And yet, overpowering as this disaster appeared at the time, as is

always the case in Oriental countries, not many months had elapsed

before it was completely forgotten. When I visited Constantinople four

years later no traces of it were to be seen except certain tracts of

bare ground at the far end of Pera, below the heights of Tataola, and

the fire was referred to by the inhabitants as something which had

occurred in the remote past. For some little time--that is, as long as

the ruins were still warm--the papers were filled with demands that the

government should be made to take some precautions against a recurrence

of the same thing. They suggested the reorganization of the fire

department, the purchase of new pumps, increase of the water-supply,

and that regulations should be enacted controlling the manner in which

houses were to be built in the future; but, finding that the government

turned a deaf ear to these proposals, the Europeans soon ceased to make

them, and continued to live in the Turkish fashion; that is, trusting a

little to the good God and a little to good luck.

And so, as nothing or next to nothing has been done to improve the

conditions, we may assume pretty confidently that the fire of 1870 was

not the last of those great conflagrations which, “it is written,”

are in the course of every few years or so to devastate the City

of the Sultans. It is true that many of the houses in Pera are now

built of masonry, but most of these are wretchedly constructed by

architects without either knowledge or experience, sometimes by any

one who happens to come along; and, the authorities not attempting

to exercise any sort of supervision in the matter, it is not unusual

for them to fall down before being completed, while those which

remain standing are not in any way fitted to resist fire. Water, too,

is always scarce, especially in Pera, and is everywhere subjected

to the most shameful monopoly, and, being mainly derived from the

reservoirs built by the Romans in the village of Belgrâd, the supply

fails altogether unless abundant rains fall in both spring and autumn;

then the rich pay its weight in gold to get it, while the poor people

drink mud. The fire-brigade might be likened more to an army of

malefactors than an organized corps of employés: it is composed of

men of every nationality, accountable, more in name than in actual

fact, to the Seraskerat, from which they receive nothing but a ration

of bread--untaught, undisciplined, dishonest, feared and dreaded by

the people quite as much as the flames which they do not know how to

extinguish, and suspected, not without cause, of hoping for fires

as affording opportunities for pillage. As for the pumps, while there

seems to be plenty of them, and the Turks pride themselves upon these

wonderful machines, they are in reality absurd playthings, holding

about a dozen quarts of water, which they throw out in gentle little

rivulets more suitable for watering flower-beds than extinguishing

fires.

[Illustration: Aqueduct of Valens.]

And yet the inhabitants of Constantinople might consider themselves

fortunate were these the only evils existing in this connection. There

is doubtless no foundation for the reports--credited, however, by

some--that the government instigates many of the fires with a view to

widening the streets: the dangers and inconveniences of such a method

would be too great in comparison with the advantages; nor does it

now happen, as it has sometimes in the past, that the “opposition”

sets fire to a certain quarter in order to intimidate the sultans,

or the army to enforce its demands for higher pay; but the general

suspicion that many fires are started deliberately by persons who have

something to gain thereby has but too often been verified, and hence

the people of Constantinople live in a continual state of dread. They

are afraid of the water-carriers, porters, architects, lumber- and

lime-merchants, and, more than all the rest, of their servants, who are

the evil geniuses of Constantinople: these people are all in league

with organized bands of thieves, they in turn being in communication

with various other secret organizations which manage the sale of

every kind of stolen property and facilitate the commission of all

manner of crimes, while the local police treat them all alike with a

leniency which savors strongly of complicity. No incendiary was ever

known to be punished, and thieves are rarely arraigned after a fire;

