CHAPTER IV.

SAINT JOHN OF LIGHT.

"_Guibelerat so'guin eta

Hasperrenak ardura?_"

"As we pursue our mountain track,

Shall we not sigh as we look back?"

--Basque Song.

The days pass happily by, at Biarritz. One quickly feels the charm of

the place; it has its own delightfulness, apart from the season and its

amusements. In the season, however, the amusements are not once allowed

to flag. By half-past ten, fashion is astir and gathers toward the beach

for the bathing hour; then parts to walk and drive, and afterward to

lunch. It takes its siesta as does the nation its neighbor; meets once

more for the afternoon hour on the sands, and at six drifts to the

Casino, where children are soon dancing, little glasses clinking, and

mild gambling games in full swing. The thought of dinner deepens with

the dusk, but in the evening the tide sets again to the Casino, and a

concert or a ball rounds up the day.

The scope of diversions is much the same as on the opposite edge of the

Atlantic,--with due allowance for national types; but here there is

perhaps more color to the scene. European watering-places are naturally

cosmopolitan. Here at Biarritz, English society mingles with the

French, and both are strongly reinforced from Spain. Only thirteen hours

from Paris, or twenty-two, actual travel, from London, it is but one

from the Spanish frontier and eighteen from Madrid. Memories of Orleans,

Pavia and the Armada are canceled in the common pursuit of pleasure.

"Three hosts combine to offer sacrifice;

Three tongues prefer strange orisons on high;

Three gaudy standards flout the pale blue skies;

The shouts are, France, Spain, Albion, Victory!"

There is besides a goodly sprinkling from other countries. A Russian

nobleman and his family are to arrive at our hotel to-morrow. The spot

is not difficult of access for Italians. The Austrians have long

appreciated it. And do we not constitute at least a small contingent

from across the ocean?

Not only visitors make up the parti-colored effect. There are all grades

in Biarritz,--visitors and home-stayers, rich and poor,--

"From point and saucy ermine, down

To the plain coif and rustic gown."

The natives have their peculiar air and customs, and the Basques are

always picturesque. Spanish guitar-players vie with Neapolitan harpists,

and both with the waves and the hum of talk. The lottery spirit shoots

up here from its hot-bed in Spain. Small boys wander about the beach

with long, cylindrical tin boxes painted a bright red and carried by a

strap from the shoulder. The rim of the lid is marked off into numbered

compartments, and in its centre is an upright teetotum with a bone

projection; while the cylinder itself is filled with cones of crisp,

flaky sweet-wafers, stacked one into another like cornucopias. The

charge is one sou for a spin, and the figure opposite which the

projecting bone-piece stops indicates the number of cones due the

spinner. The figures vary from 2 to 30, and there are no blanks. Every

one appears to patronize the contrivance, and you constantly hear the

click of the teetotum along the beach. Though there are but two 30's in

the circumference, each who spins fondly hopes to gain one, and thus the

same spirit which supports Monte Carlo in splendor gives these boys a

thriving trade.

II.

We spend an idle morning on the projecting point of bluff overlooking

the coves and the fishermen's cabins. This promontory uplifts a

signal-station, the _Atalaye_. Down at the left and rear, cutting

inland, is the _Port Vieux_, where the second bathing pavilion stands;

and, sending up their cries and shoutings to the heights, we

"see the children sport along the shore,

And hear the mighty waters rolling evermore."

The day is breezy and not too warm. We feel few ambitions. Has the

dreamy spirit of the South come upon us so soon?

It will be a perfect spot for a picnic lunch.

We will imitate the _fête champêtre_ of Charles and Catherine held on

the isle of the Adour. The ladies give their sanction, and three of us

are promptly appointed commissaries. We take the path down to the

street, and find a promising little grocery-store. The madame bows a

welcome.

"Can one obtain here of the bread?" we ask.

"Ah, no," deprecatingly, "that is only with the baker."

"A little of cheese, then? and some Albert biscuits? And a bottle or two

of lemonade, and one of light wine?"

"But yes, without doubt; monsieur shall have these instantly;" and a

bright-faced little girl proceeds to collect the supplies.

"Might one carry away the bottles, and afterward return them?" we

venture.

Here the madame begins to appear suspicious. It is evidently an

irregular purchase at best, and this request seems to make her a trifle

frosty.

"A deposit should perhaps be necessary," we suggest; "how much is

desired?"

Madame gives the subject a moment's thought. "Monsieur would have to

leave at least four sous on each bottle," she finally declares.

"And could madame also lend us some small drinking-glasses, it may be,

and a little corkscrew?"

The old lady is visibly hardening. She is clearly averse to mysteries.

We may be contrabandists, or political exiles, or any variety of refugee

foreigners. She hesitates about the drinking-glasses; is not sure she

_has_ a corkscrew. But another deposit is soothingly arranged for and

paid, and the articles are found.

"And now could we ask to borrow a basket?--also on deposit."

