IX. THE ASSOCIATION OF IDEAS

In my last talk, in treating of Habit, I chiefly had in mind our _motor_

habits,--habits of external conduct. But our thinking and feeling

processes are also largely subject to the law of habit, and one result

of this is a phenomenon which you all know under the name of 'the

association of ideas.' To that phenomenon I ask you now to turn.

You remember that consciousness is an ever-flowing stream of objects,

feelings, and impulsive tendencies. We saw already that its phases or

pulses are like so many fields or waves, each field or wave having

usually its central point of liveliest attention, in the shape of the

most prominent object in our thought, while all around this lies a

margin of other objects more dimly realized, together with the margin of

emotional and active tendencies which the whole entails. Describing the

mind thus in fluid terms, we cling as close as possible to nature. At

first sight, it might seem as if, in the fluidity of these successive

waves, everything is indeterminate. But inspection shows that each wave

has a constitution which can be to some degree explained by the

constitution of the waves just passed away. And this relation of the

wave to its predecessors is expressed by the two fundamental 'laws of

association,' so-called, of which the first is named the Law of

Contiguity, the second that of Similarity.

The _Law of Contiguity_ tells us that objects thought of in the coming

wave are such as in some previous experience were _next_ to the objects

represented in the wave that is passing away. The vanishing objects were

once formerly their neighbors in the mind. When you recite the alphabet

or your prayers, or when the sight of an object reminds you of its name,

or the name reminds you of the object, it is through the law of

contiguity that the terms are suggested to the mind.

The _Law of Similarity_ says that, when contiguity fails to describe

what happens, the coming objects will prove to _resemble_ the going

objects, even though the two were never experienced together before. In

our 'flights of fancy,' this is frequently the case.

If, arresting ourselves in the flow of reverie, we ask the question,

"How came we to be thinking of just this object now?" we can almost

always trace its presence to some previous object which has introduced

it to the mind, according to one or the other of these laws. The entire

routine of our memorized acquisitions, for example, is a consequence of

nothing but the Law of Contiguity. The words of a poem, the formulas of

trigonometry, the facts of history, the properties of material things,

are all known to us as definite systems or groups of objects which

cohere in an order fixed by innumerable iterations, and of which any one

part reminds us of the others. In dry and prosaic minds, almost all the

mental sequences flow along these lines of habitual routine repetition

and suggestion.

In witty, imaginative minds, on the other hand, the routine is broken

through with ease at any moment; and one field of mental objects will

suggest another with which perhaps in the whole history of human

thinking it had never once before been coupled. The link here is usually

some _analogy_ between the objects successively thought of,--an analogy

often so subtle that, although we feel it, we can with difficulty

analyze its ground; as where, for example, we find something masculine

in the color red and something feminine in the color pale blue, or

where, of three human beings' characters, one will remind us of a cat,

another of a dog, the third perhaps of a cow.

* * * * *

Psychologists have of course gone very deeply into the question of what

the causes of association may be; and some of them have tried to show

that contiguity and similarity are not two radically diverse laws, but

that either presupposes the presence of the other. I myself am disposed

to think that the phenomena of association depend on our cerebral

constitution, and are not immediate consequences of our being rational

beings. In other words, when we shall have become disembodied spirits,

it may be that our trains of consciousness will follow different laws.

These questions are discussed in the books on psychology, and I hope

that some of you will be interested in following them there. But I will,

on the present occasion, ignore them entirely; for, as teachers, it is

the _fact_ of association that practically concerns you, let its grounds

be spiritual or cerebral, or what they may, and let its laws be

reducible, or non-reducible, to one. Your pupils, whatever else they

are, are at any rate little pieces of associating machinery. Their

education consists in the organizing within them of determinate

tendencies to associate one thing with another,--impressions with

consequences, these with reactions, those with results, and so on

indefinitely. The more copious the associative systems, the completer

the individual's adaptations to the world.

The teacher can formulate his function to himself therefore in terms of

'association' as well as in terms of 'native and acquired reaction.' It

is mainly that of _building up useful systems of association_ in the

pupil's mind. This description sounds wider than the one I began by

giving. But, when one thinks that our trains of association, whatever

they may be, normally issue in acquired reactions or behavior, one sees

that in a general way the same mass of facts is covered by both

formulas.

It is astonishing how many mental operations we can explain when we have

once grasped the principles of association. The great problem which

association undertakes to solve is, _Why does just this particular field

of consciousness, constituted in this particular way, now appear before

my mind?_ It may be a field of objects imagined; it may be of objects

remembered or of objects perceived; it may include an action resolved

on. In either case, when the field is analyzed into its parts, those

parts can be shown to have proceeded from parts of fields previously

before consciousness, in consequence of one or other of the laws of

association just laid down. Those laws _run_ the mind: interest,

shifting hither and thither, deflects it; and attention, as we shall

later see, steers it and keeps it from too zigzag a course.

To grasp these factors clearly gives one a solid and simple

understanding of the psychological machinery. The 'nature,' the

'character,' of an individual means really nothing but the habitual form

of his associations. To break up bad associations or wrong ones, to

build others in, to guide the associative tendencies into the most

fruitful channels, is the educator's principal task. But here, as with

all other simple principles, the difficulty lies in the application.

Psychology can state the laws: concrete tact and talent alone can work

them to useful results.

