly

and turned out their toes." A generation ago, a man was always

thinking of the position of his feet, as he cares not to do to-day, if

he sits firmly in the saddle, and boasts light hands.

XIV.

While on this subject, one cannot refrain from indulging in a friendly

laugh at the attempt to bend our unreasonable Eastern weather to the

conditions of a fox-hunting climate. The hunting season is that time

of the year when the crops are out of the ground. In England, during

the winter months, the weather is open and moist, and the soft ground

makes falling "delightfully easy," as dear old John Leech has it. And

the little hedges and ditches of some of the good hunting counties, or

indeed the ox-fences and grassy fields of Leicestershire, are such as

to make a day out a positive pound of pleasure, with scarce an ounce

of danger to spice it, if you choose to ride with moderation. For the

best rider in the Old Country is not the hare-brained cockney who

risks both his horse's and his own less valuable neck in the field; it

is he who chooses discreetly his course, and makes headway with the

least exertion to his hunter compatible with his keeping a good place

in the field. The man who appreciates how jumping takes strength out

of a horse, or who is any judge of pace, is apt to save, not risk him.

Few men willingly jump an obstacle which they can readily avoid

without too much delay. Read the legends of the famous hunting-men of

England, and you will find discretion always outranking valor. Any

fool can ride at a dangerous obstacle. Courage of that kind is a

common virtue. But it takes a make-up of quite a different nature to

be in, as a rule, at the death. How many five-barred gates will a man

jump when he can open them? How much water will he face when there is

a bridge near by? Does not every one dismount in hilly countries to

ease his horse? A good rider must be ready to throw his heart over any

obstacle possible to himself and his horse, when he cannot get round

it. But a discreet horseman puts his horse only at such leaps as he

must take, or which will win him a distinct advantage.

England is naturally a hunting country. But here, Lord save the mark!

there are no foxes to speak of. Scent won't lie, as a general thing,

with the thermometer below thirty (though scent is one of those

mysterious things which only averages according to rules, and every

now and then shows an unaccountable exception), and the obstacles are

snake fences or stone walls with lumpy, frozen ground to land on, or,

belike, a pile of bowlders or a sheet of ice. A bad fall means

potentially broken bones or a ruined horse, and while you are beating

cover for the fox who won't be found, you are shaking with the cold,

and your clipped or over-heated beast is sowing the seeds of

lung-fever.

You, Patroclus, were once laid up five months by landing on a snag the

further side of a most harmless-looking stone wall, and tearing out

some of the coronal arteries.

There are plenty of good horseback sports without a resort to what is

clearly out of the latitude. If you wait for good hunting weather, the

crops interfere with your sport, and our farmers have not the English

inducement to welcome the hunt across the fields, tilled at the sweat

of their brow. In the South, both weather and much waste land make

fox-hunting more easy to carry on. But even there it does not thrive.

Here in the East it will not be made indigenous.

Not but what, on a bright sunny day, a meet at which equine admirers

can show their neat turn-outs and glossy steeds and discuss horseflesh

in the general and the particular is a delightful experience. And

indeed, wherever crops and covers do not monopolize the country, a

good drag-hunt may often be had before cold weather mars the sport.

Perchance, in time, Reynard may take up his abode with us, when

vulpicide shall be punished by real ostracism. For has not the Ettrick

Shepherd proven conclusively that Reynard loves the chase? But far

from underrating the caged fox or anise-seed bag, hare and hounds

would seem to afford the better sport. For the hares, an they will,

can carry you across a country where each one can choose his own

course, instead of being obliged to follow a leader through

wood-paths, and through second growth which is all but jungle, where,

if one happens to blunder at an obstacle, your follower will come

riding down atop of you, and where you are bound to be "nowhere"

unless you get away with the first half-dozen men.

But spite of all its drawbacks, Patroclus, you and I enjoy in equal

measure a run under fair conditions as much as the best of them. And

let us hope the hunting fever will be kept up in healthy fashion, for

we two can select our weather, and we are not afraid of our reputation

if we drop out before the finish. This kind of work soon shakes our

novices into the saddle, and its many excellencies far outweigh its

few absurdities. Let him who runs it down try rather a run with the

pack some sunny day. If he does not find it manly sport, and stout

hearts in the van of the field, he can tell us why thereafter. The

outcome of to-day's riding mania is well ahead of the young men's

billiard-playing and bar-drinking of twenty years ago.

