291. PORTRAIT OF A GIRL.

_Lucas Cranach_ (German: 1472-1553).

Lucas Sunder (or possibly Müller), called Cranach from

his native place, was one of the chief of the German

painters,--after Dürer, the most famous artist of his day.

He was the close friend of Martin Luther, whose features

he several times represented. He may indeed be called the

painter of the German Reformation, and in his later works

the reformed doctrines receive symbolical illustration. The

influences of the Renaissance were also at work in his art,

as may be seen in his classical subjects. He was fond also

of drawing birds and animals, and he often depicted hunting

scenes. These he rendered with a realism of effect which won

the admiration of his princely employers. It was, however, as a

portrait-painter that he was chiefly employed. His engravings

were also very numerous. In the lower left-hand corner of the

picture before us, a crowned serpent will be noticed. This

was the arms granted to him in 1508 by the Elector of Saxony,

and it superseded his initials on all his pictures after that

date. Of Cranach's earlier years, little is known. In 1504 he

was established at Wittenburg as court-painter to Frederick

the Wise, a post which he occupied under the next two Electors

as well. He was a man of importance at Wittenburg, for he was

twice mayor of the town, and carried on there, besides large

art workshops, a book-printing business and an apothecary's

shop. He was also employed in diplomatic missions, and when the

Elector Frederick the Magnanimous was in captivity at Augsburg,

Cranach was instrumental in procuring his release from the

Emperor Charles V., whose portrait had in earlier years been

taken by our painter.

"His female portraits have a sort of naïve grace that renders them

very pleasing. There is one in the National Gallery, of a young girl

in elaborate costume, which is entirely characteristic" (Bryan's

_Dictionary of Painters_).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 296 / 1401 题