THE CHRISTMAS DINNER.

Lo, now is come our joyful’st feast!

Let every man be jolly.

Eache roome with yvie leaves is drest,

And every post with holly.

Now all our neighbours’ chimneys smoke,

And Christmas blocks are burning;

Their ovens they with bak’t meats choke

And all their spits are turning.

Without the door let sorrow lie,

And if, for cold, it hap to die,

Wee’l bury ‘t in a Christmas pye,

And evermore be merry.

WITHERS, Juvenilia.

I HAD finished my toilet, and was loitering with Frank Bracebridge in

the library, when we heard a distant thwacking sound, which he informed

me was a signal for the serving up of the dinner. The squire kept up old

customs in kitchen as well as hall, and the rolling-pin, struck upon the

dresser by the cook, summoned the servants to carry in the meats.

Just in this nick the cook knock’d thrice,

And all the waiters in a trice

His summons did obey;

Each serving-man, with dish in hand,

March’d boldly up, like our train-band,

Presented and away.*

* Sir John Suckling.

The dinner was served up in the great hall, where the squire always held

his Christmas banquet. A blazing crackling fire of logs had been heaped

on to warm the spacious apartment, and the flame went sparkling and

wreathing up the wide-mouthed chimney. The great picture of the crusader

and his white horse had been profusely decorated with greens for the

occasion, and holly and ivy had like-wise been wreathed round the helmet

and weapons on the opposite wall, which I understood were the arms of

the same warrior. I must own, by the by, I had strong doubts about

the authenticity of the painting and armor as having belonged to the

crusader, they certainly having the stamp of more recent days; but I was

told that the painting had been so considered time out of mind; and that

as to the armor, it had been found in a lumber-room and elevated to its

present situation by the squire, who at once determined it to be the

armor of the family hero; and as he was absolute authority on all

such subjects in his own household, the matter had passed into current

acceptation. A sideboard was set out just under this chivalric trophy,

on which was a display of plate that might have vied (at least in

variety) with Belshazzar’s parade of the vessels of the temple:

“flagons, cans, cups, beakers, goblets, basins, and ewers,” the gorgeous

utensils of good companionship that had gradually accumulated through

many generations of jovial housekeepers. Before these stood the two Yule

candles, beaming like two stars of the first magnitude; other lights

were distributed in branches, and the whole array glittered like a

firmament of silver.

We were ushered into this banqueting scene with the sound of minstrelsy,

the old harper being seated on a stool beside the fireplace and

twanging, his instrument with a vast deal more power than melody. Never

did Christmas board display a more goodly and gracious assemblage of

countenances; those who were not handsome were at least happy, and

happiness is a rare improver of your hard-favored visage. I always

consider an old English family as well worth studying as a collection of

Holbein’s portraits or Albert Durer’s prints. There is much antiquarian

lore to be acquired, much knowledge of the physiognomies of former

times. Perhaps it may be from having continually before their eyes those

rows of old family portraits, with which the mansions of this country

are stocked; certain it is that the quaint features of antiquity are

often most faithfully perpetuated in these ancient lines, and I have

traced an old family nose through a whole picture-gallery, legitimately

handed down from generation to generation almost from the time of the

Conquest. Something of the kind was to be observed in the worthy company

around me. Many of their faces had evidently originated in a Gothic

age, and been merely copied by succeeding generations; and there was one

little girl in particular, of staid demeanor, with a high Roman nose

and an antique vinegar aspect, who was a great favorite of the squire’s,

being, as he said, a Bracebridge all over, and the very counterpart of

one of his ancestors who figured in the court of Henry VIII.

The parson said grace, which was not a short familiar one, such as is

commonly addressed to the Deity in these unceremonious days, but a long,

courtly, well-worded one of the ancient school. There was now a pause,

as if something was expected, when suddenly the butler entered the hall

with some degree of bustle: he was attended by a servant on each side

with a large wax-light, and bore a silver dish on which was an enormous

pig’s head decorated with rosemary, with a lemon in its mouth, which was

placed with great formality at the head of the table. The moment this

pageant made its appearance the harper struck up a flourish; at the

conclusion of which the young Oxonian, on receiving a hint from the

squire, gave, with an air of the most comic gravity, an old carol, the

first verse of which was as follows

Caput apri defero

Reddens laudes Domino.

