LONDON ANTIQUES.

----I do walk

Methinks like Guide Vaux, with my dark lanthorn,

Stealing to set the town o’ fire; i’ th’ country

I should be taken for William o’ the Wisp,

Or Robin Goodfellow.

FLETCHER.

I AM somewhat of an antiquity-hunter, and am fond of exploring London in

quest of the relics of old times. These are principally to be found in

the depths of the city, swallowed up and almost lost in a wilderness of

brick and mortar, but deriving poetical and romantic interest from the

commonplace, prosaic world around them. I was struck with an instance of

the kind in the course of a recent summer ramble into the city; for the

city is only to be explored to advantage in summer-time, when free from

the smoke and fog and rain and mud of winter. I had been buffeting for

some time against the current of population setting through Fleet

Street. The warm weather had unstrung my nerves and made me sensitive to

every jar and jostle and discordant sound. The flesh was weary, the

spirit faint, and I was getting out of humor with the bustling busy

throng through which I had to struggle, when in a fit of desperation I

tore my way through the crowd, plunged into a by-lane, and, after

passing through several obscure nooks and angles, emerged into a quaint

and quiet court with a grassplot in the centre overhung by elms, and

kept perpetually fresh and green by a fountain with its sparkling jet of

water. A student with book in hand was seated on a stone bench, partly

reading, partly meditating on the movements of two or three trim

nursery-maids with their infant charges.

I was like an Arab who had suddenly come upon an oasis amid the panting

sterility of the desert. By degrees the quiet and coolness of the place

soothed my nerves and refreshed my spirit. I pursued my walk, and came,

hard by, to a very ancient chapel with a low-browed Saxon portal of

massive and rich architecture. The interior was circular and lofty and

lighted from above. Around were monumental tombs of ancient date on

which were extended the marble effigies of warriors in armor. Some had

the hands devoutly crossed upon the breast; others grasped the pommel of

the sword, menacing hostility even in the tomb, while the crossed legs

of several indicated soldiers of the Faith who had been on crusades to

the Holy Land.

I was, in fact, in the chapel of the Knights Templars, strangely

situated in the very centre of sordid traffic; and I do not know a more

impressive lesson for the many of the world than thus suddenly to turn

aside from the highway of busy money-seeking life, and sit down

among these shadowy sepulchres, where all is twilight, dust, and

forget-fullness.

In a subsequent tour of observation I encountered another of these

relics of a “foregone world” locked up in the heart of the city. I had

been wandering for some time through dull monotonous streets, destitute

of anything to strike the eye or excite the imagination, when I beheld

before me a Gothic gateway of mouldering antiquity. It opened into a

spacious quadrangle forming the courtyard of a stately Gothic pile, the

portal of which stood invitingly open.

It was apparently a public edifice, and, as I was antiquity-hunting, I

ventured in, though with dubious steps. Meeting no one either to oppose

or rebuke my intrusion, I continued on until I found myself in a

great hall with a lofty arched roof and oaken gallery, all of Gothic

architecture. At one end of the hall was an enormous fireplace, with

wooden settles on each side; at the other end was a raised platform,

or dais, the seat of state, above which was the portrait of a man in

antique garb with a long robe, a ruff, and a venerable gray beard.

The whole establishment had an air of monastic quiet and seclusion, and

what gave it a mysterious charm was, that I had not met with a human

being since I had passed the threshold.

Encouraged by this loneliness, I seated myself in a recess of a large

bow window, which admitted a broad flood of yellow sunshine, checkered

here and there by tints from panes of colored glass, while an open

casement let in the soft summer air. Here, leaning my head on my hand

and my arm on an old oaken table, I indulged in a sort of reverie about

what might have been the ancient uses of this edifice. It had evidently

been of monastic origin; perhaps one of those collegiate establishments

built of yore for the promotion of learning, where the patient monk,

in the ample solitude of the cloister, added page to page and volume to

volume, emulating in the productions of his brain the magnitude of the

pile he inhabited.

As I was seated in this musing mood a small panelled door in an arch at

the upper end of the hall was opened, and a number of gray-headed old

men, clad in long black cloaks, came forth one by one, proceeding in

that manner through the hall, without uttering a word, each turning a

pale face on me as he passed, and disappearing through a door at the

lower end.

I was singularly struck with their appearance; their black cloaks and

antiquated air comported with the style of this most venerable and

mysterious pile. It was as if the ghosts of the departed years, about

which I had been musing, were passing in review before me. Pleasing

myself with such fancies, I set out, in the spirit of romance, to

explore what I pictured to myself a realm of shadows existing in the

very centre of substantial realities.

My ramble led me through a labyrinth of interior courts and corridors

and dilapidated cloisters, for the main edifice had many additions and

dependencies, built at various times and in various styles. In one open

space a number of boys, who evidently belonged to the establishment,

were at their sports, but everywhere I observed those mysterious

old gray men in black mantles, sometimes sauntering alone, sometimes

conversing in groups; they appeared to be the pervading genii of the

place. I now called to mind what I had read of certain colleges in

old times, where judicial astrology, geomancy, necromancy, and other

forbidden and magical sciences were taught. Was this an establishment of

the kind, and were these black-cloaked old men really professors of the

black art?

