CHAPTER II.

A BISCAYAN BEACH.

Clearly we are in advance of the summer season at Biarritz. It is the

latter part of June. The air is soft and warm, the billows lap the shore

enticingly. But fashion has not yet transferred its court; the van of

the column only has arrived. A few adventurous bathers test the cool

surf; the table-d'hôte is slimly attended; the liverymen confidentially

assure us, as an inducement for drives, that their prices are now

crouching low, for a prodigious leap to follow.

But everything has a pleasing air of anticipation. Since we are to be

out of the season at all, we are glad we are in advance of it. This is

the youth of the summer, not its old age. People are looking forward;

events are approaching, instead of receding; the coming months seem big

with indefinite promise of benefit and pleasure.

We quickly become imbued with the general hopefulness of the place.

Every one has the look of one making ready. You hear, all day long, when

far enough from the waves, a vague, joyous hum of bustle pervading the

town. The enterprising click of hammer or trowel falls constantly on the

ear. The masons are at work upon the new villas, and our hotel is

completing a fine addition for a café; the stores along the busy little

main street are being put in order, the windows alluringly stocked, and

bright awnings unrolled above them, fenders from the summer's heat. The

hotels are fairly awake. Everything is rejoicing that the

semi-hibernation is over.

[Illustration: RELIEF MAP OF THE CENTRAL PYRENEES]

Biarritz, the town, is as delightful, if not as picturesque, as we had

hoped. Perhaps it is too modern to be picturesque. In this part of the

world at least, one rather requires the picturesque to be allied with

the old. The nucleus of Biarritz is old, but that is out of sight in the

modern overgrowth; Biarritz, as it is, is of this half century.

This is not, on the whole, to be regretted. Biarritz has no history, no

past of associations, no landmarks to be guarded. Vandalism in the form

of the modern rebuilder can here work more good than harm. Save for its

location at the edge of the wild Basque country, and what it has seen,

itself sheltered by obscurity, of the forays of that restless people,

the place has little to tell. It is a watering-place, pure and simple,

buoyed entirely by the prospering ebb and flow of modern fashion. Let us

take it as of to-day, not of yesterday, content to seek its charms under

that aspect alone, enjoying it for itself, not for its pedigree.

Biarritz is a prerogative instance of the magnetism of royalty,--of the

social power of the court as an institution. It was a watering-place, in

a small way, before Eugénie's advent; but there was not a tithe of its

present size and popularity. In 1840, it numbered in all not more than

fifty houses, a few of them lodgings or humble cafés, but the greater

part staid little whitewashed summer-dwellings with green verandas and

occasional roof-balconies; set down irregularly, without street or

system, along the sunny slopes of the bluff. Murray's _Handbook_ for

1848 gives it passing notice, and disrespectfully styles it the dullest

place upon earth for one having no resources of friends upon the spot.

But in the modern edition of forty years later, the same manual has come

to describe the place in a very different strain; assigns it a

population of nearly 6,000; details, with respect, its fashionable rank,

its villas and increasing hotels, its graded streets and driveways; and

among other things adds the simple remark that "about twenty-one

thousand strangers now visit Biarritz every year." Evidently there has

been some advance within the span.

It was the Empress of the French who distilled the life-elixir for the

quiet little resort. As a maiden, she had spent long summers by its

shore, and when she was become the first lady in the land, she turned

still to Biarritz, and the midsummer tide of fashion followed after her.

Across the downs, on the bluff, stands the _Villa Eugénie_, the handsel

of Biarritz's prosperity; and here about us is the town that grew up to

make her court.

Fair France lost as well as gained when the burning walls of the

Tuileries crashed in. In these days of the plain French Republic,--of

its sober, unornamental, business government,--the contrast is vivid

with the glitter and "go" of Louis Napoleon's régime. And the nation

feels it, and involuntarily grieves over it. The twenty years have far

from sufficed to smother that certain inborn Gallic joy in

monarchy,--autocratic rule, a brilliant court, leadership in fashion,

and all the pomp and pageantry which the French love so well.

Little more than a century ago, stable governments seemed at last to be

ruling the world; civilization had come to believe itself finally at

peace; war, it was complacently said, had finished its work; the coming

cycles would prove so far tamed as to have outgrown fightings and

revolutions. Cultured modern history, like Nature, would refuse to

proceed _per saltum_. Yet the hundred years since gone by have brought

wars as fierce, "leaps" of government as tremendous, as any century in

the past. It is this same fair France that has contributed more than her

share of them, and the Fall of the Second Empire was one of the most

dramatic. The world is not, after all, so securely merged from the

darkness of the Dark Ages. Within that short century, in Paris itself,

the very capital of cultured Europe, there has twice uprisen a human

savagery immeasurably exceeding all the tales we are to tell of the

fierce past of the Pyrenees.