But here the madame's obligingness quite deserts her. The refusal is

flat. She has no basket which can possibly be spared.

It is, we see, plainly time that we should explain our mysterious

selections. Confidingly we entrust her with the secret, and lay bare

our unconventional plan. At the first she listens unmoved, but the idea

of "pique-nique" is soon borne in upon her, and lets in a ray of light.

The frost thaws a trifle. "We are with friends," we say; "they are on

the bluffs; they have desired to make a luncheon for once without the

fork,--to eat their little breads in the open air, upon the rocks." Our

listener nods, half doubtfully. Then we play our highest trump: "We are

but on a visit to Biarritz; we have come from far away; we are

Americans."

Instantly the barriers are down; madame is our firmest ally. "Run,

Élise, seek the large pannier for our friends! Is it that you are of the

fair America?--_la belle Amérique._ Ah, but monsieur, why have you not

said thus before? You should most charmingly have been supplied; are

they not indeed always the friends of our country,--the Americans! You

shall bring here the breads you buy at the bakery; we will add knives

and plates and some fruit, and Élise shall herself carry for you the

full basket to the place of the pique-nique."

Verily the Stars and Stripes are words to conjure with! The picnic is a

complete success. The De Medici fête is more than surpassed; even an

attendant nymph, in the person of the rustic Élise, is not wanting; the

historical parallel is perfect.

In fact, the parallel finally carries itself too far. So small an affair

even as this, it appears, cannot escape the hostility of "envious

Fortune,"--the same who untimely cut off its lamented rival. A large,

black cloud, coming up over us like a vengeful harpy, forebodes the

invariable downpour, and grimly compels us to shorten the feast.

On Sunday, we attend the English service; Britain is sufficiently well

represented at Biarritz to support one during both summer and winter.

The day is restful and calm, and we stroll out afterward along the beach

and over to the deserted villa of the Empress, returning by the path on

the bluff. The sound of trowels and hammers is in part stilled about the

town, and the afternoon takes on a comfortingly peaceful tone in

consequence. The English-speaking contingent keeps the day as quietly as

may be; the Continental majority of course does not. In a few weeks,

posters will adorn the Saturday bulletins, announcing the next day's

bull-fight in San Sebastian, over the border; and if Sunday is quiet at

Biarritz in the season, it is simply because all the world spends the

day at San Sebastian.

III.

But Spain and the Pyrenees lie before us, and we cannot tarry longer at

Biarritz. We shall long feel the warm life of the fresh June days by the

sea. The breack rolls again into the court-yard; we pay our devoirs to

mine host and our dues to his minions, and once more we start, this time

toward the south.

We are to dip into Spain for a day, and have chosen to go by road as far

on the way toward the frontier as St. Jean de Luz, before taking the

train. St. Jean lies on the crescent of the shore only eight miles away,

and the road, like the sea-road to Bayonne, follows the curve of the

higher land, and shows beach and hill and sea in turn as it trends over

the downs. It is another clear, taintless morning. The sun is already

high; but, though having the sky wholly to himself, he is forbearing in

his power. Palisades of poplars lend us their shadows; clumps of

protecting firs stand aside for the road, each with a great gash down

its side and a cup fastened below to catch the bleeding pitch. Now we

are facing the Pyrenees; a little to the left they rise before us, still

miles away. These are not the high Pyrenees; the monarchs stand in the

centre of their realm, and are hardly to be seen, even distantly, until

we shall in a day or two turn inland and approach them. The mountain

wall is broken and lower near the sea, both east and west; yet even here

it rises commandingly, filling the horizon with its hazy hills.

The road is the counterpart of that to Bayonne. We fly smoothly on,

above its hard, thin crackle of sand. We meet peasants afoot, and

burdened horses, on their morning way to Biarritz or Bayonne. The men

ornament their loose, blue linen frocks and brown trousers with the

bright scarlet sash so popular in this region. Heavy oxen draw their

creaking loads toward the same centres,--their bowed heads yoked by the

horns, which are cushioned with a woolly sheepskin mat and tasseled with

red netting. They pull strongly, for the loads are not light, and the

clumsy wheels are disks of solid wood. Little donkeys trot amiably by,

with huge double panniers that recall the _cacolet_. A file of marching

soldiers is overtaken; small villages are passed, each one agog with the

stir of our transit; while now and then we meet a dog-cart and cob or a

stylish span, antennae of the coming season of fashion.

To the right is the accurate level of the sea-horizon; about us are the

heath and furze and the sand-dunes; and far along to the south we can

trace the arc of the beach, until it ends in the projecting hills of

Spain.

* * * * *

St. Jean is reached almost too soon, for the drive has been

exhilarating. We enter by a long, narrow street, which is found to be

alive with people. A small procession is in motion, enlivened by a band.

