NO. XI.--THE DUFFER IN LOVE.

Mrs. MCDUFFER never greatly admired the lady with whom this confession

is concerned. She denies that CECILIA BRAND was pretty, and when I

do not answer (for where is the use of argument in such a case?), she

remarks that I am too short-sighted to know whether a woman is pretty

or not. This appears to myself to be an injudicious assertion, and the

flank of my opponent might be turned if it were worth while. But it is

not worth while. A Duffer I may be, but not such a duffer as to reason

with a woman. If you score a point (and how many times one sees an

opening in the fair one's harness), a woman is angry, or cries, or

both, and there is no repartee to that _ultima ratio_.

[Illustration: "It was while thus engaged that I heard a sound of

female voices."]

I maintain, then, that CECILIA was pretty, and very pretty; pleasant,

and very pleasant. No doubt she keeps those qualities yet. I do not

believe in the syllogism by which a man persuades himself that he was

a fool, that he had a lucky escape, that a girl becomes quite another

person, and usually very stout and stupid, because she has preferred

someone else to himself. No, if we met to-morrow--But Fortune forbid

that we should meet to-morrow, or any other day! I have no relics of

CECILIA. I had some,--an old glove, a lash of a riding-switch, and

other trifles. I kept them in the secret drawer of a bureau, and in

my absence that bureau was traded away for a new æsthetic article,

relics and all, of course. Perhaps some minor poet bought the piece

of furniture, and found the things, and wrote a poem on them. That is

what makes me uncomfortable. If CECILIA sees the poem in one of the

Magazines, and remembers the incidents which the souvenirs recall,

she will certainly not be pleased with me, whether she fancies that I

wrote the poem, or that I forgot all about the treasures, and traded

their receptacle away. Life is really very complicated.

I met CECILIA at a house in the country. We sat next each other at

dinner. I found her charming. We had the same taste in novels,--she

knew Miss AUSTEN almost off by heart, and, like me, she was very fond

of field sports. I flattered myself that she did not find my company

uncongenial. In the evening there was a little dance: I don't dance,

or at least, it was some time since I had danced, not in fact since

the used to make me take dancing lessons at school. How I hated

it! However, this time I thought it seemed very easy and pleasant,

though the floor was extremely polished and slippery, dangerously

so. CECILIA, of course, was my partner. You know how they describe

waltzing in novels, the ecstasy of it, the wild impassioned delight.

Consult GUY LIVINGSTONE and OUIDA. Well, it was not at all like that.

I do not exactly remember what occurred. We started, there was a buzz.

I think there was a collision. I became extremely dizzy.... When

I recovered my senses, it was _not_ to find the dark grey eyes of

CECILIA bending over me with an expression of anxiety. No, she was not

there. I went to bed: I know there was a great contusion on my elbow.

Next morning, it was winter, everyone was going to skate. Now I could

not skate. At school, when there was a skating holiday, I always

passed it beside the fire, which I had all to myself, roasting apples,

and reading _Ivanhoe_. These were among my happiest hours. However,

I did not tell CECILIA that I could not skate. I pretended (it seemed

safe) to be desperately fond of hunting, and to despise skating.

Besides I had work, literary work, I told CECILIA, an article on Miss

AUSTEN. This pleased her, but nobody accepted the article. In fact, I

was bent on secretly learning to skate. I sent to town for a pair of

"Acmes," for I knew I never could manage all the straps and buckles

of the ordinary modern skate. I knew of a pond where nobody came, and

thither, under cover of night, I smuggled a bed-room chair. They say

that pushing a chair in front of you is a good way to learn. My terror

was extreme; it would be awkward to be caught, at a friend's house,

stealing a bed-room chair. That I ventured this risk shows how fond of

CECILIA I was. I reached the pond safely, and hid the chair in a dry

ditch. Next day, when presumed to be engaged on literary labours, I

sneaked back, sat down on my chair, and tried to put on the skates.