It needs an effort to-day to picture the social power of France and

Eugénie twenty years ago. The mantle has not fallen to England and

Alexandra. Only a people like the French can endue fashion with

absolutism.

So it was, that when the Empress came to Biarritz, "all the world" came

also. From the building of her villa dates the true origin of Biarritz.

From that time its growth was progressive and sound. When the empire

finally fell, this creature of its making had already passed the

danger-point, and so stood unshaken; Biarritz had become too popular,

its clientèle too devoted, to part company. Even in the winter it has

its increasing colony; in summer its vogue is beyond caprice. The

sparkle of the royal occupation has gone, and the royal villa is

tenantless; but the place no longer needs a helping hand, for it is

abundantly able to walk alone.

[Illustration: BEACH AND VILLA EUGÉNIE AT BIARRITZ.]

II.

In the afternoon we wander down to the sands. The tide is low. The long

billows of the Bay of Biscay roll smugly in, hypocritical and placid,

with nothing to betray the unenviable reputation they sustain _in mediis

aquis_. The broad, smooth beach is not notably different in kind from

other beaches; but we instantly see the peculiar charm of its location.

The shore sweeps off in a long, lazy crescent, rounding up, a mile or

two to the northward, with the light-house near Bayonne. Southward we

cannot follow it from where we stand, for the near irregularities of

cliff cut it off from sight. Back from the beach rises the bluff,

curving northward with the crescent; at our left it comes boldly down

toward the water, partitioning the beach and breaking up at the edge

into strange, gaunt capes and peninsulas. Black masses of rock, large

and small, are crouching out among the waves, tortured by storms into

misshapen forms and anguished attitudes, patted and petted into

fantastic humps and contortions. The strata dip at an angle of about

twenty-five degrees, and the stone is friable and defenceless.

Soothingly now the water is running over and around these rocks, or

whitens their outlines with foam; granting their piteous torsos, in

merciful caprice, a day's brief respite from the agony of its

scourgings.

The afternoon sun shines brightly against the bathing pavilion,

irradiating its red and yellow brick. Along the narrow; sheltered

platform at its front, sit matronly French dowagers, holding their

daughters, as it were, in leash, and talking of women and things, and

affairs of state. Though early in the season, the beach is well

sprinkled with people. A few attempt the bathing again, but the rest

saunter here and there or enjoy beach-chairs at a stipulated rental. The

elderly French gentleman, a dapper and interesting, specimen rarely

paralleled at home, strolls about contentedly on the asphalt promenade

back from the beach, smoking a cigar and fingering a light bamboo.

Younger men, also well-dressed, pass in couples, or walk with a mother

and daughter,--never with the daughter alone. Boatmen and candy-peddlers

ramble in and out, a Basque fisherman or two linger about the scene, and

dogs, a pony and a captive monkey, add an element of animal life.

Despite its sunny holiday temperament, Biarritz was one of certain

Biscayan villages once denounced as "given up to the worship of the

devil,"--thus denounced by Henry IV's bloodthirsty inquisitor, Pierre de

Lancre, a veritable French Jeffreys, and the same who in 1609 put to

death no less than eight hundred persons on the ground of sorcery. "He

tells us that the devils and malignant spirits banished from Japan and

the Indies took refuge here in the mountains of Labourd. Above all, he

asserts that the young girls of Biarritz, always celebrated for their

beauty, 'have in their left eye a mark impressed by the devil.'"

Happily we have no devil in this nineteenth century, and in the clear

glance of these Biarritz peasants loitering on the sands, we find that

his brand-marks have disappeared with him.

A few of the faces we meet are English; many are Spanish, and show that

Biarritz draws its worshipers from the South as from the North. Indeed,

a large proportion of its summer society wears the mantilla and wields

the fan. Other marks, too, of Spanish dress are here, as where little

girls in many-hued outfit romp along the sands, dragooned by dark-faced

nurses in true Iberian costume. Three or four brilliant red parasols add

amazingly to the general effect of the scene.