These surmises were passing through my mind as my eye glanced into

a chamber hung round with all kinds of strange and uncouth

objects--implements of savage warfare, strange idols and stuffed

alligators; bottled serpents and monsters decorated the mantelpiece;

while on the high tester of an old-fashioned bedstead grinned a human

skull, flanked on each side by a dried cat.

I approached to regard more narrowly this mystic chamber, which seemed a

fitting laboratory for a necromancer, when I was startled at beholding

a human countenance staring at me from a dusky corner. It was that of a

small, shrivelled old man with thin cheeks, bright eyes, and gray, wiry,

projecting eyebrows. I at first doubted whether it were not a mummy

curiously preserved, but it moved, and I saw that it was alive. It was

another of these black-cloaked old men, and, as I regarded his quaint

physiognomy, his obsolete garb, and the hideous and sinister objects by

which he was surrounded, I began to persuade myself that I had come upon

the arch-mage who ruled over this magical fraternity.

Seeing me pausing before the door, he rose and invited me to enter. I

obeyed with singular hardihood, for how did I know whether a wave of his

wand might not metamorphose me into some strange monster or conjure me

into one of the bottles on his mantelpiece? He proved, however, to be

anything but a conjurer, and his simple garrulity soon dispelled all the

magic and mystery with which I had enveloped this antiquated pile and

its no less antiquated inhabitants.

It appeared that I had made my way into the centre of an ancient asylum

for superannuated tradesmen and decayed householders, with which was

connected a school for a limited number of boys. It was founded upwards

of two centuries since on an old monastic establishment, and retained

somewhat of the conventual air and character. The shadowy line of old

men in black mantles who had passed before me in the hall, and whom I

had elevated into magi, turned out to be the pensioners returning from

morning, service in the chapel.

John Hallum, the little collector of curiosities whom I had made the

arch magician, had been for six years a resident of the place, and

had decorated this final nestling-place of his old age with relics

and rarities picked up in the course of his life. According to his

own account, he had been somewhat of a traveller, having been once in

France, and very near making a visit to Holland. He regretted not having

visited the latter country, “as then he might have said he had been

there.” He was evidently a traveller of the simple kind.

He was aristocratical too in his notions, keeping aloof, as I found,

from the ordinary run of pensioners. His chief associates were a blind

man who spoke Latin and Greek, of both which languages Hallum was

profoundly ignorant, and a broken-down gentleman who had run through

a fortune of forty thousand pounds left him by his father, and ten

thousand pounds, the marriage portion of his wife. Little Hallum seemed

to consider it an indubitable sign of gentle blood as well as of lofty

spirit to be able to squander such enormous sums.

P.S.--The picturesque remnant of old times into which I have thus

beguiled the reader is what is called the Charter House, originally

the Chartreuse. It was founded in 1611, on the remains of an ancient

convent, by Sir Thomas Sutton, being one of those noble charities set

on foot by individual munificence, and kept up with the quaintness and

sanctity of ancient times amidst the modern changes and innovations

of London. Here eighty broken-down men, who have seen better days,

are provided in their old age with food, clothing, fuel, and a yearly

allowance for private expenses. They dine together, as did the monks of

old, in the hall which had been the refectory of the original convent.

Attached to the establishment is a school for forty-four boys.

Stow, whose work I have consulted on the subject, speaking of the

obligations of the gray-headed pensioners, says, “They are not to

intermeddle with any business touching the affairs of the hospital,

but to attend only to the service of God, and take thankfully what is

provided for them, without muttering, murmuring, or grudging. None to

wear weapon, long hair, colored boots, spurs, or colored shoes, feathers

in their hats, or any ruffian-like or unseemly apparel, but such as

becomes hospital-men to wear.” “And in truth,” adds Stow, “happy are

they that are so taken from the cares and sorrows of the world, and

fixed in so good a place as these old men are; having nothing to care

for but the good of their souls, to serve God, and to live in brotherly

love.”

For the amusement of such as have been interested by the preceding

sketch, taken down from my own observation, and who may wish to know a

little more about the mysteries of London, I subjoin a modicum of local

history put into my hands by an odd-looking old gentleman, in a small

brown wig and a snuff-colored coat, with whom I became acquainted

shortly after my visit to the Charter House. I confess I was a little

dubious at first whether it was not one of those apocryphal tales often

passed off upon inquiring travellers like myself, and which have brought

our general character for veracity into such unmerited reproach. On

making proper inquiries, however, I have received the most satisfactory

assurances of the author’s probity, and indeed have been told that he

is actually engaged in a full and particular account of the very

interesting region in which he resides, of which the following may be

considered merely as a foretaste.

The Sketch-Book of Geoffrey Crayon · 第 41 / 55 题