651. AN ALLEGORY: "ALL IS VANITY."

_Angelo Bronzino_ (Florentine: 1502-1572). _See 649._

Venus, crowned as Queen of Life, yet with the apple of discord in

her hand, turns her head to kiss Cupid, whose wings are coloured in

Delight, but behind whom is the gaunt figure of Jealousy, tearing her

hair. Folly, with one foot in manacles, and the other treading on a

thorn, is preparing to throw a handful of roses--

Sweet is Love and sweet is the Rose,

Each has a flower and each has a thorn.

A Harpy, the personification of vain desire and fitful passion, with a

human face, but with claws to her feet and with a serpent's body, is

offering in one hand a piece of honey-comb, whilst she holds her sting

behind her in the other. In one corner, beneath the God of Love, doves

are billing and cooing; but over against them, beneath Folly, there are

masks showing the hideous emptiness of human passion. And behind them

all is Time, with wings to speed his course and the hour-glass on his

shoulders to mark his seasons, preparing to let down the veil which

Pleasure, with grapes twined in her hair, and with the scowl of angry

disappointment on her face, seeks in vain to lift--

"Redeem mine hours--the space is brief--

While in my glass the sand-grains shiver,

And measureless thy joy or grief,

When Time and thou shalt part for ever!"

SCOTT: _The Antiquary_.

This picture--in some ways harsh and vulgar--was originally painted for

Francis I. of France. For a note on its crude colouring, see 270.

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 365 / 1401 题