Every one seems in holiday dress. Our driver has before shown his easy

conviction that streets were intended first for breacks, secondly for

citizens; and now he urges his horses down this narrow way without a

pause in their gallop. The whip signals, the bells on the harness jingle

furiously, the wheels clatter along the cobbles; and, almost before we

have time to order a slackening, procession and by-standers, like a

flock of sheep, go in disorder to the wall, and our breack sweeps by

into the central square.

[Illustration]

It is the festival, we find, of the village's patron saint, St. John the

Baptist. The twenty-fifth of June renews his yearly compact of

protection. In the afternoon, there will be the full procession, led by

the priests, and with a canopied effigy of the saint or of the Virgin

borne in solemnity behind them. Services in the cathedral will follow,

and probably an evening of illumination. We enter the cathedral. Its

floor has been newly strewn with sweet hay, and near the altar, is the

sacred image itself, adorned for the procession, dressed in linen and

velvet and gilt lace, and with a chaplet of beads in its wooden hand.

The canopy-frame, ready prepared, is close by, with its projecting

handle-bars, its four upright poles and its roof of white satin

embroidered with gold.

The cathedral itself is somewhat more interesting than we expected to

see; it is a Basque rather than a French church, has a very high chancel

and altar and no transepts, and the altar is marked by a striking

profusion of color and of gilding, which does not degenerate into the

tawdry and which lights up vividly under the entering noon light. The

chapels at the sides are similarly decorated. Dark oaken balconies,

elaborately carved, run in three tiers along the upper part of the nave.

The seats in these are reserved for the men, the women being relegated

to small black cushions placed on the chairless floor.

St. Jean's one great event was the marriage of Louis XIV with the

Infanta of Spain, which took place in this same church. "A raised

platform extended from the residence of Anne of Austria to the entrance

of the church, which was richly carpeted. The young queen was robed in a

royal mantle of violet-colored velvet, powdered with _fleurs-de-lis_,

over a white dress, and wore a crown upon her head. Her train was

carried by Mesdemoiselles d'Alençon and de Valois and the Princess of

Carignan. After the ceremony, the queen complained of fatigue, and

retired for a few hours to her chamber where she dined alone. In the

evening, she received the court, dressed in the French style; and gold

and silver tokens commemorative of the royal marriage were profusely

showered from the windows of her apartment."[6]

[6] MISS PARDOE: _Louis XIV_.

* * * * *

Without, as we turn for an idle stroll, we find a fair-sized town, with

provincial streets like much of Bayonne. Often the stories of the

houses jut out, one over the other. These projections give a relish of

local color to the crooking ways, intensified by the round-tiled roofs

and by occasional red or blood-colored beams and doorposts. Although we

are still on the French side of the frontier, Spanish influence is

already marked, while that of the Basques predominates over both. St.

Jean is also a summer resort, in a modest way, chiefly for quiet Spanish

families; and from the heavy stone sea-wall built along the beach we see

many of their villas. In days before the railroad went beyond, the port

exchanged regular and almost daily steamers with San Sebastian and

Santander, thus connecting with the Spanish rail, and giving a rather

important traffic advantage. It fostered, besides, extensive cod-fishing

and even whaling enterprises. Its harbor has suffered since; the rails

too have gone through to Spain, and St. Jean is left mildly and

interestingly mournful, in its lessened power, its decayed gentility.

IV.

In St. Jean de Luz, we are fairly in the country of the Basques. One

sees so many of that singular people in the streets, and along the

Biscayan shore generally, that inquiries about them are almost forced

upon the attention. The Basques are still the curiously ill-explained

race they have always been; the learned still disagree over their

origin, and the world at large scarcely knows of them more than the

name. They are scattered all through this lower sea-corner of France,

shading off near Bayonne; and are in yet greater numbers in the

adjoining upper edges of Spain. It seems strange that the beginnings of

this isolated race should to-day be almost no better settled than in the

time of Humboldt or Ramond. Yet they contrive still to embroil the

philologists and historians. Here the race has lived, certainly since

the days of the Romans, probably since long before, out of kin with all

the world, and the world's periods have passed on and left them. No one

knows their birth-mark; they have forgotten it themselves. Of theories,

numberless and hopelessly in discord, each still offers its weighty

arguments, and each destroys the certainty of any.

This appears incredible. What mystery is insoluble in the sharp light of

modern research? Yet until the defenders of the view that the Basques

came from Atlantis can make truce with the advocates of their Phoenician

origin,--until the well-attested theory of their affinity with certain

South American races can overthrow the better-attested theory that they

are the remains of the ancient Iberians,--until Moor and Finn,[7] Tartar

and Coptic, can amicably blend their claims to relationship, the Basques

must remain as they are,--foundlings; or rather, a race whose length of

pedigree has swallowed up its beginnings.

[7] It is said that the Basque nomenclature of domestic animals is

almost entirely Finnish.

It is these unattached sea and mountain races who are always hardest to

conquer. Hence the boast of the Basques. Even the Romans, though they

could defeat, could not subdue them. The strong Roman fortress of

Lapurdum (now Bayonne) did not succeed in even terrifying them, though

they were worsted several times by its legions. Down through all the

early part of the long Christian era, the forefathers of these

frank-faced fishers and mountaineers we see here in the streets of St.