The boar’s head in hand bring I,

With garlands gay and rosemary.

I pray you all synge merily

Qui estis in convivio.

Though prepared to witness many of these little eccentricities, from

being apprised of the peculiar hobby of mine host, yet I confess the

parade with which so odd a dish was introduced somewhat perplexed me,

until I gathered from the conversation of the squire and the parson that

it was meant to represent the bringing in of the boar’s head, a dish

formerly served up with much ceremony and the sound of minstrelsy and

song at great tables on Christmas Day. “I like the old custom,” said the

squire, “not merely because it is stately and pleasing in itself,

but because it was observed at the college at Oxford at which I was

educated. When I hear the old song chanted it brings to mind the time

when I was young and gamesome, and the noble old college hall, and my

fellow-students loitering about in their black gowns; many of whom, poor

lads! are now in their graves.”

The parson, however, whose mind was not haunted by such associations,

and who was always more taken up with the text than the sentiment,

objected to the Oxonian’s version of the carol, which he affirmed

was different from that sung at college. He went on, with the dry

perseverance of a commentator, to give the college reading, accompanied

by sundry annotations, addressing himself at first to the company at

large; but, finding their attention gradually diverted to other talk and

other objects, he lowered his tone as his number of auditors diminished,

until he concluded his remarks in an under voice to a fat-headed old

gentleman next him who was silently engaged in the discussion of a huge

plateful of turkey.*

* The old ceremony of serving up the boar’s head on

Christmas Day is still observed in the hall of Queen’s

College, Oxford. I was favored by the parson with a copy of

the carol as now sung, and as it may be acceptable to such

of my readers as are curious in these grave and learned

matters, I give it entire:

The boar’s head in hand bear I,

Bedeck’d with bays and rosemary

And I pray you, my masters, be merry

Quot estis in convivio

Caput apri defero,

Reddens laudes domino.

The boar’s head, as I understand,

Is the rarest dish in all this land,

Which thus bedeck’d with a gay garland

Let us servire cantico.

Caput apri defero, etc.

Our steward hath provided this

In honor of the King of Bliss,

Which on this day to be served is

In Reginensi Atrio.

Caput apri defero, etc., etc., etc.

The table was literally loaded with good cheer, and presented an

epitome of country abundance in this season of overflowing larders.

A distinguished post was allotted to “ancient sirloin,” as mine host

termed it, being, as he added, “the standard of old English hospitality,

and a joint of goodly presence, and full of expectation.” There were

several dishes quaintly decorated, and which had evidently something

traditional in their embellishments, but about which, as I did not like

to appear overcurious, I asked no questions.

I could not, however, but notice a pie magnificently decorated with

peacock’s feathers, in imitation of the tail of that bird, which

overshadowed a considerable tract of the table. This, the squire

confessed with some little hesitation, was a pheasant pie, though a

peacock pie was certainly the most authentical; but there had been such

a mortality among the peacocks this season that he could not prevail

upon himself to have one killed.*

* The peacock was anciently in great demand for stately

entertainments. Sometimes it was made into a pie, at one end

of which the head appeared above the crust in all its

plumage, with the beak richly gilt; at the other end the

tail was displayed. Such pies were served up at the solemn

banquets of chivalry, when knights-errant pledged themselves

to undertake any perilous enterprise, whence came the

ancient oath, used by Justice Shallow, “by cock and pie.”

The peacock was also an important dish for the Christmas feast; and

Massinger, in his “City Madam,” gives some idea of the extravagance

with which this, as well as other dishes, was prepared for the gorgeous

revels of the olden times:

Men may talk of Country Christmasses,

Their thirty pound butter’d eggs, their pies of carps’ tongues;

Their pheasants drench’d with ambergris: the carcases of three

fat wethers bruised for gravy to make sauce for a single peacock!

It would be tedious, perhaps, to my wiser readers, who may not have

that foolish fondness for odd and obsolete things to which I am a

little given, were I to mention the other makeshifts or this worthy old

humorist, by which he was endeavoring to follow up, though at humble

distance, the quaint customs of antiquity. I was pleased, however, to

see the respect shown to his whims by his children and relatives; who,

indeed, entered readily into the full spirit of them, and seemed all

well versed in their parts, having doubtless been present at many a

rehearsal. I was amused, too, at the air of profound gravity with which

the butler and other servants executed the duties assigned them, however

eccentric. They had an old-fashioned look, having, for the most part,

been brought up in the household and grown into keeping with the

antiquated mansion and the humors of its lord, and most probably looked

upon all his whimsical regulations as the established laws of honorable

housekeeping.

