I find left here for me the following epistle:

"SIR,

"Having lately read your discourse about the family of

Trubies,[138] wherein you observe that there are some who fall

into laughter out of a certain benevolence in their temper, and

not out of the ordinary motive, viz., contempt and triumph over

the imperfections of others, I have conceived a good idea of your

knowledge of mankind. And as you have a tragi-comic genius, I beg

the favour of you to give us your thoughts of a quite different

effect, which also is caused by other motives than what are

commonly taken notice of. What I would have you treat of, is, the

cause of shedding tears. I desire you would discuss it a little,

with observations upon the various occasions which provoke us to

that expression of our concern, &c."

To obey this complaisant gentleman, I know no way so short as examining

the various touches of my own bosom, on several occurrences in a long

life, to the evening of which I am arrived, after as many various

incidents as anybody has met with. I have often reflected, that there

is a great similitude in the motions of the heart in mirth and in

sorrow; and I think the usual occasion of the latter, as well as the

former, is something which is sudden and unexpected. The mind has

not a sufficient time to recollect its force, and immediately gushes

into tears before we can utter ourselves by speech or complaint. The

most notorious causes of these drops from our eyes, are pity, sorrow,

joy, and reconciliation. The fair sex, who are made of man, and not

of earth, have a more delicate humanity than we have, and pity is the

most common cause of their tears: for as we are inwardly composed of an

aptitude to every circumstance of life, and everything that befalls any

one person might have happened to any other of human race, self-love,

and a sense of the pain we ourselves should suffer in the circumstances

of any whom we pity, is the cause of that compassion. Such a reflection

in the breast of a woman immediately inclines her to tears; but in a

man, it makes him think how such a one ought to act on that occasion,

suitable to the dignity of his nature. Thus a woman is ever moved for

those whom she hears lament, and a man for those whom he observes to

suffer in silence. It is a man's own behaviour in the circumstances he

is under which procures him the esteem of others, and not merely the

affliction itself which demands our pity: for we never give a man that

passion which he falls into for himself. He that commends himself never

purchases our applause; nor he who bewails himself, our pity. Going

through an alley the other day, I observed a noisy impudent beggar bawl

out, that he was wounded in a merchantman, that he had lost his poor

limbs, and showed a leg clouted up. All that passed by, made what haste

they could out of sight and hearing. But a poor fellow at the end of

the passage, with a rusty coat, a melancholy air, and a soft voice,

desired them to look upon a man not used to beg. The latter received

the charity of almost every one that went by. The strings of the heart,

which are to be touched to give us compassion, are not so played on

but by the finest hand. We see in tragical representations it is not

the pomp of language, or magnificence of dress, in which the passion

is wrought that touches sensible spirits, but something of a plain and

simple nature which breaks in upon our souls, by that sympathy which

is given us for our mutual good-will and service.[139] In the tragedy

of "Macbeth," where Wilks[140] acts the part of a man whose family

has been murdered in his absence, the wildness of his passion, which

is run over in a torrent of calamitous circumstances, does but raise

my spirits, and give me the alarm; but when he skilfully seems to be

out of breath, and is brought too low to say more, and upon a second

reflection, cry, only wiping his eyes, "What, both children! Both, both

my children gone!" there is no resisting a sorrow which seems to have

cast about for all the reasons possible for its consolation, but has

no recourse. There is not one left, but both, both are murdered![141]

Such sudden starts from the thread of the discourse, and a plain

sentiment expressed in an artless way, are the irresistible strokes of

eloquence and poetry. The same great master, Shakespeare, can afford us

instances of all the places where our souls are accessible, and ever

commands our tears; but it is to be observed, that he draws them from

some unexpected source, which seems not wholly of a piece with the

discourse. Thus when Brutus and Cassius had a debate in the tragedy

of "Cæsar," and rose to warm language against each other, insomuch

that it had almost come to something that might be fatal, till they

recollected themselves; Brutus does more than make an apology for the

heat he had been in, by saying, "Porcia is dead."[142] Here Cassius is

all tenderness, and ready to dissolve, when he considers that the mind

of his friend had been employed on the greatest affliction imaginable,

when he had been adding to it by a debate on trifles; which makes him

in the anguish of his heart cry out, "How scaped I killing when I thus

provoked you?"[143] This is an incident which moves the soul in all

its sentiments; and Cassius's heart was at once touched with all the

soft pangs of pity, remorse, and reconciliation. It is said indeed by

Horace, "If you would have me weep, you must first weep yourself."[144]

This is not literally true, for it would have been as rightly said,

if we observe nature, that I shall certainly weep if you do not; but

what is intended by that expression is, that it is not possible to give

passion except you show that you suffer yourself. Therefore the true

art seems to be, that when you would have the person you represent

pitied, you must show him at once, in the highest grief and struggling,

to bear it with decency and patience. In this case, we sigh for him,

and give him every groan he suppresses.[145] I remember, when I was

young enough to follow the sports of the field, I have more than

once rode off at the death of a deer, when I have seen the animal in

an affliction which appeared human without the least noise, let fall

tears when he was reduced to extremity; and I have thought of the

sorrow I saw him in when his haunch came to the table. But our tears

are not given only to objects of pity, but the mind has recourse to

that relief on all occasions which give us much emotion. Thus, to be

apt to shed tears is a sign of a great as well as little spirit. I

have heard say, the present Pope[146] never passes through the people,

who always kneel in crowds and ask his benediction, but the tears are

seen to flow from his eyes. This must proceed from an imagination that

he is the father of all those people, and that he is touched with so

extensive a benevolence that it breaks out into a passion of tears. You

see friends, who have been long absent, transported in the same manner:

a thousand little images crowd upon them at their meeting, as all the

joys and griefs they have known during their separation; and in one

hurry of thought, they conceive how they should have participated in

those occasions, and weep, because their minds are too full to wait the

slow expression of words.

_His lacrimis vitam damus, et miseressimus ultro._[147]

There is lately broke loose from the London Pack[148] a very tall

dangerous biter. He is now at the Bath, and it is feared will make

a damnable havoc amongst the game. His manner of biting is new, and

called the Top. He secures one die betwixt his two fingers: the other

is fixed by the help of a famous wax invented by an apothecary, since a

gamester; a little of which he puts upon his forefinger, and that holds

the die in the box at his devotion. Great sums have been lately won by

these ways; but it is hoped that this hint of his manner of cheating

will open the eyes of many who are every day imposed upon.

* * * * *

There is now in the press, and will be suddenly published, a book

entitled "An Appendix to the Contempt of the Clergy,"[149] wherein

will be set forth at large, that all our dissensions are owing to

the laziness of persons in the sacred ministry, and that none of the

present schisms could have crept into the flock but by the negligence

of the pastors. There is a digression in this treatise, proving that

the pretences made by the priesthood from time to time that the Church

was in danger, is only a trick to make the laity passionate for that of

which they themselves have been negligent. The whole concludes with an

exhortation to the clergy, to the study of eloquence, and practice of

piety, as the only method to support the highest of all honours, that

of a priest, who lives and acts according to his character.

The Tatler, Volume 2 · 第 29 / 99 题