Jean kept their hills stubbornly to themselves. Later, as much perhaps

from policy as necessity, the race came gradually to fall in with the

general governments crystallizing about them. The Spanish Basques came

first into the traces, though not until the thirteenth century; they

were then finally incorporated into the Castilian monarchy. But they

claimed and held marked rights in compensation. While special

privileges--_fueros_--were accorded to certain other provinces as well

as to them, theirs were the widest and endured the longest. They had

five special exemptions: they were not subject to military conscription;

nor to certain imposts and taxes, (paying a gross composition in their

place;) nor in general to trial outside their province; nor to the

quartering of troops; nor to any regulations of their internal affairs

beyond that of the _corregidor_, a representative magistrate appointed

by the king. These _fueros_ lasted in substance even up to 1876, when

Alfonso's government finally repealed them. While thus the Spanish

Basques have, even under allegiance, held stoutly to the right of

virtual self-government, their brethren north of the Pyrenees long

preserved a still fuller autonomy, only coming into the national fold of

France under the impetus of the Revolution.

Thus the Basques have a stiff record of independence; it keeps them in

no little esteem, both with themselves and with their neighbors. Trains,

travel, traffic, eat into their solidarity, and may in time disintegrate

it; but a Basque has not yet lost a particle of his pride of clan; it is

inborn and ineradicable; he would be no other than he is; "_je ne suis

pas un homme_" he boasts, "_je suis un Basque_." You note instinctively

his straighter bearing among the neighboring French peasantry; you can

often single out a Basque by his air. This hardens into a peculiar

result: since they are all of the same high lineage, all are

aristocrats; every Basque is _ex officio_ a nobleman; this is seriously

meant and seriously believed. There are no degrees of caste, the highest

is the only; the entire race is blood-proud, ancestor-proud. A Basque

family might not improbably have been the originators of that celebrated

family tree which remarked, in a marginal note only midway back, that

"about this time the Creation took place."

They are not stilted in their pride, however; your true Basque cares

much for his descent and little for its dignities. "Where the McGregor

sits," he would affirm, "there is the head of the table," and so he

cares nothing about the nominal headship. He lives a free, busy life in

the hill-country or near the sea, stalwart, swarthy, a lover of the open

air, apt at work and sufficiently enterprising, self-respecting, "proud

as Lucifer and combustible as his matches," in no case pinchingly poor,

but rarely rich, and never in awe of his own coat-of-arms.

Writers uniformly take a wicked pleasure in maligning the Basque

language. Its spelling and syntax, its words and sentences, its methods

of construction, are openly derided. Unusual word-forms and distended

proper names are singled out and held up to jeers and contumely. A

Spanish proverb asserts that as to pronunciation the Basques write

"Solomon" and pronounce it "Nebuchadnezzar." The devil, it is alleged,

studied for seven years to learn the Basque tongue; at the end of that

time he had mastered only three words and abandoned the task in disgust.

"And the result is," adds a vivacious writer, "that he is unable to

tempt a Basque, because he cannot speak to him, and that consequently

every Basque goes straight to heaven. Unfortunately, now that the

population is beginning to talk French, (which the devil knows terribly

well,) this privilege is disappearing."

Overhearing disjointed Basque phrases on the Biarritz beach or here in

the streets and cafés of St. Jean, one will not blame the devil's

discouragement. There is scarcely one familiar Aryan syllable. For

centuries their speech was not even a written one; there is said to be

no book in Basque older than two hundred years. But, its strangeness and

isolation once allowed for, there is in reality much to defend in the

Basque language. As spoken, it is far from being harsh, and falls

pleasantly, often softly, on the ear; the sounds are clear, the

articulations rarely, hurried as with the French. The words, other than

a few proper names, do not exceed a sober and reasonable length, and as

to spelling, every letter has its assigned use and duty; there are no

phonetic drones. The original root-forms are short and always

recognizable; the full words grow from these by an orderly if intricate

system of inflections and the forming of derivatives.

The inflections are, it must be admitted, intricate. Each noun boasts

two separate forms, and each of its declension-cases keeps a group of

sub-cases within reach for special emergencies. There are only two

regularly ordained verbs,--"to be" and "to have"; but they don different

canonicals for each different ceremony, and their varying garbs seem

fairly without limit. In the Grammaire Basque of M. Gèze, published in

Bayonne, I count no less than one hundred and eight pages of

closely-set tables needed to paint the opalescent hues of these

multiform auxiliaries,--and this only in one dialect, out of six in all.

M. Chaho, an essayist of weight and himself a Basque, informs us

artlessly and seriously that one counts a thousand and forty-five forms

for their combined present indicatives, and a trifle over ten thousand

forms for the two fully expanded verbs; and yet the language, he hastens

to add, is so magically simple that even a Basque child never makes an

error!

