FREDERICK DENISON MAURICE

1805-1872

[Sidenote: F. Maurice’s _Life of F. D. Maurice_.]

“He was distinctly below the middle height, not above five feet seven

inches, but he had a certain dignity of carriage, despite the entire

absence of any self-assertion of manner, which in the pulpit, where

only his head and shoulders were observable, removed the impression of

small stature.... His hair was now of a silvery white, very ample in

quantity, fine and soft as silk. The rush of his start for a walk had

gone. His movements had, like his life, become quiet and measured. At

no time had there been so much beauty about his face and figure. There

was now--partly from manner, partly from face, partly from a character

that seemed expressed in all,--beauty which seemed to shine round

him, and was very commonly observed by those amongst whom he was.

It made undergraduates, not specially impressionable, stop and watch

him.... Servants and poor people whom he visited often spoke of him as

‘beautiful.’”--1866.

[Sidenote: _The Spectator_, 1872.]

“Yet though Mr. Maurice’s voice seemed to be the essential part of

him as a religious teacher, his face, if you ever looked at it, was

quite in keeping with his voice. His eye was full of sweetness, but

fixed, and, as it were, fascinated on some ideal point. His countenance

expressed nervous, high-strung tension, as though all the various play

of feelings in ordinary human nature converged, in him, towards a

single focus, the declaration of the divine purpose. Yet this tension,

this peremptoriness, this convergence of his whole nature on a single

point, never gave the effect of a dictatorial air for a moment. There

was a quiver in his voice, a tremulousness in the strong deep lines

of his face, a tenderness in his eye, which assured you at once that

nothing of the hard crystallising character of a dogmatic belief in

the Absolute had conquered his heart, and most men recognised this,

for the hardest and most business-like voices took a tender and almost

caressing tone in addressing him.”

Word Portraits of Famous Writers · 第 78 / 141 题