When the cloth was removed the butler brought in a huge silver vessel

of rare and curious workmanship, which he placed before the squire.

Its appearance was hailed with acclamation, being the Wassail Bowl, so

renowned in Christmas festivity. The contents had been prepared by the

squire himself; for it was a beverage in the skilful mixture of which

he particularly prided himself, alleging that it was too abstruse and

complex for the comprehension of an ordinary servant. It was a potation,

indeed, that might well make the heart of a toper leap within him, being

composed of the richest and raciest wines, highly spiced and sweetened,

with roasted apples bobbing about the surface.*

* The Wassail Bowl was sometimes composed of ale instead of

wine, with nutmeg, sugar, toast, ginger, and roasted crabs;

in this way the nut-brown beverage is still prepared in some

old families and round the hearths of substantial farmers at

Christmas. It is also called Lamb’s Wool, and is celebrated

by Herrick in his “Twelfth Night”:

Next crowne the bowle full

With gentle Lamb’s Wool;

Add sugar, nutmeg, and ginger,

With store of ale too,

And thus ye must doe

To make the Wassaile a swinger.

The old gentleman’s whole countenance beamed with a serene look of

indwelling delight as he stirred this mighty bowl. Having raised it to

his lips, with a hearty wish of a merry Christmas to all present, he

sent it brimming round the board, for every one to follow his example,

according to the primitive style, pronouncing it “the ancient fountain

of good feeling, where all hearts met together.” *

* “The custom of drinking out of the same cup gave place to

each having his cup. When the steward came to the doore with

the Wassel, he was to cry three times, Wassel, Wassel,

Wassel, and then the chappell (chaplain) was to answer with

a song.”--Archaeologia.

There was much laughing and rallying as the honest emblem of Christmas

joviality circulated and was kissed rather coyly by the ladies. When it

reached Master Simon, he raised it in both hands, and with the air of a

boon companion struck up an old Wassail Chanson:

The brown bowle,

The merry brown bowle,

As it goes round-about-a,

Fill

Still,

Let the world say what it will,

And drink your fill all out-a.

The deep canne,

The merry deep canne,

As thou dost freely quaff-a,

Sing

Fling,

Be as merry as a king,

And sound a lusty laugh-a.*

* From Poor Robin’s Almanack.

Much of the conversation during dinner turned upon family topics, to

which I was a stranger. There was, however, a great deal of rallying of

Master Simon about some gay widow with whom he was accused of having

a flirtation. This attack was commenced by the ladies, but it was

continued throughout the dinner by the fat-headed old gentleman next

the parson with the persevering assiduity of a slow hound, being one of

those long-winded jokers who, though rather dull at starting game, are

unrivalled for their talents in hunting it down. At every pause in the

general conversation he renewed his bantering in pretty much the same

terms, winking hard at me with both eyes whenever he gave Master Simon

what he considered a home thrust. The latter, indeed, seemed fond of

being teased on the subject, as old bachelors are apt to be, and he took

occasion to inform me, in an undertone, that the lady in question was a

prodigiously fine woman and drove her own curricle.

The dinner-time passed away in this flow of innocent hilarity, and,

though the old hall may have resounded in its time with many a scene

of broader rout and revel, yet I doubt whether it ever witnessed more

honest and genuine enjoyment. How easy it is for one benevolent being to

diffuse pleasure around him! and how truly is a kind heart a fountain of

gladness, making everything in its vicinity to freshen into smiles! The

joyous disposition of the worthy squire was perfectly contagious; he was

happy himself, and disposed to make all the world happy, and the little

eccentricities of his humor did but season, in a manner, the sweetness

of his philanthropy.