It always seemed so easy when one saw an expert do it, like Mercury

donning his winged shoon, and sailing over the ice. But my hands grew

blue as I struggled with the key and the nuts, till I became certain

that my boots were in fault.

There was no help for it, I hid my chair in its ditch, and returned,

to take the village cobbler into my confidence. He, good man, rose

to the situation, and pointed out what I had surmised to be the

case, viz., that the heels of my boots were too long to allow the

chisel-edged flange to be adjusted by the lever, and admit at the same

time of the other end of the heel being gripped by the cramps,--but

he promised to whittle away part of the heel, and send the skates home

without delay: and he was as good as his word.

This time I took the precaution of fitting them on in my room. I

walked about in them, and was happy. Next day I got to work again:

gingerly I brought my chair into action, but I was wholly unprepared

for the extreme slipperiness of the ice, even though forewarned to

some extent by the painful experiences of _Mr. Winkle_. I had read

that the skater "is very highly favoured when contending with the

great enemy of motion, viz., friction," a proposition which I found

to be perfectly true. My legs developed separatist tendencies, and

started on independent orbits. Often I found myself sitting down in

a position affected by acrobats, but unusual in Society. As for the

chair, it would rear and plunge like a horse, or escape across the

ice, where I had to crawl to it on my knees. It was while thus engaged

that I heard a sound of female voices, and, lo! there were CECILIA and

two other girls, who had heard of this pond in the wood, and come to

try it. I presented a singular spectacle, kneeling before a bed-room

chair in the middle of a lonely pond. They laughed, a lover should

never be ridiculous, but how could I help it! I thought it best to

be frank, indeed, what excuse could I make, what explanation could I

offer? In the evening I told CECILIA that I had undergone all this for

her sake; that, expert in other pastimes (except dancing), I had hoped

to make myself more worthy of "figuring" in her society. But, as a

matter of fact, I never got so far as figures.

Next day there was a thaw, and soon I had an opportunity of riding

with CECILIA. It was "The Last Ride Together," as in Mr. BROWNING. I

don't like to speak about it. When we got off the road on to the turf

my horse began to kick and plunge. I have read that it is not right,

but I did what I always do, I held on by the pummel. Would _you_ not

hold on by the carpet, in an earthquake. It felt like a young and

lively earthquake. We came home soon, _CECILIA leading my horse_.

People staying in the house met us.

I did not propose to CECILIA. I thought, like _Sir Andrew Aguecheek_,

"It is four to one she'll none of me." Nay, the odds were probably

even longer. Ah, CECILIA, if these lines meet thine eyes, thou wilt

know that one heart still is true. In another life, less begirt by

material difficulties, we may meet amongst the asphodel, where there

is no opportunity for the display of mere mechanical accomplishments.

Till then, _au revoir_!

* * * * *

APPROPRIATE.--At Nancy, the Maire pledged the Czech gymnasts, in a

goblet of Pommery. Their chief, returning thanks in French, with

a strong Bohemian accent, remarked that he took this as a great

compliment to his own nationality, the champagne being "_très Czech_."

* * * * *

[Illustration: TROP DE ZÈLE.

(_An Aristocratic Tip._)

_The New Companion_ (_fresh from Girtham College_). "YES, LADY JANE,

I SAW _H_ER, WITH _H_ER _H_ABITUAL _H_YPOCRISY _H_OLDING OUT _H_ER

_H_AND TO _H_IS AS _H_E WAS _H_ARANGUING AT _H_IS _H_OTEL--"

_Lady Jane._ "GOOD GRACIOUS, CHILD, DON'T STICK IN YOUR H'S SO

CAREFULLY AS ALL THAT! PEOPLE WILL THINK YOUR FATHER AND MOTHER

DROPPED 'EM, AND THAT YOU'RE TRYIN' TO PICK 'EM UP!" [_And People

wouldn't be very far wrong._]

* * * * *

Punch, or the London Charivari, Volume 102, June 11, 1892 · 第 18 / 22 题