XV.

There are good riders in every land and in every species of saddle.

Facts are the best arguments. The North American Indian and the

follower of the Prophet each performs his prodigies of horsemanship,

the one bareback with hanging leg, the other in a peaked saddle with

knee all but rubbing his nose. Whoso has laughed over Leech's sketches

of Mossoo, who makes a _promenade a cheval_, or indeed has watched him

in the Bois, is fain to doubt that a Frenchman can ride well. And yet

he does. Was not Baucher the father of fine horsemanship? A rough and

tumble, plucky rider, or one who is experienced and discreet after

hounds as well, is more frequently found in Great Britain; a highly

skilled equestrian (is the author nearing a hornet's nest?) in France,

or elsewhere across the Channel. But we naturally must seek the

Continental rider in the camp, for is not the Continent itself one

vast camp? It is perhaps hard to decide whether the cavalry officer

who is master of the intricacies of the _manege_ or the country

gentleman who has won a reputation with the Pytchley or the Belvoir

may be properly called the more accomplished horseman. Each in his

place is unequaled. But is it not true, that the former can more

quickly adapt himself to the habits of hunting than the latter to

those of the Haute Ecole? And do not the methods of the School give us

more capacity for enjoying our daily horseback exercise, than any

amount of experience with hounds?

XVI.

It is sometimes said in England that a School-rider reining in his

steed never looks as if he were having a thoroughly good time, as does

the man who lets his horse go his own inspiriting gait along the road.

But why not? Is inspiration only found in excess of physical motion? If

so, to use an exaggerated comparison, why does not Paddy at Donnybrook

Fair, trailing his coat and daring some one to tread on the tail of it,

enjoy himself more thoroughly than the man who quietly plays a game of

chess or whist? Or to use a more nearly equal simile, may not a man

find as great enjoyment in a skilled game of tennis, as in the violent

rushes of foot-ball, where two hundred and twenty pounds of mere

blubber will assuredly bear down all the prowess and aptness of his own

say one hundred and forty? It is as certain that the pleasure of riding

a trained horse is greater than that of merely sitting a vigorously

moving untrained one, as that the delight of intellectual study exceeds

the excitement of trashy reading. _Omne ignotum pro magnifico_ seems

not to be uniformly true, for riders unfamiliar with the training of

the High School almost as invariably run down its methods, as self-made

business men are apt to discountenance a college education as a

preliminary discipline for the struggles of life.

It is a fact that no man who has once been a School-rider ever

abandons either the knowledge he has gained or its constant practice.

No one can underrate the pleasure of simple motion upon a vigorous

horse. But the School-rider has this in equal degree with the

uneducated horseman, coupled with a feeling of control and power and

ability to perform which the mere man on horseback never attains.

Moreover, all the powers of the School-rider's horse are within the

grasp of his hand; and that the powers of the high-strung steed of the

average equestrian are all too often resident mainly in the animal

itself is shown by the chapter of accidents daily reiterated in the

news-columns. The School-man is apt to ride more moderately, and to

indulge in a bracing gallop less frequently, because to him the

pleasure of slow and rhythmic movement on a fleet and able horse is

far greater than mere rapidity can ever be; the untrained rider

resorts to speed because this is the one exhilaration within the

bounds of his own or his horse's knowledge.

I do not wish to be understood as advocating the School habit of

_always_ keeping a horse collected. However much for some purposes I

admire it, I do not practice it. I often saunter off a half-dozen

miles without lifting the rein, while Patroclus wanders at his own

sweet will. I often trot or gallop at my nag's quite unrestrained

gait. But if I want to collect him, if I want that obedience which the

School teaches him to yield, he must, to be to me a perfect horse, at

my slightest intimation give himself absolutely to my control, and

take all his art from me. I feel that I am a good judge of either

habit of riding, as I have well tried both, and absolutely adhere to

neither. I pretend by no means, in School-riding, to have carried my

art so far as to be even within hail of the great masters of

equitation; but I have not for many years been without one or more

horses educated in all the School airs which are applicable to

road-riding, and I know their value and appreciate it.