We repair to the stone parapet before the pavilion, and gravely paying

our dues for chairs, sit and watch the picture. There is no charge for

sitting on the beach, but this is severely frowned upon at Biarritz. The

dues are two sous per chair, and, with true Continental thrift, they are

always rigorously collected. Whether one wanders into the open square of

the Palais Royal at Paris, or listens to the music in the Place de

Tourny at Bordeaux, or watches the waves at Biarritz, the old woman with

her little black bag at once appears upon the scene. Some Frenchless

friends in Paris, on one occasion, guilelessly seated in the gardens of

the Palais Royal, took the collector simply for a pertinacious

beggar-woman, and waved her airily off. She returned to the charge, of

course, in indignant French, and grew angrier every moment as she found

herself still loftily ignored. A warm fracas was in prospect, when a

passing American fortunately cleared up the complication; the woman

would have called in a gendarme unhesitatingly, to enforce her

diminutive claim.

On the bluff, beyond the pavilion, Eugénie's villa, a square, rich

building of English brick, surveys the scene its existence has brought

about. Around us, on the beach, the nurses sit in the shade of the rocks

and discourse on the respective failings of their charges. Children dig

in the sand with pail and shovel, with the same zest as at home.

Child-nature changes little with locality. So recently from the great

unknown, it is not yet seamed and crusted by environment. I suppose that

children fairly represent the prehistoric man. Impulse, appetite,

passion,--all the gusts of the moment sway them. We quell our emotions

so uniformly, as we grow on, that we finally hardly feel their

struggles. The children have richer life than we, in some respects:

"Faith and wonder and the primal earth

Are born into the world with every child."

I make no doubt that Nimrod, or Achilles and Ajax, great children that

they were, as ready to cry as to feast, to laugh as to fight, hunting

mightily, sulking in the tent, or defying the lightning,--intense,

sudden, human all through,--drank down their strong, muddy potion of

existence with a smack far heartier than the reflective sips of life

which civilization has now taught us to take. Childhood is wide and free

and abounding and near to nature, and we can take thoughts from it, and

ponder, perhaps dubiously, on the distance we since have traveled.

The children dig in the sand, and throw it over the nurses, just as they

are doing at Old Orchard and Old Point. Here, with a maid, is a pair of

children who freely show one attribute of childhood not so pleasing as

others,--cruelty. They have a little monkey, fastened by collar and

chain, and it is pitiful and yet ludicrous to see the close watch the

animal keeps on his captors' movements. He has found a slack chain his

best policy, and adapts his every motion anxiously and solicitously to

the leaps of the boy. But the utmost vigilance avails him little. When

the child is weary with running and sudden turns, which have called for

marvelous dexterity of accommodation on the part of the monkey, the

chain is hauled up, with the animal clinging worriedly to it, and he is

flung far out into the fringe of waves, to pick his shivering way up

again and again from the water. These children have a white rat, also,

which they chase over the sand, and souse into puddles, and otherwise

maltreat. It is useless to interfere parentally, and we hardly see our

way to buying either rat or monkey, even to ensure them a peaceable old

age. One wonders why children have this queer taint of cruelty.

Unconscious cruelty it may be, but it seems none the less out of place

in their fresh, unused nature. We outgrow some rude vices as well as

rude virtues, in becoming older, and there is comfort in that.

III.

The bluff, coming out to the sea, cuts off, close at hand, the curve of

the shore toward the south, and we climb by a sloping path. From the

top, we look down upon, the beach we have left; back upon the downs

cluster the numberless private villas which form a feature of Biarritz;

to the left, over the near roofs and hotels of the town, we can see the

first far-off pickets of the Pyrenees; while immediately in front now

appear below us three or four rocky bays and coves, broken by the lines

of the cliff and partly sheltered by the rocks out at sea. "Many of

these rocks," writes an old-time visitor,[2] in the pleasantly aging

English of 1840, "are perforated with holes, so that, with a high sea

and an incoming tide, and always, indeed, in some degree, when the tide

flows, the water pours through these hollows and rents, presenting the

singular appearance of many cascades. Some of the rocks lying close to

the shore, and many of those which form the cliff, are worn into vast

caverns. In these the waves make ceaseless music,--a hollow, dismal

sound, like distant thunder,--and when a broad, swelling wave bounds

into these caverns and breaks in some distant chamber, the shock, to

one standing on the beach, is like a slight earthquake. But when a storm

rises in the Bay of Biscay, and a northwest wind sweeps across the

Atlantic, the scene is grand beyond the power of description. The whole

space covered with rocks, which are scattered over the coast, is an

expanse of foam, boiling whirlpools and cataracts, and the noise of the

tremendous waves, rushing into these vast caverns and lashing their

inner walls, is grander a thousand times than the most terrific

thunder-storm that ever burst from the sky."