more rarely still are the stolen goods restored to their rightful

owners. Moreover, Constantinople being a rendezvous for miscreants

from all over the world, the course of justice is constantly being

blocked by international complications: consuls demand the surrender

of criminals of their own countries; trials drag on for centuries; and

so many delinquents escape altogether that the fear of punishment as a

restraining influence upon the criminal class is almost _nil_, and they

have come to look upon the plundering of houses during a fire much in

the light of a privilege tacitly acknowledged by the authorities to be

theirs, just as soldiers were formerly allowed to sack and plunder a

vanquished city. And so the word “Fire” still means for the inhabitants

of Constantinople “every misfortune,” and the cry _Yanghen Vahr_ is

charged with a dread meaning, terrible, fateful, carrying with it

dismay--a cry at which the entire city is moved to its very depths, and

pours forth as at the announcement of a scourge from God. And who can

tell how often yet the great metropolis is doomed to fall before the

flames and rise again ere European civilization shall have planted its

triumphant ensign upon the imperial palace of Dolmabâghcheh?

* * * * *

In the old days, when a fire broke out in Constantinople, if the Sultan

happened to be at that moment in the harem, news of the disaster was

sent to him in the person of an odalisque dressed in scarlet from

head to foot, with orders to present herself before him wherever he

might be, were it even in the embraces of the favorite. She had only

to appear upon the threshold: the flaming color of her attire would

do the rest and be the mute announcement of her errand. Will any one

believe that among all the striking and terrible pictures which my

mind conjures up at the thought of a Constantinople fire the figure

of that odalisque moves my artistic sense the most, and makes me long

to be a painter that I might depict the scene as it rises before me?

At all events, I shall go on begging every artist I meet to do it for

me, until I come across one whose fancy will be struck with the idea,

and who will earn my undying gratitude. The picture will represent an

apartment in the imperial harem flooded with soft light. Seated upon

a broad divan by the side of a fair young pearl-bedecked Circassian,

Selim I., the mighty Sultan, suddenly disengages himself from the arms

of his companion, and fixes his great black eyes upon the scarlet-clad

odalisque standing in the doorway, mute, erect, immovable as a statue,

one hand holding back the curtain beyond which is seen the open

terrace, and in the blue distance the great smoking city, while her

pallid, terror-stricken face would seem to say, “King of kings, Allah

summons you to go to the relief of your unhappy people.”

THE WALLS.

I determined to make the circuit of the ancient walls of Stambul

entirely alone, and this plan I recommend to all Italians visiting

Constantinople, as the sight of those majestic and beautiful ruins

cannot make a profound and lasting impression upon the mind unless one

is altogether intent upon receiving it and can freely follow his own

train of thought. It is a question of tramping about fifteen Italian

miles through deserted streets and exposed to the full blaze of the

sun. “Very possibly,” said I to my friend, “when I have gone halfway I

shall be seized with such a desperate attack of loneliness that I will

invoke you like one of the saints, but, all the same, I want to go by

myself.” And so, having first lightened my purse for fear some suburban

pick-pocket might do it for me, and thrown something to the “eager

dogs within,” so that I might say to myself later on, “Be still, then,

accursed wolf!” I set forth in the direction of the Validêh Sultan

bridge at eight in the morning, beneath a sky washed clean and bright

by a shower which had fallen during the night.

My plan was to leave Stambul by the gate in the Blachernæ, to follow

the line of the walls from the Golden Horn to the Castle of the Seven

Towers, and to return along the shore of the Sea of Marmora, thus

completing the triangle of the Mussulman city.

Crossing the bridge, I turned to the right and plunged into that vast

district known as _Istambul disciaré_, or Outer Stambul, a long strip

of the city shut in between the walls and the harbor, composed of

miserable little houses and wood and oil-shops, and more than once

destroyed by fire; flights of stairs lead from the banks down to little

inlets crowded with boats and shipping, and in the space between these

on the one hand, and the narrow lanes and alleyways of the city on

the other, there is a constant passing back and forth of porters,

asses, and camels, the same mixture of strange people and dirty things

which, as well as the unintelligible clamor of tongues, is to be found

in those wonderful ports of the Chinese and Indian seas where the

people and merchandise of two hemispheres meet and mingle. Those walls

which are still standing on this side are five times a man’s height,

castellated, strengthened every hundred paces by small quadrangular

towers, and in many places falling into ruins. They are, from an

historic or artistic standpoint, however, the least noteworthy of any

of the fortifications of Stambul.