Because, then, the cowboy is nowhere in the hunting-field; or because

the hard-riding squire and M. F. H. cannot drop to the further side of

his horse while he shoots at his galloping enemy, or pick up a

kerchief from the ground at a smart gallop; or because the Frenchman

has to learn his racing trade from an English jockey, it will not do

to say that each is not among the best of horsemen, or that either is

better than the other. The style of riding is always the outgrowth of

certain conditions of necessity or pleasure, and invariably fits those

conditions well. With us in the East the English habit is no doubt the

most available; but it can only be made the test of our own needs or

fashions, not of general equestrianism.

XVII.

While all this has been buzzing through your master's brain, you,

Patroclus, knowing full well that the loosely hanging rein has meant

liberty within reason to yourself, have wandered away to the nearest

thicket, and begun to crop the tender leaves and shoots as peacefully

as you please. To look at your quiet demeanor at this moment one would

scarcely think that you were such a bundle of nerves. You can be as

sedate as Rosinante till called upon. But when the bit plays in your

mouth, you are as full of life and action as the steeds of Diomed with

flowing manes. Your eye and ear are an index to your mood, and you

reflect your rider's wish in every step. No man ever bestrode a more

generous beast than you. Do you remember, Patroclus, the days when you

carried your little twelve-year-old mistress, and how her first

lessons in fine equitation were taken in your company? And cleverly

did she learn indeed. Do you remember how we used to put you on your

honor, though you were only a five-year-old and dearly loved to romp

and play? Ay, Patroclus, and fairly did you answer the appeal! With

the gentle burden on your broad, strong back, her golden-red hair

streaming behind her in the breeze from under her jaunty hat, you

would have ridden through fire, my beauty, rather than betray your

trust. However tempted to a bound, or however startled at some

fearsome thing, one word--a "Quiet, Pat!"--from that soft girlish

voice, now hushed for both of us, would never fail to keep you kind

and steady. And you were ever willing, with even more than your

accustomed alacrity, to perform your airs at the slightest

encouragement of the soft hands and gentle voice; and having done so

would lay back your ears and shake your head with very pleasure at the

rippling laughter in which your pretty rider's thanks were wont to be

expressed. I knew, Patroclus, that in your care the little maid was

quite as safe as with her doll at home.

[Illustration: PLATE VI.

A TEN-MILE TROT.]

XVIII.

And now a word about the horse in action, as shown by instantaneous

photography, and about the war waged between artists and

photographers. Some disciples of Muybridge would fain have the artist

depict an animal in an ungainly attitude, because the lens is apt to

catch him at a point in his stride which looks ungainly, there being

many more such points than handsome ones. It is the moving creature

which we admire. The poetry of motion is rarely better seen than in a

proudly stepping horse. But arrest that motion and you are apt to have

that which the human eye can neither recognize nor delight itself

withal. Arrested motion rarely suggests the actual motion we aim to

depict. The lens will show you every spoke of a rapidly revolving

wheel, as if at rest. The eye, or the artist, shows you a blur of

motion. And so with other objects. The lens works in the hundredth

part of a second; the eye is slower far.

To a certain extent photography, _quoad_ art, is wrong and the limner

is right. There are some horses which possess a very elegant carriage.

In their action there are certain periods--generally those at which

one fore and one hind leg are slowing up at the limit of their forward

stride--when the eye catches an agreeable impression which is capable

of being reduced to canvas,--though it is after all the proud motion

itself which pleases, and this can only be suggested. Now, photography

robs you of almost all the suggestiveness of the horse's action,

unless you select only those photographs which approach the action

caught by the human eye. Even after long study of the Muybridge

silhouettes, the artistic lover of the horse feels that he must reject

all but a small percentage of these wonderful anatomical studies. If

there are periods in the horse's stride which are agreeable to the

eye, why should the artist not select these for delineation? Why

indeed does his art not bind him to do so?

* * * * *

You, Patroclus, are peculiarly elegant in motion. It is difficult to

pick a flaw in the symmetry of your gaits. Slow or fast, fresh or

tired, your motion is always proud and graceful. And yet out of many

photographs, few suggest your action at all, fewer still even

passably; none convey to its full extent what all your intimates well

know.

* * * * *

Patroclus and Penelope: A Chat in the Saddle · 第 2 / 8 段