[2] INGLIS: Switzerland and the South of France.

In these little coves now float idle pleasure-boats, bright with paint

and listless awnings, and ready to be manned by their stout Basque

rowers. Here, too, are the fishermen's cabins, snugly built in against

the rocks, and garnished with baskets and poles, and with men repairing

their nets. The irregular curves of the bluff, broken here into abrupt

and dislocated masses, lend themselves readily to winding paths, and we

ramble on, curving upward and downward, over short bridges and through

little tunnels under the rocks, each turn giving a new view of the bay

or the town.

Finally we round another promontory, cross a last bridge to a large

rock-islet standing out from the mainland, and lo! the crescent of the

coast is completed, and far to the south we see a low mountain ending

the curve; it is Spain.

IV.

In the dreamy summer stillness, we sit with, content, looking at those

distant hills, listening to the lapping of the waves, watching the sun

sink lower toward the sea. The afternoon sunlight makes a glade across

the waters,--seeming to one from a western sea-board like some

strange disarrangement in the day.

[Illustration: "HERE TOO ARE THE FISHERMEN'S CABINS."]

The rounded mountains before us are indeed in Spain, a communicative

fisherman tells us. At the foot of the outermost, eighteen miles away,

is hidden the old Spanish town of Fuenterrabia. On its other side, in a

hollow of the coast, lies San Sebastian. Nearer us, though well down

along the sweep of the grey clay bluffs, is St. Jean de Luz, which, with

the others, lies on our intended way.

We seem to see, conforming to the crescent of that foreign coast, the

menacing crescent of the Armada, parting from Spanish shores, just three

hundred years ago to a month, to crush Anglo-Saxon civilization. There

before us lies the land of intolerance and bigotry which gave it being,

the land of Philip the Second and his Inquisition. But for Drake and

Howard and England's "wooden walls," events would have moved differently

during the last three centuries,--in our country as in theirs.

V.

The last spark of the sun has disappeared in the water. We turn into the

town in the fading light, passing another large bathing pavilion in a

sheltered cove, and saunter homeward through an undulating street, the

aorta of Biarritz. It is not a wide street, but it is busy and brisk,

and it has a refurbished look like newly scoured metal. Neat

dwelling-houses, guarded behind stone walls and well-kept hedges,

display frequent signs of furnished apartments to let Small and large

shops alternate sociably in the line; there is the _épicerie_ or

grocery-store, with raisins and olives and Albert biscuits in the

window; next is a lace and worsted shop, where black Spanish nettings

vie with gay crotchet-work,--

"By Heaven, it is a splendid sight to see

Their rival scarfs of mix'd embroidery,"

all made by hand, and bewilderingly low-priced. Now we come to a

mirrored café, the Frenchman's hearth-side; it compels a détour into the

middle of the street, since the sidewalk is quite preempted by its

chairs and tiny tables. Here is another Spanish store, conspicuous for

its painted tambourines with pendent webs of red and yellow worsted, and

for its spreading fans, color-dashed with exciting pictures of

bull-fights and spangled matadors. A hotel appears next, across the way,

standing back from the street, with: a small, triangular park between;

and then comes a pretentious bric-à-brac bazaar, and another café, and a

confectioner's, and a tobacco-store,--each presided over by a buxom

French matron, affable and vigilant, and clearly the animating spirit of

the establishment.

Tiny carriages of a peculiar species, with donkeys and boy drivers, line

the streets. The carriage holds one,--say an infirm dowager seeking the

afternoon breeze,--and if the driver's attendance is desired, he is able

to run beside it for miles. It is light and noiseless, comfortably

cushioned, always within call, and governed by a beneficently trifling

tariff. These _vinaigrettes_, as they are called, would be appreciated

at home, if habit took kindly to novelties. How greatly they might

simplify problems of calling and shopping! Our conveyances are all

cumbrous. We must have the huge barouche, the coach, the close-shut

coupé. Even the phaeton yields to the high T-cart. But convention is

autocratic, and would frown on these vinaigrettes as it frowns on many

useful ideas. Another unfortunate victim of its taboo is the

sedan-chair, which would be lustily stared at to-day, yet the utility of

which might be made positively inestimable. One who reads of the Chinese

palanquins, or sees the carrying-chairs of Switzerland, convenient and

always in demand, or who watches these agile little vinaigrettes darting

along the ways, wonders that similar devices do not force their way, if

need be, into universal favor.

Another mode of conveyance, once peculiarly popular with Biarritz, might

be more difficult of exportation. This was the _promenade en cacolet_.