Traversing the Greek quarters, I skirted the bank among the various

pastry-cook, fruit, and fritter stalls, passing by groups of handsome

Greek sailors standing in the attitudes of their own ancient gods

around some cook carrying on his avocation in the open; then, making

a circuit around the vast Ghetto of Balata and threading the silent

Blachernæ quarter, I finally quitted the city by the gate called _Egri

Kapou_, not far from the banks of the Golden Horn. While all this

may be said in a few words, to do it requires an hour and a half,

now mounting, now descending, passing around lakes of mud and over

heaps of stones, through an endless maze of narrow streets and dark

passage-ways, across vast desolate wastes, with nothing to guide you

but the points on the minarets of the Selim mosque: at a certain place

you begin to notice fewer and fewer European faces and costumes; then

European houses disappear, then pavements, then the signs on the shops,

then names on the streets, then every indication of labor; and the

farther you go the more surly the dogs become, the more impudently do

the Turkish ragamuffins stare you in the eye, and the common women take

pains to conceal their faces; until at last you find yourself in the

heart of barbarous Asia, and, instead of a two hours’ walk, you seem to

have made a two days’ journey.

On issuing from the _Egri Kapou_ I turned to the left, and came quite

unexpectedly upon a long stretch of those famous walls which formed

Stambul’s defences upon the land side. Three years have elapsed since

that moment, but to this day I can never recall it without a fresh

sensation of wonder. There is no other spot in the East, so far as

I know, which presents so vividly before the mind the memories of

the past, the grandeur of human achievement, the majesty of power,

the glory of the centuries, the mystery of decay, and the beauties

of nature. You are filled with awe and terror and admiration at

this sight, worthy of a canto of Homer, and involuntarily uncover,

exclaiming “All honor!” as though called upon to salute the mutilated

ranks of some mighty band of heroes.

The line of walls and lofty towers extends as far as the eye can reach,

rising and falling according to the natural character of the land, at

some points seeming to sink into the earth, and at others to crown the

summit of a mountain: it is diversified by an endless variety of color,

and ruin in every stage of advancement, in some places nearly black, in

others almost as yellow as gold, and overgrown by a rich, deep-green

vegetation, which, scaling the walls to their very summits, falls back

in waving garlands from the battlements and loopholes, rears itself in

feathery plumes upon the tops of the towers, and overflows in green

cascades from curtain and crumbling breach, its billowy waves filling

the moat and lapping the very roadside.

There are three lines of fortifications, forming as it were three

gigantic ruined steps. The inner one, which is the highest, is

strengthened at short regular intervals by massive square towers;

that in the middle by round ones; the outer wall, much lower than

the others, is protected by a deep, wide moat, formerly filled with

water drawn from the Golden Horn and Sea of Marmora, and now choked

with grass and shrubbery. These walls, as we see them now, are almost

precisely as they were the day after the conquest of Constantinople.

The restorations made by Muhammad and Bayezid II. amount to very

little. There can be still seen the breaches made by Orbano’s powerful

guns, the marks left by the catapults and battering-rams, the great

rents where mines were fired, and all the various indications which

mark those spots where the attack was most furious, the defence most

desperate. Almost all the round towers of the middle wall are ruined

from base to summit, and while those of the inner wall are most of them

still standing, they are broken at the corners, dismantled, dwindling

off to points at the top, like huge tree-trunks sharpened at the end

with blows from some giant axe, or else cracked from top to bottom

or hollowed out at the base like cliffs worn by the sea-waves. Great

masses of masonry detached from the curtains have rolled down upon

the platforms of the middle and outer walls and choke up the moat.