As to its appearance in print, the reader may judge for himself, for

here is one of their favorite love-songs. These light songs abound, many

being surprisingly delicate and dainty.

BASQUE SONG

"_Chorittoua, nourat houa,

Bi hegalez airian?

Espanalat jouaiteco,

Elhurra duc bortean.

Algarreki jouanen guiuc

Elhurra hourtzen denian._

"_San Josefen ermita

Desertion gora da.

Espanalat jouaiteco,

Han da goure pausada.

Guibelerat so'guin eta

Hasperrenak ardura?_

"_Hasperrena, habiloua

Maitiaren borthala.

Bihotzian sar hakio

Houra eni beçala;

Eta guero erran izoc

Nic igorten haidala._"

A graceful English version of the above is in existence, and will fitly

complement its original:

"Borne on thy wings amidst the air,

Sweet bird, where wilt thou go?

For if thou wouldst to Spain repair,

The ports are filled with snow.

Wait, and we will fly together,

When the Spring brings sunny weather.

"St. Joseph's hermitage is lone,

Amidst the desert bare,

And when we on our way are gone,

Awhile we'll rest us there;

As we pursue our mountain track,

Shall we not sigh as we look back?

"Go to my love, O gentle sigh,

And near her chamber hover nigh;

Glide to her heart, make that thy shrine,

As she is fondly kept in mine.

Then thou mayst tell her it is I

Who sent thee to her, gentle sigh!"

--COSTELLO.

In regard to length of words, there exist undoubtedly some surprising

examples, but they are merely compound expressions and quite in analogy

with those of better known and less abused tongues. The German, for one,

indulges in such with notorious yet unrebuked frequency. One is

naturally startled at encountering in Basque such imbrications as

_Izarysaroyarenlarrearenbarena_, or _Ardanzesaroyareniturricoburua_,

which are actual names of places in Spanish Basque-land; but they are

mercifully rare, and when analyzed prove to be rational and even poetic

formations, laden with a full equivalent of import,--the first of the

above two signifying "the centre of the field of the mountain of the

star," and the second, "the summit of the fountain of the mountain of

the vine."

These be scarcely fair samples, however. Commoner words and some of

their more musical phrases are instanced in the following, taken in the

dialect of this region of St. Jean:

_Haran_, Valley.

_Etchelde_, Farm.

_Ogi_, Bread.

_Egur_, Wood.

_Maraza_, Hatchet.

_Nekarsale_, Workman.

_Aita_, My father.

_Lo_, Sleep.

_Etche_, House.

_Etchetar_, Household.

_Nerhaba_, Child.

_Nescatcha_, Maiden.

_Zorioneko_, Happy.

_Ama_, My mother.

_Neure maiteak_, My loved ones.

Home words, such as these latter, give a glimpse of this people's home

life. For they are devoted to their household as to their tribe, and

uniformly show a certain homely honesty and simplicity underneath all

their free ways. Love of smuggling does not impugn this honesty,--in

their own view, at all events; for the Basque, man and woman, is a born

smuggler, and believing it right is not ashamed. Indeed, they make

common cause of it; for years, if a revenue officer detected and shot a

Basque in the act, he had to fly the land at once, for the entire

neighborhood united in seeking hot and deadly vengeance.

The race is notably fond of dancing and drama, and the villages hold

frequent open-air theatricals, generally upon religious themes, which

they always handle with great seriousness. They have at intervals unique

contests in improvisation, rivaling Wolfram and Tannhaüser, or the

Meistersingers, in this special talent. They are fruitful, too, in

proverb lore, as would be expected in an old race. Their wise saws are

sharp, often rasping:

"Hard bread makes sharp teeth." (_Ogi gogorrari haguin sorroza_.)

"One eye suffices the seller; the buyer has need of a hundred."

"Marriage-day is the next day after happiness."

"Avarice, having killed a man, took refuge in the Church; it has

never gone out since."

Husbandmen, herdsmen, fishermen,--such are the majority. The farms are

small, averaging four or five acres, and descend by primogeniture; flax,

hemp, corn, are their staples. Basques were the first whalers, so it is

declared, and St. Jean used to be a noted port for their vessels; the

whales have since sought more northern banks, and St. Jean is reduced to

the humbler quest of sardines and anchovies. There are iron-mines and

marble-quarries, besides, to engage many; hunting and logging are

favored pursuits; Basque sailors are to be found in all waters, while

great numbers of the younger men are now yearly emigrating to the South

American coasts, to make a better living,--and to avoid conscription.

Those of the race we see in our transit impress one, on the whole,

favorably. The men have, in the main, the lithe, firm port attributed to

them, though there are Basque "trash," as there are Georgia "crackers,"

and average-lesseners everywhere. The women are often noticeably

attractive; the younger ones have a ruddy face and full, clear eye, but

the skin shrivels and wears with middle age, as does that of their

French peasant sisters. The Basques about Biarritz and St. Jean appear

to associate with the French element in entire amity; the race strives

still to keep distinct, but habits and idioms and manners imperceptibly

mingle; they speak French or patois quite as much as their own tongue,

and in divers ways hint at the working of amalgamation and assimilation.