When the ladies had retired, the conversation, as usual, became still

more animated; many good things were broached which had been thought

of during dinner, but which would not exactly do for a lady’s ear; and,

though I cannot positively affirm that there was much wit uttered, yet

I have certainly heard many contests of rare wit produce much less

laughter. Wit, after all, is a mighty tart, pungent ingredient, and much

too acid for some stomachs; but honest good-humor is the oil and wine

of a merry meeting, and there is no jovial companionship equal to that

where the jokes are rather small and the laughter abundant.

The squire told several long stories of early college pranks and

adventures, in some of which the parson had been a sharer, though in

looking at the latter it required some effort of imagination to figure

such a little dark anatomy of a man into the perpetrator of a madcap

gambol. Indeed, the two college chums presented pictures of what men

may be made by their different lots in life. The squire had left the

university to live lustily on his paternal domains in the vigorous

enjoyment of prosperity and sunshine, and had flourished on to a hearty

and florid old age; whilst the poor parson, on the contrary, had dried

and withered away among dusty tomes in the silence and shadows of his

study. Still, there seemed to be a spark of almost extinguished fire

feebly glimmering in the bottom of his soul; and as the squire hinted

at a sly story of the parson and a pretty milkmaid whom they once met

on the banks of the Isis, the old gentleman made an “alphabet of faces,”

which, as far as I could decipher his physiognomy, I verily believe was

indicative of laughter; indeed, I have rarely met with an old gentleman

that took absolute offence at the imputed gallantries of his youth.

I found the tide of wine and wassail fast gaining on the dry land of

sober judgment. The company grew merrier and louder as their jokes grew

duller. Master Simon was in as chirping a humor as a grasshopper filled

with dew; his old songs grew of a warmer complexion, and he began to

talk maudlin about the widow. He even gave a long song about the wooing

of a widow which he informed me he had gathered from an excellent

black-letter work entitled Cupid’s Solicitor for Love, containing store

of good advice for bachelors, and which he promised to lend me; the

first verse was to effect.

He that will woo a widow must not dally

He must make hay while the sun doth shine;

He must not stand with her, shall I, shall I,

But boldly say, Widow, thou must be mine.

This song inspired the fat-headed old gentleman, who made several

attempts to tell a rather broad story out of Joe Miller that was pat to

the purpose; but he always stuck in the middle, everybody recollecting

the latter part excepting himself. The parson, too, began to show the

effects of good cheer, having gradually settled down into a doze and his

wig sitting most suspiciously on one side. Just at this juncture we were

summoned to the drawing room, and I suspect, at the private instigation

of mine host, whose joviality seemed always tempered with a proper love

of decorum.

After the dinner-table was removed the hall was given up to the younger

members of the family, who, prompted to all kind of noisy mirth by the

Oxonian and Master Simon, made its old walls ring with their merriment

as they played at romping games. I delight in witnessing the gambols of

children, and particularly at this happy holiday season, and could not

help stealing out of the drawing-room on hearing one of their peals of

laughter. I found them at the game of blindman’s-buff. Master Simon, who

was the leader of their revels, and seemed on all occasions to fulfill

the office of that ancient potentate, the Lord of Misrule,* was blinded

in the midst of the hall. The little beings were as busy about him as

the mock fairies about Falstaff, pinching him, plucking at the skirts of

his coat, and tickling him with straws. One fine blue-eyed girl of about

thirteen, with her flaxen hair all in beautiful confusion, her frolic

face in a glow, her frock half torn off her shoulders, a complete

picture of a romp, was the chief tormentor; and, from the slyness with

which Master Simon avoided the smaller game and hemmed this wild little

nymph in corners, and obliged her to jump shrieking over chairs,

I suspected the rogue of being not a whit more blinded than was

convenient.

* At Christmasse there was in the Kinges house, wheresoever

hee was lodged, a lorde of misrule or mayster of merie

disportes, and the like had ye in the house of every

nobleman of honor, or good worshipper were he spirituall or

temporall.--STOW.