Little footpaths wind in and out amid the heaps of stones and thick

underbrush, lost to view in the deep shadows of the overhanging

vegetation between huge stones and bare patches of earth torn up by

the falling of some heavy mass. Each portion of walls between any

two towers comprises in itself a complete and wonderful example of

ruins and of vegetation, full of power and majesty, wild, colossal,

forbidding, and adorned with a melancholy and imposing beauty which

impels a feeling of reverence. One seems to be looking at the ruins

of an endless chain of feudal castles, or of one of those mighty

girdles of wall which encircled the fabulous empires of Eastern Asia.

Constantinople of to-day disappears, and before us rises the City

of the Constantines; we breathe the air of the fifteenth century,

and as our thoughts become more and more centred upon the day of her

tremendous fall, we find ourselves for a few moments dazed, bewildered,

and turned, as it were, to stone.

The Egri Kapou through which I had come is identical with the famous

Charsian gate used by Justinian when he made his triumphal entry into

the city, and later by Alexius Comnenus when he seized the throne:

before it lies a Mussulman cemetery, and here, during the early days of

the siege, were placed the gigantic cannon of Orbano, which kept four

hundred artillerymen employed and required a hundred oxen to move. The

gate was defended by Teodoro di Caristo and Giovanni Greant against

the attacks of the left wing of the Turkish army, which reached clear

to the Golden Horn. From this point to the Sea of Marmora there are

no longer any hamlets, not so much as a group of houses, and, as the

road consequently runs between the walls and the open country, there

is nothing whatever to distract one’s thoughts from the mighty ruins

themselves. Setting forth on the road, I walked for some time between

two cemeteries, a Christian one on my left, lying directly beneath the

walls, and an enormous Mussulman one on my right, shaded by a forest

of cypress trees; overhead the sun poured down in straight, direct

rays; before me stretched the highway, white, solitary, and rising

by a gentle incline, until on the summit of the opposite heights it

divided the limpid horizon with a sharp, clear-cut line. On one hand

tower succeeded tower, on the other tombstone followed tombstone; not a

sound broke the stillness save my own measured tread and the occasional

rustle of a lizard in the grass by the roadside. After walking thus

for some distance, I suddenly found myself opposite a beautiful

square gateway surmounted by a great arch in an excellent state of

preservation, and flanked by two massive octagonal towers. This was the

Adrianopolis Gate, the Polyandrion of the Greeks, which was made the

principal point of attack when the Avars besieged Constantinople during

the reign of Heraclius in 625. During the attack under Muhammad II. it

was defended by the brothers Paoli and Antonino Troilo Bochiardi, and

later on was the gate through which the Turks made their victorious

exits and entries. Neither ahead nor about me was there a living soul

to be seen: all at once a couple of Turkish cavalrymen came through

the gate and disappeared down the Adrianopolis road at a full gallop,

enveloped in a thick cloud of dust, after which everything returned to

the same death-like stillness. Following their lead, I too took the

Adrianopolis road, and, turning my back for a time upon the walls,

descended into the valley of the Lycus, climbed the opposite ascent,

and found myself looking out over the vast undulating and arid plain

of Dahud-Pasha, where, during the siege of Constantinople, Muhammad

II. established his head-quarters. Here I stood for some time,

shading my eyes with my hand and searching about as if expecting to

find some traces still of the imperial camp to aid me in picturing

to myself the strange and imposing spectacle which that spot must

have presented toward the close of the spring of 1453. Just here the

life of all that mighty army flowed back as to its heart, clasping in

its fatal embrace the great dying metropolis; from this point those

orders were issued which fell on all sides like thunderbolts, set in

motion the arms of a hundred thousand workmen, directed the overland

transportation of two hundred galleys[A] from the Bay of Beshiktash to

the bay of Kassim-Pasha, thrust armies of Armenian miners into