Mention of this bizarre tribe is perhaps not untimely; the leveling

process progresses fast, over Basque-land as in all the world; steam and

lightning are the genii of the age, but they destroy while they build.

As a significant straw, the French government enforces here, in the

public schools, the teaching and speaking of French to supersede the

Basque. Similarly, Spanish is required in the schools over the border.

In some of these, a child detected in a lapse into Basque must wear a

certain ring, which he is allowed to pass on to the first companion he

catches likewise tripping. The latter may pass it on in turn. At the end

of the week comes the reckoning-day, and the unhappy individual then

found with the ring is, punished for the collective sinners of the week.

Few more ingenious, even if demoralizing, expedients could be devised to

put the native tongue and sentiments under ban.

"It has been truthfully observed," says one,[8] "that, in ancient times,

the Basques kept themselves outside of the Roman world; in the middle

age they remained outside of feudal society; while to-day they would

fain keep out of the modern world. The spectacle of this little

confederacy, steadily maintaining its isolation for so many centuries,

is most interesting, and, in some aspects, affecting; but the very

stubbornness and the prolonged success of its resistance to all attempts

to draw it into the current of modern life and thought only enhances the

significance of its ultimate failure, and furnishes an expressive

commentary upon the futility of a people's most determined efforts to

hold itself aloof from the brotherhood of nations. Contact is God's

manifest decree. The five Basques at Bayonne bridge, helpless against

the incoming tide, present a truthful prophecy of the destiny of the

whole race before the advancing and mounting wave of modern

civilization."

[8] VINCENT: _In the Shadow of the Pyrenees_. New York: Charles

Scribner's Sons.

V.

In this region, too, lies the famous pass of Ibañeta or Roncesvalles. It

may be readily visited in a two days' excursion from St. Jean or from

Biarritz. There is a carriage-road to Valcarlos, a small village on the

way; beyond, a mule-path winds on up through the pass and down to the

convent on the other side.

This convent was founded to commemorate the one greatest tradition of

the pass,--the destruction of Charlemagne's rear-guard by the Basques in

ambush and the death of the hero Roland.

"Oh for a blast of that dread horn

On Fontarabian echoes borne

That to King Charles did come;

When Rowland brave and Olivier

And every paladin and peer

On Roncesvalles died!"

Of the few writers who have visited this region, all make airy mention

of the battle of Roncesvalles; scarcely one, however, condescends to

details. Yet it gave rise to a great epic poem,--the greatest epic of

France, the delight of all her ancient minstrels. One often hears named

the _Song of Roland_; one seldom hears more than the name. By many the

charm of its story is all unknown.

"In truth and fact," observes a recent anonymous writer, "the chain can

claim one single real legend. That one, however, is so great, so grand,

so dominating,--it is so immense, so universal, so world-wide,--that it

suffices all alone; it creates a doctrine by itself, it needs no aid, no

support, no companions,--it is the mighty tale of Roland. The mountain

is full of Roland. His hands, his feet, his horse, his sword, his voice,

have left their puissant mark on almost every crest, in almost every

glen. Above Gavarnie, amidst the eternal snow, gapes the slashed fissure

hewn by Durandal, his sword; ten miles off in a gorge you see the

indents of the hoofs of Bayard on a rock which served as his half-way

touching-point when he sprang in two flying bounds from the Breach to

the Peak of the Chevalier near St. Sauveur. At the Pass of Roland, above

Cambo, the rock remains split open where the hero stamped and claimed a

passage. The ponds of Vivier Lion, near Lourdes, were dug by the

pressure of his foot and knee when Vaillantif, a charger which carried

him in his last fight, but who was then unbroken, had the audacity to

throw him. At St. Savin, where the monks had lodged him, he paid his

bill by slaying the irreverent giants, Passamont and Alabaster, whose

neighborhood, was unpleasant to the convent. And so on, all about. His

tremendous figure is everywhere, all full of the superbest violence and

of the most wondrous acrobatry. But it is at Roncesvalles that his great

name is greatest. There, where he died, his memory lives in an unfading

halo. In Spain, beneath the Peak of Altabiscar amongst the beech groves,

on the 15th of August, 778, perished the astounding paladin. The _Song

of Roland_ tells how he fell, not quite exactly but very amazingly; the

story is so intensely interesting that the reader is carried away by it

and finds himself for a moment almost able to believe it. It does not

matter that the defeat is attributed to the Saracens, not one of whom

was present, (the whole thing having been got up and carried out by the

Basques alone;) that error was indispensable to the tale, and gives it

much of its strange charm."

