M. de Blacas had left in his boxes a great number of papers. The

Emperor directed the Duke of Otranto to examine them. Of this he

immediately repented, and sent for them again. Part fell to our share:

the rest were delivered to the Duke of Vicenza. Their examination

afforded nothing interesting. The Emperor, disappointed, accused M.

Fouche of having removed the important papers. Those we inspected

consisted only of private reports, and confidential and anonymous

notes. The hatred of the revolution pervaded every line, every word.

The writers did not dare to propose plainly the revocation of the

Charter, and the abolition of the new institutions; but they declared

without any circumlocution, that the dynasty of the Bourbons would

never be secure with the existing laws; and that it was necessary, to

distrust and get rid of the men of the revolution. More effectually to

know and persecute these, M. de Blacas had caused to be disinterred

from the archives of the cabinet, and of the ministers, the documents

that might serve to make known their conduct ever since 1789, and he

had directed biographical notices of each to be composed, which might

easily have been taken for indictments drawn up by M. Bellart[106].

[Footnote 106: Attorney-general to the king,

employed on certain occasions, to prosecute

political crimes and misdemeanors.]

We found also a number of minutes of laws and ordinances, written by

the hand of this minister, and attesting by their laborious

corrections, how destitute he was of readiness and of imagination.

Frequently he made three or four foul copies, before he could give any

consistency or connection to his ideas. His familiar style was dry and

turgid: if the style exhibit the man, how I pity M. de Blacas! He took

extreme pains to vary, himself, the form of his appointments

(_rendez-vous_): and the trouble he gave himself, to say the same

thing in several different ways, wonderfully reminded us of the

billet-doux of the Bourgeois Gentilhomme: "_Belle Marquise, vos beaux

yeux me font mourir d'amour; d'amour mourir me font, belle Marquise,

vos beaux yeux[107]._"

[Footnote 107: "Beautiful Marchioness, your

beautiful eyes make me die of love; of love make me

die, beautiful Marchioness, your beautiful eyes."]

In fine, we collected from the cabinet of this minister an ample

collection of royal denunciations, petitions, justifications, and

confessions, of those men, who, like Lockard, are always "the most

humble servants of circumstances."

These humble servants, when the Emperor returned from the island of

Elba, did not fail to prostrate themselves before him anew. They

assured him, after the example of a certain Marquis well known, that

they had denied, insulted, calumniated him, only that they might

remain faithful to him, without being suspected by the royal

government: they conjured him, to grant them the happiness and glory

of serving him; but he disdained their supplications, as he had

disdained their insults: they gained nothing but his contempt. Always

as devoid of shame as of faith, they were eager, immediately after the

fall of Napoleon, to turn round anew, and carry back to the King their

faded homage. Some, as M. the Count de M***, whose hands are still

reeking with the blood of his assistants (_administres_), contrived,

with the help of their lying fidelity, to surprise his easy

confidence. Others, as M. F***, became in their writings the virulent

persecutors of men, whose lot they had envied, and whose support they

had begged. All arrogated to themselves exclusively the title of pure

royalists: the title of honest men.... I know them ... the mask, with

which they cover themselves, the honours, the dignities, with which

they are invested, cannot disguise them to my eyes.... Shall I name

them? And the Emperor is accused of despising mankind! ah, where is

the sovereign, that can esteem them?

END OF THE FIRST VOLUME.

Memoirs of the Private Life, Return, and Reign of Napoleon in 1815, Vol. I · 第 23 / 23 段