36. A LAND STORM.

_Gaspard Poussin_ (French: 1613-1675). _See_ 31.

The one gleam of light breaking through the clouds falls on the watch

tower of a castle, perched on a rock--"a stately image of stability,"

where all things else are bent beneath the power of the storm. The

spirit of the picture is, however, better than its execution. Take,

for instance, the clouds. They are mere "massive concretions of ink

and indigo, wrung and twisted very hard, apparently in a vain effort

to get some moisture out of them" (_Modern Painters_, vol. i. pt.

ii. sec. iii. ch. iv. § 6). In the tree forms, again, Ruskin sees a

concentration of errors. "Gaspard Poussin, by his bad drawing, does

not make his stem strong, but his tree weak; he does not make his

gust violent, but his boughs of Indian-rubber" (for details of this

criticism see _ibid._, vol. i. pt. ii. sec. vi. ch. i. §§ 12, 13).

A Popular Handbook to the National Gallery, Volume I, Foreign Schools Including by Special Permission Notes Collected from the Works of John Ruskin · 第 116 / 1401 题