Meanwhile it is a matter of the commonest experience that our minds may

pass from one object to another by various intermediary fields of

consciousness. The indeterminateness of our paths of association _in

concreto_ is thus almost as striking a feature of them as the uniformity

of their abstract form. Start from any idea whatever, and the entire

range of your ideas is potentially at your disposal. If we take as the

associative starting-point, or cue, some simple word which I pronounce

before you, there is no limit to the possible diversity of suggestions

which it may set up in your minds. Suppose I say 'blue,' for example:

some of you may think of the blue sky and hot weather from which we now

are suffering, then go off on thoughts of summer clothing, or possibly

of meteorology at large; others may think of the spectrum and the

physiology of color-vision, and glide into X-rays and recent physical

speculations; others may think of blue ribbons, or of the blue flowers

on a friend's hat, and proceed on lines of personal reminiscence. To

others, again, etymology and linguistic thoughts may be suggested; or

blue may be 'apperceived' as a synonym for melancholy, and a train of

associates connected with morbid psychology may proceed to unroll

themselves.

In the same person, the same word heard at different times will provoke,

in consequence of the varying marginal preoccupations, either one of a

number of diverse possible associative sequences. Professor Münsterberg

performed this experiment methodically, using the same words four times

over, at three-month intervals, as 'cues' for four different persons who

were the subjects of observation. He found almost no constancy in their

associations taken at these different times. In short, the entire

potential content of one's consciousness is accessible from any one of

its points. This is why we can never work the laws of association

forward: starting from the present field as a cue, we can never cipher

out in advance just what the person will be thinking of five minutes

later. The elements which may become prepotent in the process, the parts

of each successive field round which the associations shall chiefly

turn, the possible bifurcations of suggestion, are so numerous and

ambiguous as to be indeterminable before the fact. But, although we

cannot work the laws of association forward, we can always work them

backwards. We cannot say now what we shall find ourselves thinking of

five minutes hence; but, whatever it may be, we shall then be able to

trace it through intermediary links of contiguity or similarity to what

we are thinking now. What so baffles our prevision is the shifting part

played by the margin and focus--in fact, by each element by itself of

the margin or focus--in calling up the next ideas.

For example, I am reciting 'Locksley Hall,' in order to divert my mind

from a state of suspense that I am in concerning the will of a relative

that is dead. The will still remains in the mental background as an

extremely marginal or ultra-marginal portion of my field of

consciousness; but the poem fairly keeps my attention from it, until I

come to the line, "I, the heir of all the ages, in the foremost files of

time." The words 'I, the heir,' immediately make an electric connection

with the marginal thought of the will; that, in turn, makes my heart

beat with anticipation of my possible legacy, so that I throw down the

book and pace the floor excitedly with visions of my future fortune

pouring through my mind. Any portion of the field of consciousness that

has more potentialities of emotional excitement than another may thus be

roused to predominant activity; and the shifting play of interest now in

one portion, now in another, deflects the currents in all sorts of

zigzag ways, the mental activity running hither and thither as the

sparks run in burnt-up paper.

* * * * *

One more point, and I shall have said as much to you as seems necessary

about the process of association.

You just saw how a single exciting word may call up its own associates

prepotently, and deflect our whole train of thinking from the previous

track. The fact is that every portion of the field _tends_ to call up

its own associates; but, if these associates be severally different,

there is rivalry, and as soon as one or a few begin to be effective the

others seem to get siphoned out, as it were, and left behind. Seldom,

however, as in our example, does the process seem to turn round a single

item in the mental field, or even round the entire field that is

immediately in the act of passing. It is a matter of _constellation_,

into which portions of fields that are already past especially seem to

enter and have their say. Thus, to go back to 'Locksley Hall,' each word

as I recite it in its due order is suggested not solely by the previous

word now expiring on my lips, but it is rather the effect of all the

previous words, taken together, of the verse. "Ages," for example, calls

up "in the foremost files of time," when preceded by "I, the heir of all

the"--; but, when preceded by "for I doubt not through the,"--it calls

up "one increasing purpose runs." Similarly, if I write on the

blackboard the letters A B C D E F,... they probably suggest to you G H

I.... But, if I write A B A D D E F, if they suggest anything, they

suggest as their complement E C T or E F I C I E N C Y. The result

depending on the total constellation, even though most of the single

items be the same.

My practical reason for mentioning this law is this, that it follows

from it that, in working associations into your pupils' minds, you must

not rely on single cues, but multiply the cues as much as possible.

Couple the desired reaction with numerous constellations of

antecedents,--don't always ask the question, for example, in the same

way; don't use the same kind of data in numerical problems; vary your

illustrations, etc., as much as you can. When we come to the subject of

memory, we shall learn still more about this.

So much, then, for the general subject of association. In leaving it for

other topics (in which, however, we shall abundantly find it involved

again), I cannot too strongly urge you to acquire a habit of thinking of

your pupils in associative terms. All governors of mankind, from doctors

and jail-wardens to demagogues and statesmen, instinctively come so to

conceive their charges. If you do the same, thinking of them (however

else you may think of them besides) as so many little systems of

associating machinery, you will be astonished at the intimacy of insight

into their operations and at the practicality of the results which you

will gain. We think of our acquaintances, for example, as characterized

by certain 'tendencies.' These tendencies will in almost every instance

prove to be tendencies to association. Certain ideas in them are always

followed by certain other ideas, these by certain feelings and impulses

to approve or disapprove, assent or decline. If the topic arouse one of

those first ideas, the practical outcome can be pretty well foreseen.

'Types of character' in short are largely types of association.

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