There is an excellent reason why the poem might fail in sharp historical

accuracy; it was not formally composed until between three and four

hundred years after the battle. The event itself happened in 778; the

first known MS. was made, by a scribe, about 1150. All during the long

interval, ballad-singers and minstrels had been extolling France and

Roland; the love of the heroic was as strong as before Homer; the hero's

name had grown: with his fame into titanic proportions; the actual

author, (conjectured to have been one Turoldus or Theurolde, a monk,)

had but to take the poetic material ready at his hand and fashion it

into the epic. Time had dimmed and enlarged the details; the _Song of

Roland_ deals in mass and massive heroes; in this it is like a book from

the Iliad.

It is not a long poem; there are only about 3,500 lines in all, but the

Old French in which it is written makes it difficult reading, at least

to one not a Frenchman. The briefest citation will show this:

"Carles li Reis, nostre Emperere magnes,

Sela anz tuz pleins ad estet en Espaigne;

Tresqu'en la mer, cunquist la tere altaigne.

N'i ad castel ki devant lui remagnet."

("Charles le Roi, notre grand Empereur,

Sept ans entiers est resté en Espagne;

Jusqu' à la mer, il a conquis la haute terre.

Pas de château qui tienne devant lui."

--GAUTIER.)

However, it has been transmuted into modern French, and latterly twice

translated into English verse; and the English translations appear to

have preserved remarkably both the power and sweetness of the original.

The poem centres almost wholly upon this deadly battle in the

Pyrenees,--the last battle of Roland its hero. Charlemagne and the

Franks had invaded Spain, and spent seven years warring with the Moors

and conquering their cities. On their return, as the poem narrates it,

the Moors, instigated by a traitor in Charlemagne's army, plotted an

ambush in this pass of Roncesvalles. The army began its march. The main

body defiled through in safety, and turned westward to await the

rear-guard nearer the coast. But when that division, the flower of the

Frankish forces,--commanded by Roland, his bosom friend Oliver, the

warrior-archbishop Turpin, and the others of the twelve great

paladins,--reached the pass, hostiles began to appear,--in front, above,

behind. More and more they thickened around it,--fierce Basques or

swarthy Moslems, "a hundred thousand heathen men;" and the three leaders

soon realized their betrayal. Oliver exclaimed:

"'Ganelon[9] wrought this perfidy!

It was he who doomed us to hold the rear.'

'Hush,' said Roland, 'O Olivier,

No word be said of my step-sire here,'"

--a touch of magnanimity strange for that brutal age, yet only one of

many in the poem. Roland rather exulted than shrank at the prospect of a

battle, by whatever means brought about. Oliver was the cooler of the

two, and he promptly urged Roland to sound his great horn, which might

be heard for thirty leagues, and so summon Charlemagne to the rescue. He

saw that the danger was real, for the odds were overwhelmingly against

them. But Roland impetuously refused. Thrice, though not in cowardice,

Oliver pleaded with him:

"'Roland, Roland, yet wind one blast!

Karl will hear ere the gorge be past,

And the Franks return on their path full fast.'

'I will not sound on mine ivory horn!

It shall never be spoken of me in scorn

That for heathen felons one blast I blew.

I may not dishonor my lineage true.

* * * * *

"'Death were better than fame laid low.

Our Emperor loveth a downright blow!'"

[9] Ganelon was the traitor and Roland's own step-father. The lines

quoted are from the late version by JOHN O'HAGAN, outlined in an article

in the _Edinburgh Review_ to whose appreciative commentary much

indebtedness is acknowledged.

The Moors at last swarmed to the attack. They were no cravens, the

Moors; the fight grew rapidly desperate. The Franks performed wonders;

they tingled with the Archbishop's glorious assoilment:

"In God's high name the host he blest,

And for penance he gave them--to smite their best!"

The twelve paladins slew twelve renowned Paynims; the mailed phalanx

hewed its way into the infidels, laying them low by thousands. But

thousands more were behind,--the reserve was inexhaustible; the "hundred

thousand" were cut to pieces, when the Moorish king, hastily summoned,

came up with a fresh army of myriads more. It was too much; little by

little the Franks were beaten down, not back, and melted unyielding

away. The peers fell one by one, upon heaps of the Moslem dead; the day

wore on; of the twenty thousand Frankish warriors, but sixty men at

length remained. Too late Roland would wind his horn; it was Oliver's

turn to disdain the now useless expedient. Roland sounded nevertheless:

"The mountain peaks soared high around;

Thirty leagues was borne the sound.

Karl hath heard it and all his band;

'Our men have battle,' he said, 'on hand!'

Ganelon rose in front and cried;

'If another spake, I would say he lied!'"

Again the desperate sound was faintly heard:

"'It is Roland's horn,' said the Emperor,

'And save in battle he had not blown!'

'Battle,' said Ganelon, 'is there none.

Old you have grown,--all white and hoar!

* * * * *

"'He would sound all day for a single hare.'"

The third time, Roland blew; his nostrils and mouth are filled with

blood, his temples crack with the stress:

"Said Karl: 'That horn is full of breath!'