The town of Bayonne is but five miles distant, by a delightful road, and

formerly, particularly before the railroad came in, to ridicule old

ways, every one went to Bayonne _en cacolet_. It is no longer so, and

the world has lost a unique custom. The contrivance was very simple: the

motive power was a donkey or a horse, and the conveyance consisted of a

wooden frame or yoke fitting across the animal's back, with a seat

projecting from each side. One seat was for the driver, usually a lively

Basque peasant-woman; the other was for the passenger. There was a small

arm-piece, at the outside of each seat, and generally there was a

cushion. This was once a favorite means of travel between Bayonne and

Biarritz. It was expeditious, enlivening,--and highly insecure; that was

one of its charms. Throughout the ride there was a ludicrous titillation

of insecurity; but it was greatest at the start and at the finish. For,

the seats being evenly balanced, to mount was in itself high art. Driver

and passenger needed to spring at precisely the same instant, or the

result was dust and ashes. Trial after trial was needed by the neophyte;

he must be, as an eye-witness[3] of long ago aptly describes it, "as

watchful of the mutual signal as a file of soldiers who wait the command

'make ready,--present,--fire!' A second's delay,--a second's

precipitation,--proves fatal; the seat is attained, and at the same

moment up goes the opposite empty seat, and down goes the equestrian

between the horse's feet.... In descending, it is still worse; because

there is more hurry, more impatience, on arriving at the end of a

journey; and an injudicious descent does not visit its effects upon one

but upon both travelers; for unless the person who descends be extremely

quick in his motions, his seat flies up before he has quite left it, and

oversets him, and the opposite weight, of course, goes plump to the

ground,--with as fatal effects as cutting the hammock-strings of a

middy's berth."

[3] INGLIS.

[Illustration]

Perilous balancing feats and a high degree of skill were evidently

demanded of him who would journey _en cacolet_. Requiring thus a special

training, so to speak, as well as a nice equivalence in weight between

passenger and driver difficult to always realize, its use is not likely

to supersede that of wheeled vehicles. To take a ride _en cacolet_, one

might have a long hunt before finding a driver who should be his proper

counterpoise; and it would be often inconvenient, not to say

impracticable, thus to have to order one's driver according to measure.

It is the evening dining-hour as we find ourselves at last in the open

court-yard of our hotel and seek the welcoming light of its _salle_. The

hotels of Biarritz are handsome, even to elegance,--elegance which seems

wasted on the few people now in them. But numbers do not seem to affect

the anxious concern of Continental hotel-keepers. The same elaborate and

formal table-d'hôte is served for our small company and a few others, as

will, later on, be prepared for a houseful of guests. The waiters don

the same ducal costume and with it the same grave decorum; and our

attendant Ganymede, bending respectfully to present his laden salver,

watches my selection of a portion of the pullet with as anxious

solicitude as could be shown by the mother hen herself. The solemnity of

a table-d'hôte, and the silencing effect it has on the most talkative,

is invariable, as it is inexplicable, and accents sharply the contrast

with the breezy clatter of the American summer hotel dining-hall. This

is not to say that either is, in all ways, to be preferred. Each in its

own setting. There is a comforting stir and whir about the great, bare,

sociable dining-hall at Crawford's or at the Grand Union, which causes a

European table-d'hôte utterly to pale and dwindle. And there is a

satisfying quiet, a self-respecting, ritualistic calm, in the frescoed

salle-a-manger of the Schweizerhof, or of the Grand Hotel at Biarritz,

which makes its American rival seem impetuous and unrestful, and even a

trifle garish. 'Tis hard to choose. Man and mood both vary. There is no

parallel. The two modes of dining are as wide apart as the countries

and their characteristics, and each is, in the best sense, distinctly

typical.

VI

There is music during the evening in the little park we passed, and the

best of Biarritz assembles to enjoy the programme. We charter chairs

with the rest. Tables go with the chairs without extra charge, waiters

follow up the tables, and soon all the world is sipping its coffee or

cordials, and listening to Zampa. Outside, around the fence enclosing

the little park, revolves an endless procession of the poorer

people,--thrifty folk who are here as earners, not spenders, and would

not dream of melting their two sous into a chair. Round the small

enclosure they go, by couples or threes, like asteroids round the sun,

staring with interest at the more aristocratic assemblage within,--just

as the family circle stares at the boxes. And the music sings on

pleasantly for all, this mild summer evening in Biarritz.

A Midsummer Drive Through the Pyrenees · 第 2 / 17 章