When I returned to the drawing-room I found the company seated round the

fire listening to the parson, who was deeply ensconced in a high-backed

oaken chair, the work of some cunning artificer of yore, which had been

brought from the library for his particular accommodation. From this

venerable piece of furniture, with which his shadowy figure and dark

weazen face so admirably accorded, he was dealing out strange accounts

of the popular superstitions and legends of the surrounding country,

with which he had become acquainted in the course of his antiquarian

researches. I am half inclined to think that the old gentleman was

himself somewhat tinctured with superstition, as men are very apt to

be who live a recluse and studious life in a sequestered part of the

country and pore over black-letter tracts, so often filled with the

marvelous and supernatural. He gave us several anecdotes of the fancies

of the neighboring peasantry concerning the effigy of the crusader which

lay on the tomb by the church altar. As it was the only monument of

the kind in that part of the country, it had always been regarded with

feelings of superstition by the good wives of the village. It was said

to get up from the tomb and walk the rounds of the churchyard in stormy

nights, particularly when it thundered; and one old woman, whose cottage

bordered on the churchyard, had seen it through the windows of the

church, when the moon shone, slowly pacing up and down the aisles.

It was the belief that some wrong had been left unredressed by the

deceased, or some treasure hidden, which kept the spirit in a state of

trouble and restlessness. Some talked of gold and jewels buried in the

tomb, over which the spectre kept watch; and there was a story current

of a sexton in old times who endeavored to break his way to the coffin

at night, but just as he reached it received a violent blow from

the marble hand of the effigy, which stretched him senseless on the

pavement. These tales were often laughed at by some of the sturdier

among the rustics, yet when night came on there were many of the

stoutest unbelievers that were shy of venturing alone in the footpath

that led across the churchyard.

From these and other anecdotes that followed the crusader appeared to be

the favorite hero of ghost-stories throughout the vicinity. His picture,

which hung up in the hall, was thought by the servants to have something

supernatural about it; for they remarked that in whatever part of the

hall you went the eyes of the warrior were still fixed on you. The old

porter’s wife, too, at the lodge, who had been born and brought up in

the family, and was a great gossip among the maid-servants, affirmed

that in her young days she had often heard say that on Midsummer Eve,

when it was well known all kinds of ghosts, goblins, and fairies become

visible and walk abroad, the crusader used to mount his horse, come down

from his picture, ride about the house, down the avenue, and so to the

church to visit the tomb; on which occasion the church-door most civilly

swung open of itself; not that he needed it, for he rode through closed

gates, and even stone walls, and had been seen by one of the dairymaids

to pass between two bars of the great park gate, making himself as thin

as a sheet of paper.

All these superstitions I found had been very much countenanced by the

squire, who, though not superstitious himself, was very fond of seeing

others so. He listened to every goblin tale of the neighboring gossips

with infinite gravity, and held the porter’s wife in high favor on

account of her talent for the marvellous. He was himself a great reader

of old legends and romances, and often lamented that he could not

believe in them; for a superstitious person, he thought, must live in a

kind of fairy-land.

Whilst we were all attention to the parson’s stories, our ears were

suddenly assailed by a burst of heterogeneous sounds from the hall, in

which were mingled something like the clang of rude minstrelsy with the

uproar of many small voices and girlish laughter. The door suddenly flew

open, and a train came trooping into the room that might almost

have been mistaken for the breaking up of the court of Faery. That

indefatigable spirit, Master Simon, in the faithful discharge of his

duties as lord of misrule, had conceived the idea of a Christmas mummery

or masking; and having called in to his assistance the Oxonian and the

young officer, who were equally ripe for anything that should occasion

romping and merriment, they had carried it into instant effect. The old

housekeeper had been consulted; the antique clothespresses and wardrobes

rummaged and made to yield up the relics of finery that had not seen the

light for several generations; the younger part of the company had been

privately convened from the parlor and hall, and the whole had been

bedizened out into a burlesque imitation of an antique mask.*

* Maskings or mummeries were favorite sports at Christmas in

old times, and the wardrobes at halls and manor-houses were

often laid under contribution to furnish dresses and

fantastic disguisings. I strongly suspect Master Simon to

have taken the idea of his from Ben Jonson’s “Masque of

Christmas.”

Master Simon led the van, as “Ancient Christmas,” quaintly apparelled in

a ruff, a short cloak, which had very much the aspect of one of the old

housekeeper’s petticoats, and a hat that might have served for a

village steeple, and must indubitably have figured in the days of the

Covenanters. From under this his nose curved boldly forth, flushed with

a frost-bitten bloom that seemed the very trophy of a December blast. He

was accompanied by the blue-eyed romp, dished up, as “Dame Mince Pie,”

in the venerable magnificence of a faded brocade, long stomacher, peaked

hat, and high-heeled shoes. The young officer appeared as Robin Hood, in

a sporting dress of Kendal green and a foraging cap with a gold tassel.