the bowels of the earth, despatched heralds in all directions whose

flags announced the hour of attack, and in the time it would take to

tell the beads of a tespi bent three hundred thousand bows and caused

three hundred thousand cimeters to flash in the air. Here the trembling

envoys of Constantine came face to face with their Genoese countrymen

from Galata selling oil with which to grease Orbano’s mighty cannon,

and Mussulman scouts stationed upon the banks of the Sea of Marmora

in order that they might give warning when the European fleet should

appear upon the horizon bringing the last relief of Christianity to the

last defences of the Constantines. There too were to be found a swarm

of renegade Christians, Asiatic adventurers, old sheikhs, and lean,

ragged dervishes, wasted away by long marches, going restlessly back

and forth among the tents of the fourteen thousand Janissaries; and

interminable troops of horse already harnessed, long files of camels

standing motionless in the midst of catapults and battering-rams, and

cannons lying overturned where they had exploded, and great pyramids

of huge granite balls, among which wound long processions of begrimed

and blackened soldiers bearing two by two from the neighborhood of the

walls to the open country beyond the mutilated bodies of the dead and

groaning forms of the wounded; while over all there hung a perpetual

cloud of smoke.

[A] There were eighty galleys, according to Ducas.--TRANS.

[Illustration: Mosque of the Chora.]

In the centre of the Janissaries’ camp rose the many-colored tents of

the court, and high above them all the crimson pavilion of Muhammad II.

At daybreak he would appear in his doorway pale from the anxious vigil

of the night, wearing a great turban to which was affixed a yellow

plume, and a long blood-colored caftan. There he would stand, his eagle

glance fixed upon the still unconquered city lying before him, one hand

toying with his thick black beard, while with the other he fingered

uneasily the silver handle of his curved dagger: around him would be

gathered a group of his officers--Orbano, inventor of that huge cannon

which was destined before many days to explode and scatter his own

bones upon the esplanade of the Hippodrome; Admiral Balta-Ogli, already

filled with uneasy presentiments concerning his future and the disgrace

which the golden sceptre of his mighty lord was to bring about his

ears; the hardy governor of the Epepolin, that great movable castle,

surmounted by a tower and braced with iron, which was finally burned

to the ground in front of the gate of San Romano; and a circle of

poets and legislators bronzed by the suns of a hundred battlefields; a

retinue of pashas, whose bodies were covered with wounds and their long

caftans riddled with arrow-holes; a throng of gigantic Janissaries,

with naked blades clasped in their hands, and sciaus armed with great

steel clubs, ready to strike off the head or pound the flesh of rebel

or coward alike; the flower of that boundless multitude of Asiatics,

overflowing with youth, energy, and ferocity, only awaiting the signal

to hurl themselves like a mighty torrent of fire and sword upon the

feeble remnant of the Byzantine Empire. There they would stand, silent,

motionless, in the rosy beams of the rising sun, looking with rapt gaze

where, against the horizon, the thousand cupolas of the great city

promised to them by the Prophet rose above the sobs and lamentations

of its cowardly inhabitants. I saw them thus before me, their very

postures, their arms, the folds of their long cloaks and caftans, their

gigantic shadows falling athwart the earth seamed and scarred with

the passage of heavy cannon and ponderous cars, when all at once, my

eye chancing to fall upon a large stone half buried in the ground, I

mechanically read the worn inscription upon its face. In a twinkling

the imposing warlike scene disappeared, and in its stead the wide

barren plain was peopled with a light-hearted multitude of Vincennes

soldiers in their red breeches; I heard the cheerful songs of Normandy

and Provence, saw Maréchal Saint-Arnaud, Canrobert, Forey, Espinasse,

Pelissier, and recognized a thousand faces and brilliant uniforms,

alive in my memory and dear to my heart ever since childhood, and read

again, with an inexpressible sensation of surprise and delight, that

meagre inscription: “Eugène Saccard, Caporal dans le 22° léger, 16

Juin, 1854.”

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