Said Naimes: ''Tis Roland who travaileth,'"

--and the Emperor instantly gave the command to turn and rush to the

rescue.

But the battle had gone too far. Again and again the little band of

Franks clove its way into the enemy; the latter wavered, retreated, fell

by hundreds, and came back in thousands. Roland's tears fell fast over

his dead companions:

"'Land of France, thou art soothly fair!

To-day thou liest bereaved and bare.

It was all for me your lives ye gave,

And I was helpless to shield or save.'"

The last Frankish man-at-arms at length fell; only the three foremost

paladins remained of all the host. But the Saracens dared no longer to

approach them; they hurled their lances from afar. Spent and faint and

bleeding, the three still stood out, but the death-wound of Oliver

finally came; his vision swam, he swayed blindly on his horse. There is

no more touching and beautiful incident in the whole range of song than

this of his death:

"His eyes from bleeding are dimmed and dark,

Nor mortal near or far can mark;

And when his comrade beside him pressed,

Fiercely he smote on his golden crest;

Down to the nasal the helm he shred,--

But passed no further nor pierced his head.

Roland marveled at such a blow,

And thus bespake him, soft and low:

'Hast thou done it, my comrade, wittingly?

Roland, who loves thee so dear, am I;

Thou hast no quarrel with me to seek?'

Oliver answered: 'I hear thee speak,

But I see thee not. God seeth thee.

Have I struck thee, brother? Forgive it me.'

'I am not hurt, O Olivier,

And in sight of God I forgive thee here.'

Then each to each his head hath laid,

And in love like this was their parting made."

And now but Roland and the Archbishop were left,--the former on foot,

his charger dead. Wounded and gasping, they rushed forward upon the

enemy; the sword-arm of the Moorish king was cut from his side, his son

fell dead before him. The Moors quailed; their lances fell in storms

upon the heroes. Suddenly a long, far sound was heard; it was of the

trumpets of Charlemagne's returning army rushing to the rescue but still

miles and hours away. The Saracens turned at the very sound; a final

lance-shower, and they fled; the two held the pass of Roncesvalles,

unconquered,--but dying.

For it was too late.

The Archbishop had sunk to the ground, gasping,--lifeless. Roland,

stricken himself, placed his companion gently on the grass:

"He took the fair white hands outspread,

Crossed and clasped them upon his breast."

Then with his remaining strength, he sought one by one for the corpses

of the other ten paladins; one by one he brought them to the feet of the

dead prelate and laid them before the august body,--Oliver's corpse last

and dearest of all. There he might leave them, the solemn assembly of

the peers. It was his last task. His wound too was mortal; his time had

come to join them.

"In vigor and pathos," justly observes the review before mentioned,

"this poem rises to the end. There are few things in poetry more simply

grand than the death of Roland. He moves feebly back to the adjoining

limit-line of Spain,--the land which his well-loved master has

conquered,--and a bow-shot beyond it, and then drops to the ground:"

"That death was on him he knew full well;

Down from his head to his heart it fell.

On the grass beneath a pine tree's shade,

With face to earth, his form he laid;

Beneath him placed he his horn and sword,

And turned his face to the heathen horde

Thus hath he done the sooth to show

That Karl and his warriors all may know

That the gentle Count a conqueror died.

'_Mea culpa_,' full oft he cried,

And for all his sins, unto God above

In sign of penance he raised his glove.

* * * * *

"He did his right-hand glove uplift;

Saint Gabriel took from his hand the gift.

--Then drooped his head upon his breast,

And with clasped hands he went to rest."

There is indeed little in epic poetry to surpass the high simplicity of

this loving portrayal of a hero's death.

It is the climax of the poem. The Emperor's army burst upon the scene,

frantic with anxiety; but no eye was open to give them greeting. Roland

was dead with his slaughtered rear-guard, and lying with his face to the

foe. For three days the sun stayed its motion, at Charlemagne's frenzied

petition, and the Moors were chased and cut to pieces, Saragossa

taken,--a full and furious vengeance exacted. The whole army mourned for

their companions; holy rites attended their stately burial; Ganelon was

tried, condemned, torn to pieces by wild horses. But the joy of the

Franks, their hero, their idol, was gone forever from them; retribution,

even the bitterest, could count for little against the passing of that

peerless spirit.

A pathetic meeting was afterward the old Emperor's with Alva, the

affianced of Roland:

"'Where is my Roland, sire,' she cried,

'Who vowed to take me for his bride?'"

Brokenly at length he told her of the news. A moment she gazed at him

unseeing:

"'God and his angels forbid, that I

Should live on earth if Roland die!'

Pale grew her cheek,--she sank amain

Down at the feet of Charlemagne."

So let us leave this tender poem, tender unwontedly among its times; an

epic which sincerely merits a vogue more near to its value.

A Midsummer Drive Through the Pyrenees · 第 4 / 17 章