The costume, to be sure, did not bear testimony to deep research, and

there was an evident eye to the picturesque, natural to a young gallant

in the presence of his mistress. The fair Julia hung on his arm in a

pretty rustic dress as “Maid Marian.” The rest of the train had been

metamorphosed in various ways; the girls trussed up in the finery of the

ancient belles of the Bracebridge line, and the striplings bewhiskered

with burnt cork, and gravely clad in broad skirts, hanging sleeves,

and full-bottomed wigs, to represent the character of Roast Beef, Plum

Pudding, and other worthies celebrated in ancient maskings. The whole

was under the control of the Oxonian in the appropriate character of

Misrule; and I observed that he exercised rather a mischievous sway with

his wand over the smaller personages of the pageant.

The irruption of this motley crew with beat of drum, according to

ancient custom, was the consummation of uproar and merriment. Master

Simon covered himself with glory by the stateliness with which, as

Ancient Christmas, he walked a minuet with the peerless though giggling

Dame Mince Pie. It was followed by a dance of all the characters, which

from its medley of costumes seemed as though the old family portraits

had skipped down from their frames to join in the sport. Different

centuries were figuring at cross hands and right and left; the Dark

Ages were cutting pirouettes and rigadoons; and the days of Queen

Bess jigging merrily down the middle through a line of succeeding

generations.

The worthy squire contemplated these fantastic sports and this

resurrection of his old wardrobe with the simple relish of childish

delight. He stood chuckling and rubbing his hands, and scarcely hearing

a word the parson said, notwithstanding that the latter was discoursing

most authentically on the ancient and stately dance of the Pavon, or

peacock, from which he conceived the minuet to be derived.* For my

part, I was in a continual excitement from the varied scenes of whim

and innocent gayety passing before me. It was inspiring to see wild-eyed

frolic and warm-hearted hospitality breaking out from among the chills

and glooms of winter, and old age throwing off his apathy and catching

once more the freshness of youthful enjoyment. I felt also an interest

in the scene from the consideration that these fleeting customs were

posting fast into oblivion, and that this was perhaps the only family

in England in which the whole of them was still punctiliously observed.

There was a quaintness, too, mingled with all this revelry that gave

it a peculiar zest: it was suited to the time and place; and as the old

manor-house almost reeled with mirth and wassail, it seemed echoing back

the joviality of long departed years.+

* Sir John Hawkins, speaking of the dance called the Pavon,

from pavo, a peacock, says, “It is a grave and majestic

dance; the method of dancing it anciently was by gentlemen

dressed with caps and swords, by those of the long robe in

their gowns, by the peers in their mantles, and by the

ladies in gowns with long trains, the motion whereof, in

dancing, resembled that of a peacock.”--History of Music.

+ At the time of the first publication of this paper the

picture of an old-fashioned Christmas in the country was

pronounced by some as out of date. The author had afterwards

an opportunity of witnessing almost all the customs above

described, existing in unexpected vigor in the skirts of

Derbyshire and Yorkshire, where he passed the Christmas

holidays. The reader will find some notice of them in the

author’s account of his sojourn at Newstead Abbey.

But enough of Christmas and its gambols; it is time for me to pause

in this garrulity. Methinks I hear the questions asked by my graver

readers, “To what purpose is all this? how is the world to be made

wiser by this talk?” Alas! is there not wisdom enough extant for the

instruction of the world? And if not, are there not thousands of abler

pens laboring for its improvement? It is so much pleasanter to please

than to instruct--to play the companion rather than the preceptor.

What, after all, is the mite of wisdom that I could throw into the mass

of knowledge! or how am I sure that my sagest deductions may be safe

guides for the opinions of others? But in writing to amuse, if I fail

the only evil is in my own disappointment. If, however, I can by any

lucky chance, in these days of evil, rub out one wrinkle from the brow

of care or beguile the heavy heart of one moment of sorrow; if I can now

and then penetrate through the gathering film of misanthropy, prompt a

benevolent view of human nature, and make my reader more in good-humor

with his fellow-beings and himself--surely, surely, I shall not then

have written entirely in vain.

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