II

THE cracked bell tinkled sweetly through her heart as she stood

listening for the scamper of Juliet’s feet. Juliet, anticipating the

laggard Suzanne, almost always opened the door for her governess, not

from any unnatural zeal to hasten the hour of her studies, but from the

irrepressible desire to see what was going on in the street. But on this

occasion Lizzie listened vainly for a step, and at length gave the bell

another twitch. Doubtless some unusually absorbing incident had detained

the child below-stairs; thus only could her absence be explained.

A third ring produced no response, and Lizzie, full of dawning fears,

drew back to look up at the shabby, blistered house. She saw that the

studio shutters stood wide, and then noticed, without surprise, that

Mrs. Deering’s were still unopened. No doubt Mrs. Deering was resting

after the fatigue of the journey. Instinctively Lizzie’s eyes turned

again to the studio; and as she looked, she saw Deering at the window.

He caught sight of her, and an instant later came to the door. He looked

paler than usual, and she noticed that he wore a black coat.

“I rang and rang--where is Juliet?”

He looked at her gravely, almost solemnly; then, without answering, he

led her down the passage to the studio, and closed the door when she had

entered.

“My wife is dead--she died suddenly ten days ago. Didn’t you see it in

the papers?”

Lizzie, with a little cry, sank down on the rickety divan. She seldom

saw a newspaper, since she could not afford one for her own perusal, and

those supplied to the Pension Clopin were usually in the hands of its

more privileged lodgers till long after the hour when she set out on her

morning round.

“No; I didn’t see it,” she stammered.

Deering was silent. He stood a little way off, twisting an unlit

cigarette in his hand, and looking down at her with a gaze that was both

hesitating and constrained.

She, too, felt the constraint of the situation, the impossibility of

finding words that, after what had passed between them, should seem

neither false nor heartless; and at last she exclaimed, standing up:

“Poor little Juliet! Can’t I go to her?”

“Juliet is not here. I left her at St.-Raphael with the relations with

whom my wife was staying.”

“Oh,” Lizzie murmured, feeling vaguely that this added to the difficulty

of the moment. How differently she had pictured their meeting!

“I’m so--so sorry for her!” she faltered out.

Deering made no reply, but, turning on his heel, walked the length of

the studio, and then halted vaguely before the picture on the easel. It

was the landscape he had begun the previous autumn, with the

intention of sending it to the Salon that spring. But it was still

unfinished--seemed, indeed, hardly more advanced than on the fateful

October day when Lizzie, standing before it for the first time, had

confessed her inability to deal with Juliet. Perhaps the same thought

struck its creator, for he broke into a dry laugh, and turned from the

easel with a shrug.

Under his protracted silence Lizzie roused herself to the fact that,

since her pupil was absent, there was no reason for her remaining any

longer; and as Deering again moved toward her she said with an effort:

“I’ll go, then. You’ll send for me when she comes back?”

Deering still hesitated, tormenting the cigarette between his fingers.

“She’s not coming back--not at present.”

Lizzie heard him with a drop of the heart. Was everything to be changed

in their lives? But of course; how could she have dreamed it would be

otherwise? She could only stupidly repeat: “Not coming back? Not this

spring?”

“Probably not, since are friends are so good as to keep her. The fact

is, I’ve got to go to America. My wife left a little property, a few

pennies, that I must go and see to--for the child.”

Lizzie stood before him, a cold knife in her breast. “I see--I see,”

she reiterated, feeling all the while that she strained her eyes into

impenetrable blackness.

“It’s a nuisance, having to pull up stakes,” he went on, with a fretful

glance about the studio.

She lifted her eyes slowly to his face. “Shall you be gone long?” she

took courage to ask.

“There again--I can’t tell. It’s all so frightfully mixed up.” He met

her look for an incredibly long, strange moment. “I hate to go!” he

murmured as if to himself.

Lizzie felt a rush of moisture to her lashes, and the old, familiar

wave of weakness at her heart. She raised her hand to her face with an

instinctive gesture, and as she did so he held out his arms.

“Come here, Lizzie!” he said.

And she went--went with a sweet, wild throb of liberation, with the

sense that at last the house was his, that _she_ was his, if he wanted

her; that never again would that silent, rebuking presence in the room

above constrain and shame her rapture.

He pushed back her veil and covered her face with kisses. “Don’t cry,

you little goose!” he said.

Tales of Men and Ghosts · 第 49 / 55 题